He led me along Goat Alley, down the slimed steps, to the quayside. The sea was calm, mud-coloured.
– By the way, he said, I brought you something.
He opened the suitcase on his knee, and brought out Mr Kasperl’s big black notebook.
– Keep it, he said. As an awful warning. And listen, take my advice, stay clear of him. He’s finished. His time is up. The two of them, finished.
We reached the station. His train was in. He skipped nimbly aboard, swinging up his case, and turned and leaned out the window. The whistle blew.
– Goodbye, he said, winking. Auf Wiedersehen.
Then the train started with a jolt, and he was carried away down the platform, waving, smiling, past the signal box, and the signal, and into the long, descending curve of Coolmine.
Cancel, yes, cancel, and begin again.
Ashburn was silent. I walked through the empty rooms, under the high, shadowed ceilings. A broken shutter, rotting floorboards, a prospect of trees. In the studio the marionettes lay where Sophie had left them, asprawl under their cardboard canopy. How cleverly she had managed the likenesses, D’Arcy’s hair, Uncle Ambrose’s shiny head, my blank mask, and Mr Kasperl’s eyes, those blue eyes that watched me now, impassive as ever. No, not impassive, but as if from a great way off, so far away he could hardly make me out. She was the same, that same remote gaze. She was smiling. She rose to her feet with a rustle, a muffled clatter. Mr Kasperl hung behind her, breathing. I spoke. They could not answer. How could they answer? How silent everything was, suddenly, teetering there on the brink. Then a kind of thrumming began under my feet, faint at first, growing rapidly louder, a great drum-roll out of the earth. The floor sagged, groaning, and with a crash collapsed. The fat man and the girl sank slowly, as if into water instead of flame. His blue eye. Her smile. My hair was on fire. A red roar came up out of the hole, and I flew on flaming wings, clutching my black book, through smoke and dust and splintering glass, into the huge, cold air.
II
ANGELS
O LAMIA, MY DEAR, my darling, Lamia, my love. How diligent you were, how well you cared for me. I can see you still, your smooth skin of tenderest mauve, your insides white as white, your name in wonderfully clear, minute print, and that coy little letter R, enclosed in a ring, like a beauty spot on your glossy cheek. You melted under my tongue, you coiled yourself around my nerves. What would I have done without my Lamia, how would I have borne my season in hell? There were others that ministered to me, but none that gave such succour. Here is Oread, white nymph of forgetfulness, and Lemures, the deadeners, like little black beans, and skittish, yellow-hued Empusa, hobgoblin to the queen of ghosts. They are angels of a lesser order, but precious for all that.
I slept, it was a kind of sleep. Deep down, in the dark, an ember of awareness glowed and faded, glowed again. A word would enter, or a flash of light, and ramify for hours. I was calm, mostly, feeling nothing. Outside the dome of numbness in which I lay I sensed something waiting, like an animal waiting in the darkness. That was pain. Pain was the beast my angels kept at bay.
They came to me, my guardians, in endless file down their transparent ladder, into my arm, when at last I opened my eyes I saw the sun shining in the plastic bag above me, a ball of white fire streaming outwards in all directions. The room was white, a thick cream colour, really, but it seemed white to my eyes, so accustomed by now to black. Splinters of metallic light coruscated on walls and ceiling, like reflections from a glittering sea.
Water. The thought of water.
At first I was a mind only, spinning in the darkness like a dynamo. Then gradually the rest of me returned, rolling up its sleeves and spitting on its hands with the grim enthusiasm of a torturer. I watched the liquid in the plastic tube, a fat tear trembling on its steadily thinning stalk. Then the stalk snapped, the drop fell. Pain pounced.
How to describe it? Not to. I was Marsyas, lashed to my tree, the god busy about me with his knife, whistling through his teeth as he worked. I was alone, no one could help me. The difference, the strangeness. This was a place where I had never been before, which I had not known existed. It was inside me. I came back each time a little more enlightened. Now for the first time I saw the world around me radiant with pain, the glass in the window suffering the sun’s harsh blade, the bed like a stricken ox kneeling on its stumps, that bag of lymph above me, dripping, dripping. The very air seemed to ache. And then the wasps dying, the moths fumbling at the window, the dog that howled for a whole night. I had never known, never dreamed. Never.
