by Noah Charney
Campbell, Lorne. Fifteenth-Century Netherlandish Paintings. London: National Gallery, 1998.
Chatelet, Albert. Jan van Eyck Enlumineur: Les “Heires de Turin” et de “Milan-Turin.” Strasbourg: Presses Universitaires de Strasbourg, 1993.
Clark, Gregory T. Made in Flanders: The Master of the Ghent Privileges and Manuscript Painting in the Southern Netherlands in the Time of Philip the Good. Turnhout, Belgium: Brepols, 2000.
Conway, William Martin. Early Flemish Artists and Their Predecessors on the Lower Rhine. London: Seeley and Co., 1887.
Cortemans, Paul. L’Agneau Mystique au Laboratoire: Examen et traitment. Antwerp: De Sikkel, 1953.
Dhanens, Elizabeth. Hubert and Jan van Eyck. New York: Alpine Fine Arts, 1980.
———. Van Eyck: The Ghent Altarpiece. London: Allen Lane, 1973.
Graham, Jenny. Inventing Van Eyck. London: Berg, 2007.
Kris, Ernst, and Otto Kurz. Legend, Myth, and Magic in the Image of the Artist. New Haven, CT: Yale University Press, 1979.
Mander, Karel van. Lives of the Illustrious Netherlandish and German Painters. Ed. Hessel Miedema. Doornspijk, Netherlands: Davaco, 1994.
Nicholas, David. The Metamorphosis of a Medieval City: Ghent in the Age of the Arteveldes, 1302-1390. Lincoln: University of Nebraska Press, 1987. Reprint, New York: ACLS Humanities, 2008.
Panofsky, Erwin. Early Netherlandish Painting. Cambridge, MA: Harvard University Press, 1953.
Philip, Lotte Brand. The Ghent Altarpiece and the Art of Jan van Eyck. Princeton, NJ: Princeton University Press, 1972.
Puyvelde, Leo van. Van Eyck: The Holy Lamb. London: Collins, 1947.
Raspe, Rudolf Erich. A Critical Essay on Oil-Painting: Proving that the Art of Painting in Oil Was Known Before the Pretended Discovery of John and Hubert van Eyck. London: T. Cadell, 1781.
Renders, Emil. Hubert van Eyck, personnage de legende. Paris, 1933.
Vasari, Giorgio. Lives of the Painters, Sculptors and Architects. Trans. Gaston du C. de Vere. London: Everyman’s Library, 1996.
Wealee, W. H. James. Hubert and John van Eyck: Their Life and Work. London, 1908.
THE FRENCH REVOLUTION, NAPOLEON, AND COLLECTING
Bazin, Germain. The Louvre. London: Thames and Hudson, 1971.
Benoist-Méchin, J. Bonaparte en Égypte, ou le rêve inassouvi. Paris: Perrin, 1978.
Dodge, Theodore Ayrault. Napoleon: A History of the Art of War. New York: AMS Press, 1970.
Englund, Steven. Napoleon: A Political Life. New York: Scribner, 2004.
Gould, Cecil. Trophy of Conquest: The Musée Napoléon and the Creation of the Louvre. London: Faber and Faber, 1965.
Impey, Oliver, and Arthur MacGregor, eds. The Origins of Museums: The Cabinet of Curiosities in 16th and 17th Century Europe. London: House of Stratus, 2001.
McClellan, Andrew. Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in 18th Century Paris. Cambridge: Cambridge University Press, 1994.
Miles, Margaret M. Art as Plunder: The Ancient Origins of Debate About Cultural Property. New York: Cambridge University Press, 2008.
Meyer, Karl E. The Plundered Past. London: Hamish Hamilton, 1973.
Passavant, Johann David. Tour of a German Artist in England. London: Saunders and Otley, 1836.
Pearce, Susan M. On Collecting: An Investigation into Collecting in the European Tradition. London: Routledge, 1995.
Pommier, Edouard. L’Art de la liberté: Doctrines et débats de la revolution française. Paris: Gallimard, 1991.
Poulot, Dominique. Musée, nation, patrimonie, 1789-1815. Paris: Gallimard, 1997.
Reynolds, Joshua. A Journey to Flanders and Holland. Cambridge: Cambridge University Press, 1996.
Russell, Terrence. The Discovery of Egypt: Vivant Denon’s Travels with Napoleon’s Army. London: History Press, 2005.
Siborne, William. History of the War in France and Belgium in 1815. London: T. and W. Boone, 1848.
Schom, Alan. Napoleon Bonaparte. New York: HarperCollins, 1997.
Vaughn, William. German Romanticism and English Art. New Haven, CT: Yale University Press, 1979.
Waagen, Gustav. Treasures of Art in Great Britain. London: John Murray, 1854.
Walpole, Horace. Anecdotes of Painting in England. Strawberry Hill: Thomas Farmer, 1762.
