by Fritz Leiber
So crying as heartily and merrily as he could, “Amuse yourself! Join in the fun, clown!—here’s your slap-stick,” Fafhrd tossed the ax toward the Mouser.
Without waiting to see the result of that toss—perhaps not daring to—he summoned up his last reserves of speed and rushed at the black statue in a circling advance that drove it back toward the coffin.
Without shifting his stupid horrified gaze, the Mouser stuck out a hand at the last possible moment and caught the ax by the handle as it spun lazily down.
As the black statue retreated near the coffin and poised for what promised to be a stupendous counterattack, the Mouser leaned out and, now grinning foolishly again, sharply rapped its black pate with the ax.
The iron head split like a coconut, but did not come apart. Fafhrd’s handax, wedged in it deeply, seemed to turn all at once to iron like the statue and its black haft was wrenched out of the Mouser’s hand as the statue stiffened up straight and tall.
The Mouser stared at the split head woefully, like a child who hadn’t known knives cut.
The statue brought its great sword flat against its chest, like a staff on which it might lean but did not, and it fell rigidly forward and hit the floor with a ponderous clank.
At that stony-metallic thundering, white wildfire ran across the Black Wall, lightening the whole shop like a distant levin-bolt, and the iron-basalt thundering echoed from deep within it.
Fafhrd sheathed Graywand, dragged the Mouser out of the black coffin—the fight hadn’t left him the strength to lift even his small friend—and shouted in his ear, “Come on! Run!”
The Mouser ran for the Black Wall.
Fafhrd snagged his wrist as he went by and plunged toward the arched door, dragging the Mouser after him.
The thunder faded out and there came a low whistle, cajolingly sweet.
Wildfire raced again across the Black Wall behind them—much more brightly this time, as if a lightning storm were racing toward them.
The white glare striking ahead imprinted one vision indelibly on Fafhrd’s brain: the giant spider in the inmost cage pressed against the bloodred bars to gaze down at them. It had pale legs and a velvet red body and a mask of sleek thick golden hair from which eight jet eyes peered, while its fanged jaws hanging down in the manner of the wide blades of a pair of golden scissors rattled together in a wild staccato rhythm like castanets.
That moment the cajoling whistle was repeated. It too seemed to be coming from the red and golden spider.
But strangest of all to Fafhrd was to hear the Mouser, dragged unwillingly along behind him, cry out in answer to the whistling,“Yes, darling, I’m coming. Let me go, Fafhrd! Let me climb to her! Just one kiss! Sweetheart!”
“Stop it, Mouser,” Fafhrd growled, his flesh crawling in mid-plunge. “It’s a giant spider!”
“Wipe the cobwebs out of your eyes, Fafhrd,” the Mouser retorted pleadingly and most unwittingly to the point. “It’s a gorgeous girl! I’ll never see her ticklesome like—and I’ve paid for her! Sweetheart!”
Then the booming thunder drowned his voice and any more whistling there might have been, and the wildfire came again, brighter than day, and another great thunderclap right on its heels, and the floor shuddered and the whole shop shook, and Fafhrd dragged the Mouser through the trefoilarched doorway, and there was another great flash and clap.
The flash showed a semicircle of Lankhmarians peering ashen-faced overshoulder as they retreated across the Plaza of Dark Delights from the remarkable indoor thunderstorm that threatened to come out after them.
Fafhrd spun around. The archway had turned to blank wall.
The Bazaar of the Bizarre was gone from the World of Nehwon.
The Mouser, sitting on the dank flags where Fafhrd had dragged him, babbled wailfully, “The secrets of time and space! The lore of the gods! The mysteries of Hell! Black nirvana! Red and gold Heaven! Five pennies gone forever!”
Fafhrd set his teeth. A mighty resolve, rising from his many recent angers and bewilderments, crystallized in him.
Thus far he had used Sheelba’s cobweb—and Ningauble’s tatter too—only to serve others. Now he would use them for himself! He would peer at the Mouser more closely and at every person he knew. He would study even his own reflection! But most of all, he would stare Sheelba and Ning to their wizardly cores!
