“I will,” he said.
46
PENDERGAST CONTINUED TO LOOK AT THE BRAQUE. A SMALL question, a nagging doubt, took root in the margins of his consciousness, spreading to fill the void he had created within his mind. Slowly, it intruded into his conscious thought:
There was something wrong with the painting.
It was not a forgery. There was no doubt it was genuine, and that it was the very painting auctioned at Christie’s in the Winter Sale five months before. But there was nevertheless something that wasn’t right. The frame, for one thing, had been changed. But that wasn’t all . . .
He rose from his seat and approached the painting, pausing inches from its surface, and then stepping slowly back, staring intently at it the entire time. It came to him in a flash: part of the image was missing. The painting had lost an inch or two on the right side and at least three inches off the top.
He stood motionless, staring. He was sure the painting had been sold intact at Christie’s. That could mean only one thing: Blackburn himself had mutilated it for reasons of his own.
Pendergast’s breathing slowed as he contemplated this bizarre fact: that an art collector would mutilate a painting that had cost him over three million dollars.
He plucked the painting off the wall and turned it over. The canvas had recently been relined, as one might expect from a painting that had been cut down from its original size. He bent down and sniffed the canvas, coming away with the chalky smell of the glue used in relining. Very fresh: a lot fresher than five months. He pressed it with his fingernail. The glue had barely dried. The relining had been done in the last day or two.
He checked his watch: five minutes.
He quickly laid the painting face down on the thick carpeting, removed a penknife from his pocket, inserted it between the canvas and the stretcher, and—with exquisite care—pressed down on the blade, exposing the inside edge of the canvas. A dark, loose strip of old silk caught his eye.
The liner was false; something was hidden behind it. Something so valuable that Blackburn had sliced up a three-million-dollar painting to hide it.
He quickly examined the fake liner. It was held tight by the pressure between the canvas and the stretcher. Slowly, carefully, Pendergast prized the canvas away from one side of the stretcher, loosened the liner, then repeated the process on the other three sides. Keeping the painting facedown on the carpeting, he grasped the now loose corners of the liner between his thumb and forefinger, peeled it back.
Hidden between the fake liner and the real one was a painting on silk, covered by a loose silk cloth. Pendergast held it at arm’s length, then laid it on the carpet and drew back the silk cover.
For a moment, his mind went blank. It was as if a sudden puff of wind had blown the heavy dust from his brain, leaving a crystalline purity. The image assembled itself in his consciousness as his intellectual processes returned. It was a very ancient Tibetan mandala of astonishing, extraordinary, utterly unfathomable complexity. It was fantastically, maddeningly intricate, a swirling, interlocking geometric fantasy edged in gold and silver, an unsettling, disintegrating palette of colors against the blackness of space. It was like a galaxy unto itself, with billions of stars swirling around a spinning singularity of extreme density and power . . .
Pendergast found his eye drawn inexorably to the singularity at the center of this bizarre design. Once it was fixed there, he found himself unable to move his eyes away. He made a minor effort, then a stronger one, marveling at the power of the image to hold both his mind and his gaze in thrall. It had happened so suddenly, so stealthily as it were, that he had no time to prepare himself. The dark hole at the center of the mandala seemed to be alive, pulsing, crawling in the most repellent way, opening itself like some foul orifice. He felt as if a corresponding hole had been opened in the center of his own forehead, that the countless billions of memories and experiences and opinions and judgments that made up his unique persona were being twisted, being altered; that his very soul was being drawn out of his body and sucked into the mandala, in which he became the mandala and the mandala became him. It was as if he were being transfigured into the metaphysical body of the enlightened Buddha . . . Except that this wasn’t the Buddha.
That was the sheer, implacable, inescapable terror of it.
This was some other universal being, the anti-Buddha, the physical manifestation of pure evil. And it was here, with him, in this painting. In this room . . .
And in his head . . .
