In The House Of Secret Enemies
( Mongo - 9 )
George C. Chesbro
George C. Chesbro
In The House Of Secret Enemies
The Drop
He was a big man, filled with a guy-wire tension and animal wariness that even his three-hundred-dollar tailored suit couldn't hide.
He came in the door, stopped and blinked, then walked over to my desk. I rose and took the proffered hand, waiting for the nervous, embarrassed reaction that usually preceded mumbled apologies and a hurried exit. It didn't come.
"Dr. Frederickson?"
Now, there are any number of disadvantages to being a dwarf, all compounded when you've chosen the somewhat unlikely career of a private investigator. I stand four feet eight inches in my socks. I've been told I don't exactly inspire confidence in prospective clients.
"I'm Frederickson," I said. "'Mister' will do."
"But you are the private detective who also teaches at the university?"
You'd be surprised at the number of people who get their jollies from playing practical jokes on dwarfs. For my own protection, I liked to try to size up people fast. He had manners, but I suspected they'd come out of a book and were things that he put on and took off like cuff links; it all depended upon the occasion. His eyes were muddy and the muscles in his face were tense, which meant that he was probably going to hold something back, at least in the beginning.
I put his age at around thirty-five, five years older than myself. I'd already decided I didn't like him. Still, there was an air of absorption about the man that suggested to me he hadn't come to play games. I wanted the job, so I decided to give him some information.
"My doctorate is in criminology, and that's what I teach at the university," I said evenly, determined to lay everything out in the open. "It's true that I operate a private practice but, to be perfectly frank with you, I haven't had that much experience, at least not in the field. I don't have a large clientele. Much of my business is specialized lab work that I do on a contract basis for the New York police and an occasional Federal agency.
"I'm not running down my abilities, which I happen to think are formidable. I'm just advising you as to the product you're buying."
I might have added that hidden beneath the brusque patina of those few brief words was the story of years of bitterness and frustration, but, of course, I didn't. I'd decided long ago that when the time came that I couldn't keep my bitterness to myself I'd move permanently to the protective cocoon of the university. That time hadn't come yet.
I waited to see if I'd scared my prospective client away.
"My name is James Barrett," the man said. "I don't need a list of your qualifications because I've already checked them out. Actually, I'd say you're quite modest. As a forensic lab man, you're considered tops in your field. As a teacher, your students are patiently waiting for you to walk on water. It was your work on the Carter case that finally-"
"How can I help you, Mr. Barrett?" I said, a bit curtly. Barrett was being oily, and I didn't like that. Also, he'd touched on the subject of my success, and that was a sore point with me. It's not hard to be a great civil servant if you've got a measured I.Q. of 156, as I have. It is hard to achieve in private life if you're a dwarf, as I am. And that was what I craved, private achievement in my chosen profession.
Barrett sensed my displeasure and made an apologetic gesture. I swallowed hard. I was the one who'd been pushing, and it was time to make amends.
"I'm sorry, Barrett," I said. "I'm out of line. You see, I run up against too many people who go out of their way to spare my feelings. You don't see many dwarfs outside the circus, and deformity tends to make people uncomfortable. I like to clear the air first. I can see now that it wasn't necessary with you."
The fact of the matter was that I had once been one of the dwarfs people see in the circus; eight years while I was studying for my degree.
"Mongo the Magnificent," which looked better on a marquee than "Robby Frederickson." Mongo the Magnificent, The Dwarf Who Could Out-Tumble the Tumblers. A freak to most people. The memory made my stomach churn.
"Dr. Frederickson, I would like you to go to Europe and look for my brother."
I waited, watching the other man. Barrett wiped his brow with a silk handkerchief. To me, he didn't look like the type to worry about anyone, not even his brother. But if it was an act, it was a convincing one.
"Tommy's a few years younger than myself," Barrett continued. "The other end of a large family. A few months ago he took up with a woman who was, shall I say, a bad influence on him."
"Just a minute, Mr. Barrett. How old is your brother?"
"Twenty-five."
I shrugged, as if that was the only explanation needed.
"I know he's of age, and can't be forced into doing anything. But this problem has nothing to do with age."
"What is the problem, Mr. Barrett?"
"Drugs."
I nodded, suddenly very sober. We'd established instant communications, Barrett and I. That one obscenity, drugs, spoke volumes to me, as it does to anyone who has spent time in a ghetto or on a college campus.
"I'm still not sure I can help, Mr. Barrett," I said quietly. "Addiction's a personal hell, and a man has to find his own road out."
"I realize that. But I'm hoping you'll be able to give him a little more time to find that road. Tommy's an artist, and quite good, I'm told by those who should know. But, like many artists, he lives in a never-never land. Right now he's on the brink of very serious trouble and he must be made to see that. If he does, I'm betting that it will wake him up."
"I take it the serious trouble you're talking about is in addition to his habit."
"Yes. You see, Tommy and Elizabeth-"
"Elizabeth?"
