Click! And twenty-seven covers, metal surfaces resounding, instantly opened outward revealing glass sparkling in the sunlight.
“Every morning, Mr. Dibble,” the scientist went on, “you are to uncover the lenses and carefully wipe them off with a clean chamois. Observe how this is done.”
And he, like an experienced workman, rapidly, carefully, almost affectionately wiped all the glasses with a bit of chamois wrapped in cigarette paper which he brought out of his pocket.
“Now, let us go back down,” he went on. “I will show you your other responsibilities.”
Below in the laboratory he continued his explanations:
“Then you are ‘to catch the sun.’ To do this, every day at noon check these two chronometers against the sun. By the way, I checked them myself yesterday. The method is, of course, known to you. Note the time. Take the average time of the two chronometers: 10 hours, 31 minutes, 10 seconds. Here are three curving levers: the largest marks the hour, the middle one is for minutes, the smallest for seconds. Note: I turn the large circle until the hand of the indicator shows ten o’clock. Ready. I place the middle lever a little forward to 36 minutes. So. I move the little lever—that is my own favorite—forward to 50 seconds. Now place this plug in the socket. You can hear how the gears are whining and grinding below you. That is a clock device beginning to move which will rotate the entire laboratory and its dome, instruments, lenses and the two of us to follow the movement of the sun. Observe the chronometers and you will see that we are approaching 10:30. Five seconds more. Now. Can you hear how the clock mechanism has changed its sound? Those are the minute gears beginning to turn. A few seconds more … Watch! One minute more! Now there’s a new sound, which neatly and precisely is marking off the seconds. That’s all. The sun has now been captured. But it’s not over yet. Because of its bulkiness and quite understandable crudity the clock mechanism cannot be especially accurate. Therefore as often as possible check this dial which indicates its movement. Here are the hours, minutes, and seconds; here is the regulator—forward, back. On the basis of the chronometers which are extraordinarily precise you will be able, as often as it is possible, to correct the revolution of the laboratory to a tenth of a second.
“Now we have caught the sun. But that is not all we must do. The light has to pass through a vacuum, otherwise it would become heated and melt all our equipment. And therefore when it is in our closed vessels from which all the air has been pumped the light is almost as cold as when it was passing through the endless regions of space outside the earth’s atmosphere. When you look closely you can see a control button for an electromagnetic coil. In each of the cylinders is a stopper around which is a steel band circled by a wire. I press the control button and the current flows into the wire. All the bands are instantly affected and the stoppers leave their seats. Now I pull a bronze lever which starts a vacuum pump, one line of which is connected to each of the cylinders. The finest dust, microscopic flecks of matter, are removed with the air. Look at the gauge F on which is a red line indicating the pressure limit. Listen through an acoustic tube leading into the pump, the hissing has ceased. The gauge now crosses the red line. Disconnect the electricity by pressing the same control button a second time; the steel bands no longer are activated. The stoppers in response to the attraction of the vacuum close tightly in their conic seats. Now the light is passing through an almost absolute vacuum. But that is not adequate for the precision our work requires. We can transform all our laboratory into a giant vacuum chamber; in time we will be working in underwater diving equipment. Air will flow through the fiber pipes and the waste air systematically removed to the outside. In the meantime the air will be pulled out of the laboratory by powerful pumps. Do you understand? You will be in the position of a diver with the only difference being that you will have a container with compressed gas on your back: in case of an accident, the equipment’s malfunction, a leak in the hoses, or anything else, open a small valve on your helmet and you will have enough air to breathe for a quarter of an hour. You must only keep your wits about you and you will leave the laboratory fresh and smiling, like a blooming rose.
“We still must check very carefully the installation of the piping. All of the pipes are firmly joined but at places some triple-unions allow an infinitesimal amount of play, two or three millimeters, and this might prove to be a problem. There are thirteen such points and you must check them about three times a day, working downward. Therefore, let us climb these stairs.”
