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by Dorothy Parker


  They talked through the Swedish girl, but they did to us that thing we all do when we speak our own language to one who has no knowledge of it. They looked us square in the face, and spoke slowly, and pronounced their words with elaborate movements of their lips. Then, as their stories came, they poured them at us so vehemently, so emphatically that they were sure we must understand. They were so convinced we would understand that we were ashamed for not understanding.

  But the Swedish girl told us. They were all farmers and farmers’ sons, from a district so poor that you try not to remember there is that kind of poverty. Their village was next that one where the old men and the sick men and the women and children had gone, on a holiday, to the bullring; and the planes had come over and dropped bombs on the bullring, and the old men and the sick men and the women and the children were more than two hundred.

  They had all, the six of them, been in the war for over a year, and most of that time they had been in the trenches. Four of them were married. One had one child, two had three children, one had five. They had not had word from their families since they had left for the front. There had been no communication; two of them had learned to write from men fighting next them in the trench, but they had not dared to write home. They belonged to a union, and union men, of course, are put to death if taken. The village where their families lived had been captured, and if your wife gets a letter from a union man, who knows but they’ll shoot her for the connection?

  They told about how they had not heard from their families for more than a year. They did not tell it gallantly or whimsically or stoically. They told it as if—Well, look. You have been in the trenches, fighting, for a year. You have heard nothing of your wife and your children. They do not know if you are dead or alive or blinded. You do not know where they are, or if they are. You must talk to somebody. That is the way they told about it.

  One of them, some six months before, had heard of his wife and his three children—they had such beautiful eyes, he said—from a brother-in-law in France. They were all alive then, he was told, and had a bowl of beans a day. But his wife had not complained of the food, he heard. What had troubled her was that she had no thread to mend the children’s ragged clothes. So that troubled him, too.

  “She has no thread,” he kept telling us. “My wife has no thread to mend with. No thread.”

  We sat there, and listened to what the Swedish girl told us they were saying. Suddenly one of them looked at the clock, and then there was excitement. They jumped up, as a man, and there were calls for the waiter and rapid talk with him, and each of them shook the hand of each of us. We went through more swimming motions to explain to them that they were to take the rest of the cigarettes—fourteen cigarettes for six soldiers to take to war—and then they shook our hands again. Then all of us said “Salud!” as many times as could be for six of them and three of us, and then they filed out of the café, the six of them, tired and dusty and little, as men of a mighty horde are little.

  Only the Swedish girl talked, after they had gone. The Swedish girl has been in Spain since the start of the war. She has nursed splintered men, and she has carried stretchers into the trenches and, heavier laden, back to the hospital. She has seen and heard too much to be knocked into silence.

  Presently it was time to go, and the Swedish girl raised her hands above her head and clapped them twice together to summon the waiter. He came, but he only shook his head and his hand, and moved away.

  The soldiers had paid for our drinks.

  The New Yorker, February 5, 1938

  The Custard Heart

  No living eye, of human being or caged wild beast or dear, domestic animal, had beheld Mrs. Lanier when she was not being wistful. She was dedicated to wistfulness, as lesser artists to words and paint and marble. Mrs. Lanier was not of the lesser; she was of the true. Surely the eternal example of the true artist is Dickens’s actor who blacked himself all over to play Othello. It is safe to assume that Mrs. Lanier was wistful in her bathroom, and slumbered soft in wistfulness through the dark and secret night.

  If nothing should happen to the portrait of her by Sir James Weir, there she will stand, wistful for the ages. He has shown her at her full length, all in yellows, the delicately heaped curls, the slender, arched feet like elegant bananas, the shining stretch of the evening gown; Mrs. Lanier habitually wore white in the evening but white is the devil’s own hue to paint, and could a man be expected to spend his entire six weeks in the States on the execution of a single commission? Wistfulness rests, immortal, in the eyes dark with sad hope, in the pleading mouth, the droop of the little head on the sweet long neck, bowed as if in submission to the three ropes of Lanier pearls. It is true that, when the portrait was exhibited, one critic expressed in print his puzzlement as to what a woman who owned such pearls had to be wistful about; but that was doubtless because he had sold his saffron-colored soul for a few pennies to the proprietor of a rival gallery. Certainly, no man could touch Sir James on pearls. Each one is as distinct, as individual as is each little soldier’s face in a Meissonier battle scene.

