by Eric Flint
He now observed in succession several unusual circumstances. The surface of the coffin upon which his eyes were fastened was not flat; it presented two distinct ridges, one longitudinal and the other transverse. Where these intersected at the widest part there was a corroded metallic plate that reflected the moonlight with a dismal lustre. Along the outer edges of the coffin, at long intervals, were rust-eaten heads of nails. This frail product of the carpenter's art had been put into the grave the wrong side up!
Perhaps it was one of the humors of the camp—a practical manifestation of the facetious spirit that had found literary expression in the topsy-turvy obituary notice from the pen of Hurdy-Gurdy's great humorist. Perhaps it had some occult personal signification impenetrable to understandings uninstructed in local traditions. A more charitable hypothesis is that it was owing to a misadventure on the part of Mr. Barney Bree, who, making the interment unassisted (either by choice for the conservation of his golden secret, or through public apathy), had committed a blunder which he was afterward unable or unconcerned to rectify. However it had come about, poor Scarry had indubitably been put into the earth face downward.
When terror and absurdity make alliance, the effect is frightful. This strong-hearted and daring man, this hardy night worker among the dead, this defiant antagonist of darkness and desolation, succumbed to a ridiculous surprise. He was smitten with a thrilling chill—shivered, and shook his massive shoulders as if to throw off an icy hand. He no longer breathed, and the blood in his veins, unable to abate its impetus, surged hotly beneath his cold skin. Unleavened with oxygen, it mounted to his head and congested his brain. His physical functions had gone over to the enemy; his very heart was arrayed against him. He did not move; he could not have cried out. He needed but a coffin to be dead—as dead as the death that confronted him with only the length of an open grave and the thickness of a rotting plank between.
Then, one by one, his senses returned; the tide of terror that had overwhelmed his faculties began to recede. But with the return of his senses he became singularly unconscious of the object of his fear. He saw the moonlight gilding the coffin, but no longer the coffin that it gilded. Raising his eyes and turning his head, he noted, curiously and with surprise, the black branches of the dead tree, and tried to estimate the length of the weather-worn rope that dangled from its ghostly hand. The monotonous barking of distant coyotes affected him as something he had heard years ago in a dream. An owl flapped awkwardly above him on noiseless wings, and he tried to forecast the direction of its flight when it should encounter the cliff that reared its illuminated front a mile away. His hearing took account of a gopher's stealthy tread in the shadow of the cactus. He was intensely observant; his senses were all alert; but he saw not the coffin. As one can gaze at the sun until it looks black and then vanishes, so his mind, having exhausted its capacities of dread, was no longer conscious of the separate existence of anything dreadful. The Assassin was cloaking the sword.
It was during this lull in the battle that he became sensible of a faint, sickening odor. At first he thought it was that of a rattle-snake, and involuntarily tried to look about his feet. They were nearly invisible in the gloom of the grave. A hoarse, gurgling sound, like the death-rattle in a human throat, seemed to come out of the sky, and a moment later a great, black, angular shadow, like the same sound made visible, dropped curving from the topmost branch of the spectral tree, fluttered for an instant before his face and sailed fiercely away into the mist along the creek.
It was the raven. The incident recalled him to a sense of the situation, and again his eyes sought the upright coffin, now illuminated by the moon for half its length. He saw the gleam of the metallic plate and tried without moving to decipher the inscription. Then he fell to speculating upon what was behind it. His creative imagination presented him a vivid picture. The planks no longer seemed an obstacle to his vision and he saw the livid corpse of the dead woman, standing in grave-clothes, and staring vacantly at him, with lidless, shrunken eyes. The lower jaw was fallen, the upper lip drawn away from the uncovered teeth. He could make out a mottled pattern on the hollow cheeks—the maculations of decay. By some mysterious process his mind reverted for the first time that day to the photograph of Mary Matthews. He contrasted its blonde beauty with the forbidding aspect of this dead face—the most beloved object that he knew with the most hideous that he could conceive.
The Assassin now advanced and displaying the blade laid it against the victim's throat. That is to say, the man became at first dimly, then definitely, aware of an impressive coincidence—a relation—a parallel between the face on the card and the name on the headboard. The one was disfigured, the other described a disfiguration. The thought took hold of him and shook him. It transformed the face that his imagination had created behind the coffin lid; the contrast became a resemblance; the resemblance grew to identity. Remembering the many descriptions of Scarry's personal appearance that he had heard from the gossips of his camp-fire he tried with imperfect success to recall the exact nature of the disfiguration that had given the woman her ugly name; and what was lacking in his memory fancy supplied, stamping it with the validity of conviction. In the maddening attempt to recall such scraps of the woman's history as he had heard, the muscles of his arms and hands were strained to a painful tension, as by an effort to lift a great weight. His body writhed and twisted with the exertion. The tendons of his neck stood out as tense as whip-cords, and his breath came in short, sharp gasps. The catastrophe could not be much longer delayed, or the agony of anticipation would leave nothing to be done by the coup de grâce of verification. The scarred face behind the lid would slay him through the wood.