The loneliness. The being-beyond. Indescribable. Where I went, no one could follow. Yet someone managed to hold my hand. I clung to her, dangling above the abyss, burning.
Never known, never dreamed.
Never.
Scorched hands, scorched back, shins charred to the bone. Bald, of course. And my face. My face. A wad of livid dough, blotched and bubbled, with clown’s nose, no chin, two watery little eyes peering out in disbelief. Yes, they let me see myself. That was later. They gave me a hand mirror, I wonder where it came from? It was round, with a pink plastic handle and a back in the fan shape of a sea shell. I don’t think, no, I don’t think it belonged to her, though it was she who put it into my swollen paw. When I had finished marvelling at my face I angled the glass downwards, and was dazzled by the glare of metal.
– Tinfoil, Dr Cranitch said. To prevent heat loss. A new technique.
But that was later again.
I liked the nights. The silence was different than by day, when it was not really silence, but suspension, as if things around me were holding their breath, appalled, speechless with wonder. At night a great nothingness blossomed like a flower. The room was faintly illumined. When I turned my head, when I was able to turn my head, I could see the open doorway, and then another room, or a corridor, in darkness, at the far end of which there was a desk, and someone sitting at it, dressed in white, who never moved, but kept her vigil all the long night long. A green-shaded lamp stood on the desk, throwing its rays downwards, only her shoulders and the sleeves of her white coat could be seen, and something around her neck that shone. A path of light lay along the polished floor, like a shimmer of moonlight on black water.
By day my door was kept shut. I strained to catch the vague hubbub from beyond it, voices and footsteps, the hum of machinery. There was a stairs nearby, and overhead people walked up and down. How busy they seemed! Once someone cried out, a long, desolate wail that rose up and up, like a red rocket, then wavered, and sank back slowly to a gurgle. That was the apogee of those days, the day of the scream. I was not alone.
I howled too, making someone else’s day, no doubt, bringing him a little solace, a sense of companionship. It was clear then I would survive: if I could scream, I would live. She came running at once, on her rubber soles, and emptied an ampoule of double-strength Lamia into my dripfeed. It was night when I woke again. She was at her desk, as always, headless in the lamplight. I imagined it was always she. All hands were her hand, all voices her voice. It was a long time before I began to distinguish the others, to distinguish them from her, I mean. I took scant notice of them in themselves. It was she who had kept me alive. She held on to me, and would not let go her grasp, until at last I scrambled up, out of the pit.
Weeks, weeks. I could feel the summer passing by outside, the slow days falling, one by one. At evening the visitors came. I heard them traipsing along the corridors, their heavy, swinging tread. I thought of a religious procession. Sometimes I even caught a whiff of the flowers they brought. They did not stay long, and passed by again, with a lighter step. A few stuck it out until the bell went. Then the tea was brought around, the skivvies singing. A mutter from the chapel as the rosary was recited. I listened, hardly breathing. I thought of the others, for I knew there must be others, straining like me after these last sounds, these last few drops, dripping into the sand.
Now I could not sleep, I who had slept for so long. I built up walls of nu
mber, brick on brick, to keep the pain out. They all fell down. Equations broke in half, zeros gaped like holes. Always I was left amid rubble, facing into the dark.
Father Plomer visited me. I opened my eyes and there he was, sitting beside my bed, with his legs crossed under the shiny black skirts of his cassock and his large, pale, hairless hands clasped on his knee. He smiled at me, nodding encouragingly, as if he were a hypnotist, and I his subject, coming out of a trance. I could not see his eyes behind the flashing lenses of his spectacles. He leaned forward, with a confidential air, and spoke softly.
– And how are you, young man?
– I want to die, I said.
– What’s that?
I tried again, getting my blubber lips around it.
– Die, I said, I want to die.
– Oh now. They tell me you’re doing fine.
In sleep the sirens had sung to me, I could still hear their sweet song.
– Don’t die, the priest said, and smiled blandly, gently wagging his head at me. Not a good idea.