  For a time, with the sitter’s obligation to resemble the portrait, Mrs. Lanier wore yellow of evenings. She had gowns of velvet like poured country cream and satin with the lacquer of buttercups and chiffon that spiraled about her like golden smoke. She wore them, and listened in shy surprise to the resulting comparisons to daffodils, and butterflies in the sunshine, and such; but she knew.

  “It just isn’t me,” she sighed at last, and returned to her lily draperies. Picasso had his blue period, and Mrs. Lanier her yellow one. They both knew when to stop.

  In the afternoons, Mrs. Lanier wore black, thin and fragrant, with the great pearls weeping on her breast. What her attire was by morning, only Gwennie, the maid who brought her breakfast tray, could know; but it must, of course, have been exquisite. Mr. Lanier—certainly there was a Mr. Lanier; he had even been seen—stole past her door on his way out to his office, and the servants glided and murmured, so that Mrs. Lanier might be spared as long as possible from the bright new cruelty of the day. Only when the littler, kinder hours had succeeded noon could she bring herself to come forth and face the recurrent sorrows of living.

  There was duty to be done, almost daily, and Mrs. Lanier made herself brave for it. She must go in her town car to select new clothes and to have fitted to her perfection those she had ordered before. Such garments as hers did not just occur; like great poetry, they required labor. But she shrank from leaving the shelter of her house, for everywhere without were the unlovely and the sad, to assail her eyes and her heart. Often she stood shrinking for several minutes by the baroque mirror in her hall before she could manage to hold her head high and brave, and go on.

  There is no safety for the tender, no matter how straight their route, how innocent their destination. Sometimes, even in front of Mrs. Lanier’s dressmaker’s or her furrier’s or her linge‘re’s or her milliner’s, there would be a file of thin girls and small, shabby men, who held placards in their cold hands and paced up and down and up and down with slow, measured steps. Their faces would be blue and rough from the wind, and blank with the monotony of their treadmill. They looked so little and poor and strained that Mrs. Lanier’s hands would fly to her heart in pity. Her eyes would be luminous with sympathy and her sweet lips would part as if on a whisper of cheer, as she passed through the draggled line into the shop.

  Often there would be pencil-sellers in her path, a half of a creature set upon a sort of roller-skate thrusting himself along the pavement by his hands, or a blind man shuffling after his wavering cane. Mrs. Lanier must stop and sway, her eyes closed, one hand about her throat to support her lovely, stricken head. Then you could actually see her force herself, could see the effort ripple her body, as she opened her eyes and gave these miserable ones, the blind and the seeing alike, a smile of such tenderness, such sorrowful understanding, that it was like the exquisite sad odor of hyacinths on the air. Sometimes, if the man
was not too horrible, she could even reach in her purse for a coin and, holding it as lightly as if she had plucked it from a silvery stem, extend her slim arm and drop it in his cup. If he was young and new at his life, he would offer her pencils for the worth of her money; but Mrs. Lanier wanted no returns. In gentlest delicacy she would slip away, leaving him with mean wares intact, not a worker for his livelihood like a million others, but signal and set apart, rare in the fragrance of charity.

  So it was, when Mrs. Lanier went out. Everywhere she saw them, the ragged, the wretched, the desperate, and to each she gave her look that spoke with no words.

  “Courage,” it said. “And you—oh, wish me courage, too!”

  Frequently, by the time she returned to her house, Mrs. Lanier would be limp as a freesia. Her maid Gwennie would have to beseech her to lie down, to gain the strength to change her gown for a filmier one and descend to her drawing-room, her eyes darkly mournful, but her exquisite breasts pointed high.

