by Luis Samways
Fifty Nine
‘Okay men, this is it. We are going to sweep downtown Boston. I’m splitting you up into teams of ten. In total, there will be ten teams. Each team will take an assigned block. In the next hour, a ten truck convoy will arrive in downtown Boston. Each team will have a point man. I will call out the team’s assignments in a minute. Each of you will have a number on your shoulder; that number corresponds with your team. The point men for each team will be....’
Chief Shaw announces the point men in a random order. ‘...team eight will be led by officer Santiago. Team nine will be led by Officer Phillips. Finally, team ten will be led by Officer Mullins.’
Mullins steps forward and joins the point men in formation.
Each man steps forward and turns around, forming a line across the width of the car park, facing the on looking officers. Shaw steps in front of the selected point men, he paces up and down, looking on at the remaining men.
‘Okay, team leaders, disperse to the convoy area and line up next to your numbered truck. Your team will join you as they select their numbers. I’ll come and brief each one of you in the next thirty minutes.’
Mullins walks up to the number ten truck and looks at the other men leaning against their trucks. Truck number nine’s point man nods in acknowledgement. Mullins nods back.
He takes a deep breath in and swallows hard. Something just doesn’t feel right, he thinks to himself.
Sixty
Sandra Austin pushes the hot water button on the vending machine. Water spills out of the plastic nozzle into a polystyrene cup. She hits the cappuccino button and the machine hums; sputters and delivers powdered coffee into the cup. She grabs the steaming beverage out from under the dripping nozzle and takes a sip. Her camera man laughs at the face she makes.
‘Tastes like shit right?’ he asks.
Sandra nods. ‘What the hell are we doing down here?’ her companion asks. ‘It’s a damn train station. Nothing newsworthy is happening here unless you count lousy coffee and train delays.’ Sandra takes another long sip of coffee. ‘I don’t know Mike. Just point the camera in my direction and leave the questions to me.’
Mike puts the camera on his shoulder and points it in Sandra’s direction, focusing in on her bust.
‘Stop being immature, Mike. And save space on the hard-drive. We don’t know how long we‘re going to be here, do we?’
Mike reluctantly puts the camera back on its tripod overlooking the tracks. ‘Why do you think Bob asked us to set up on this platform specifically?’ ‘It could be one of many reasons. Maybe someone famous or of importance is going to disembark here.’
Sandra and Mike stare down the tracks in anticipation of the train’s arrival.
Sixty One
Frank stocks up on ammo and weapons in the warehouse. He has the MSR rifle slung across his back and two 9mm’s hoisted on his belt. He grabs a twelve inch army knife from a box on a shelf above him and spots a box next to it that says, “EXPLOSIVES.”. He grabs the box and settles it on top of a stack of crates at his chest level.
He is unsuccessful at prying the box open and looks around for something to help him. A crowbar rests near his feet. He grabs it and splits the explosives box open, revealing frag grenades. He attaches three to his belt, using the clips in the box. He closes the box and puts it back on the shelf.
He sees black face paint on the shelf and takes the round shoe polish-like tin and applies it to his face and arms. He rips the shredded sleeves from his tatted shirt and pastes his arms in the paint. It masks the dried blood.
Pain suddenly drops him to his knees. He grabs his head, his finger nails dig deep into his skin, scratching like a cat at a scratching post. Using the crates to steady himself, he drags himself to his feet. The voices in his head thump at his conscious and he relives the day’s events: the killing of Tasha, the bloodshed and brutal killing in the hallway, the massacre at Connor Chase’s home.
He falls again, shaking with pain. His head hits a puddle of water on the floor and he chokes. Trying to lift his head to draw breath, he feels as if someone is holding him down, drowning him.
A blow forces him straight back down into the puddle. He cuts his eyebrow, blood trickles out and the taste of copper fills his mouth.
He gasps for air and screams, igniting bubbles in the puddle. He pushes one last time and manages to free himself from the unworldly grip. He bursts from the water, soaking wet as he looks around the dingy warehouse. No one is in sight.