A movement of the coffin diverted his thought. It came forward to within a foot of his face, growing visibly larger as it approached. The rusted metallic plate, with an inscription illegible in the moonlight, looked him steadily in the eye. Determined not to shrink, he tried to brace his shoulders more firmly against the end of the excavation, and nearly fell backward in the attempt. There was nothing to support him; he had unconsciously moved upon his enemy, clutching the heavy knife that he had drawn from his belt. The coffin had not advanced and he smiled to think it could not retreat. Lifting his knife he struck the heavy hilt against the metal plate with all his power. There was a sharp, ringing percussion, and with a dull clatter the whole decayed coffin lid broke in pieces and came away, falling about his feet. The quick and the dead were face to face—the frenzied, shrieking man—the woman standing tranquil in her silences. She was a holy terror!
V
Some months later a party of men and women belonging to the highest social circles of San Francisco passed through Hurdy-Gurdy on their way to the Yosemite Valley by a new trail. They halted for dinner and during its preparation explored the desolate camp. One of the party had been at Hurdy-Gurdy in the days of its glory. He had, indeed, been one of its prominent citizens; and it used to be said that more money passed over his faro table in any one night than over those of all his competitors in a week; but being now a millionaire engaged in greater enterprises, he did not deem these early successes of sufficient importance to merit the distinction of remark. His invalid wife, a lady famous in San Francisco for the costly nature of her entertainments and her exacting rigor with regard to the social position and "antecedents" of those who attended them, accompanied the expedition. During a stroll among the shanties of the abandoned camp Mr. Porfer directed the attention of his wife and friends to a dead tree on a low hill beyond Injun Creek.
"As I told you," he said, "I passed through this camp in 1852, and was told that no fewer than five men had been hanged here by vigilantes at different times, and all on that tree. If I am not mistaken, a rope is dangling from it yet. Let us go over and see the place."
Mr. Porfer did not add that the rope in question was perhaps the very one from whose fatal embrace his own neck had once had an escape so narrow that an hour's delay in taking himself out of that region would have s
panned it.
Proceeding leisurely down the creek to a convenient crossing, the party came upon the cleanly picked skeleton of an animal which Mr. Porfer after due examination pronounced to be that of an ass. The distinguishing ears were gone, but much of the inedible head had been spared by the beasts and birds, and the stout bridle of horsehair was intact, as was the riata, of similar material, connecting it with a picket pin still firmly sunken in the earth. The wooden and metallic elements of a miner's kit lay near by. The customary remarks were made, cynical on the part of the men, sentimental and refined by the lady. A little later they stood by the tree in the cemetery and Mr. Porfer sufficiently unbent from his dignity to place himself beneath the rotten rope and confidently lay a coil of it about his neck, somewhat, it appeared, to his own satisfaction, but greatly to the horror of his wife, to whose sensibilities the performance gave a smart shock.
An exclamation from one of the party gathered them all about an open grave, at the bottom of which they saw a confused mass of human bones and the broken remnants of a coffin. Coyotes and buzzards had performed the last sad rites for pretty much all else. Two skulls were visible and in order to investigate this somewhat unusual redundancy one of the younger men had the hardihood to spring into the grave and hand them up to another before Mrs. Porfer could indicate her marked disapproval of so shocking an act, which, nevertheless, she did with considerable feeling and in very choice words. Pursuing his search among the dismal debris at the bottom of the grave the young man next handed up a rusted coffin plate, with a rudely cut inscription, which with difficulty Mr. Porfer deciphered and read aloud with an earnest and not altogether unsuccessful attempt at the dramatic effect which he deemed befitting to the occasion and his rhetorical abilities:
MANUELITA MURPHY. Born at the Mission San Pedro—Died in Hurdy-Gurdy, Aged 47. Hell's full of such.
In deference to the piety of the reader and the nerves of Mrs. Porfer's fastidious sisterhood of both sexes let us not touch upon the painful impression produced by this uncommon inscription, further than to say that the elocutionary powers of Mr. Porfer had never before met with so spontaneous and overwhelming recognition.
The next morsel that rewarded the ghoul in the grave was a long tangle of black hair defiled with clay: but this was such an anti-climax that it received little attention. Suddenly, with a short exclamation and a gesture of excitement, the young man unearthed a fragment of grayish rock, and after a hurried inspection handed it up to Mr. Porfer. As the sunlight fell upon it it glittered with a yellow luster—it was thickly studded with gleaming points. Mr. Porfer snatched it, bent his head over it a moment and threw it lightly away with the simple remark:
"Iron pyrites—fool's gold."
The young man in the discovery shaft was a trifle disconcerted, apparently.
Meanwhile, Mrs. Porfer, unable longer to endure the disagreeable business, had walked back to the tree and seated herself at its root. While rearranging a tress of golden hair which had slipped from its confinement she was attracted by what appeared to be and really was the fragment of an old coat. Looking about to assure herself that so unladylike an act was not observed, she thrust her jeweled hand into the exposed breast pocket and drew out a mouldy pocket-book. Its contents were as follows:
One bundle of letters, postmarked "Elizabethtown, New Jersey."