We mounted narrow staircases and unsteady platforms to the very top of the dome. The teacher went ahead with a youthful step while I followed, not without effort, because this was new to me. At the union of the first three pipes he showed me a small cover which he opened with one turn of the hand and lifted back so that it was held precisely vertical by springs. Its reverse side was a rigid, silver, finely polished mirror with various incisions and numbers on its edge. Three parallel gold bands, thin, like telescopic hairs, nearly touching each other, cut the smooth surface of the mirror.
“This is a small well through which we covertly follow the flow of the light. The three bands are reflections from three internal mirrors. Combine them into one. No, you do it yourself. Here you see three minute screws to adjust the positions of the lenses. Here is a very strong magnifying glass. Combine the three light bands into one but in such a manner that the total ray of light falls on zero. It is not difficult to do. You will shortly be able to carry it out in one minute.”
In fact, the mechanism was very compliant and three minutes later, barely touching the sensitive screws I combined the light bands into one sharp line which was almost painful to look at, and then I introduced it into a narrow incision at zero. Then I closed the cover and screwed it down. I adjusted the remaining twelve control wells alone without Lord Charlesbury’s help. Every time I performed this operation it went more smoothly. But by the time we reached the second level of the laboratory my eyes so ached from the bright light that involuntarily the tears streamed down my face.
“Put on goggles. Here they are,” said my chief, handing me a case.
But I could not approach the final cylinder which we were to adjust in its location inside the isolation chamber. My eyes would not accept the glare.
“Take some darker glasses,” said Lord Charlesbury. “I have them in ten shades. Today we will attach the lenses which you brought yesterday to the main cylinder and then direct observation will be three times as difficult. Good. That’s right. Now I am activating an internal piston. I’m opening the valve of a hydraulic pump. I’m also opening a valve with liquid carbon dioxide. Now the temperature inside the cylinder has reached 150 degrees centigrade and the pressure is equal to 20 atmospheres; the latter is indicated by a gauge, the former by a Witkowski thermometer which I have improved. The following is now underway in the cylinder: light is passing through it in a dense vertical stream of blinding brightness approximately the diameter of a pencil. The valve actuated by an electric current is opening and closing its shutter in one one-thousandth of a second. The valve sends the light on through a small, highly convex lense. From there the stream of light emerges yet denser, narrower, and brighter. There are five such valves and lenses in each cylinder. Under the compression of the last, smallest and most powerful piston, a needle-thin stream of light flows into the vessel, passing through three valves in series.
“That is the basis of my liquid sunlight collector,” my teacher said triumphantly. “Now, in order that there can be no doubts at all, we will conduct an experiment. Press control button A. You have just stopped the movement of the valve. Lift that bronze lever. Now you have closed the interior covers of the collecting glasses in the building’s dome. Turn the red valve as far as it will go, and lower handle C. The pressure is now released and the supply of carbon dioxide cut off. Now you must close the vessel, This is done by ten turns of that small rounded lever. Everything is now complete, my friend. Notice how I disconnect the receiver vessel fr
om the cylinder. See, I have it in my hands now; it weighs no more than twenty pounds. Its internal shutters are controlled by minute screws on the exterior of the cylinder. I am now opening wide the first and largest shutter. Then the intermediate one. The final shutter I will open only one-half a micron. But, first, go and turn off the electric lights.”
I obeyed and the room filled with impenetrable darkness.
“Now watch!” I heard Lord Charlesbury’s voice from the other end of the laboratory. “I’m opening it!”
An extraordinary golden light, delicate, radiant, transparent, suddenly flooded the room, softly but clearly outlining its walls, gleaming equipment, and the figure of my teacher himself. And, at the same moment I felt on my face and hands something like a warm breath of air. This phenomenon lasted not more than a second or a second and a half. Then heavy darkness concealed everything from my eyes.
“Lights, please!” exclaimed Lord Charlesbury and once more I saw him emerging from the door of the glass chamber. His face was pale, but illuminated by joy and pride.
“Those were only the first steps, a schoolboy’s trials, the first seeds,” he said exultantly. “That was not sunlight condensed into a gas, but only a compressed weightless substance. For months I have compressed sunlight in my containers, but not one of them has become heavier by the weight of a human hair. You saw that marvelous, steady, caressing light. Now do you believe in my project?”
