Renegade

Home > Young Adult > Renegade > Page 1
Renegade Page 1

by Amy Carol Reeves




  To Atticus Leclair, whose creativity makes me smile.

  Woodbury, Minnesota

  Copyright Information

  Renegade © 2013 by Amy Carol Reeves.

  All rights reserved. No part of this book may be used or reproduced in any matter whatsoever, including Internet usage, without written permission from Flux, except in the form of brief quotations embodied in critical articles and reviews.

  As the purchaser of this ebook, you are granted the non-exclusive, non-transferable right to access and read the text of this ebook on screen. The text may not be otherwise reproduced, transmitted, downloaded, or recorded on any other storage device in any form or by any means.

  Any unauthorized usage of the text without express written permission of the publisher is a violation of the author’s copyright and is illegal and punishable by law.

  This is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons living or dead, business establishments, events, or locales is entirely coincidental. Cover models used for illustrative purposes only and may not endorse or represent the book’s subject.

  First e-book edition © 2013

  E-book ISBN:

  First Edition

  First Printing, 2013

  Book design by Bob Gaul

  Cover illustration © 2012 Dominick Finelle/The July Group

  Interior map illustration © Chris Down

  Flux is an imprint of Llewellyn Worldwide Ltd.

  Flux does not participate in, endorse, or have any authority or responsibility concerning private business arrangements between our authors and the public.

  Any Internet references contained in this work are current at publication time, but the publisher cannot guarantee that a specific reference will continue or be maintained. Please refer to the publisher’s website for links to current author websites.

  Flux

  Llewellyn Worldwide Ltd.

  2143 Wooddale Drive

  Woodbury, MN 55125

  www.fluxnow.com

  Manufactured in the United States of America

  Acknowledgments

  As always, I am so grateful to my awesome agent, Jessica Sinsheimer.

  Renegade would not be in its current shape without my very insightful editor, Brian Farrey-Latz. And much thanks to Sandy Sullivan at Flux for helping me with copyedits.

  Finally, I owe so much to my husband, Shawn Reeves; during the heaviest writing stages, he talked me off of very high cliffs.

  Prologue

  Orkney Isles–March 1889

  She strayed further from her home than she had in years. Her gills pulsated with the waves as she moved along the ocean floor.

  A storm raged far above her. It might have killed any human on the surface. But she slid safely along the calmer depths—her fingertips, breasts, and belly grazing the surfaces of sand and shells, her dragon-tail propelling her forward.

  She paused as she felt something, anchoring herself into the sand with her claws and talons. In the watery darkness, she smiled fondly. It was a skull fragment. She had found these many times before, and she would keep it as she had the others.

  Her keeper had not visited her for four months. This was a long absence, unusual. She felt a sense of trouble for him now. An intuition. When he had come to her last, in early November, he had seemed distant, distracted. She cared little for his murderous duties or his love conquests, but she worried. She remembered how agitated and distracted he had been almost twenty years ago, over that situation with that woman. She strained to remember her name. Caroline? And then jealousy pulsed within her … they had wanted the daughter.

  And she hungered again as she had not in twenty years.

  For blood.

  PART I

  “ … O I wish

  That I were some great princess, I would build

  Far off from men a college like a man’s,

  And I would teach them all that men are taught;

  We are twice as quick!”

  —The Princess

  One

  London, Kensington Court–March 1889

  Twilight was the worst time for me.

  That’s when the guilt seeped through my veins like an illness. Nearly every night, I was plagued with dreams about the murders I had committed. I couldn’t get the images out of my mind—myself, crouched up in that hothouse tree. A knife in my mouth as I waited for Julian Bartlett. Blood from John Perkins and Marcus Brown smeared on my face and skirts. I vividly remembered the feel of the knife cutting through their flesh, tearing muscle, and hitting bone. The memories made me nauseated. In my mind, I was no better than Max as he stalked women on the streets last autumn.

  But then, I always told myself, the Conclave had murdered my mother. They had planned to execute William and Simon. They would have gone on killing God knows how many innocent human beings during their immortal lives, all for the greater good.

  A Posse Ad Esse.

  It almost made me laugh.

  That morning, as always, I went ahead and got out of bed weighted by my guilt and conflicting feelings. This guilt had become a bit of an albatross around my neck, and I didn’t know how to atone for it.

  As I dressed, I studied Mother’s portrait. My real father, the artist Dante Gabriel Rossetti, had painted it. In my mind, it was his most daring portrait—Caroline Westfield, society belle, as a lamia, nude from her waist up. Grandmother couldn’t bear seeing it, so I kept it in my closet for myself. Max had sent it to me, so it was a gift from the devil … yet I cherished it nonetheless.

  As I put on my hospital work dress and pinafore, I allowed myself to think of Max. Except for the delivery of the portrait, neither William nor Simon nor I had heard from him for over four months. But I knew he was around. Somewhere. Au revoir, he had signed his note. We would meet again, and when we did, it would be my blood he would want. I had killed his Conclave. The elixir and elixir formula had certainly disappeared in the fire. He had lost the means of sustaining his immortality.