  In her drawing-room, there was sanctuary. Here her heart might heal from the blows of the world, and be whole for its own sorrow. It was a room suspended above life, a place of tender fabrics and pale flowers, with never a paper or a book to report the harrowing or describe it. Below the great sheet of its window swung the river, and the stately scows went by laden with strange stuff in rich tapestry colors; there was no necessity to belong to the sort who must explain that it was garbage. An island with a happy name lay opposite, and on it stood a row of prim, tight buildings, naïve as a painting by Rousseau. Sometimes there could be seen on the island the brisk figures of nurses and internes, sporting in the lanes. Possibly there were figures considerably less brisk beyond the barred windows of the buildings, but that was not to be wondered about in the presence of Mrs. Lanier. All those who came to her drawing-room came in one cause: to shield her heart from hurt.

  Here in her drawing-room, in the lovely blue of the late day, Mrs. Lanier sat upon opalescent taffeta and was wistful. And here to her drawing-room, the young men came and tried to help her bear her life.

  There was a pattern to the visits of the young men. They would come in groups of three or four or six, for a while; and then there would be one of them who would stay a little after the rest had gone, who presently would come a little earlier than the others. Then there would be days when Mrs. Lanier would cease to be at home to the other young men, and that one young man would be alone with her in the lovely blue. And then Mrs. Lanier would no longer be at home to that one young man, and Gwennie would have to tell him and tell him, over the telephone, that Mrs. Lanier was out, that Mrs. Lanier was ill, that Mrs. Lanier could not be disturbed. The groups of young men would come again; that one young man would not be with them. But there would be, among them, a new young man, who presently would stay a little later and come a little earlier, who eventually would plead with Gwennie over the telephone.

  Gwennie—her widowed mother had named her Gwendola, and then, as if realizing that no other dream would ever come true, had died—was little and compact and unnoticeable. She had been raised on an upstate farm by an uncle and aunt hard as the soil they fought for their lives. After their deaths, she had no relatives anywhere. She came to New York, because she had heard stories of jobs; her arrival was at the time when Mrs. Lanier’s cook needed a kitchen-maid. So in her own house, Mrs. Lanier had found her treasure.

  Gwennie’s hard little farm-girl’s fingers could set invisible stitches, could employ a flatiron as if it were a wand, could be as summer breezes in the robing of Mrs. Lanier and the tending of her hair. She was as busy as the day was long; and her days frequently extended from daybreak to daybreak. She was never tired, she had no grievance, she was cheerful without being expressive about it. There was nothing in her presence or the sight of her to touch the heart and thus cause discomfort.

  Mrs. Lanier would often say that she didn’t know what she would do without her little Gwennie; if her little Gwennie should ever leave her, she said, she just couldn’t go on. She looked so lorn and fragile as she said it that one scowled upon Gwennie for the potentialities of death or marriage that the girl carried within her. Yet there was no pressing cause for worry, for Gwennie was strong as a pony and had no beau. She had made no friends at all, and seemed not to observe the omission. Her life was for Mrs. Lanier; like all others who were permitted close, Gwennie sought to do what she could to save Mrs. Lanier from pain.

  They could all assist in shutting out reminders of the sadness abroad in the world, but Mrs. Lanier’s private sorrow was a more difficult matter. There dwelt a yearning so deep, so secret in her heart that it would often be days before she could speak of it, in the twilight, to a new young man.

  “If I only had a little baby,” she would sigh, “a little, little baby, I think I could be almost happy.” And she would fold her delicate arms, and lightly, slowly rock them, as if they cradled that little, little one of her dear dreams. Then, the denied madonna, she was at her most wistful, and the young man would have lived or died for her, as she bade him.

  Mrs. Lanier never mentioned why her wish was unfulfilled; the young man would know her to be too sweet to place blame, too proud to tell. But, so close to her in the pale light, he would understand, and his blood would swirl with fury that such clods as Mr. Lanier remained unkilled. He would beseech Mrs. Lanier, first in halting murmurs, then in rushes of hot words, to let him take her away from the hell of her life and try to make her almost happy. It would be after this that Mrs. Lanier would be out to the young man, would be ill, would be incapable of being disturbed.

