Wood cracked and splintered. The lintel came crashing down. Brick and stone shifted, grumbled, fell. Powdered filth billowed up. With a great roar, one wall collapsed. Dandi struggled to get free. Her house was tumbling about her. It had never been intended to carry so much weight, so many centuries.
She reached the balcony and jumped clumsily to safety, just as the building avalanched in on itself, sending a great cloud of plaster and powdered mortar into the overhanging trees.
For a horribly long while the world was full of dust, goat bleats, and panic-stricken parakeets.
Heavily astride her baluchitherium once more, Dandi Lashadusa headed back to the empty region called Ghinomon. She fought her bitterness, trying to urge herself towards resignation.
All she had was destroyed—not that she set store by possessions: that was a man trait. Much more terrible was the knowledge that her mentor had left her forever; she had transgressed too badly to be forgiven this time.
Suddenly she was lonely for his persnickety voice in her head, for the wisdom he fed her, for the scraps of dead knowledge he tossed her—yes, even for the love he gave her. She had never seen him, never could: yet no two beings could have been more intimate.
She missed too those other wards of his she would glimpse no more: the mole creature tunnelling in Earth’s depths, the seal family that barked with laughter on a desolate coast, a senile gorilla that endlessly collected and classified spiders, and aurochs—seen only once, but then unforgettably—that lived with smaller creatures in an Arctic city it had helped build in the ice.
She was excommunicated.
Well, it was time for her to change, to disintegrate, to transubstantiate into a pattern not of flesh but music. That discipline at least the Mentor had taught and could not take away.
“This will do, Lass,” she said.
Her gigantic mount stopped obediently. Lovingly she patted its neck. It was young; it would be free.
Following the dusty trail, she went ahead, alone. Somewhere far off one bird called. Coming to a mound of boulders, Dandi squatted among gorse, the points of which could not prick through her thick old coat.
Already her selected music poured through her head, already it seemed to loosen the chemical bonds of her being.
Why should she not choose an old human tune? She was an antiquarian. Things that were gone solaced her for things that were to come.
In her dim way, she had always stood out against her mentor’s absolute hatred of men. The thing to hate was hatred. Men in their finer moments had risen above hate. Her death psalm was an instance of that—a multiple instance, for it had been fingered and changed over the ages, as the Mentor himself insisted, by men of a variety of races, all with their minds directed to worship rather than hate.
Locking herself into thought disciplines, Dandi began to dissolve. Man had needed machines to help him to do it, to fit into the Involutes. She was a lesser animal: she could unbutton herself into the humbler shape of a musicolumn. It was just a matter of rearranging—and without pain she formed into a pattern that was not a shaggy megatherium body . . . but an indigo column, hardly visible. . . .
Lass for a long while cropped thistle and cacti. Then she ambled forward to seek the hairy creature she fondly—and a little condescendingly—regarded as her equal. But of the sloth there was no sign.
Almost the only landmark was a faint violet-blue dye in the air. As the baluchitherium mare approached, a sweet old music grew in volume from the dye. It was a music almost as old as the landscape itself and certainly as much travelled, a tune once known to men as The Old Hundredth. And there were voices singing: “All creatures that on Earth do dwell. . . .”
THE
SIGNALLER
Keith Roberts
Keith Roberts, author of Pavane and The Chalk Giants, is generally recognized as the best of that crop of new British SF writers who sprouted up during the last half of the sixties. Although he has already been compared to authors as diverse as Heinlein and Kipling and Aldiss, he indomitably manages to remain his own man, producing stories that vary widely in mood, style, and content—in everything, in fact, except quality.
In “The Signaller” he takes us sideways in time to an alternate England where Queen Elizabeth was cut down by an assassin’s bullet, and England itself fell to the Spanish Armada—a twentieth-century England where the deep shadow of the Church Militant stretches across a still-medieval land of forests and castles and little huddled towns; an England where travelers in the bleak winter forests or on the desolate, windswept expanses of the heath must fear wolves and brigands and routiers; an England where it is yet possible to encounter specters of a darker and more elemental kind.