THE JUDGES THEFT
Bernauw, Patrick. Het Bloed van Het Lam. Antwerp: Manteau, 2006.
———. Mysteries van Het Lam Gods. Antwerp: Manteau, 1991.
De Roo, Maria. Vilains. Unpublished manuscript. 29 November 2009.
Esterow, Milton. The Art Stealers. New York: Macmillan, 1966.
Hammer-Kaatee, Karl. Satans Lied: De Jacht van de CIA op Jezus: Waargebeurd verhaal. Rijswijk, Netherlands: Uitgeverij Elmar, 2006.
McLeave, Hugh. Rogues in the Gallery: The Modern Plague of Art Thefts. Boston: David Godine, 1981.
Mortier, Karel. De diefstal van de Rechtvaardige Rechters: Kriminologische studie. Antwerp: De Vlijt, 1966.
———. Dossier Lam Gods: Zoektocht naar De rechtvaardige rechters. Gent: Stichting Mens en Kultuur, 1994.
Trix (documentary). Produced by KRO Reporter, the Netherlands. Aired April 1994.
Walters, Minette. “Whodunnit?” Daily Telegraph (London), 9 November 1996.
FIRST AND SECOND WORLD WARS
Becker, Hans. Österreichs Freiheitskampf. Vienna: Verlag der Freien Union der ÖVP, 1946.
Benjamin, Walter. Das Passagen-Werk. Berlin: Suhrkamp, 1982.
Bibliotheca Rosenthaliana. The Return of the Looted Collections 1946-1996. Amsterdam: University of Amsterdam Library, 1997.
Bode, Wilhelm von. Die Meister Der Hollandischen und Vlamischen Malerschulen (1919). Whitefish, MT: Kessinger, 2009.
Brey, Ilaria Dagnini. The Venus Fixers: The Untold Story of the Allied Soldiers Who Saved Italy’s Art During World War II. New York: Farrar, Straus and Giroux, 2009.
Cassirer, Bruno, and Paul Cassirer. Kunst und Kunstgewerbe am Ende des Neunzehnten Jahrhunderts von Wilhelm Bode. Whitefish, MT: Kessinger, 2010.
Chamberlain, Russell. Loot! The Heritage of Plunder. London: Facts on File, 1983.
De Jaeger, Charles. The Linz File: Hitler’s Plunder of Europe’s Art. London: Webb & Bower, 1981.
de Ville, Jean Baptiste. Back from Belgium: A Secret History of Three Years Within the German Lines. New York: H. K. Fly, 1918. Reprint, n.p.: Nabu Press, 2010.
Duberman, Martin. The Worlds of Lincoln Kirstein. New York: Knopf, 2007.
Edsel, Robert M., and Brett Witter. Monuments Men: Allied Heroes, Nazi Thieves, and the Greatest Treasure Hunt in History. New York: Center Street, 2009.
Feliciano, Hector. The Lost Museum: The Nazi Conspiracy to Steal the World’s Greatest Works of Art. New York: Basic Books, 1997.
Flanner, Janet. Men and Monuments. New York: Harper, 1957.
Gaiswinkler, Albrecht. Sprung in die Freiheit. Vienna-Salzburg: Ried-Verlag, 1947.
Gheyn, G. van den. “Les tribulations de l’Agneau Mystique.” Revue belge d’archéologie et d’histoire de l’art 15 (1945): 25-46.
Gilbert, Martin. The First World War: A Complete History. New York: Holt, 2004.
Göhringer, Walter, and Herbert Hasenmayer. Zeitgeschichte. Vienna: Hirt-Verlag, 1979.
Harclerode, Peter, and Brendan Pittaway. The Lost Masters: The Looting of Europe’s Treasurehouses. London: Gollancz, 1999.
Hartt, Frederick. Florentine Art Under Fire. Princeton, NJ: Princeton University Press, 1949.
Hasse, Günther. Kunstraub und Kunstschutz. Norderstedt, Germany: Satz, Herstellung, 2008.
Howe, Thomas C. Salt Mines and Castles: The Discovery and Restitutions of Looted European Art. New York: Bobbs-Merrill, 1946.
Hugh Smyth, Craig. Repatriation of Art from the Collecting Point in Munich After World War II. New York: Abner Schram, 1989.
Kammerstätter, Peter. Material-Sammlung über die Widerstands und Partisanenbewegung Willy-Fred im oberen Salzkammergut-Ausseerland 1943- 1945. Linz: Eigenve
rlag, 1978.
Kirstein, Lincoln. The Poems of Lincoln Kirstein. New York: Atheneum, 1987.
———. Rhymes of a PFC. New York: New Directions, 1964.
Kubin, Ernst. Sonderauftrag Linz. Vienna: ORAC, 1989.