The nurses were cheerful, cheerful and brisk, or else preoccupied. Not she. She moved with slow deliberation, saying little. Her hands were broad. She was young, quite young, or not old, at least. It was hard to tell. They laughed at her behind her back, called her a cow. She spoke to them quietly, in a stiff, formal tone, never looking at them directly. Yes, matron, they would say primly, their lips tightening. And she would turn away. Her face was covered with freckles, big coffee-coloured splashes, the backs of her hands too. She wore a cross on a fine gold chain around her neck. It dangled above me the day she cut me out of my metal wrappings. It took a long time. She plied the scissors and then the swab, turn and turn about. Her face was impassive, fixed in concentration. I could hear no sound anywhere around us, as if the whole hospital had been emptied for the occasion. Full summer sunlight streamed in the window. A nickel dish glinted. The tinfoil crackled, a cocoon breaking open. I wept, I moaned, I pictured a ribbon of raw, red stuff winding endlessly out of my mouth. Dr Cranitch appeared above me, his hands in the pockets of his white coat.
– Well, he said. You’ve pulled through.
A RIVEN THING, incomplete. Something had sheared away, when I pulled through. I was neither this nor that, half here, half somewhere else. Miscarried. Each day when I woke I had to remake myself, build myself out of bits and scraps, of memories, sensations, guesses. I knew how Lazarus must have felt, standing in the blinding light of noontide in his foul cerecloths, with a headache, confused, suspicious, still vividly remembering the other place, unsure that it was not better there than here.
– You were lucky, Dr Cranitch said in his jaded way. Full-thickness burns like that, they destroy the nerves.
– But I can feel, I said.
– What? Where, show me.
He hitched up his glasses and peered where I pointed.
– No, no, he said. Impossible. That’s phantom pain.
He sat beside my bed on a swivel stool. He was on his rounds, he wore a tweed suit, a tie with a narrow knot. Tall, thin, pale as a sea-washed bone. An air of remote amusement. That wan smile, as if he were remembering an old and feeble joke. He laid his cool hands on me, turning me this way and that, a sculptor with a dollop of clay. The blind was down, the air was close.
– We’re very hopeful, he said. Aren’t we, matron? Yes, very hopeful.
She said nothing. A sharp breeze fingered my flayed back.
– Tomorrow, then. Tomorrow we make a start.
I remember the steely clink of instruments, the sharp, chemical smell, the cluster of faceted lights above me, like a bright sun shining through rain. I was conscious through it all, day after day. The atmosphere in this high room had a curiously neutral feel, as if the air itself had been treated with a mollifying gas. At intervals one of the nurses would remove Dr Cranitch’s spectacles and wipe the lenses, while he stood vague-eyed, his hands limply lifted. Then he would lean over me again, deft, mild, faintly abstracted, sometimes humming under his breath. His students looked on, stealthily jostling. I thought in amazement of people outside in the streets, going heedlessly about their business. So I too, before, while worlds thrashed in agony.
Grafts. Forceps. Gauze. Such words, I tremble still.
Now came a new kind of pain, pain’s big brother, it caught me in its burly grasp and pulled me this way and that, it would brook no nonsense, even my ministering angels threw up their hands before its masterful onslaught.
This was recovery.
– Yes, Dr Cranitch murmured, it’s knitting nicely.
I could not lift my left arm higher than my shoulder, my right was a hinged brown stick. I had no nipples. Half the skin of my stomach had gone to patch my legs, my back. My face now was a glazed carnival mask, with china brow and bulging cheeks, hawk nose, dead eye-sockets. Above it the skull was a tufted leathern helm, the skin taut and glassy, like dried-over slime.
– It will heal, Dr Cranitch said. As good as new, almost.
But I was different. I was someone else, someone I knew, and didn’t know. I had stepped into the mirror. I frightened myself. That mad face. Those eyes.
My first, faltering little steps. I shuffled crabwise to the door, hands flapping in fear, stood panting there, eyes shut, then in panic staggered headlong back to the bed, missed it, fell on the floor. Followed by a quaking bout on the bedpan. For a minute, though, I had forgotten the pain. It came back now, bounding and barking, and licked my livid face into flame again.