ON EITHER SIDE of the knoll the land stretched in long, speckled sweeps, paling in the frost smoke until the outlines of distant hills blended with the curdled milk of the sky. Across the waste a bitter wind moaned, steady and chill, driving before it quick flurries of snow. The snow squalls flickered and vanished like ghosts, the only moving things in a vista of emptiness.
What trees there were grew in clusters, little coppices that leaned with the wind, their twigs meshed together as if for protection, their outlines sculpted into the smooth, blunt shapes of ploughshares. One such copse crowned the summit of the knoll; under the first of its branches, and sheltered by them from the wind, a boy lay face down in the snow. He was motionless but not wholly unconscious; from time to time his body quivered with spasms of shock. He was maybe sixteen or seventeen, blond-haired, and dressed from head to feet in a uniform of dark green leather. The uniform was slit in many places; from the shoulders down the back to the waist, across the hips and thighs. Through the rents could be seen the cream-brown of his skin and the brilliant slow twinkling of blood. The leather was soaked with it, and the long hair matted. Beside the boy lay the case of a pair of binoculars, the Zeiss lenses without which no man or apprentice of the Guild of Signallers ever moved, and a dagger. The blade of the weapon was red-stained; its pommel rested a few inches beyond his outflung right hand. The hand itself was injured, slashed across the backs of the fingers and deeply through the base of the thumb. Round it blood had diffused in a thin pink halo into the snow.
A heavier gust rattled the branches overhead, raised from somewhere a long creak of protest. The boy shivered again and began, with infinite slowness, to move. The outstretched hand crept forward, an inch at a time, to take his weight beneath his chest. The fingers traced an arc in the snow, its ridges red-tipped. He made a noise halfway between a grunt and a moan, levered himself onto his elbows, waited gathering strength. Threshed, half turned over, leaned on the undamaged left hand. He hung his head, eyes closed; his heavy breathing sounded through the copse. Another heave, a convulsive effort, and he was sitting upright, propped against the trunk of a tree. Snow stung his face, bringing back a little more awareness.
He opened his eyes. They were terrified and wild, glazed with pain. He looked up into the tree, swallowed, tried to lick his mouth, turned his head to stare at the empty snow round him. His left hand clutched his stomach; his right was crossed over it, wrist pressing, injured palm held clear of contact. He shut his eyes again briefly; then he made his hand go down, grip, lift the wet leather away from his thigh. He fell back, started to sob harshly at what he had seen. His hand, dropping slack, brushed tree bark. A snag probed the open wound below the thumb; the disgusting surge of pain brought him round again.
From where he lay the knife was out of reach. He leaned forward ponderously, wanting not to move, just stay quiet and be dead, quickly. His fingers touched the blade; he worked his way back to the tree, made himself sit up again. He rested, gasping; then he slipped his left hand under his knee, drew upward till the half-paralysed leg was crooked. Concentrating, steering the knife with both hands, he placed the tip of its blade against his trews, forced down slowly to the ankle cutting the garment apart. Then round behind his thigh till the piece of leather came clear.
He was very
weak now; it seemed he could feel the strength ebbing out of him, faintness flickered in front of his eyes like the movements of a black wing. He pulled the leather toward him, got its edge between his teeth, gripped, and began to cut the material into strips. It was slow, clumsy work; he gashed himself twice, not feeling the extra pain. He finished at last and began to knot the strips round his leg, trying to tighten them enough to close the long wounds in the thigh. The wind howled steadily; there was no other sound but the quick panting of his breath. His face, beaded with sweat, was nearly as white as the sky.
He did all he could for himself, finally. His back was a bright torment, and behind him the bark of the tree was streaked with red, but he couldn’t reach the lacerations there. He made his fingers tie the last of the knots, shuddered at the blood still weeping through the strappings. He dropped the knife and tried to get up.