There came from overhead a low “Hssst!”
As he glanced up he felt something snatched from around his neck and, with the faintest tingling sensation, from off his eyes.
For a moment there was a shimmer traveling upward and through it he seemed to glimpse distortedly, as through thick glass, a black face with a cobwebby skin that entirely covered mouth and nostrils and eyes.
Then that dubious flash was gone and there were only two cowled heads peering down at him from over the wall top. There was chuckling laughter.
Then both cowled heads drew back out of sight and there was only the edge of the roof and the sky and the stars and the blank wall.
Midnight by the Morphy Watch
BEING WORLD CHESS CHAMPION,(crownedoruncrowned)putsa moredeadlyand maddeningstrainonaman even than beingPresident of the United States. We have a prime example enthroned right now. For more than ten years the present champion was clearly the greatest chess player in the world, but during that time he exhibited such willful and seemingly self-destructive behavior—refusing to enter crucial tournaments, quitting them for crankish reasons while holding a commanding lead, entertaining what many called a paranoid delusion that the whole world was plotting to keep him from reaching the top—that many informed experts wrote him off as a contender for the highest honors. Even his staunchest supporters experienced agonizing doubts—until he finally silenced his foes and supremely satisfied his friends by decisively winning the crucial and ultimate match on a fantastic polar island.
Even minor players bitten by the world’s-championship bug—or the fantasy of it—experience a bit of that terrible strain, occasionally in very strange and even eerie fashion…
Stirf Ritter-Rebil was indulging in one of his numerous creative avocations—wandering at random through his beloved downtown San Francisco with its sometimes dizzily slanting sidewalks, its elusive narrow courts and alleys, and its kaleidoscope of ever-changing store- and restaurant-fronts amongst the ones that persist as landmarks. To divert his gaze, there were interesting almond and black faces among the paler ones. There was the dangerous surge of traffic threatening to invade the humpy sidewalks.
The sky was a careless silvery gray, like an expensive whore’s mink coat covering bizarre garb or nakedness. There were even wisps of fog, that Bay Area benison. There were bankers and hippies, con men and corporation men, queers of all varieties, beggars and sports, murderers and saints (at least in Ritter’s freewheeling imagination). And there were certainly alluring girls aplenty in an astounding variety of packages—and pretty girls are the essential spice in any really tasty ragout of people. In fact there may well have been Martians and time travelers.
Ritter’s ramble had taken on an even more dreamlike, whimsical and unpredictable quality than usual—with an unflagging anticipation of mystery, surprise, and erotic or diamond-studded adventure around the very next corner.
He frequently thought of himself by his middle name, Ritter, because he was a sporadically ardent chess player now in the midst of a sporad. In German “Ritter” means “knight,” yet Germans do not call a knight a Ritter, but a springer, or jumper (for its crookedly hopping move), a matter for inexhaustible philological, historical, and socioracial speculation. Ritter was also a deeply devoted student of the history of chess, both in its serious and anecdotal aspects.
He was a tall, white-haired man, rather thin, saved from the look of mere age by ravaged handsomeness, an altogether youthful though worldly and sympathetically cynical curiosity in his gaze (when he wasn’t daydreaming), and a definitely though unobtrusively theatrical carriage.
He was more daydream
ingly lost than usual on this particular ramble, though vividly aware of all sorts of floating, freakish, beautiful and grotesque novelties about him. Later he recollected that he must have been fairly near Portsmouth Square and not terribly far from the intersection of California and Montgomery. At all events, he was fascinatedly looking into the display window of a secondhand store he’d never recalled seeing before. It must be a new place, for he knew all the stores in the area, yet it had the dust and dinginess of an old place—its owner must have moved in without refurbishing the premises or even cleaning them up. And it had a delightful range of items for sale, from genuine antiques to mod facsimiles of same. He noted in his first scanning glance, and with growing delight, a Civil War saber, a standard promotional replica of the starship Enterprise, a brand-new deck of tarots, an authentic shrunken head like a black globule of detritus from a giant’s nostril, some fancy roach-clips, a silver lusterware creamer, a Sony tape recorder, a last year’s whiskey jug in the form of a cable car, a scatter of Gene McCarthy and Nixon buttons, a single brass Lucas “King of the Road” headlamp from a Silver Ghost Rolls Royce, an electric toothbrush, a 1920s radio, a last month’s copy of the Phoenix, and three dime-a-dozen plastic chess sets.
