Every Short Story by Alasdair Gray 1951-2012

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Every Short Story by Alasdair Gray 1951-2012 Page 3

by Gray, Alasdair


  Later he found it too dark to see the page of the book clearly and put it down. The noises from the lawn had subtly altered. The laughter and shouting were now not continuous. There were periods of silence disturbed by the occasional shuffle of running feet and the hard breathing of somebody pursued, then he would hear a half-cry or scream that did not sound altogether in fun. Gordon went to the window. Something strange was happening on the darkened lawn. Nan was nowhere to be seen. Kenneth, Gibson and Clare were huddled together on the bare table-top, Clare kneeling, Kenneth and Gibson crouching half-erect. The white dog danced in a circle round the table among over-turned chairs. Its activity and size seemed to have increased with the darkness. It glimmered like a sheet in the dusk, its white needle-teeth glittered in the silently laughing jaws, it was about the size of a small lion. Gibson was occupied in a strange way, searching his pockets for objects and hurling them at the shrubbery at the far end of the garden. The white dog would run, leap, catch these in its mouth while they were in the air, then return and deposit them under the table. It looked like a game and had possibly begun as one, but obviously Gibson was continuing in an effort to get the dog as far away as possible. Gordon suddenly discovered Nan was beside him, watching, her hands clenched against her mouth.

  Gibson seemed to run out of things to throw. Gordon saw him expostulate precariously for a moment with Kenneth, demanding (it appeared) his fountain pen. Kenneth kept shaking his head. He was plainly not as frightened as Gibson or Clare, but a faint embarrassed smile on his face suggested that he was abashed by some monstrous possibility. Gibson put a hand to his mouth, withdrew something, then seemed to reason with Kenneth, who at last shrugged and took it with a distaste which suggested it was a plate of false teeth. Kenneth stood upright and, balancing himself with difficulty, hurled the object at the shrubbery. It was a good throw. The white dog catapulted after it and at once the three jumped from the table and ran to the house, Kenneth going to the right, Gibson and Clare to the left. The dog swerved in an abrupt are and hurled toward the left. He overtook Clare and snapped the hem of her dress. She stumbled and fell. Gibson and Kenneth disappeared from sight and two doors were slammed in different parts of the house. Clare lay on the lawn, her knees drawn up almost to her chin, her clasped hands pressed between her thighs and her eyes shut. The dog stood over her, grinning happily, then gathered some of the clothing round her waist into its mouth and trotted with her into the bushes of the shrubbery.

  Gordon looked at Nan. She had bowed her face into her hands. He put an arm round her waist, she laid her face against his chest and said in a muffled voice, “Take me away with you.”

  “Are you sure of what you’re saying?”

  “Take me away, Gordon.”

  “What about Clare?”

  Nan laughed vindictively. “Clare isn’t the one to pity.”

  “Yes, but that dog!”

  Nan cried out, “Do you want me or not?”

  As they went through the dark hall, the kitchen door opened, Nan’s mother looked out, then shut it quickly. In the front garden they met Kenneth and Gibson, both shamefaced and subdued. Kenneth said, “Hullo. We were just coming to look for you.”

  Gordon said, “Nan’s coming home with me.”

  Kenneth said, “Oh, good.”

  They stood for a moment in silence, none of the men looking at each other, then Gibson said, “I suppose I’d better wait for Clare.” The absence of teeth made him sound senile. Nan cried out, “She won’t want you now! She won’t want you now!” and started weeping again. “I’ll wait all the same,” Gibson muttered. He turned his back on them. “How long do you think she’ll be?” he asked. Nobody answered.

  The drive back into the city was quiet. Gordon sat with Nan in the back seat, his arm around her waist, her mourning face against his shoulder. He felt strangely careless and happy. Once Kenneth said, “An odd sort of evening.” He seemed half willing to discuss it but nobody encouraged him. He put off Gordon and Nan at the close-mouth of the tenement where Gordon lived. They went upstairs to the top landing, Gordon unlocked a door and they crossed a small lobby into a very untidy room. Gordon said, “I’ll sleep on the sofa here. The bedroom’s through that door.”