Kurtz, Michael J. America and the Return of Nazi Contraband: The Recovery of Europe’s Art Treasures. Cambridge: Cambridge University Press, 2006.
Leckie, Bill. “Special Duties of the 148 Squadron.” Military Illustrated (April 2002).
Lipkes, Jeff. Rehearsals: The German Army in Belgium, August 1914. Leuven, Belgium: Leuven University Press, 2007.
Luza, Radomir. Resistance in Austria, 1938-1945. Minneapolis: University of Minnesota Press, 1984.
Mackenzie, William. The Secret History of S.O.E.: Special Operations Executive 1940-1945. London: St. Ermin’s, 2000.
McIsaac, Peter M. Museums of the Mind: German Modernity and the Dynamics of Collecting. State College: Pennsylvania State University Press, 2008.
Melden, Otto. Der Ruf des Gewissens. Der österreichische Freiheitskampf 1938-1945. Vienna: Herold, 1958.
Michel, Hermann. Bergungsmaßnahmen und Widerstandsbewegung. Vol. 56. Vienna: Annalen des Naturhistorischen Museums, 1948.
Mihan, George. Looted Treasure: Germany’s Raid on Art. London: Alliance, 1942.
Nicholas, Lynn H. The Rape of Europa: The Fate of Europe’s Art Treasures in the Third Reich and the Second World War. New York: Vintage, 1995.
Ohlsen, Manfred. Wilhelm von Bode: Zwishcen Kaisermacht und Kunsttempel. Berlin: Gebr. Mann, 2007.
ORF-Nachlese (Vienna) 2 (1983).
Petropoulos, Jonathan. Art as Politics in the Third Reich. Chapel Hill: University of North Carolina Press, 1996.
———. The Faustian Bargain: The Art World in Nazi Germany. Oxford: Oxford University Press, 2000.
Pichler, Cathrin, and Roman Berka. TransAct: Transnational Activities in the Cultural Field. New York: Springer, 2010.
Plieseis, Sepp. Vom Ebro zum Dachstein: Lebenskampf eines österreichischen Arbeiters. Linz: Neue Zeit, 1946.
Pöchmüller, Emmerich. Weltkunstschätze in Gefahr. Salzburg: Pallas-Verlag, 1948.
Rayssac, Michel. L’Exode des Musées: Histoire des Oeuvres d’Art Sous l’Occupation. Paris: Editions Payot et Rivages, 2007.
Reder, Christian. “Im Salzberwerk.” Falter Verlag (Vienna) 1 (1985).
Red-White-Red-Book: Justice for Austria. Vienna: Austrian State Printing House, 1947.
Rorimer, James. Survival: The Salvage and Protection of Art in War. New York: Abelard Press, 1950.
Shirer, William. The Rise and Fall of the Third Reich. London: Book Club, 1983.
Simon, Matila. The Battle of the Louvre: The Struggle to Save French Art in World War II. New York: Hawthorne, 1971.
Slapnicka, Harry. Oberösterreich als es “Oberdonau” hieß (1938-1945). Linz: OÖ Landesverlag, 1978.
Topf, Christian. Auf den Spuren der Partisanen, Zeitgeschichtliche Wanderungen im Salzkammergut. Edition Geschichte der Heimat. 3rd ed. Grünbach, Germany: Franz Steinmassl, 2006.
Treue, Wilhelm. Art Plunder. London: Methuen, 1960.
Valland, Rose. Le Front de l’Art: 1939-1945. Paris: Librairie Plon, 1961.
Warmbrunn, Werner. The German Occupation of Belgium 1940-1944. New York: Peter Lang, 1993.
Witte, Els, Jan Craeybeckx, and Alain Meynen. Political History of Belgium from 1830 Onwards. Brussels: VUB Brussels University Press, 2000.
Woolley, Sir Leonard. A Record of the Work Done by the Military Authorities for the Protection of the Treasures of Art and History in War Areas. London: HMSO, 1947.
Yeide, Nancy. Beyond the Dreams of Avarice: The Hermann Göring Collection. Dallas: Laurel, 2009.
WEBSITES
The Adoration of the Mystic Lamb: The Theft of the Just Judges. http://judges.mysticlamb.net.
Bernauws Blog. http://www.bernauw.com.
SeuRRsite: Rechtvaardige Rechters by ErDaSys. http://speurrsite.erdasys.com.
Vilain: Het Lam Gods, bekeken door een Wetteraar. http://www.rechtvaardigerechters.nl/home.htm.
Vissers, Johan. Dossier Rechtvaardige Rechters. http://users.kbc.skynet.be.