47
THE SOUND OF LESEUR’S VOICE DIED OUT ON THE BRIDGE, REPLACED by the howling of wind and the splatter of rain on the windows, the electronic beeping and chiming of the ECDIS electronics and radar as they went through their cycles.
No one spoke. LeSeur felt a sudden panic. He’d gotten ahead of the curve, throwing his hat into the ring with Mason. He had just made the move that would guarantee career suicide.
Finally, the officer of the watch stepped forward, a gruff mariner in the old style. Eyes downcast, hands clasped over his uniform, he was the very picture of stiff-jawed courage. He cleared his throat and began to speak. “A master’s first responsibility is to the lives of the people aboard ship—crew and passengers.”
Cutter stared at him, his chest rising and falling.
“I’m with you, Captain Mason. We’ve got to get this ship into port.”
The man finally raised his eyes and faced Cutter. The captain returned the look with a gaze of such ferocity it seemed to physically assault the man. The officer of the watch dropped his eyes once more—but did not step back.
Now the second officer stepped forward, followed by two junior officers. Without a word Halsey, the chief engineer, stepped forward. They stood in a tight group in the center bridge, nervous, uneasy, their eyes avoiding the commodore’s fatal stare. Kemper, the security chief, remained rooted in place, his fleshy face strained with anxiety.
Captain Mason turned to him and spoke, her voice cold, matter-of-fact. “This is a legal action under Article V. Your agreement is necessary, Mr. Kemper. You must make a decision—now. If you do not declare with us, it means you’ve taken the commodore’s side. In that case, we will proceed to New York—and you will assume the burden of responsibility for all that entails.”
“I—” Kemper croaked.
“This is a mutiny,” said Cutter, his gravelly voice low and threatening. “A mutiny, pure and simple. You go along with this, Kemper, and you’re guilty of mutiny on the high seas, which is a criminal offense. I will see you charged to the fullest extent. You will never set foot on the deck of a ship again as long as you live. That goes for the rest of you.”
Mason took a step toward Kemper, her voice softening just slightly. “Through no fault of your own, you’ve been placed between a rock and hard place. On the one hand, a possible charge of mutiny. On the other, a possible charge of negligent homicide. Life is hard, Mr. Kemper. Take your pick.”
The chief of security was breathing so hard he was almost hyperventilating. He looked from Mason to Cutter and back, eyes darting around as if seeking a way out. There was none. He spoke, all in a rush. “We’ve got to make port as soon as possible.”
“That’s an opinion, not a declaration,” said Mason coolly.
“I’m . . . I’m with you.”
Mason turned her keen eyes on the commodore.
“You’re are a disgrace to your uniform and to a thousand years of maritime tradition!” Cutter roared. “This shall not stand!”
“Commodore Cutter,” Mason said, “you are hereby relieved of command under Article V of the Maritime Code. I will give you one opportunity to remove yourself from the bridge, with dignity. Then I shall order you removed.”
“You . . . you vixen! You’re living proof that women have no place on the bridge of a ship!” And Cutter rushed at her with an inarticulate roar, grasping the lapel of her uniform before two security guards seized him. He cursed, clawing and roaring like a bear, as they wres
tled him to the ground, pinned him, and handcuffed him.
“Brown-haired bitch! May you burn in hell!”
More security guards were called in from a nearby detail and the commodore was subdued with great difficulty. He was finally wrestled off, his thundering voice hurling imprecations down the companionway until at last silence fell.
LeSeur looked at Mason and was surprised to see a flush of poorly concealed triumph on her face. She looked at her watch. “I will note for the log that command of the Britannia has been transferred from Commodore Cutter to Staff Captain Mason at ten-fifty, GMT.” She turned to Kemper. “Mr. Kemper, I shall need all the keys, passwords, and authorization codes to the ship and all electronic and security systems.”
“Yes, sir.”
She turned to the navigator. “And now, if you please, reduce speed to twenty-four knots and lay in a course for St. John’s, Newfoundland.”