He staggers to his feet and breaths deeply. His breath is visible in the air, like breathing in a freezer. He looks around and sees nothing out of the ordinary. He sees his reflection in the puddle. A blood droplet falls from his check and lands in water, rippling it with a tint of red. Returning to the shelves, he grabs another gun and pulls the hammer back. He aims down the sight and strafes from left to right, sweeping the dark warehouse.
He moves deeper into the seemingly empty building and finds a section near the entrance. A noise like a pin drop, a noise acutely familiar to Frank, the sound of a shell casing hitting the floor makes him duck behind a massive pylon. The light switch is just above his head. He hits it, and the lights go off. He hears the crash of someone knocking into something.
‘Damn it.’ a voice says quietly.
Frank turns on the torch in his left hand. His gun is in his right. He spots someone slowly moving away from an overturned trash can. Frank squeezes the hand grip of his gun tightly and approaches the oblivious intruder. A foot away, he cocks the gun for effect and places the cold barrel of the weapon on the back of the person’s neck. The shadowy figure stops dead in his tracks. ‘Freeze dirt bag!’ he demands
‘Frank?’ the man’s voice asks.
Frank shines the torch in the intruder’s face. ‘Eddie?’ He stares at the DA. ‘What the hell are you doing here?’
‘I was going to ask you the same question, Frank.’
‘Sorry to disappoint you, Eddie, but I’m not taking questions at this time.’
Sixty Two
The year 2006: SIX YEARS BEFORE BOARDING THE TRAIN
Flowers decorate the entrance of the Boston High school campus. Students stand in solemn silence as people lay more flowers and ribbons on the campus lawn. Media and news crew’s bespeckle the landscape. Sandra Austin stands just in front of the school’s Football team sign. Mike signals her a five finger countdown: Five, Four, Three, Two, One.
‘High school teacher Maggie Gardener was found brutally murdered in her home last night. Neighbours complained of a ruckus in the early hours of the morning. The Boston PD responded and found her front door unlocked and open. At the horrific scene, blood was found in nearly every room of the home and Mrs Gardener was found in her bed, brutally beaten. Pronounced dead at the scene, the police have just informed us that the cause of Gardener’s death was asphyxiation. They suspect the woman was raped after her death and at this time, they have no leads or suspects. Mrs Gardener will be missed by many. As you can see behind me, students and faculty members are paying their respects and over seven hundred bouquets and memorabilia have been delivered by hand. The principal’s only comment was “This is a troubling time for us all, I would rather not comment on such a heinous crime. I will let the teachers and students speak for themselves.”’
‘It’s obviously a sad day here in Boston; Maggie Gardener won many awards throughout her career and was considered one of the country’s best. Her standard on teaching will be missed.
This is Sandra Austin, reporting live from Boston High.’
Sixty Three
The TV in the incident room flickers to life as an officer hits the AV button. Connor Chase appears on the screen, dressed in his white tux. His suit is cleaner than before so he likely changed clothes.
Chief Shaw watches with the group of officers surrounding him.
‘Who has time to switch tuxedos? I’ve been wearing this cheap suit for two days. ’ Chase and his men stand in formation holding automatic
weapons.
How stereotypical, Shaw thinks. The essence of terrorism, brought by a group of men who claim to be patriots.
Chase’s speech begins and his follower’s part much like a crowd giving way to the Pope. The loyalty and brotherhood is obvious in the eyes of the men wearing balaclavas. Chase’s is the only face visible. The man is not afraid to be associated with his actions in Boston. He is not afraid to die for his cause. That has been gnawing at Shaw for some time.
‘Ladies and gentleman, I’m here with troubling news. The corrupt are scattering for the hills. The brave are being sacrificed. We all like to think that we are of equal ability and status in this messed up world. That is a lie. You may wonder where is this place where no one is equal? Well, my fellow American’s, it is America. I am an American. God knows, this country is hell bent on making choices for me. Where will I go to war? Whom can I marry? Which sex should I be intimate with? What movies can I watch? What ad should I see? What president shall I obey? What laws should I abide by?