  Nan sat on the sofa, smiled sadly and said, “So I’m not to sleep with you.”

  “Not yet. I want you too much to take advantage of a passing mood.”

  “You think this is a passing mood.”

  “It might be. If it’s not I’ll see about getting a marriage licence. Are you over eighteen?”

  “Yes.”

  “That’s good. Er … do you mind me wanting to marry you, Nan?”

  Nan got up, embraced him and put her tear-dirty cheek against his. She laughed and said, “You’re very conventional.”

  “There’s no substitute for legality,” said Gordon, rubbing his brow against hers.

  “There’s no substitute for impulse,” Nan whispered.

  “We’ll try and combine the two,” said Gordon. The pressure of her body started to excite him, so he stood apart from her and started making a bed on the sofa.

  “If you’re willing, tomorrow I’ll get a licence.” He had just settled comfortably on the sofa when Nan came to the bedroom door and said, “Gordon, promise you won’t ask me about him.”

  “About who?”

  “You can’t have forgotten him.”

  “The dog? Yes, I had forgotten the dog. All right, I won’t ask … You’re sure nothing serious has happened to Clare?”

  “Ask her when you see her next!” Nan cried, and slammed the bedroom door.

  Next day Gordon bought a marriage licence and an engagement ring and arranged the wedding for a fortnight later. The next two weeks were among the happiest in his life. During the day he worked as an engineering draughtsman. When he came home from work Nan had a good meal ready for him and the apartment clean and tidy. After the meal they would go walking or visit a film show or friends, and later on they would make rather clumsy love, for Gordon was inexperienced and got his most genuine pleasure by keeping the love-making inside definite limits. He wasn’t worried much by memories of the white dog. He prided himself on being thoroughly rational, and thought it irrational to feel curious about mysteries. He always refused to discuss things like dreams, ghosts, flying-saucers and religion. “It doesn’t matter if these things are true or not,” he said. “They are irrelevant to the rules that we have to live by. Mysteries only happen when people try to understand something irrelevant.” Somebody once pointed out to him that the creation of life was a mystery. “I know,” he said, “and it’s irrelevant. Why should I worry about how life occurred? If I know how it is just now I know enough.” This attitude allowed him to dismiss his memories of the white dog as irrelevant, especially when he learned that Clare seemed to have come to no harm. She had broken with Gibson and now went about a lot with Kenneth.

  One day Nan said, “Isn’t tomorrow the day before the wedding?”

  “Yes. What about it?”

  “A man and woman aren’t supposed to see each other the night before their wedding.”

  “I didn’t know that.”

  “And I thought you were conventional.”

  “I know what’s legal. I don’t much care about conventions.”

  “Well, women care more about conventions than they do about laws.”

  “Does that mean you want me to spend tomorrow night in a hotel?”

  “It’s the proper thing, Gordon.”

  “You weren’t so proper on the night I brought you here.” Nan said quietly, “It’s not fair to remind me of that night.”

  “I’m sorry,” said Gordon. “No, it’s not fair. I’ll go to a hotel.”

  Next evening he booked a room in a hotel and then, since it was only ten o’clock, went to a coffee bar where he might see some friends. Inside Clare and Kenneth sat at a table with a lean young man Gordon did not know. Clare smiled and beckoned. She had lost her former self-conscious grace and
looked adult and attractive. As Gordon approached Kenneth stood, gripped Gordon’s hand and shook it with unnecessary enthusiasm saying, “Gordon! Gordon! You must meet Mr. McIver. (Clare and I are just leaving.) Mr. McIver, this is the man I told you about, the only man in Scotland who can help you. Goodnight! Goodnight! Clare and I mustn’t intrude on your conversation. You have a lot to discuss.” He rushed out, pulling Clare after him and chuckling.

  Gordon and the stranger looked at each other with embarrassment.

  “Won’t you sit down?” said Mr. McIver in a polite North American voice. Gordon sat down and said, “Are you from the States, Mr. McIver?”

  “No, from Canada. I’m visiting Europe on a scholarship. I’m collecting material for my thesis upon the white dog. Your friend tells me you are an authority on the subject.” Gordon said abruptly, “What has Kenneth told you about the dog?”