One circle of blonde hair tied with a ribbon.
One photograph of a beautiful girl.
One ditto of same, singularly disfigured.
One name on back of photograph—"Jefferson Doman."
A few moments later a group of anxious gentlemen surrounded Mrs. Porfer as she sat motionless at the foot of the tree, her head dropped forward, her fingers clutching a crushed photograph. Her husband raised her head, exposing a face ghastly white, except the long, deforming cicatrice, familiar to all her friends, which no art could ever hide, and which now traversed the pallor of her countenance like a visible curse.
Mary Matthews Porfer had the bad luck to be dead.
Countdown to Armageddon, Episode Two
Written by Edward M. Lerner
Illustrated by Dean Spencer
NEAR METZ, 725
A Brobdingnagian roar engulfed the thick woods. Black clouds of dust swirled and swept dervishlike across the ruined landscape. Rubble bounced and crashed down the steep slopes. Forest animals fled, predators and prey side by side, in single-minded terror.
Amid the devastation, a lone man fought to keep his balance. He failed. Like the rocks and broken trees around him, he slid, willy-nilly, down the hillside.
It was a wild ride, through which he prayed fervently. Random projectiles battered and bruised him. Time and again, he narrowly escaped careening boulders and toppling trees.
A great stone outcropping snagged him, knocking the wind from him. Grimacing in pain, several ribs clearly cracked, he crawled around the boulder to huddle beneath its broad overhang.
A large box, its sides battered and scarred, slid past. The box hesitated for a moment, until the shaking ground started it back on its way downhill. The container vanished into the thick dust.
Dust clouds covered the sun. What little light penetrated the haze was blood red. Gradually, the din lessened. The rocks stopped falling. Animals howled, lost in the otherworldly gloom. Randomly, in tremendous spasms, the ground continued to shudder.
Slowly, favoring his cracked ribs, the man climbed to his feet. He freed a sturdy branch from the rubble; using it as a cane, he carefully made his way downhill. He stumbled frequently, for what little illumination the sun still cast was shrouded by airborne dust.
Never had he beheld such catastrophe. The earth moaned beneath his feet. From every direction came the delicate slithering of loose soil and untethered pebbles seeking downward for a new equilibrium. As though proud heaven felt itself challenged by the convulsions below, a great stroke of lightning split the sky. Seconds later, an enormous peal of thunder roiled the ground-hugging dust clouds.
Through chaos and ruin, the man worked down the slope. He listened, carefully, past the whistle of the wind, the subsiding of the soil, and the whimpers of injured animals. Finally, faintly, he sensed an ethereal music.
The melody called to him. Casting aside his improvised cane, he broke into a fast stumble, wincing at the pain in his side but unable to hold back. The music poured forth from places unseen, louder and louder. He stopped when it seemed to emanate from the rubble beneath his feet. Agitatedly he dug, flinging chunks of stone and handfuls of loose dirt in all directions. The music swelled louder and louder.
His hand slapped smooth paneling; something boomed hollowly from the blow. The contact only increased his excitement. Harmonies swelling all about him, he feverishly swept away the last of the debris. There! Handles! He unlocked the cabinet with a key from his pocket and twisted the levers madly.
Battered hinges squealed in protest, but they could not resist the man's frenzied tug. Then, as the doors flew open, the music reached a crescendo: the triumphant choral finale of Beethoven's Ninth Symphony.
Abdul Faisel, eyes brimming with tears, listened to the only MP3 player within twelve centuries. When the last cadence had faded into the swiftly falling night, he would begin moving the generally intact artifacts from the battered cabinet into a nearby cave. There he would spread his prayer rug and give proper thanks for a safe journey.
Allah akbar. God is great.
* * *
Faisel had first explored the cave in 1993. Carrying only a liter of bottled water on a sling, the hike from the institute grounds had been pleasant. The same trip today, with a full backpack and cracked ribs, through toppled and entangled trees, was much harder.
It took seven trips to transfer everything from the storage cabinet to safety. Dragging the empty, but still-heavy and awkward cabinet for almost a kilometer, Faisel nearly wished he had brought Ali the van driver at gunpoint. He would bring a wagon and muscular staff when he eventually returned. It was just one more sp
ecific for an already long and detailed plan.
Now—with a campfire crackling before him, his stomach full of canned beef stew, and his boots off—Faisel indulged in self-congratulation. He had done it! He, bomb, and supplies were exactly when he meant them to be.
Hezbollah had merely lent him their plutonium, expecting an atomic bomb back in return. For his part, he had promised to the sheiks a sword for Allah unlike any that had ever before been wielded. It was the details about which he had been less than forthcoming; the sheiks cooperatively mistook his vague, apocalyptic vision for zealous hyperbole. His was the most radical solution of all, and Hezbollah could be proud of its contributions—although of course they would never know.