  I shuddered as I pinned my hair back and forced myself to mentally prepare for my day. It would be my first day returning to work at Whitechapel Hospital. I hadn’t been there since returning to Grandmother’s house after that terrible night with the Conclave. Then, soon after Christmas, Grandmother had fallen very ill with pneumonia. I attributed it to the stresses she had endured that autumn—our many arguments, her worry about me, my friend Mariah’s death. My own guilt about how I’d bucked against her rules overwhelmed me. Yet I knew that I couldn’t completely conform to her lifestyle. The boundaries must be set—at breakfast, I would tell her that I was resuming my work at the hospital. Grandmother had been feeling better; she had been stronger. In fact, I could hear her now, downstairs, fussing heartily at Ellen, her hare-brained maid.

  I hurried out of my bedroom and descended the stairs, anxious to begin work at the hospital.

  “Where are you going?” Grandmother asked, alarmed. She paused as she ate her eggs, staring hard at my black work dress, at the folded pinafore in my arms.

  When I faced her, I saw that her complexion already seemed better. She was thinner, but not quite so pale. She would be fine now without me attending to her all day.

  “I’m returning to the hospital,” I said, swallowing my tea too fast and burning my throat a bit. I felt hurried as I ate.

  “The murders, getting stabbed in the leg, those eviscerated women, were not enough to keep you away?”

  “No, Grandmother. And there haven’t been any murders for several months. I’ll be fine. I must retur
n to work. If you remember, I need to apply to medical school soon. I have not been at the hospital since October, and I need the experience.”

  She took a sip of tea.

  I stood, wiped my mouth, and started to walk out of the dining room.

  “Do you have anything else to tell me? Anything else that will further shock my system?” She asked this shrilly, without even looking at me.

  As I left the dining room, I saw our very patient butler, Richard, waiting in the corridor with my coat.

  I felt prickled at Grandmother’s tone of voice; a thread of mischievousness coursed through my veins. Oh, why couldn’t I keep my bloody mouth shut?

  “Yes, in fact, I do have something else to tell you,” I said as I buttoned my coat. “William Siddal and I are dining at William Morris’s house on Thursday evening.” William Morris and his wife, Jane Burden Morris, were Pre-Raphaelites—eccentric artists and, essentially, Grandmother’s most dreaded nightmare. William had become close to them through Dante Gabriel Rossetti, his adoptive father. Gabriel had rescued William, a four-year-old orphan, from the streets and raised him as his own.

  I heard the sound of her teacup smashing on the floor.

  “What?” Grandmother appeared in the hallway, her eyes blazing, her back ramrod-straight. She approached me, and I saw then that she was more recovered, much healthier, than I had thought.

  “You are aware that Jane Morris was William’s father’s mistress, are you not?” she snapped. “I had hoped, rather than believed, that you had forgotten about the Siddal boy, but now I see that I was devastatingly wrong. How can William dine with Rossetti’s mistress?”

  “Yes, Grandmother. I have listened to your lectures many times these past months. But you know that I am, and will continue to be, friends with William Siddal as well as with his aunt. Christina Rossetti is a dear person, and both she and William have been so kind to me. William’s father’s scandals are all past history, Grandmother. The family has moved on, forgotten about them. And William has told me that Jane Morris was such a mentor to him after his father’s death. I have looked forward to meeting her.”

  Quickly, very quickly, before she could say anything else, I hurried out the door, but not before seeing a small, almost imperceptible wry smile on Richard’s wrinkled face.

  As she returned to her island home, she sighed angrily, frustrated at herself for her unquenchable longings, for her hunger. She hated when it arose. She had so much to keep her comfortable, and none of the daily worries, busy routines, or petty concerns that plagued the rest of the human race.

  She descended the stone steps into her home in her hu-

  man form, salt water dripping from her naked legs and puddling onto the cool marble floor. She passed the library. She passed the treasure room. She passed all of her half-finished portraits, which hung on the walls. She might finish one of them someday, but thus far, none seemed worth completing. She thought vaguely about how she would have to tend to the animals in the menagerie before the evening ended. Tending to the animals was perhaps her greatest duty for the Conclave. Her keeper, when he visited her island home, often brought animals to her and took others back to Robert Buck for his hothouses or experiments. As her keeper had explained, the Conclave moved their headquarters often—so often that her island menagerie was their main menagerie, the permanent home for all of Dr. Buck’s animals, serpents, and birds.

  Robert Buck, the great scientist, she thought wryly.

  Still clutching the skull fragment, she walked the entire length of the long great hall, the center of her small but luxurious underground home. She stopped when she came to a door that opened into a narrow set of damp stone steps spiraling upward—a shortcut to another part of her small island. This staircase was merely functional—practically a cave passage up from her underground world. Outside, her island was rocky and not easy to walk upon, particularly when she was in her human form. Thus her home offered several of these hidden stairs, leading to different parts of the island, so that she did not have to walk too far to get where she wanted. Her keeper had been so thoughtful when the home was constructed.