  “Nothing. But he said you could tell me a great deal.”

  “He was joking.”

  “I’m sorry to hear that.”

  Gordon stood up to go, sat down again, hesitated and said, “What is this white dog?”

  McIver answered in the tone of someone starting a lecture: “Well known references to the white dog occur in Ovid’s ‘Metamorphoses’, in Chaucer’s unfinished ‘Cook’s Tale’, in the picaresque novels of the Basque poet Jose Mompou, and in your Scottish Border Ballads. Nonetheless, the white dog is the most neglected of European archetypes, and for that reason perhaps, one of the most significant. I can only account for this neglect by assuming a subconscious resistance in the minds of previous students of folk-lore, a resistance springing from the fact that the white dog is the west-European equivalent of the Oedipus myth.”

  “That’s all just words,” said Gordon. “What does the dog do?”

  “Well, he’s usually associated with sexually frigid women. Sometimes it is suggested they are frigid because they have been dedicated to the love of the dog from birth …”

  “Dedicated by who?”

  “In certain romance legends by the priest at the baptismal font, with or without the consent of the girl’s parents. More often the frigidity is the result of the girl’s choice. A girl meets an old woman in a lonely place who gives her various gifts, withholding one on which the girl’s heart is set. The price of the gift is that she consents to marry the old woman’s son. If she accepts the gift (it is usually an object of no value) she becomes frigid until the white dog claims her. The old woman is the dog’s mother. In these versions of the legend the dog is regarded as a malignant spirit.”

  “How can he be other than malignant?”

  “In Sicily the dog is thought of as a benefactor of frigid or sterile women. If the dog can be induced to sleep with such a woman and she submits to him she will become capable of normal fruitful intercourse with a man. There is always a condition attached to this. The dog must always be, to a certain extent, the husband of the woman. Even if she marries a human man, the dog can claim her whenever he wants.”

  “Oh God,” said Gordon.

  “There’s nothing horrible about it,” said McIver. “In one of Jose Mompou’s novels the hero encounters a brigand chieftain whose wife is also married to the dog. The dog and the chieftain are friends, the dog accepts the status of pet in the household, sleeping by the fire, licking the plates clean et cetera, even though he is the ghostly husband of several girls in the district. By his patronage of the house in this ostensibly servile capacity, he brings the brigand luck. His presence is not at all resented, even though he sometimes sleeps with the brigand’s daughters. To have been loved by the dog makes a woman more attractive to normal men, you see, and the dog is never jealous. When one of his women marries he only sleeps with her often enough to assert his claim on her.”

  “How often is that?”

  “Once a year. He sleeps with her on the night before the wedding and on each anniversary of that night. Say, how are you feeling? You look terrible.”

  Gorden went into the street too full of horror and doubt to think clearly.

  “To be compared with a dog! To be measured against a dog! Oh no, God, Nan wouldn’t do that! Nan isn’t so wicked!”

  He found he was gibbering these words and running as fast as possible home. He stopped, looked at his watch, forced himself to walk slowly. He arrived home about midnight, went through the close to the back court and looked up at the bedroom window. The light was out. He tiptoed upstaris and paused at the front door. The door looked so much as usual that he felt nothing wrong could be behind it; he could still return to the hotel, but while he considered this his hand was stealthily putting the key in the lock. He went softly into the living room, hesitated outside the bedroom door, then opened it quickly. He heard a gasp and Nan shriek, “Gordon!”

  “Yes,” said Gordon.

  “Don’t put the light on!”