48
THE DOOR OPENED SOFTLY. CONSTANCE ROSE FROM THE DIVAN with a sharp intake of breath. Pendergast slipped through the door, strolled over to the small bar, pulled down a bottle, and examined the label. He removed the cork with a faint pop, took out a glass, and casually poured himself a sherry. Carrying the bottle and glass with him, he took a seat on the sofa, put the bottle on a side table, and leaned back, examining the color of the sherry in the light.
“Did you find it?” Constance asked.
He nodded, still examining the color of the sherry, and then tossed off the glass. “The storm has intensified,” he said.
Constance glanced toward the glass doors that opened onto the balcony, lashed with flecks of spume. The rain was now so heavy she couldn’t see down to the water; there was only a field of gray, grading to darkness.
“Well?” She tried to control the excitement in her voice. “What was it?”
“An old mandala.” He poured himself a second glass, then raised it toward Constance. “Care to join me?”
“No, thank you. What kind of mandala? Where was it hidden?” His coyness could be maddening.
Pendergast took a long, lingering sip, exhaled. “Our man had hidden it behind a Braque painting. He trimmed down and restretched the painting in order to hide the Agozyen behind it. A lovely Braque, from his early cubist period—utterly spoiled. A shame. He’d hidden it recently, too. He had evidently learned about the maid that went crazy after cleaning his rooms—and perhaps he even knew of my interest. The box was in the safe. Apparently, he felt the safe wasn’t secure enough for the mandala—with good reason, as it turns out. Or perhaps he simply wanted to have it accessible at all times.”
“What did it look like?”
“The mandala? The usual four-sided arrangement of interlocking squares and circles, done in the ancient Kadampa style, astonishingly intricate—but of little interest to anyone beyond a collector or a superstitious group of Tibetan monks. Constance, would you kindly sit down? It is not agreeable to speak to a standing person when one is seated.”
Constance subsided into her seat. “That’s all? Just an old mandala?”
“Are you disappointed?”
“I thought, somehow, that we’d be dealing with something extraordinary. Perhaps even . . .” She hesitated. “I don’t know. Something with almost supernatural power.”
Pendergast issued a dry chuckle. “I fear you took your studies at Gsalrig Chongg a trifle too literally.” He sipped his sherry again.
“Where is it?” she asked.
“I left it in situ for the time being. It’s safe with him and we know where it is now. We’ll take it from him at the end of the voyage, at the last minute, when he won’t have time to respond.”
Constance sat back. “Somehow I can’t believe it. Just a thangka painting.”
Pendergast eyed the sherry again. “Our little pro bono assignment is nearly finished. All that remains is the problem of relieving Blackburn of his ill-gotten goods, and as I said, that is trifling. I have already worked out most of the details. I do hope we won’t have to kill him, although I wouldn’t consider it much of a loss.”
“Kill him? Good God, Aloysius, I would certainly hope to avoid that.”
Pendergast raised his eyebrows. “Really? I should have thought you would be accustomed to it by now.”
Constance stared at him, flushing. “What are you talking about?”
Pendergast smiled, dropped his eyes again. “Constance, forgive me; that was insensitive. No, we won’t kill Blackburn. We’ll find another way to take his precious toy.”
There was a long silence as Pendergast sipped his sherry.
“Did you hear the rumor of the mutiny?” said Constance.
Pendergast didn’t seem to hear.
“Marya just informed me of it. Apparently the staff captain has taken command, and now we’re heading to Newfoundland instead of New York. The ship’s in a panic. They’re instituting a curfew, there’s supposed to be an important announcement coming over the public address system at noon”—she glanced at her watch—“in an hour.”
Pendergast set down the empty glass and rose. “I am somewhat fatigued from my labors. I believe I shall take a rest. Would you see to it that upon rising at three o’clock I have a breakfast of eggs Benedict and Hojicha green tea waiting for me, fresh and hot?”
Without another word, he glided up the stairs to his bedroom. A moment later, his door eased shut behind him and the lock turned with a soft click.