And then, suddenly, all these were wiped from his mind. Unnoticed were the distant foghorns, the complaining prowl of slowed traffic, the shards of human speech behind him mosaicked with the singsong chatter of Chinatown, the reflection in the plate glass of a girl in a grandmother dress selling flowers, and of opening umbrellas as drops of rain began to sprinkle from the mist. For every atom of Stirf Ritter-Rebil’s awareness was burningly concentrated on a small figure seeking anonymity among the randomly set-out chessmen of one of the plastic sets. It was a squat, tarnished silver chess pawn in the form of a barbarian warrior. Ritter knew it was a chess pawn—and what’s more, he knew to what fabulous historic set it belonged, because he had seen one of its mates in a rare police photograph given him by a Portuguese chess-playing acquaintance. He knew that he had quite without warning arrived at a once-in-a-lifetime experience.
Heart pounding but face a suave mask, he drifted into the store’s interior. In situations like this it was all-essential not to let the seller know what you were interested in or even that you were interested at all.
The shadowy interior of the place lived up to its display window. There was the same piquant clutter of dusty memorables and among them several glass cases housing presumably choicer items, behind one of which stood a gaunt yet stocky elderly man whom Ritter sensed was the proprietor, but pretended not even to notice.
But his mind was so concentrated on the tarnished silver pawn he must possess that it was a stupefying surprise when his automatically flitting gaze stopped at a second and even greater once-in-a-lifetime item in the glass case behind which the proprietor stood. It was a dingy, old-fashioned gold pocket watch with the hours not in Roman numerals as they should have been in so venerable a timepiece, but in the form of dull gold and silver chess pieces as depicted in game-diagrams. Attached to the watch by a bit of thread was a slim, hexagonal gold key.
Ritter’s mind almost froze with excitement. Here was the big brother of the skulking barbarian pawn. Here, its true value almost certainly unknown to its owner, was one of the supreme rarities of the world of chess-memorabilia. Here was no less than the gold watch Paul Morphy, meteorically short-reigned King of American chess, had been given by an adoring public in New York City on May 25, 1859, after the triumphal tour of London and Paris which had proven him to be perhaps the greatest chess genius of all time.
Ritter veered as if by lazy chance toward the case, his eyes resolutely fixed on a dull silver ankh at the opposite end from the chess watch. He paused like a sleepwalker across from the proprietor after what seemed like a suitable interval and—hoping the pounding of his heart wasn’t audible—made a desultory inquiry about the ankh. The proprietor replied in as casual a fashion, though getting the item out for his inspection.
Ritter brooded over the silver love-cross for a bit, then shook his head and idly asked about another item and still another, working his insidious way toward the Morphy watch.
The proprietor responded to his queries in a low, bored voice, though in each case dutifully getting the item out to show Ritter. He was a very old and completely bald man with a craggy Baltic cast to his features. He vaguely reminded Ritter of someone.
Finally Ritter was asking about an old silver railroad watch next to the one he still refused to look at directly.
Then he shifted to another old watch with a complicated face with tiny windows showing the month and the phases of the moon, on the other side of the one that was keeping his heart a-pound.
His gambit worked. The proprietor at last-dragged out the Morphy watch, saying softly, “Here is an odd old piece that might interest you. The case is solid gold. It threatens to catch your interest, does it not?”
Ritter at last permitted himself a second devouring glance. It confirmed the first. Beyond shadow of a doubt this was the genuine relic that had haunted his thoughts for two-thirds of a lifetime.
What he said was “It’s odd, all right. What are those funny little figures it has in place of hours?”