"Elizabeth Hotaling, the girl he took up with. In order to support their habit they started trafficking, smuggling drugs in and out of Italy, selling them to tourists and students. Nothing big-they're not Syndicate-but big enough to attract the attention of Interpol. My sources, which are impeccable, assure me that he'll be arrested the next time he crosses the border, and that he'll receive a very stiff sentence."
I wondered who his sources were, and if Barrett knew that my own brother, Garth, was a New York detective, and a Narco at that. I didn't ask.
"Mr. Barrett, your brother didn't have to go all the way to Italy to feed and support a habit. New York's the drug Mecca of the world."
"Tommy found out that I was considering turning him into the health authorities here for forced treatment."
"Well, that's not going to work over there. Europe isn't the United States. The Europeans take a dim view of drug users and pushers, especially when they're Americans."
"That's why I want you to find him," Barrett said, producing a thick file folder and placing it on my desk. "I know you can't force him to come back, but at least you can warn him that they're on to him. That's all I want you to do-tell him what I've told you. I'll pay you five thousand dollars, plus expenses."
"You want to pay me five thousand dollars for finding a man and delivering a message?"
Barrett shrugged. "I have the money, and I feel a responsibility toward my brother. If you decide to take the job, I think this dossier may help. It has samples of his paintings, as well as descriptions of his habits, life-style, and so on."
Something smelled bad, but I'm as corruptible as the next man. Probably more so. Still, I seemed determined to scare Barrett off. "You're very thorough, Mr. Barrett. But, why me?"
"Because you have a reputation for being able to establish a rapport with young people. If I sent some tough guy over there, Tommy wouldn't lis
ten. I'm betting that if he'll listen to anyone, it'll be you."
I flushed at the mention of tough guy; Barrett might have been talking about Garth, all six feet two inches of him.
I'll take the job, Mr. Barrett," I said. "But you'll be charged the normal rates. I get one hundred dollars a day, plus expenses. If I can't find your brother in fifty days, he's not to be found."
"Thank you, Dr. Frederickson," Barrett said. There was just a hint of laughter in the man's voice, and I couldn't tell whether it came from a sense of relief or something else. "There's a round-trip airline ticket inside that folder, along with a check for one thousand dollars. I trust that's a sufficient retainer."
"It is," I said, trying as best I could to keep my own feelings of elation out of my voice. It had been some time since I'd seen that much money all in one place.
"Dr. Frederickson-" Barrett studied the backs of his own hands. "Since time is so very important in this matter, I had hoped that you-well, I'd hoped that you could get on it right away."
"I'll be on the first plane," I said, reaching for the telephone. I allowed myself a smile. "One advantage of being my size is that it doesn't take you long to pack."
I landed in Rome, checked in at a hotel near the Vatican, and immediately began making the rounds of the art galleries. An artist, especially a young one, would probably be in either Florence or Venice; a drug user and pusher in Rome. Besides, if Tommy Barrett was as good as his brother said he was, and if he was making it, the chances were that some of his work would be surfacing in the Rome galleries.
I was checking the stuff in the galleries against the art samples in the dossier Barrett had given me. I was looking for work with Tommy Barrett's style or signature, preferably both. If I got no lead on him in Rome, then I could try Florence, Venice, or maybe Verona. Then there were the jails to be checked out; after that the cemeteries.
I made no effort to shake the man who was following me, mainly because I was curious as to his reasons. He looked young, big, and strong, a professional on his way up. He was good, but not that good.
I decided to lead him around a bit. Following the example of my feet, my mind began to wander.
I was still wondering who Barrett's sources were, and how he had found out about me. I certainly didn't have that many references, not the kind Barrett would know. My light had been hidden under a test tube for most of my short career.
I'd always been interested in criminology, and nature had partially compensated for her small joke by endowing me with a rather impressive I.Q. that put me in the so-called genius category. All of which doesn't make it any easier to reach the groceries on the top shelf of Life's supermarket.
Of course, there isn't a police force in the world that would hire me on a regular basis and, even if there was, I wouldn't want it. Garth was a public servant because he wanted to be; me, because I had to be. And there was the difference.
It had often occurred to me that I was merely trying to overcompensate for the fact that my brother had been born normal and I had not. But I knew it was more than that. Part of it boiled down to the fact that I had the same needs and shared the same hungers as all men, a yearning for self-respect, for simple human dignity.
All of which tends, at times, to make me a little paranoid. But it wasn't paranoia that had put the man on my tail, and paranoia didn't explain why Barrett had been willing to pay five thousand dollars for the somewhat ephemeral quality of rapport.
On the other hand, I didn't anticipate that much difficulty in tracking down Tommy Barrett. Dead, alive, or imprisoned, I was fairly confident I'd be able to catch up with him. His dossier revealed him to be an artistic, highly sensitive individual, intelligent but lacking the guile necessary to elude the police or me for very long.
Also, Tommy Barrett's life-style and mode of dress limited him in the places he could safely go without immediately attracting attention. Add to that the fact that I speak passable Italian. I figured my chances of finding an expatriate American in Italy were pretty good.
I scored on my fifth stop-Tommy Barrett's work, style and signature, was propped up in the window. The young girl in the store was cooperative; the artist lived in Venice. Fifteen minutes later I was on my way to the train station.