  He switched the light on. Nan sat up in bed blinking at him fearfully, her hands pressed protectively on a mound between her legs under the tumbled bedclothes. Gordon stepped forward, gripped the edge of the bedclothes and tugged. “Let go!” he said. She stared at him, her face white with terror, and whispered, “Go away!” He struck her face and she fell back on the pillows; he snatched away the bedclothes and the white dog sprang from between the sheets and danced on them, grinning. Gordon grabbed at the beast’s throat. With an easy squirming movement it evaded his hand, then bit it. Gordon felt the small needle-teeth sink between his fingerbones and suddenly became icy cold. He sat on the edge of the bed and stared at the numb bitten hand still gripped between the dog’s grinning jaws: its pink little eyes seemed to wink at him. With a great yell, he seized the beast’s hind leg with his free hand, sprang up and swung its whole body against the wall. Nan screamed. He felt its head crush with the impact, swung and battered it twice more on the wall, leaving a jammy red stain each time, then he flung the body into a corner and sat down on the edge of the bed and stared at his bitten hand. The sharp little teeth seemed to have gone in without piercing any veins or arteries, for the only mark on the skin was a V-shaped line of grey punctures. He stared across at the smash-headed carcase. He found it hard to believe he had killed it. Could such a creature be killed? He got to his feet with difficulty, for he felt unwell, and went to the thing. It was certainly dead. He opened the window, picked the dog up by the tail and flung it down into the back court, then went over to the bed where Nan lay, gazing at him with horror. He began to undress as well as he could without the use of the numbed right hand. “So, my dear,” he muttered, “you prefer convention.”

  She cried out, “You shouldn’t have come back tonight! We would all have been happy if you hadn’t come back tonight!”

  “Just so,” said Gordon, getting in bed with her.

  “Don’t touch me!”

  “Oh yes, I’ll touch you.”

  Toward morning Gordon woke, feeling wonderfully happy. Nan’s arms clasped him, yet he felt more free than ever before. With a little gleeful yelp he sprang from the nest of warmth made by her body and skipped upon the quilt. Nan opened her eyes lazily to him, then sat up and kissed his muzzle. He looked at her with jovial contempt, then jumped on to the floor and trotted out of the house, the shut doors springing open at the touch of his nose. He ran downstairs into the sunlit street, his mouth hanging open in a grin of sheer gaiety. He would never again be bound by dull laws.

  THE ANSWER

  Late at night a young man entered a phonebox in the suburb of an industrial city. He put coins in the slot, lifted the receiver, dialled and waited a moment. Later he heard a girl’s voice say, “Hello?”

  “Hello Joan!”

  There was no answer. He said, “This is Donald.”

  Silence.

  “Donald Purdie.”

  Silence.

  “How are you, Joan?”

  Silence. He frowned in a puzzled way and said, “I’m just back from Loch Lomond – I’ve been boating with the McEwans. They asked me to give you their love.” />
  Silence.

  “Listen Joan, is anything wrong? …

  Are you all right Joan? …

  Joan, is this a joke? …

  If you don’t want to talk to me you’d better put the receiver down.”

  After a while he heard faint movements, then more silence.

  He put the receiver down. He stood with heart beating loudly and a heavy weight in his chest, wondering what to do. He was too disturbed to go home to bed and it would be hard to live through the next days without knowing exactly what was wrong. At last he left the phonebox and walked through several streets to a place where two roads crossed. A taxi stood at a corner. He got into it and gave the driver an address on the other side of the city. He sat on the edge of the seat feeling excited and depressed. Sometimes the feelings in his chest got so big that he had to breathe deeply to quieten them. At other times he stared out of the window. The taxi passed through tenements, then the larger office buildings of the city centre, and after twenty minutes came to a district of bungalows, fields and petrol stations. It stopped before a bungalow with a garden sloping up from the road. Donald told the driver to wait and got out. The path to the door was made of granite chips and to make no noise he walked on the grass verge. The only light in the bungalow was at a side window, the kitchen window. Joan often stayed up late, reading in the kitchen. He stepped to the lit yellow oblong, struck the glass with a knuckle and called, “Joan! Donald here! Joan!” A moment later the light went out.

  He walked heavy-footed on the crunching granite to the front door and rang the bell, waited ten seconds, rang again and kept on ringing. A light went on behind the door’s thick rippled glass and it was opened by a girl who looked at him with a welcoming smile. She wore dressing gown and slippers, copious brown hair hung down loosely behind her shoulders, her eyebrows were strong and black, her nose long, her mouth large and humorous, her chin receded. She held the gown together at her throat with a big finely shaped hand and said in a pleased voice,

 

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