In this country, we have learned to bite our tongue, obey the rich and do their bidding. If they want a new holiday home, we pay for it. If I want a new holiday home, I must dream on because the government will cut my wages and everyone else’s before I get a villa. This isn’t about money though. That’s not why I have come. Yes, there are many problems in America, and I, Connor Chase, plan on addressing them. Today’s problems are our future children’s obstacles. The 28th amendment that I am installing is not only derived for people’s privacy, it’s for the people. It’s the amendment that will give American citizens the power, the power that this government has confiscated. They can sell hard-working American’s information, use our information and bargain and burden our lives. It’s because of hard working Americans, that they can spend billions on wars and "global missions of peace". Hard working Americans pay the wages of hard working police, fire department and hospitals. All three of these vital commodities are in danger. It’s because of this Government that an undercover cop will die today.’
Shaw’s face whitens as Connor brings a man with a bag over his head into view, His identity is not certain to anyone but Shaw. Connor smiles as he pulls the white sack from the unidentified man’s head. It’s Nathan.
‘This is Nathan. I am not sure if it’s his real name or his undercover one. But that’s beside the point. Nathan being here tickles my funny bone.’ Chase sadistically tickles Nathan’s elbow.
‘Now I’m going to ask Nathan a few questions.’
Nathan nods and the sweat on his forehead strobes on the TV screen.
Nathan is visibly in shock.
‘Are you an undercover cop, Nathan?’
Nathan nods.
‘I asked you a question, boy. You will have the decency to answer!’ Chase demands.
‘I am an undercover cop. Special Forces to be precise.’
‘Boston SWAT. A man of skill indeed. Why are you undercover here, then, Nathan?’
‘I was assigned to monitor you when we suspected you of being a radical.’
‘Now I’m going to ask one final question, Nathan. Who is the evil in this scenario? Me or the government who put you here with no back up and no weapons.’
Nathan swallows hard as Chase hovers over him, Desert Eagle in hand, pressed against Nathan’s scull.
‘Times ticking, boy.’ Chase mimics looking at his watch. The room goes silent as Chase cocks the hammer and presses the trigger.
The impact of the shot at close range splits Nathan’s head in half. His lifeless corpse slides out of view leaving a bloody smear on the wall with the remains of his head. Connor smiles and wipes down the stainless steel barrel of his gun. He aims a candid wave at the camera as it goes black.
Shaw looks on in disbelief. ‘Shit. ’ says Shaw
‘Who was that?’ an officer asks.
‘That was Frank’s brother, Adam.’
Sixty Four
‘What the hell are you doing here, Eddie? Haven’t you got a city to protect?’ Frank pats Eddie down for a concealed weapon.
Eddie relaxes when Frank stops. Both men look at each other intently. Frank lights a cigarette and gives one to Eddie. ‘So, are you going to answer me?’ ‘I am wondering the same thing. Frank. Why are you all kitted up like you’re going to war or something?’
‘That’s exactly where I’m going, Eddie. I’m going to war. That son of a bitch killed all those innocent people and slaughtered Tasha like an animal.’
Eddie takes on a lopsided crate next to Frank. Frank remains standing. ‘Look Frank, we need you back at headquarters.
‘It’s bullshit. The whole thing is bullshit. You can’t just take me off a case and then expect me to run back into action when you want. First, you ring me up yesterday, begging me to come back. I’m not playing these games anymore. If you guys aren’t going to make a move on that asshole, Chase, then I will.’
‘We are going to make a move on him. That’s why we need you. Shaw says he wants you back. He needs you to get the job done.’
Franks smiles as Eddie stares a hole into him. ‘That guy is a complete moron. He has been nothing but condescending to me since this whole escapade started.’ Frank goes silent as he clicks some thoughts around in his head. ‘I know why you’re asking me to come back. That dirt bag Connor is threatening to blow some hostages to high heaven, isn’t he?’
