By this time the sand rays—four of them—were among the gladiators. A huge wing knocked Grimes sprawling. He heard one of the girls scream, O’Brien roaring. He got to his feet, still clutching the arbalest. Miala pushed him over as she danced by, brandishing her long spear. Again he tried to get up but Darleen was standing over him, legs astride. Her heavy club smashed into the open mouth of a sand ray coming in for the kill, splintering sword-like teeth but snatched from her hand by those remaining. The huge, fast-moving body swept her away from Grimes, passed over him in a wave of evil smelling darkness. The long, barbed tail flicked his chest, tearing the skin, drawing blood.
He got once again to his feet.
He ignored the melee over to his right; he got the impression that O’Brien, Miala and Leeuni were well able to take care of themselves. He ran towards where the ray had the struggling Darleen on the ground, worrying her like a terrier with a rat. She was still alive, her long legs, all that could be seen of her, were kicking frantically. Shirl was sprawled on the back of the beast, her arms around the domed head, the fingers of both eyes clawing at the single eye. The tail was arching up, up, over and forward, its spiked tip stabbing viciously down. Blood was running from the girl’s back and buttocks.
Grimes ran around to the front of the fight. He raised his crossbow. At this range he could not miss. Shirl saw him, withdrew her hands. He fired. The steel bolt drove through the tough, glassy membrane protecting the eye, into the brain beneath. The wings flailed in a brief flurry of sand and then were still. Shirl joined Grimes to pull Darleen from under the ray’s head. Her body was a mass of blood, her own and the green ichor from the animal’s wounds.
But she could still grin up at them.
“I knocked most of the bastard’s teeth out,” she whispered, “but he could still give me a nasty suck . . .”
But what of the others?
The fight was almost over. Only one ray still survived and Miala and Leeuni were leaning on their long spears, watching O’Brien finish it off. Its tail was gone, and one wing. It was floundering around in a circle on the greenstained sand, whining almost supersonically. With a dazzling display of axemanship the big man was hacking off the other wing, piece by piece, working in from tip to root. The crowd, to judge from the applause, was loving the brutal spectacle.
It sickened Grimes.
He took the long spear from Leeuni’s unresisting hand, awaited his chance and then drove the sharp point into the sand ray’s eye.
The death flurry was both short and unspectacular. O’Brien lowered his axe, stood there glaring madly at Grimes.
He howled, “What did you do that for?”
“I was putting the beast out of its misery.”
“You had no right. It was mine. Mine!”
Axe upraised again the maddened O’Brien charged at Grimes, who brought up the spear to defend himself. The blade of the weapon, still sharp, sheared off the head of the spear and, on the second swing lopped short the shaft with which he was trying to hold off his berserk assailant.
It was Darleen who saved Grimes’ life. Or Shirl. Or both of them. A thin slab of sand ray’s wing, flung by Shirl with force and accuracy, struck the descending blade of the axe, deflecting it. And Darleen, coming up behind O’Brien, hit him, hard, on the back of the head with her nulla nulla
He gasped, staggered.
Darleen hit him again.
He stumbled, sagged. He dropped the battleaxe then followed it to the sand. His hands made scrabbling motions.
The crowd was roaring, screaming. Grimes looked towards the royal box. A tall, portly man, wearing a purple toga and with something golden on his bald head, had both arms extended before him, was making a gesture that Grimes had no trouble in interpreting, with which he had no intention of complying.
Darleen, on the point of collapse herself but still holding her club, asked doubtfully, “Shall I?”
“No,” said Grimes. “No.”
The amplified voice came from the speakers, “Grimes! The verdict is thumbs down!”
“No!” he shouted defiantly.
“Darleen! Shirl! The verdict is thumbs down!”
“No!” they called.
Grimes heard movement behind him, turned to see the advancing guards in their archaic helmets and breastplates, their metallic kilts. Their pistols were modern enough.
Luckily they were only stunguns, Grimes thought as the blast hit him.
Before he lost consciousness he wondered if this were so lucky.
Chapter 19
HE WOKE UP.
He heard screaming, thought fuzzily that he was still in the throes of some nightmare.
He opened his eyes, looked up at a low, white ceiling, featureless save for a light strip. He felt around himself with investigatory hands. He seemed to be on a resilient bed. He was alone.
But who was screaming?
He raised himself on his elbows, looked around. Before him was a blank white wall. To his right there was a similar view. To his left the wall was broken by an alcove in which were toilet facilities. But the noise—it had subsided now to a low whimperingcoming from behind him. He drew up his knees, swung himself around on the bed and looked with sick horror at the fourth wall.
At first he thought that it was a window, one looking into an operating theatre. Then he realised that it was a big trivi screen. Under the too bright lights was a table, its white covering spattered with blood. Strapped to it, supine, spread-eagled, was a naked girl. Stooping over the table was a white-gowned, white-capped, white-masked surgeon. His gloves gleamed redly and wetly. A similarly clad woman stood a little back from him, holding a tray of glittering instruments. In the background were the tiers of seats with the avidly watching audience. Inevitably there were Shaara among them.
There was no anaesthetist.