“Yes,” I answered heatedly, with profound conviction. “I believe in it and I bow before an invention of great genius.”
“But let’s go on. Still further on! We will lower the temperature inside the cylinder to minus 275 degrees centigrade, to absolute zero. We will raise the hydraulic pressure to thousands, twenty, thirty thousand times the earth’s atmosphere. We will replace our eight-inch light collectors with powerful fifty-inch models. We will melt pounds of diamonds by a technique I have developed and pour them into lenses to the specifications we require and place them in our instruments …! Perhaps I will not live to see the time when men will compress the sun’s rays into a liquid form, but I believe and I feel that I will compress them to the density of a gas. I only want to see the hand on an electric scales move even one millimeter to the left—and I will be boundlessly happy.
“But time is passing. Let us lunch and then before dinner we will concern ourselves with the installation of our new diamond lenses. Beginning tomorrow we will work together. For a week you will be with me as an ordinary worker, as a simple, obedient helper. A week from now we will exchange roles. The third week I will give you a helper, to whom in my presence you will teach all the procedures with the instruments. Then I will give you complete freedom. I trust you,” he said briskly with a captivating. charming smile and reached out to shake my hand.
I remember very well that evening and dinner with Lord Charlesbury. Lady Charlesbury was in a red silk dress and her red mouth against her pale, slightly weary face glowed like a purple flower, like an incandescent ember. De Mon de Rique whom I saw at dinner for the first time that day, was alert, handsome, and elegant, as I had never seen him either before or afterwards, while I felt enervated and overwhelmed by the flood of impressions I had received during the day. At first I thought that he had spent the day at his customary, simple labors, mostly observations. But it was not I, but Lady Charlesbury who first drew our attention to the fact that the electrician’s left hand was bandaged to above the knuckles. De Mon de Rique modestly recounted how he had scraped his hand as he was climbing down a wall with an insufficiently tightened safety belt. That evening he dominated the conversation, but gently and with tact. He told about his journeys to Abyssinia where he prospected for gold in the mountain valleys on the verge of the Sahara, about lion hunting, the races at Epsom, fox hunting in the north of England, and about Oscar Wilde, then becoming fashionable and with whom he was personally acquainted. He had a surprising and probably too rare conversational trait, which, I will add, I have never noticed in anyone else. When he told a story he was extremely abstracted: he never spoke of himself nor in his own voice. But by some mysterious means his personality, remaining in the background, was illuminated, now in mild, now in heroic half-tones.
Now he was looking at Lady Charlesbury much less frequently than she at him. Only from time to time his caressing and languid eyes passed over her from under his long, lowered lashes. But she hardly took her grave and mysterious eyes away from him. Her gaze followed the movements of his hands and head, his mouth and eyes. Strange! That evening she reminded me of a child’s toy: a tin fish or a duck with a bit of iron in its mouth which involuntarily, obediently follows after a magnetized stick which compels it from a distance. Frequently in alarm I observed the expression on my host’s face. But he was serenely high-spirited and composed.
After dinner when de Mon de Rique asked permission to smoke, Lady Charlesbury herself offered to play billiards with him. They left while the host and I made our way into his study.
“How about a game of chess,” he said. “Do you play?”
“Indifferently, but always with pleasure.”
“And do you know what else has happened? Let us have a glass of some lively wine.”
He pressed a button.
“What is the occasion?” I asked.
“You already have guessed. Because, it seems to me I have found in you an assistant, and if fate wills it, someone to carry on my work.”
“Oh, sir!”
“One minute. What drink would you prefer?”
“I’m ashamed to admit that I’m no expert in such matters.”
“Very well, in such a case I will name four drinks which I love, and a fifth which I detest. Bordeaux wines, port, Scotch ale, and water. But I cannot bear champagne. And, therefore, let us drink Chateau-la-Rose. My dear Sambo,” he commanded the butler who stood near, waiting, “a bottle of Chateau-la-Rose.”
Lord Charlesbury, to my surprise, played rather poorly. I quickly checkmated his king. After our first game we abandoned play and once more spoke of my morning’s impressions.