After minutes of heaving and grunting his legs still refused to take his weight. He reached up painfully, fingers exploring the rough bole of the tree. Two feet above his head they touched the low, snapped-off stump of a branch. The hand was soapy with blood; it slipped, skidded off, groped back. He pulled, feeling the tingling as the gashes in the palm closed and opened. His arms and shoulders were strong, ribboned with muscle from hours spent at the semaphores; he hung tensed for a moment, head thrust back against the trunk, body arced and quivering; then his heel found a purchase in the snow, pushed him upright.
He stood swaying, not noticing the wind, seeing the blackness surge round him and ebb back. His head was pounding now, in time with the pulsing of his blood. He felt fresh warmth trickling on stomach and thighs, and the rise of a deadly sickness. He turned away, head bent, and started to walk, moving with the slow ponderousness of a diver. Six paces off he stopped, still swaying, edged round clumsily. The binocular case lay on the snow where it had fallen. He went back awkwardly, each step requiring now a separate effort of his brain, a bunching of the will to force the body to obey. He knew foggily that he daren’t stoop for the case; if he tried he would fall headlong, and likely never move again. He worked his foot into the loop of the shoulder strap. It was the best he could do; the leather tightened as he moved, riding up round his instep. The case bumped along behind him as he headed down the hill away from the trees.
He could no longer lift his eyes. He saw a circle of snow, six feet or so across, black-fringed at its edges from his impaired vision. The snow moved as he walked, jerking toward him, falling away behind. Across it ran a line of faint impressions, footprints he himself had made. The boy followed them blindly. Some spark buried at the back of his brain kept him moving; the rest of his consciousness was gone now, numbed with shock. He moved draggingly, the leather case jerking and slithering behind his heel. With his left hand he held himself, low down over the groin; his right waved slowly, keeping his precarious balance. He left behind him a thin trail of blood spots; each drop splashed pimpernel-bright against the snow, faded and spread to a wider pink stain before freezing itself into the crystals. The blood marks and the footprints reached back in a ragged line to the copse. In front of him the wind skirled across the land; the snow whipped at his face, clung thinly to his jerkin.
Slowly, with endless pain, the moving speck separated itself from the trees. They loomed behind it, seeming through some trick of the fading light to increase in height as they receded. As the wind chilled the boy the pain ebbed fractionally; he raised his head, saw before him the tower of a semaphore station topping its low cabin. The station stood on a slight eminence of rising ground; his body felt the drag of the slope, reacted with a gale of breathing. He trudged slower. He was crying again now with little whimperings, meaningless animal noises, and a sheen of saliva showed on his chin. When he reached the cabin the copse was still visible behind him, grey against the sky. He leaned against the plank door gulping, seeing faintly the texture of the wood. His hand fumbled for the lanyard of the catch, pulled; the door opened, plunging him forward onto his knees.
After the snow light outside, the interior of the hut was dark. The boy worked his way on all fours across the board floor. There was a cupboard; he searched it blindly, sweeping glasses and cups aside, dimly hearing them shatter. He found what he needed, drew the cork from the bottle with his teeth, slumped against the wall and attempted to drink. The spirit ran down his chin, spilled across chest and belly. Enough went down his throat to wake him momentarily. He coughed and tried to vomit. He pulled himself to his feet, found a knife to replace the one he’d dropped. A wooden chest by the wall held blankets and bed linen; he pulled a sheet free and haggled it into strips, longer and broader this time, to wrap round his thigh. He couldn’t bring himself to touch the leather tourniquets. The white cloth marked through instantly with blood; the patches elongated, joined and began to glisten. The rest of the sheet he made into a pad to hold against his groin.
The nausea came again; he retched, lost his balance and sprawled on the floor. Above his eye level, his bunk loomed like a haven. If he could just reach it, lie quiet till the sickness went away. . . . He crossed the cabin somehow, lay across the edge of the bunk, rolled into it. A wave of blackness lifted to meet him, deep as a sea.