Eddie nods, taking one last drag on his cigarette before discarding it. He stands up and squares off. ‘Look Frank, I know you like I know my right hand on a cold and lonely night. You’re going to play this game for as long as I’m willing. Truth is I can’t go through these hoops of yours. If you’re going to come back, I suggest you make up your damn mind.’
Frank smiles, relieving some of the tension in the room. ‘Yeah, you know me. Super Detective Frank McKenzie. There for the public when I’m not high or contemplating blowing my own head off”’.
‘That’s pretty dark, Frank. You’re an emotional wreck, addicted to pain pills and horse tranquilisers’.
‘How did you know I’d be here?’ Eddie faces Frank with his hands out. ‘I had your shoes bugged,’ he admits.
Frank strips his weapon’s belt off and places it on the ground. Both men walk out of the warehouse towards Eddies Mercedes. Frank laughs as he gets in the passenger side.
Sixty Five
Crystal sits on her vibrating seat, feeling every movement of the train. Across the small cabin, Jason is dozing. Next to him, Jenifer cuddles, holding his arm tightly. Crystal’s thoughts drift from Jason to Jenifer. She feels guilty for succumbing to Jason.
She and Jenifer have not spoken for three hours and it grates on Crystal. She leans forward and shakes Jenifer awake. Jenifer blinks a few times and finally focuses and manages to frown. She gets off Jason and moves in closer to Crystal, who is leaning in at a hairs length from her face.
‘Look, Jen, we can’t be fighting this whole trip,’ Crystal whispers.
‘We haven’t even started Crystal. What you did was desperate and selfish. I wouldn’t ever do anything like that to you. You can’t think I’m going to let this go. I like Jason. You go and blow him off in the toilet!’
‘What do you mean you wouldn’t do anything like that to me? What about Ryan in high school. Don’t you think I don’t know about you screwing him? Why do you think I broke up with him?’
Jenifer’s chin drops in shock. ‘Two wrongs don’t make a right, Crystal.’
‘That’s what I’m trying to say, Jen. We need to forget this crap and move on. He’s just a boy we just met. You’re not going to throw away years of our friendship for an idiot like him, are you? He played us both.’
Jason is motionlessly slumped on the arm rest of his chair. The girls smile at each other.
‘You’re right, hon’, Jenifer agrees. ‘Fuck him. We’ve had too many good times to spoil it over some hot piece of ass!’ They giggle, hands over their mouths to muffle the sound. Jason twitches restlessly but then remains still.
‘Let’s move to the front and get away from him for the rest of the journey,’ Crystal suggests.
Jenifer nods and they grab their luggage from underneath their seats. Crystal opens the cabin door, cautiously stepping over Jason’s sprawled legs. Jenifer follows, brushing her leg against his. Making their way out of the cabin, the train jolts violently and they brace against the door.
‘You two aren’t going anywhere.’
They turn to see Jason holding a 9MM square in their direction. Both freeze as Jason slowly gets up. Crystal looks at Jenifer and shakes her head. Jenifer shrugs as another violent train jolt sends Crystal flying forward. She lands on Jason. Jenifer bolts out of the cabin and flees up the narrow hallway. Jason punches Crystal in the face, knocking her unconscious. Her head thumps the support leg of the chair Jason was sitting in. He shoves her off him and gets up, pulling the hammer of the gun back as he exits the cabin.
Jenifer approaches the door to the economy seating and puts her hands on the lax handle. Jason fires a shot. The bullet pierces her shoulder, exiting her body and hitting the doors glass. Blood spatters as she lands head first, her skull hitting the broken glass and going straight through the window. Her hair catches in the sharp glass. Jason reaches the door and frees her, ripping flesh off her face and forehead as he pulls her from the heavy glass.
She falls to the ground and he takes aim. Lying on her back, she looks at him with pleading eyes. Blood escapes her mouth and the corners of her eyes. He fires another shot straight into her head.