I decided it was time to get rid of my tail and, at the same time, try to get some line on who he was and why he was still following me.
A few years before, I'd almost been killed by a pervert who had a thing for dwarfs. After that, I'd taken steps to make sure it never happened again. I knew every nerve and pressure point in the human body.
The years in the circus had toughened my own muscles, and I had kept them that way. Knowledge of anatomy was my ultimate weapon, and karate had provided me with a delivery system.
I went down a quiet side street, ducked into an alley and immediately flattened myself against the side of the building.
My friend arrived a few moments later. It's doubtful he knew what hit him. I shifted my weight forward, thrusting the stiffened fingers of my right hand deep into the man's solar plexus, just beneath the rib cage. He bounced once on his face, then lay still.
I worked quickly, dumping the contents of his pockets out onto the ground. I found a small, blurred tattoo on the inside, fleshy part of his thumb that I recognized as a Sicilian clan marking. Minor Mafia. His clothes were dusty, as though he had recently walked through a field of grain. There was a small spiral notebook. I slipped it into my pocket and walked hurriedly from the alley.
I got off the train in Mestra, a small town a few kilometers from Venice where I had found comfortable lodgings on previous trips to Italy, and which was relatively free from the summer tourist crush.
It was too late to go into Venice that day so I checked into a hotel, rested awhile, then went out for some pasta. Later, I settled down in my room with a brandy to go over the small notebook I had taken from the man I'd decked in the alley.
It didn't take me long to decide there wasn't much in the book that would be of use to me. Most of the pages were filled with crude obscene drawings. There were the names of women, each name accompanied by a sort of sexual rating that I suspected was more wishful thinking than the result of actual research. On the last page was the neatly lettered notation, "823dropl0." I put the notebook on my bed stand and went to sleep.
I got up the next morning and took a cab to the outskirts of Venice, then got on a water bus. If Tommy Barrett was in Venice, I had a pretty good idea of where I'd find him, this time of day, in the middle of the tourist season.
I got off at St. Mark's Square, then pushed my way through the crowds to the central pallazza itself. I took the elevator to the top of the clock tower and got off on the observation deck. I glanced once more at the dossier photos, then took the binoculars I'd brought with me out of their case.
I didn't need them; even without the glasses I could see Tommy Barrett standing in front of St. Mark's Basilica, directly beneath its famed four horses. Elizabeth Hotaling was with him, shilling his sketches to the shifting knots of people that would gather around him for a few minutes watching him work, then drift on to one of the many other artists at work in the pallazza.
Easy cases make me nervous. I descended and attached myself to a group of Barrett's current admirers. Gradually, I worked my way to the front, where I had a clear view of the artist and his girl friend. Elizabeth Hotaling caught my eye and smiled. I smiled back.
The girl in front of me matched the photograph in the dossier, but that was all. The rest of Barrett's description just didn't fit. True, there was a toughness about her, in the way she moved and handled herself. But I was positive that once she'd been tougher, and that most of that quality had been burned out of her; what remained now was only an aura, a lingering memory, like the smell of ozone in the air after a thunderstorm.
She was beautiful, but she had more than that: a confidence, a sense of presence that could only have come from a variety of experiences she certainly hadn't gotten in the
middle of St. Mark's Square.
Tommy Barrett, from what I could tell by simply looking at him, wasn't in the same league. Not as far as experience was concerned. They contrasted, yet somehow they matched perfectly. I guessed they were happy together.
Of one thing I was certain: Neither one of them used drugs, at least not on a regular basis, and even then not the hard stuff. I can spot most serious heads a block away, if not by needle tracks then by the pupils of the eyes, the pallor of the skin, nervous mannerisms, or any one of a hundred other traits that are apparent to the trained observer.
Whatever the couple's problems, drugs wasn't one of them. And, if Tommy Barrett was a notorious pusher, what was he doing in the middle of St. Mark's Square peddling charcoal sketches to tourists?
And what was I doing in Italy?
There was no doubt but that the elder Barrett had lied. But why? It seemed I had inherited a puzzle along with my retainer, and the shape of that puzzle was constantly changing. I decided to try some new pieces.
I stepped forward and touched Elizabeth Hotaling gently on the arm, then leaned toward Tommy Barrett.
"Excuse me," I said quietly. "I'm Robert Frederickson. I wonder if I could talk to you privately? I won't take much of your time."
"I don't bargain on the price of the sketches, mister," Barrett said without looking up. His tone was not hostile, simply businesslike.
"The sketches are two dollars apiece, Mr. Frederickson," the girl said. "That really isn't very much, and it's the best work you'll find around here. If you're interested in oils, we'd love to have you visit our apartment. I make excellent cappuccino."
"I'm sure you do, Miss Hotaling, and I'd like to see Mr. Barrett's work, but first I'd like to talk to you."
I waited for the reaction that came; the man and woman exchanged quick glances. I followed up my lead. "You're Elizabeth Hotaling and you're Tommy Barrett," I said, indicating the two of them. "I'm here to deliver a message from Tommy's brother."
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