“Chessmen,” the other explained. “See, that’s a King at six o’clock, a Pawn at five, a Bishop at four, a Knight at three, a Rook at two, a Queen at one, another King at midnight, and then repeat, eleven to seven, around the dial.”
“Why midnight rather than noon?” Ritter asked stupidly. He knew why.
The proprietor’s wrinkled fingernail indicated a small window just above the center of the face. In it showed the letters P.M. “That’s another rare feature,” he explained. “I’ve handled very few watches that knew the difference between night and day.”
“Oh, and I suppose those squares on which the chessmen are placed and which go around the dial in two and a half circles make a sort of checkerboard?”
“Chessboard,” the other corrected. “Incidentally, there are exactly sixtyfour squares, the right number.”
Ritter nodded. “I suppose you’re asking a fortune for it,” he remarked, as if making conversation.
The other shrugged. “Only a thousand dollars.”
Ritter’s heart skipped a beat. He had more than ten times that in his bank account. A trifle, considering the stake.
But he bargained for the sake of appearances. At one point he argued, “But the watch doesn’t run, I suppose.”
“But it still has its hands,” the old Balt with the hauntingly familiar face countered. “And it still has its works, as you can tell by the weight. They could be repaired, I imagine. A French movement. See, there’s the hexagonal winding-key still with it.”
A price of seven hundred dollars was finally agreed on. He paid out the fifty dollars he always carried with him and wrote a check for the remainder. After a call to his bank, it was accepted.
The watch was packed in a small box in a nest of fluffy cotton. Ritter put it in a pocket of his jacket and buttoned the flap.
He felt dazed. The Morphy watch, the watch Paul Morphy had kept his whole short life, despite his growing hatred of chess, the watch he had willed to his French admirer and favorite opponent Jules Arnous de Riviere, the watch that had then mysteriously disappeared, the watch of watches—was his!
He felt both weightless and dizzy as he moved toward the street, which blurred a little.
As he was leaving he noticed in the window something he’d forgotten—he wrote a check for fifty dollars for the silver barbarian pawn without bargaining.
He was in the street, feeling glorious and very tired. Faces and umbrellas were alike blurs. Rain pattered on his face unnoticed, but there came a stab of anxiety.
He held still and very carefully used his left hand to transfer the heavy little box—and the pawn in a twist of paper—to his trouser pocket, where he kept his left hand closed around them. Then he felt secure.
He flagged down a cab and gave his h
ome address.
The passing scene began to come unblurred. He recognized Rimini’s Italian Restaurant where his own chess game was now having a little renaissance after five years of foregoing tournament chess because he knew he was too old for it. A chess-smitten young cook there, indulged by the owner, had organized a tourney. The entrants were mostly young people. A tall, moody girl he thought of as the Czarina, who played a remarkable game, and a likeable, loudmouthed young Jewish lawyer he thought of as Rasputin, who played almost as good a game and talked a better one, both stood out. On impulse Ritter had entered the tournament because it was such a trifling one that it didn’t really break his rule against playing serious chess. And, his old skills reviving nicely, he had done well enough to have a firm grip on third place, right behind Rasputin and the Czarina.
But now that he had the Morphy watch…
Why the devil should he think that having the Morphy watch should improve his chess game? he asked himself sharply. It was as silly as faith in the power of the relics of saints.
In his hand inside his left pocket the watch box vibrated eagerly, as if it contained a big live insect, a golden bee or beetle. But that, of course, was his imagination.
Stirf Ritter-Rebil (a proper name, he always felt, for a chess player, since they specialize in weird ones, from Euwe to Znosko-Borovsky, from Noteboom to Dus-Chotimirski) lived in a one-room and bath, five blocks west of Union Square and packed with files, books and also paintings wherever the wall space allowed, of his dead wife and parents, and of his son. Now that he was older, he liked living with clues to all of his life in view. There was a fine view of the Pacific and the Golden Gate and their fogs to the west, over a sea of roofs. On the orderly cluttered tables were two fine chess sets with positions set up.