“Listen, my dear Dibble,” said Lord Charlesbury, laying his little, warm and energetic hand on my knuckles. “You have undoubtedly many times heard that one may obtain an authentic and accurate opinion of a man at first glance. I believe that to be a grave error. Many times I have seen men with the faces of convicts, cheats, or perjurers—and by the way, you will meet your assistant in a few days—and they turned out to be honest, faithful in friendship, and attentive, courteous gentlemen. On the other hand, very rarely, a generous, charming face, adorned with gray hair and the flush of age, and honorable speech conceals, as it becomes clear, such a villain that any London hooligan is by comparison an innocent lamb with a pink ribbon round his neck. Now may I ask you to help me to solve a problem? Mr. de Mon de Rique so far has not been involved in any way in the completion of my scientific work. On his mother’s side he is distantly related to me. Mr. Nideston, who has known him from childhood informed me that de Mon de Rique was in a very difficult position (only not in the material sense). I immediately offered him a position which he accepted with a joy that testified to his precarious situation. I have heard tales about him, but I give no credence to rumors and gossip. He made absolutely no impression upon me when first we met. Perhaps this was because I have never met a person such as he. But for some reason it also seems to me that I have met millions of such men. Today I carefully observed him at work. I believe him to be clever, knowing, ingenious and industrious. In addition, he is cultured and can conduct himself well in any society, as it seems to me, and moreover, he is energetic and intelligent. But in one respect I have my doubts. Tell me frankly, dear Mr. Dibble, your opinion of him.”
This unexpected and tactless question agitated and distressed me; to tell the truth I did not expect it at all.
“But, sir, I have none. Indeed, I don’t know him as well as you and Mr. Nideston. I saw him for the first time on board the steamship Southern Cross, and during o
ur journey we met and talked very rarely. And I must tell you that I suffered from seasickness the entire journey. But from our few meetings and conversations I have obtained approximately the same impression as you, sir: knowing, ingenious, energetic, eloquent, well-read and … a peculiar and perhaps very rare mixture, very cold-hearted but with a fervent imagination.”
“You are right, Mr. Dibble, right. Beautifully said. My dear Mr. Sambo, bring another bottle of wine and then you may go. Thank you. I hardly expected any other evaluation from you. But I will return to my difficulty: should I inform him or not of what you witnessed today? Just imagine that a year or two will pass, perhaps less, and our dandy, our Adonis, our admirer of women, will suddenly become bored with his life on this God-forsaken volcano. I think that in such a case he would not come to me for my blessing and approval. Simply one beautiful morning he will pack his things and leave. The fact that I would be left without an assistant and a very valuable assistant at that is of secondary importance, but I cannot assure you that after he has arrived in the Old World he will not turn out to be loose-tongued, perhaps very innocently.”
“Are you really concerned about this, sir?”
“I tell you frankly—I fear it very much! I am afraid of the notoriety, the publicity, and the invasion of reporters. I am afraid that some influential but talentless scientific reviewer who will base his attitude on a rejection of all new ideas and audacious conjectures will interpret my scheme to the public as a meaningless fantasy, the ravings of a madman. Finally, I am afraid most of all that some hungry upstart, a greedy failure, a talentless ignoramus will misunderstand my idea, and state, as has happened a thousand times, that it is his, thereby belittling, abusing and sullying something I have brought into the world in anguish and joy. Do you understand me, Mr. Dibble?”
“Completely, sir.”
“If this happens, then I and my idea will perish. But what does this little ‘I’ mean when compared to my idea? I am deeply convinced that on the evening when in one of the huge London halls I order the lights extinguished and blind a selected audience of ten thousand with a stream of sunshine which will make flowers open and cause the birds to sing—that evening I will receive a million pounds for my cause. But, a trifle, an accident, an insignificant mistake, as I said, could destroy in a fateful manner the most selfless and grandiose idea. Therefore, I ask your opinion, should I trust Mr. de Mon de Rique or leave him in false and evasive ignorance? This is a dilemma which I cannot avoid without help. On one hand the possibility of a worldwide scandal and failure, and on the other a sure road for arousing a feeling of anger and revenge in a man thanks to my lack of trust in him. And so, Mr. Dibble?”
Worlds Apart Page 53