He lay a long time; then the fragment of remaining will reasserted itself. Reluctantly, he forced open gummy eyelids. It was nearly dark now; the far window of the hut showed in the gloom, a vague rectangle of greyness. In front of it the handles of the semaphore seemed to swim, glinting where the light caught the polished smoothness of wood. He stared, realizing his foolishness; then he tried to roll off the bunk. The blankets, glued to his back, prevented him. He tried again, shivering now with the cold. The stove was unlit; the cabin door stood ajar, white crystals fanning in across the planking of the floor. Outside, the howling of the wind was relentless. The boy struggled; the efforts woke pain again and the sickness, the thudding and roaring. Images of the semaphore handles doubled, sextupled, rolled apart to make a glistening silver sheaf. He panted, tears running into his mouth; then his eyes slid closed. He fell into a noisy void shot with colours, sparks, and gleams and washes of light. He lay watching the lights, teeth bared, feeling the throb in his back where fresh blood pumped into the bed. After a while, the roaring went away.
The child lay couched in long grass, feeling the heat of the sun strike through his jerkin to burn his shoulders. In front of him, at the conical crest of the hill, the magic thing flapped slowly, its wings proud and lazy as those of a bird. Very high it was, on its pole on top of its hill; the faint wooden clattering it made fell remote from the blueness of the summer sky. The movements of the arms had half hypnotized him; he lay nodding and blinking, chin propped on his hands, absorbed in his watching. Up and down, up and down, clap . . . then down again and round, up and back, pausing, gesticulating, never staying wholly still. The semaphore seemed alive, an animate thing perched there talking strange words nobody could understand. Yet words they were, replete with meanings and mysteries like the words in his Modern English Primer. The child’s brain spun. Words made stories; what stories was the tower telling, all alone there on its hill? Tales of kings and shipwrecks, fights and pursuits, Fairies, buried gold. . . . It was talking he knew that without a doubt; whispering and clacking, giving messages and taking them from the others in the lines, the great lines that stretched across England everywhere you could think, every direction you could see.
He watched the control rods sliding like bright muscles in their oiled guides. From Avebury, where he lived, many other towers were visible; they marched southwards across the Great Plain, climbed the westward heights of the Marlborough Downs. Though those were bigger, huge things staffed by teams of men whose signals might be visible on a clear day for ten miles or more. When they moved it was majestically and slowly, with a thundering from their jointed arms; these others, the little local towers, were friendlier somehow, chatting and pecking away from dawn to sunset.
There were many games the child played by himself in the long hours of summer
; stolen hours usually, for there was always work to be found for him. School lessons, home study, chores about the house or down at his brothers’ small-holding on the other side of the village; he must sneak off evenings or in the early dawn, if he wanted to be alone to dream. The stones beckoned him sometimes, the great gambolling diamond-shapes of them circling the little town. The boy would scud along the ditches of what had been an ancient temple, climb the terraced scarps to where the stones danced against the morning sun; or walk the long processional avenue that stretched eastward across the fields, imagine himself a priest or a god come to do old sacrifice to rain and sun. No one knew who first placed the stones. Some said the Fairies, in the days of their strength; others the old gods, they whose names it was a sin to whisper. Others said the Devil.
Mother Church winked at the destruction of Satanic relics, and that the villagers knew full well. Father Donovan disapproved, but he could do very little; the people went to it with a will. Their ploughs gnawed the bases of the markers, they broke the megaliths with water and fire and used the bits for patching dry stone walls; they’d been doing it for centuries now, and the rings were depleted and showing gaps. But there were many stones; the circles remained, and barrows crowning the windy tops of hills, hows where the old dead lay patient with their broken bones. The child would climb the mounds, and dream of kings in fur and jewels; but always, when he tired, he was drawn back to the semaphores and their mysterious life. He lay quiet, chin sunk on his hands, eyes sleepy, while above him Silbury 973 chipped and clattered on its hill.
The hand, falling on his shoulder, startled him from dreams. He tensed, whipped round and wanted to bolt; but there was nowhere to run. He was caught; he stared up gulping, a chubby little boy, long hair falling across his forehead.
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