INDEX
Adam and Eve (panels)
(photo)
Aders, Carl
Adoration of the Lamb. See Ghent Altarpiece
“Adoration of the Mystic Lamb” (panel)
detail of(photo)
Aercus, Caesar
Ahnenerbe (Ancestral Research and Heritage Group)
Alba, Duke of
Albert I
Albert VII
Alberti, Leon Battista
ALIU. See Art Looting Investigation Unit
Allegory of Love and Lust (Bronzino)
Alt Aussee salt mine art-storage facility
art rescue operation
and Ghent Altarpiece
historical accounts of
Nazi order to destroy
securing of
Amand of Maastricht, Saint
American Commission for the Protection and Salvage of Artistic and Historic Monuments in War Areas. See Roberts Commission
American Council of Learned Societies
American Harvard Defense Group
Ammanati, Bartolomeo
Amt Bildende Kunst (Office for Pictorial Arts)
Amt Für Weltanschauliche Schulung und Erziehung (Office for World Political Education and Indoctrination)
Ancestral Research and Heritage Group (Ahnenerbe)
Angelic Choir (panel) (photo)
Angelico, Fra
Annunciation (panels) (photos)
Anthony, Saint
Apocalypse (Dürer)
Apollo Belvedere
Archaeological Adviser’s Branch
Archaeological Institute of America
Arma Christi
Arnolfini, Giovanni
Arnolfini Wedding Portrait (aka Marriage Contract; J. van Eyck)
Art collections
Art display
Art Looting Investigation Unit (ALIU)
Art preservation. See also Art protection
Art protection
during World War I
during World War II
See also MFAA; Monument protection; Roberts Commission
Art theft. See French revolutionary era, art theft during; under Ghent Altarpiece; under Göring, Hermann; under Hitler, Adolf; under individual panels of Ghent Altarpiece; Napoleonic era, art theft during; under Nazis
Art-storage facilities. See also Alt Aussee salt mine art-storage facility
Ashmolean Museum
Attribution, of Ghent Altarpiece
Augustine, Saint
Bamberg Rider
Barbier, Antoine Alexandre
Bartolomeo Colleoni (Verrocchio)
Bauwens, Lieven
Bavo, Saint
Bayezid I
Belgium, and Ghent Altarpiece, purchase of
Belliard, Auguste-Daniele
Bellini, Gentile
Benedict, Saint
Berenson, Bernard
Berlin Museum
and Ghent Altarpiece, wing panels, return of
Berlin National Gallery
Bernardino of Siena, Saint
Bernauw, Patrick
Betrayal of Christ
“The Big Lie,”
Birth of Saint John the Baptist/Baptism of Christ (J. van Eyck)
Blaha, Franz
Blandijnsberg Abbey
Book of Revelation
Borluut, Elisabeth
Borluut, Elisabeth (panel)(photo)
Bormann, Martin
Boston Museum of Fine Arts
Botticelli, Sandro
Bouts, Dirk
Bradley, Omar
Braque, Georges
Braun, Emile
Braun, Eva
British Committee on the Preservation and Restitution of Works of Art, Archives, and Other Material in Enemy Hands. See Macmillan Committee
Broederlam, Melchior
Bronzino
Brunelleschi, Filipo
Bruno, Giordano
Brunswick Manifesto
Brussels Museum
Buchanan, W.
Buchner, Ernst
Bunjes, Hermann
and salt mine art-storage facilities, identification of
Burckhardt, Jacob
Burgundy, Dukes of
Calvinism
Campin, Robert (aka Master of Flemalle)
Camus, Albert
Capitoline Venus
Caravaggio, Michelangelo Merisi da
Castle of the Counts
Catherine of France
Catholic art
Catholicism
Cellini, Benvenuto
Cenami, Giovanna
Cézanne, Paul
Chambord
Charlemagne
Charles V
Chateau de Pau
Chateau Rastignac
Chaucer, Geoffrey
Christ and the Woman Taken in Adultery (Vermeer)
Christian mysticism
Christianization, of pagan imagery
Christina, Queen (of Sweden)
Christogram(photo)
Christopher, Saint
Christ’s Passion, instruments of
Christus, Petrus
Churchill, Winston
Clemen, Paul
Clouet, Francois
Coene, Jacques
Commission, of Ghent Altarpiece
Commission for the Protection and Restitution of Cultural Material
Commission of Arts and Sciences
Committee for the Education of the People
Committee on Conservation of Cultural Resources
Compiegne
Concentration camps
Connoisseurship
Conservation
Conway, William Martin
Cooremans, Gerard
Cooremans, Henri
Coppens, Filip
Coppieters, Msgr. Honoré-Joseph
and Righteous Judges (panel), theft of, and investment-group theory
Correggio
Cosimo III de Medici
Coxcie, Michiel, and Ghent Altarpiece, copy of
Cranach the Elder, Lucas
Crompton, Samuel
Crowning with Thorns (Titian)
Crucifixion
Crusade Against the Grail (Rahn)
Cultural heritage, repatriation of