The surgeon deepened and lengthened the abdominal incision, tossed the bloody scalpel back on to the instruments tray. He took from this retractors, used them to pull the lips of the horrible wound apart. There was a pattering of applause from the audience. Then, plunging his hands deep into the victim’s body, he started to pull things out . . .
The screaming was dreadful.
Grimes just made it to the toilet alcove, vomited into the bowl. He stayed there, his hands clamped over his ears, shutting out most but not all of the noise. He heard, faintly, hand-clapping and cries of, “Encore! Encore!”
At last there was silence. He uncovered his ears and found that it was indeed so. He looked cautiously into the room. The big screen was blank, dead. He walked slowly towards it, fearing that it would come alive with some fresh scene of horror. He could find no controls; obviously it could not be turned off from this side. So his sadistic jailors, any time that they felt like it, could treat him to a preview of what might be his own eventual fate.
He wondered when they would be getting around to Shirl and Darleen. And himself. He wondered if they had already disposed of Fenella Pruin. She had not been the girl on the operating table; of that he was sure. He supposed glumly that he and the New Alice women would be given time to recover fully from the wounds that they had sustained in the arena; a torture victim who dies too soon deprives the spectators of the entertainment for which they have paid. He looked down at the transparent syntheskin dressing on his chest. The gash inflicted by the sand ray’s tail seemed to be healing nicely. Too nicely.
Of course he could refuse to eat—when and if he got fed. (In spite of his recent nausea his belly was grumbling.) But what if he did? With modern techniques of compulsory feeding the hunger strike had long since ceased to be an effective protest weapon.
Out of the corner of his eye he saw a flicker of movement.
A hatch had opened at floor level and a tray had been pushed through on to the polished surface. The little door closed with an audible click. It fitted so perfectly that only a very close inspection of the wall revealed its existence.
But Grimes did not make this examination until lat
er. He was more interested in the bowl, with a spoon beside it, sitting on the tray. Everything was made of what seemed to be compressed paper; there was nothing that could be used as a weapon, either against his jailors (if they ever showed themselves) or as an instrument for suicide.
The food, too—it was a thick stew—could well have been made of cardboard itself. But it seemed to be nourishing enough.
Unfortunately Grimes could not keep it down for long.
He was treated to an after dinner show—this time of a man being slowly roasted over a bed of glowing coals, embers that flared fitfully when fed by the drippings of fatty fluids.
Chapter 20
TIME PASSED.
How much time Grimes did not know, although he did try to keep some track of it. He assumed that he was being fed at regular intervals, assumed, too, that he was being given three meals a day. The trays, bowls and spoons were made of a material that could be torn up and flushed away. He saved the spoons, laying out a row of them in the toilet alcove.
He tried to keep fit by exercising, by doing push-ups, situps and toe-touchings. He was far from sure that this was wise—the better the condition in which he maintained himself the longer it would take him to die under torture. But he could not abandon hope. Not for the first time in his life he thought that the immortal Mr. Micawber must be among his ancestors. Something might—just might—turn up.
The worst feature of this period of incarceration was that he was beginning to look forward to the sadistic trivi shows. He tried to excuse himself by telling the censor in his mind that he watched so as to be assured that neither Fenella Pruin, Darleen or Shirl was one of the screaming victims. This was partly so—but he knew that he had, now and again in the past, enjoyed films in which were picturesque scenes of the maltreatment of naked women. These had only been make-believe sadism—or had they?—but this was the real thing.
It was when he became sexually stimulated that he really hated himself.
Then one night—if it was night—he was awakened by the notes of a bugle call, reveille, from the wall screen. (It made a change from the usual piercing screams.) He looked at the wall but there was no picture, only an ominous, ruddy glow.
A quite pleasant male voice said, “We have been observing you, Grimes.”
“Surprise! Surprise!” he muttered sardonically.
“We have been observing you, Grimes,” repeated the voice. “We have decided that you are promising raw material.” (Grimes remembered a torture session that he had been unable to watch to a finish, that of a man being skinned alive.) “It may not surprise you to learn that many of our executioners are recruited from among the prisoners. You will be given the opportunity to join their number.”
“Like hell I would!” almost shouted Grimes.
“The standard reaction,” remarked the voice. “But you would be surprised to learn how many of our torturers have been recruited as you will be. After all, it boils down to a simple choice, that between being the killer or the killed. During your career in the Survey Service—and subsequently—that is a choice that you must have made, quite unconsciously, many and many a time. But when you made that choice in the past the death that you escaped would have been a relatively painless one. This time the death that you escape would have been extremely painful.”
“The answer is NO!” shouted Grimes.
“Are you sure? As I have already said, we have watched you. We have observed that you were physically stimulated by many of the more picturesque punishments meted out to members of the opposite sex. You really hate women, Grimes, don’t you? Soon, very soon, you will be given the opportunity to do something about it. And I warn you that if you fail to give satisfaction, if you refuse to take up the torturer’s tools or if you accord the subjects the privilege of a too quick release, you will be given instruction in the techniques required for the infliction of a long-protracted passing—instruction from which you will not benefit as you will not survive it.”
The red glow in the screen contracted to a single bright point, an evil star, then winked out.
