Nor did she care for their fascination with her as the envoy of a different, and obviously disapproved of, world. She was not indifferent to the glamour of the stage but she had started to see that the quality of glamour as such was no longer rated by the fashionable thespians themselves. To make matters worse, she felt that she had entered this strange arena not as a star (which privately she had counted on) but as a freak.
'What a ghastly bunch! Who were those people?'
Simon never answered these questions, which were in truth more or less rhetorical. They both knew that what Edith was pointing out was that she found theatre folk 'common', though she would never quite say it. Simon, partly because he was not interested in whether they were common or not because it wasn't relevant, and partly because he suspected (deep in his heart) that by her standards he was pretty common himself, never rose to this one. 'I had a good time,' he said.
'You didn't have some frightful man with a voice like a bowl of fruit salad slobbering over your hand all evening. Are all your parties going to be like that?'
'Are all your parties going to consist of six Sloane Rangers and someone who lost money in Lloyd's? Because, if so, I'll take the fruit salad. Any day of the week.'
They drove home in silence.
SIXTEEN
It happened that I was in the Fulham Road late one afternoon running various errands and Adela had asked me to look in on Colefax and Fowler to collect some braid she had ordered a few weeks before. Normally I would have refused the commission since at that time (unlike today) all the assistants there seemed to have taken a degree in Higher Rudeness, but she insisted and in fact I was dealt with by a pleasant enough woman. Even though, as Adela had expected, the order had still not arrived, she did seem quite sorry about it.
At any rate, I was just receiving my token apology together with the standard assurances that it would be in next week when I glanced back towards the street and there, leafing idly through the racks of samples, was Edith's mother. I had last seen Mrs Lavery almost exactly two years before, around the time of the festivities of the wedding. It moved me now to think of that victorious figure, trembling with satisfied ambition in the Red Saloon at Broughton, as I looked at this lost and broken soul. She stared glassily at the huge flapping areas of pattern as they waved past her face but she saw nothing. Nothing, that is, except the ruin of all her dreams, which clearly played endlessly like a cursed tableau in her brain.
'Hello, Mrs Lavery,' I said.
She turned to me, gathered the knowledge of who I was from some distant mental shelf and nodded a greeting. 'Hello,' she answered in a hollow, frigid tone.
I learned later that she blamed me for introducing Simon to the Broughton family. With some justice, I suppose. It is customary nowadays for people to shrug off guilt in this sort of thing by saying 'it would have happened anyway' but I am not at all convinced by this argument. Most of our lives are not the fulfilling of some inexorable design laid down at birth but rather the sum total of a series of random events. If Edith had never met Simon — or not met him until after she'd had a child
— I think it quite unlikely that the whole thing would have happened. However, she had met him. And it did happen. And, when all is said and done, I had introduced them.
'Have you seen anything of Edith lately?' I said. The sense of her daughter's Banquo-like presence in the room, of her daughter's story, was making us both uncomfortable. It seemed easier to normalise the situation by talking about it.
'Not very much, no.' She shook her head. 'But she…' she hesitated, 'they are coming to dinner tonight. I dare say I shall catch up then.'
I nodded. 'Well, give her my love.'
But Mrs Lavery was not quite prepared to let me go. 'You know him, I gather. This new fellow.'
'Simon? Yes, I know him. Not very well but we were in a film together. Down at Broughton. That's how they met.'
'Yes.' She stared at the floor for a moment. 'And is he nice?'
I was rather touched at this. Mrs Lavery was trying to force herself to be a Good Mother and to concentrate on the timeless values in assessing her daughter's new beau when we both knew that if Simon had been the nicest man in Europe he could never have repaid what had been lost with Charles. 'Very nice,' I said. 'In his way.'
'I don't suppose you've seen much of Charles? Since all the — business happened?'
'I have, in fact. I had lunch with him the other day.'
Mrs Lavery was surprised. I suppose in her romantic imaginings of her son-in-law's world she had erected much fiercer divisions than in fact exist. Also my admission gave the impression that I might not have encouraged Edith in her folly. She softened noticeably. By this time she had convinced herself, of course, that her affection for Charles was genuine and based entirely on his qualities as a man. It wasn't but I don't know that it was any the less felt for that. 'How is he? I'd love to see him but…' She trailed off miserably.