49
LESEUR WAS ONE HOUR INTO THE AFTERNOON WATCH, AND HE stood at the integrated bridge workstation, before the giant array of ECDIS chartplotters and vector radar overlays, tracking the progress of the ship as it cut across the Grand Banks on a course for St. John’s. There had been no sea traffic—merely a few large ships riding out the storm—and progress had been rapid.
Since the change of command the bridge had been eerily silent. Captain Mason seemed subdued by the weight of her new responsibilities. She had not left the bridge since relieving Cutter of command, and it struck him that she would probably remain there until the ship came into port. She had raised the state of emergency to ISPS Code Level Two. Then she’d cleared the bridge of all but essential personnel, leaving only the officer of the watch, helmsman, and a single lookout. LeSeur was surprised at what a good decision that turned out to be: it created an oasis of calm, of focus, that a more heavily manned bridge did not have.
He wondered just how this Article V action was going to play out with Corporate and how it would affect his career. Adversely, no doubt. He consoled himself that he’d had no choice. He had done the right thing and that was what counted. That was the best you could do in life. How others took it was beyond his control.
LeSeur’s experienced eye roved over the big-screen electronics, the Trimble NavTrac and Northstar 941X DGPS, the four different sets of electronic charts, the gyro, radar, speed logs, loran, and depth sounders. The bridge would be hardly recognizable to a naval officer of even ten years before. But on one side, at a navigational table, LeSeur still charted the ship’s course the old-fashioned way, on paper, using a set of fine brass navigation instruments, parallel rulers and dividers given to him by his father. He even occasionally took a sun or star sight to determine position. It was unnecessary, but it gave him a vital connection with the great traditions of his profession.
He glanced at the speed and course readouts. The ship was on autopilot, as usual, and LeSeur had to admit the Britannia was proving to be unusually sea-kindly, despite a thirty-foot beam sea and forty- to fifty-knot gale winds. True, there was a rather unpleasant long- period, corkscrewing roll, but he could only imagine how much worse it would be for a smaller cruise ship. The Britannia was making twenty-two knots, better than expected. They would be in St. John’s in less than twenty hours.
He felt a great relief at the way Mason had quietly taken charge. In her noon announcement to the entire ship over the PA system, she had quietly explained that the commodore had been relieved of duty and that she had taken over. In a calm,
reassuring voice she had declared an ISPS Code Level Two state of emergency and explained that they were diverting to the closest port. She had asked passengers for their own safety to spend most of their time quietly in their staterooms. When leaving their cabins for meals, she urged them to travel in groups or pairs.
LeSeur glanced at the ARPA radar. So far, so good. There had been no sign of ice, and what few ships were still on the Banks had been lying to well off their course. He touched the dial of the ECDIS and changed the scale to twenty-four miles. They were closing in on a waypoint, at which the autopilot would execute a course correction that would take them clear of the Carrion Rocks on the leeward side. After that, it was a straight shot into St. John’s Harbour.
Kemper appeared on the bridge.
“How are things on the passenger decks?” LeSeur asked.
“As good as could be expected, sir.” He hesitated. “I’ve reported the change of command to Corporate.”
LeSeur swallowed. “And?”
“A lot of hard blowing, but no official reaction yet. They’ve dispatched a bunch of suits to meet us in St. John’s. Basically, they’re reeling. Their main concern is bad publicity. When the press gets hold of this . . .” His voice trailed off and he shook his head.
A soft chime from the chartplotter announced that the waypoint had been reached. As the autopilot automatically adjusted to the new heading, LeSeur felt the faintest vibration: the new course had slightly changed the ship’s angle to the sea and the rolling had grown worse.
“New bearing two two zero,” LeSeur murmured to the staff captain.
“New bearing acknowledged, two two zero.”
The wind buffeted the bridge windows. All he could see was the ship’s forecastle, half hidden in the mist, and beyond that an endless gray.
Mason turned. “Mr. LeSeur?”
“Yes, Captain?”
She spoke in a low voice. “I’m concerned about Mr. Craik.”
The Wheel of Darkness Page 24