And what would he do, Grimes asked himself, when it came to the crunch? What could he do? If failure to comply would mean only a quick death the choice would be a simple one—but he remembered vividly, too vividly, that wretch who had been skinned alive and that other one slowly roasting over the sizzling coals.
Then they came for him.
***
The four guards hustled him through what seemed like miles of corridors, cuffing him when he hesitated, prodding his naked back with the hard muzzles of their stunguns. They brought him into a large room, a sort of theatre in the round with the tiered seats already occupied by the audience. Over these the lighting was dim but Grimes could see men and women—and the inevitable Shaara. The stage was brightly lit by a single light sphere hanging above it. It was a set, and the other members of the cast were ready and waiting, there was a rack. There were two St. Andrew’s crosses. There was a box, a sort of oven, glowing redly, from which protruded the wooden-handled ends of the hot irons. There was a table with an array of knives, large and small, straight and curved, gleaming evilly.
On the rack was Fenella Pruin. She looked at him. He looked at her. She was trying hard not to show her fear but it would have been impossible for one in her situation not to be hopelessly afraid. Strapped to one cross was Darleen, to the other was Shirl. Grimes remembered the show that he had watched with Fenella, the make-believe torturings of the women on the rack and the crucifixes. He remembered the fat man who had wanted to take her to see the real thing. He wondered if that swine were among these ghoulish spectators. An amplified voice was speaking.
“Gentlebeings, the stars of the entertainment that we are about to witness are already known to each other. The man making his debut as an apprentice torturer is an offplanet spy who was apprehended by our security forces. He is being given the opportunity to redeem himself. The lady on the rack is his fellow agent. She will be punished for her crimes against society. The two ladies draped so attractively on their crosses abetted the man in his defiance of authority. Perhaps some of you were present on that occasion in the Colosseum. They will learn that it is unwise to transfer allegiances. Unfortunately for them it will be the last lesson of their lives . . .”
“Cut the cackle!” screamed Fenella Pruin defiantly.
“I would order you gagged,” the unseen announcer went on, “but that would disappoint our customers, to whom shrieks and pitiful pleas for mercy are the universe’s finest music.
“And now, Grimes, may I remind you that the show must go on? And soon, very soon. If there is too much hesitation on your part one of our experienced tormentors will usurp your star role and yours, although in an almost as important part, will be for one performance only.
“You see your working tools. The rack, the hot irons, the knives. You can use them in any order you please. Your original accomplice has stretched the truth so often that it would, perhaps, be an act of poetic justice if you stretched her. Or you might prefer to make a start on your more recent acquaintances, working on the principle of last in, first out. May I make a suggestion. Perhaps, during your early training in the use of various weapons, you became an expert knife thrower? And the young ladies come from a world whose inhabitants are experts in the use of thrown weapons . . . They would appreciate being dispatched that way. But do not make it too fast, Grimes. You know what the consequences to you will be if you do. Just try to lop off an ear here, a nipple there. Aiming between their legs you could slice their labia quite painfully . . .”
Or I could use a knife on myself, thought Grimes. But that wouldn’t be any help to the women. Or I could kill one of them before the stunguns got me. But which one?
Shirl was staring hard at him. She seemed to be trying to tell him something. She looked from him to the knives on the table, then up to the bright overhead light, screwing up her eyes exaggeratedly, then back to him. Grimes was no telepath but perhaps she was
. Perhaps she was an unusually strong transmitter. There were glimmerings, only glimmerings, in his mind. Throwing weapons . . . Nocturnal vision, so often possessed by those of Terran but non-human ancestry, such as the Morrowvians . . . (He did not know what was the racial origin of the people of New Alice but he had his suspicions.)
There was a chance, he decided.
There was a chance for a quick death for the four of them—and a chance that they would not go to the grave unaccompanied.
But what of his own nocturnal vision? A sudden plunge into almost darkness would leave him as blind as the proverbial bat, and without the bat’s sonar. But he had been trained to work in the dark, by feel, when necessary. As long as he had directions and distances fixed firmly in his mind . . .
“We are waiting, Grimes,” said the voice. “Make up your mind. The choice is simple—torturer or torturee. And by being noble you won’t help your lady friends. Perhaps a countdown will help you. Ten . . . Nine . . .”
Grimes walked slowly to the table, picked up a short knife in his left hand. Then he went to the electric brazier, pulled a hot iron out of the box. Its tip was incandescent.
“A knife and an iron . . .” remarked the announcer. “This should be interesting. Which will he use first, I wonder? The knife, I imagine . . .”
Grimes moved to the centre of the stage. He was not quite directly beneath the overhead light, now (except for the ruddily glowing brazier) the only source of illumination in the theatre. And he was, he prayed to all the Odd Gods of the Galaxy, correctly sited for his next move.
Suddenly he threw the heavy iron upwards as hard as he could, transferring the knife to his right hand as soon as he had done so and running towards Shirl. The whirling, white-hot bar hit the glaring lamp, fortuitously the incandescent end first. Perhaps the plastic globe would not have broken had this not been so—but break it did.
Galactic Courier: The John Grimes Saga III Page 40