'Oh, you know. I'm sure he'd love to see you,' I lied. 'He's still pretty cast down.'
'Well, he would be.' She sighed wearily and without hope. 'I'd better get going. They're coming at eight and I haven't done a thing.'
And she left the shop, her shoulders stooping as she pulled at the heavy door. When I had last seen her she had resembled a character from some frothy Coward comedy. Now she looked like Mother Courage.
===OO=OOO=OO===
Simon was oddly nervous as they turned right off the King's Road down the Vale towards Elm Park Gardens. He'd been fiddling with his tie every time they stopped at a light and as they drew closer, he started picking at his nails. Edith could feel herself tensing with irritation. She couldn't decide if he was apprehensive because he thought her parents were much grander than they in fact were — or if he was nervous of his role as a Wrecker of Marital Bliss. Either way she just wished he'd relax, as the evening promised to be quite sticky enough as it was.
'What is the matter with you?'
Simon just smiled and shook his head. He himself was not exactly clear as to why he had such butterflies although it was true he did think that the Laverys were smarter than they were. He had a very unclear idea of the nuances of London Society and, since he had no knowledge of the Inner Circle whatever, he was unaware of the extent to which Edith had been an outsider at the time of her marriage. Since he still thought of his new mistress as fearfully smart he imagined her background was correspondingly impressive. But that was not actually the source of his unease on this particular evening. Probably it was the more ordinary complaint that this formalisation of their relationship, this presentation to the parents, seemed to set some sort of seal of finality on what had originally been nothing more than a flirtation. He had not really, even now, faced that he was heading into the realms of 'divorce' and 'division of property' and 'maintenance' and 'custody' and all sorts of other depressing words and phrases and yet that is what suddenly seemed to loom ahead. He supposed that in some perhaps roundabout way Mr Lavery was going to ask him about his 'intentions' and it struck him that he didn't really have any intentions — not absolutely fixed ones anyway. But then he glanced across at Edith and she did look very lovely when he thought about it and he was aware of how much prettier her profile was than Deirdre's, who had always looked just a little gormless from sideways on and he thought that after all he could do worse. And thus mollified and heartened he got out of the car.
Mrs Lavery had confided in her husband about her meeting in Colefax. The words of the conversation had gone round and round her head until she had tried to spin them into a skein of hope. Even as she cooked for her daughter's lover she shouted through to the drawing room, 'What do you think he meant by "cast down" exactly?'
Kenneth Lavery was almost as unhappy as his wife over the turn events had taken but for more honourable motives. He hated to see his beloved 'Princess' involved in a public scandal. He hated to witness his wife's despair. And he was not insensible to the fact that his daughter had thrown away a position of power
from which she might have achieved fine things and run instead to a place barely within decent society. He had been proud of his daughter as a Great Lady and he was saddened by her fall. Having said that, he was a good deal more philosophical about the nature of Edith's folly than his wife.
Unlike her he had never deluded himself that Edith's marriage was going to make all that much of a difference in his own life.
'I think he meant what he said. Charles is cast down. Of course he's cast down. His wife has just gone off with another man. What would you expect him to be?'
Stella Lavery stuck her head round the door. 'I just meant that it sounds as if Charles still hasn't got used to the idea. I wondered if there was any point in perhaps getting in touch with him…?' Her voice trailed away, as her husband started to shake his head slowly but firmly from side to side.
'My dear, it is not Charles who decided to end the marriage. It doesn't matter what he thinks. He is not to blame for this.
Nor do I think it fair to start trying to stir him up. Maybe he is getting over her, maybe he isn't. Either way it will not help him to have his hopes revived by you. He is a nice man and our daughter has behaved badly to him. It is fitting for us to keep out of his way.' So saying he returned to the television.