  After ascending the steps, she slid through a narrow crevice and out into the blustery evening. As she stood outside, she surveyed some small mounds of dirt. The brown spots dimpled the sandy grass that stretched the short distance between herself and the sea. The mounds would disappear eventually, when they became absorbed into the sea, spurting the bleached bones into the ocean waters.

  She opened the mound nearest to her and patted the skull fragment into it. She heard it crunch against the other pieces of bone. Many of the mounds held more complete corpses, in deeper graves. She had found these dead ones in the ocean. Three infant bodies. Several women’s bodies. Many men’s bodies.

  Hidden rocks in the area snagged so many boats.

  Whenever she swam in the sea following a wreck, she felt fascinated by the faces of the drowned. She contemplated their aborted hopes. Often she found herself drawn to the dead, so she took them back with her to this place.

  Almost all were dead.

  Some, the stronger ones, swam to the safety of the nearby Orkney Islands’ shores. She would watch their tiny forms struggle on the water’s surface from the depths below.

  None of them ever found her island. Not even the dead. The tides swept mostly away from where she lived; her shores and home remained shrouded under massive rocks and fog. Her keeper had picked her island well. If visible at all, it would seem to be only a jumble of sharp rock peaks, a place to be avoided. And if anyone arrived alive … she frowned.

  It was just better that they did not.

  She contemplated the setting sun—golden, achingly glorious. Then she descended back into her home.

  She would take a bath, a hot one. She hoped that the warmth would take away her resurgent cravings for flesh and blood.

  These feelings had not arisen in so long. In the early years of her immortality, almost eighty years ago, it had been hard not to kill struggling shipwrecked victims, hapless fishermen. But she had gained better control after her first decade on this island. In fact, she hadn’t killed in almost twenty years, and her keeper had warned her often that she could not—it would be devastating if she exposed herself, or them.

  As she stepped into the bath, settling her naked form into the tub, the candlelight illuminated her skin. A chalice had been tattooed across her entire back. It was not small and indiscrete, as the Conclave’s markings were, but large, spanning the space between her shoulders. The stem extended down her spine toward the words, A Posse Ad Esse.

  It was her mark of Cain. She, the outcast, was a puzzling inconsistency in the modern world.

  Two

  I was not certain what I expected to find at Whitechapel Hospital—which was now without Julian Bartlett’s and Robert Buck’s leadership—but upon arriving I found it running efficiently, with more patients and workers even than before. The overwhelming atmosphere of business and urgency, always particularly strong on the first floor, hung in the air.

  “Delivery. Twins,” Sister Josephine snapped at me the moment I stepped into the first floor ward. I had forgotten her efficient and forceful personality, and I felt myself smile a bit as I followed her broad form to the delivery area at the back part of the ward. It was as if I had only missed one day’s work, as opposed to four months.

  “I’m not terribly worried,” Josephine added quickly, the silver cross around her neck swinging ferociously as I hurried behind her to the curtained delivery area. “She delivered a large child last year with no difficulty. Still … twins can be complicated.” She bit her lip.

  “Of course,” I replied as we went behind the curtain. I had only seen two sets of twins delivered at Whitechapel Hospital in which both infants emerged healthily and without incident. But upon observing the patient and seeing that she was of a proper age to deliver—thirty-one—and
apparently physically healthy—of good weight, with most of her teeth—my fears abated a bit. Her name was Fanny Brunson. As I read through Simon’s neatly written notes on her medical history, I saw that Josephine was indeed correct—the woman’s last delivery had been an easy one, and her child healthy.

  I felt warmed when William stepped behind the curtain to aid in the delivery. Not wanting to agitate Grandmother during her illness, I had not invited William to our house. I had only seen him at stolen moments. We had had brief conversations at agreed-upon times while I walked her pug, Jupe, around our Kensington neighborhood. I did get to visit him once, when I escaped Grandmother’s home long enough to call upon Christina. But as it was high time for Grandmother to accept him as part of my life, I’d told him to come to the house for tea, on Thursday, before we left for the Morris household.

  “Back in the land of the living, Abbie?” William asked with an arched eyebrow.

  As I talked to him, I felt struck, once again, by his dark handsomeness—despite having known him for months now and even saving his life. Yet I hadn’t seen him at the hospital in so long … and I couldn’t help but ponder, for a moment, how he looked like a portrait model rather than an overworked physician in an impoverished East End hospital.

  As we talked, Simon entered the delivery area and I immediately felt a dull ache in my gut. Simon had visited Grandmother and me several times since Christmas, but he knew that I loved William. And I knew this was painful for him—particularly since he and William were far from friends. Even though they now directed Whitechapel Hospital together, I could sense the tension between them, and suspected that their working relationship was probably often difficult.

  Josephine and the other nurses had left to locate supplies, leaving William, Simon, and me alone momentarily. William rinsed his hands in a lime chloride solution and began studying Simon’s notes from Fanny’s previous

 

‹ Prev