  Gwennie did not enter the drawing-room when there was only one young man there; but when the groups returned she served unobtrusively, drawing a curtain or fetching a fresh glass. All the Lanier servants were unobtrusive, light of step and correctly indistinct of feature. When there must be changes made in the staff, Gwennie and the housekeeper arranged the replacements and did not speak of the matter to Mrs. Lanier, lest she should be stricken by desertions or saddened by tales of woe. Always the new servants resembled the old, alike in that they were unnoticeable. That is, until Kane, the new chauffeur, came.

  The old chauffeur had been replaced because he had been the old chauffeur too long. It weighs cruelly heavy on the tender heart when a familiar face grows lined and dry, when familiar shoulders seem daily to droop lower, a familiar nape is hollow between cords. The old chauffeur saw and heard and functioned with no difference; but it was too much for Mrs. Lanier to see what was befalling him. With pain in her voice, she had told Gwennie that she could stand the sight of him no longer. So the old chauffeur had gone, and Kane had come.

  Kane was young, and there was nothing depressing about his straight shoulders and his firm, full neck to one sitting behind them in the town car. He stood, a fine triangle in his fitted uniform, holding the door of the car open for Mrs. Lanier and bowed his head as she passed. But when he was not at work, his head was held high and slightly cocked, and there was a little cocked smile on his red mouth.

  Often, in the cold weather when Kane waited for her in the car, Mrs. Lanier would humanely bid Gwennie to tell him to come in and wait in the servants’ sitting-room. Gwennie brought him coffee and looked at him. Twice she did not hear Mrs. Lanier’s enameled electric bell.

  Gwennie began to observe her evenings off; before, she had disregarded them and stayed to minister to Mrs. Lanier. There was one night when Mrs. Lanier had floated late to her room, after a theater and a long conversation, done in murmurs, in the drawing-room. And Gwennie had not been waiting, to take off the white gown, and put away the pearls, and brush the bright hair that curled like the petals of forsythia. Gwennie had not yet returned to the house from her holiday. Mrs. Lanier had had to arouse a parlor-maid and obtain unsatisfactory aid from her.

  Gwennie had wept, next morning, at the pathos of Mrs. Lanier’s eyes; but tears were too distressing for Mrs. Lanier to see, and the girl stopped them. Mrs. Lanier delicately patted her arm, and there had been nothi
ng more of the matter, save that Mrs. Lanier’s eyes were darker and wider for this new hurt.

  Kane became a positive comfort to Mrs. Lanier. After the sorry sights of the streets, it was good to see Kane standing by the car, solid and straight and young, with nothing in the world the trouble with him. Mrs. Lanier came to smile upon him almost gratefully, yet wistfully, too, as if she would seek of him the secret of not being sad.

  And then, one day, Kane did not appear at his appointed time. The car, which should have been waiting to convey Mrs. Lanier to her dress-maker’s, was still in the garage, and Kane had not appeared there all day. Mrs. Lanier told Gwennie immediately to telephone the place where he roomed and find out what this meant. The girl had cried out at her, cried out that she had called and called and called, and he was not there and no one there knew where he was. The crying out must have been due to Gwennie’s loss of head in her distress at this disruption of Mrs. Lanier’s day; or perhaps it was the effect on her voice of an appalling cold she seemed to have contracted, for her eyes were heavy and red and her face pale and swollen.

  There was no more of Kane. He had had his wages paid him on the day before he disappeared, and that was the last of him. There was never a word and not another sight of him. At first, Mrs. Lanier could scarcely bring herself to believe that such betrayal could exist. Her heart, soft and sweet as a perfectly made cre‘me renversée, quivered in her breast, and in her eyes lay the far light of suffering.

  “Oh, how could he do this to me?” she asked piteously of Gwennie. “How could he do this to poor me?”

  There was no discussion of the defection of Kane; it was too painful a subject. If a caller heedlessly asked whatever had become of that nice-looking chauffeur, Mrs. Lanier would lay her hand over her closed lids and slowly wince. The caller would be suicidal that he had thus unconsciously added to her sorrows, and would strive his consecrated best to comfort her.

 

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