His wife did not resent this treatment by her husband because in her heart she agreed with it. Try as she might to affect some sort of modern tolerance the fact remained that she was deeply, deeply ashamed of Edith's behaviour. As long as she could remember she had imagined herself perfectly suited for a Great Role in the public life of England. She would daydream as she watched those ladies-in-waiting hovering behind the Queen in Parliament, all dressed in their fifties Hartnell frocks, and she had thought how well she, Stella Lavery, would have acquitted herself as Duchess of Grafton or Countess of Airlie if fate had only called her. She would have served well, she knew, even if, like the little mermaid, every step had been taken on knives. And all this fantasy had been passed on to her daughter who had, miraculously, made it come true. But now, instead of hearing that Edith had been asked to chair the Red Cross or to join the household of one of the princesses, the telephone had rung to tell her that it was all over. That her dream was in ruins. And at the bottom of this pit of slime into which she had been hurled was the bitter gall of knowing that all over London people were tut-tutting and saying that after all Charles had married beneath him, that Edith was a little nobody who just couldn't 'handle it' and that he should have stuck to his own kind.
The doorbell went but before they could get to it Edith had let herself in and was calling to them through the flat. As the lovers entered the drawing room, she hurried to kiss her father. He gave her an affectionate squeeze and she knew he at least would be no trouble as she led him over to be introduced to Simon. One glance at the frozen statue of her mother framed in the doorway, however, told her all she needed to know about the evening to come.
Mrs Lavery advanced stiffly and extended a hand. But she could not smile and in a way it was almost a relief that, as soon as Kenneth had left them to fetch some drinks, she dispensed with Simon's inept attempts at small talk and launched straight into the heart of the matter. 'You will understand that this is all very difficult for us, Mr Russell.' She deliberately ignored his attempts to make her call him Simon and in this there was a certain similarity to the way her idol, Lady Uckfield, would have managed the meeting. The latter would have been much cosier, of course. 'We are both very fond of our son-in-law. So you will forgive us if we don't fall on your neck.'
Simon smiled, crinkling up his eyes in a way that was usually effective. 'Neck-falling is quite optional, I assure you,' he muttered gaily.
Mrs Lavery did not return his smile. It wasn't that she was immune to physical attraction. She could see well enough that Simon was one of the handsomest men she had ever encountered but in her eyes his beauty was the explanation of her daughter's ruin. Nothing less. At that moment she could cheerfully have taken a knife and cut the features from his face if it would have turned Edith back from her chosen course. 'My daughter was,' she paused, 'is married to a fine man. Obviously you've thought about what you're doing but it's hard for us to see her break her vows without a pang.'
'It wouldn't have cost you much of a pang if I was leaving Simon for Charles,' said Edith.
Now this was completely true. So true in fact that it made Mr Lavery smile momentarily as he came back in with a tray of glasses, but Edith was forgetting that Mrs Lavery had cast herself in the part of Hecuba, the Noble Widow. In Stella's shattered mind she and Googie Uckfield were two high-born victims in a cosmic disaster (she talked of Lady Uckfield as Googie but not yet to her. Now, she thought tearfully, she would never have the chance). There was no room for irony in her suffering. She looked at her daughter with brimming eyes.
'How little you know me,' she said, and retreated majestically into the kitchen. Edith, her father and Simon stared at each other.
'Well, I suppose we all knew it was going to be a rough night,' said Mr Lavery, tucking into his whisky.
Later, sitting round the oval reproduction table in the flat's modest dining room, the four of them did contrive some quasi-normal conversation. Mr Lavery questioned Simon about acting and Simon questioned Mr Lavery about business and Mrs Lavery fetched the food and removed the plates and made elaborately courteous remarks all evening. She had that uniquely media personality she hardly knows, only to discover in later years that nobody usually questions anyone's 'right' to send them an invitation. If they want to go, they will accept. If they don't, they won't. So, now, it would not have occurred to Lord Uckfield to ponder whether or not Simon Russell was his social equal. He appeared to consider himself so, and that, coupled to the fact that his role in Lord Uckfield's life consisted of eating dinners and telling funny stories, more than justified his amiability and relaxation in the peer's eyes. Just so are many social careers, particularly in London, constructed. Simon was no different to the art-dealers and opera-enthusiasts that are taken up by the various duchesses of our day, whose grinning images, sandwiched between media personalities and the wives of the heirs to great fortunes, are glimpsed in magazines. Of course, such people, like Simon, are generally unaware that beneath the superficial acceptance that their charm and easy manner can gain for them, their grand hosts do not seriously consider them to belong to their world. It is sad to watch the
'walker-favourite' of a great family arrive, after years of drawing-room service, at a public event — a wedding, say, or, worse, a memorial — only to find that they are placed in the back pew between the local MP and the central heating duct, while half-known and much disliked grandees are shown up to the front. Such is life. Or such, at least, are the values of this life.
Something that Simon Russell was quite ignorant of, and Lady Uckfield knew very well indeed.
What interested me this evening, however, was not Lady Uckfield's response to Simon, which was predictably one of careful amusement, but Edith's. The sulks and rather affected hostility of the previous night had gone and been replaced by a mannered silence. She was looking more beautiful than she had been the evening before, in a black skirt and cream silk top, with some pearls at her throat and another string wound round her wrist in a chunky tangle. For want of a better word, she looked sexier than I had seen her since her marriage. She had not abandoned her cold hauteur, which I truly believe was already unconscious, but as we walked in, she looked up from the sofa with the kind of measured glance that I have learned from experience generally indicates that a woman means business.
Looking back, I am forced to conclude that Edith's plan to stay in the country in order to keep out of trouble was a poor one. Like some bored colonial wife in a hill station in India, the lack of sympathetic companions only really served to throw into advantageously high relief anyone who did make it to the outpost. I am not sure that if she and Charles had flung themselves into the whirl of parties, charities and all the other rubbish so eagerly awaiting them i
n London, that her virtue would have been in graver danger. I suspect it would have been quite the contrary. Society has the great merit of blunting the dullness of one's partner. The couple that never talk to each other never discover how little they have in common.
Companionship, like retirement in the middle classes, can so often bring divorce in its wake. One thing I am sure of: in London, Edith would never have been attracted to Simon Russell. He was astonishingly good-looking as I have said, but in truth the trailer was better than the feature. He could talk and he was a really expert flirt, a joy to watch in action in fact, but when the chips were down and the doors were closed there was not much substance there. I do not mean to imply that I disliked him. On the contrary, I was extremely fond of him. And he could discuss mortgages or Europe or Madonna as well as anyone, but then couldn't Charles (at least the first two)? Of the feu sacré, that holy, charismatic flame that makes the world seem well lost for love, Simon had none at all. Or none that was discernible to me.
'Tell me, Mr Russell, what sort of acting do you like best?' This was Lady Uckfield. She was always careful to address strangers, especially those younger than herself as 'Mr' and 'Miss' or by their correct title. The main reason for this, indeed the reason for her whole vocabulary, was to underpin her image of herself as a miraculous survival of the Edwardian age in modern England. She liked to think that in her behaviour and manner people had a chance to see how things were done in the days when they were done properly. How matters would have been managed by Lady Desborough or the Countess of Dudley or the Marchioness of Salisbury or any of the other forgotten fin de siècle beauties who made their lives their art, which consequently perished with them. As part of this carefully studied performance, everything she touched was credited with uniqueness. She would speak of 'receipts' and 'luncheon' as she made a special point of her Irish ham ('dry and delicious and quite unfindable in England') or her French cherries ('I'm simply stuffing myself with them') or her yellow, American paper ('I find I just can't write without it'). The fun of this approach was that all her guests were blackmailed, on the principle of the Emperor's New Clothes, into agreeing that they could perceive an enormous difference in everything that was set before them, thus reinforcing the very prejudices that had made them lie. Actually, the food was always good and well-chosen so I was as craven as the rest in pretending to discern huge shades of taste between different types of asparagus or whatever the challenge of the day might be. And anyway, the more I came to know Lady Uckfield the more I came to admire the completeness of her self-image. She never took time off from being the ultra-charming but ultra-fastidious marchioness of the long Edwardian Summer. Never. I am sure that if she were going in for a potentially fatal operation, she would be fussing about the make of the surgeon's scissors.
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