She held my hand, my elbow. Her mannish grasp. She watched my feet, in old grey felt slippers, inching along.
– Come, she said quietly, under her breath. Come along.
What a pair we must have been, this big, broad, sad woman, and I, bent and hobbling, hairless as a babe.
– Can’t. Can’t.
Stopped, stood still, would not go on, or back. She waited, saying nothing, she had seen it all before. We reached the window. She parted the venetian blinds, the crackle as the blades bent made me grind my teeth. Bright sunshine outside, a bank of barbered grass sloping away to railings and a wall, then in the distance the city shimmering in a blue haze. The city! Too much, too much. At the window-sill a fuchsia bush with wasps. Too much. I lay down on the floor and sobbed, pressing my pitted cheek to the cool rubber tiles.
– Come along, now. Come along.
Her freckles, my burns.
I began to explore my little world. There was a wooden locker beside the bed, a metal chair, a waste bin lined with a plastic bag. In an alcove there was a washbasin, and a mirror screwed to the wall. A rich, deep, silver crack ran athwart the glass, slicing my face diagonally in two from temple to jaw. The locker was empty, except for a shrivelled brown apple core and a holy medal on a pin. And the black notebook. The cover was scorched. I shut the door on it.
Miss Barr was a big blonde person with ruddy cheeks and prominent, pale blue eyes. She wore a white tunic and starched white trousers, and white ankle-boots with thick crêpe soles. Her straw-coloured hair was tied back tightly in a knot, I imagined her, first thing out of bed each morning, gathering it up and giving it a good, hard wrench, stretching the skin at her temples, making those eyes bulge. She smelled of soap, lint, liniment. I used to dream about her. My sleeping self quailed before her, weak with anticipation of exquisite harm. The first day she came into my room she rolled up her sleeves and said briskly:
– Right, my man. Physio for you.
I thought she was mad, I did not know what she was talking about. She seized my arm, my leg, peering.
– Golly, she said, you certainly made a bags of yourself. But fear not, we’ll soon set you to rights.
We heaved and hauled together, like decrepit wrestlers, groaning. She had a tendency to fart. She told me about her childhood, spent mainly among horses. At once I pictured her, a sort of centaur, flying over the greensward, snorting. Sometimes I pictured myself too, astride her, the breeze in my face, hearing the thunder of hoofs, feeling her great
heart hammering under me. She put her knee in my spine, sat on my chest, bent me over her shoulder.
– Pull, pull! she shouted. Get those sinews stretched! We’ll make a new man of you yet.
The day I left my room. That was a day to remember. I sat cross-legged on the bed, with my hands in my lap, my eyes fixed on the door, then saw myself, as if it were someone else, rise and turn the handle and walk out. A long, low ward lined with beds, with figures in them, sitting up and looking at me. All those eyes! I had expected a vast emptiness, huge halls, the odd, solitary figure turning away. A small man in slippers and a sort of smock approached me. Smoked skin, sallow eyeballs, a lick of greased black hair. He greeted me with easy familiarity, grinning on one side of his sharp little face.
– Well well, he said, our mystery man.
He led me along the beds, introducing their occupants. He did not ask my name. He was a card, with a brisk line in raillery. Old chaps chortled, young ones smirked. All tried not to see me, my scabs.
– I’m for the knife, myself, he said, indicating the smock.
Some beds he passed by in silence. Bandaged skulls, wax faces, dazed, impenetrable eyes.
– Brain cases, he whispered darkly. You want to watch them.
His name was Sykes, Stokes, something like that. He offered me a plum from a bag on his locker.
– Had an accident, did you? he said.
Next day when I came out he was gone. The sheets had been stripped from his bed, the door of his locker stood open. Only a plum stone remained, stuck to the bottom of a tin ashtray. The knife had done for him. My cicerone. No, my Virgil. For this is hell, after all.
Sighs, groans. Shouts in the night. An old man puking up gouts of green stuff, leaning over the side of the bed, a young nurse holding his forehead. Slow, wet coughs, like the noise of defective suction pumps ponderously labouring. In the huge, white-tiled bathrooms, little labels exhorting patients not to spit in the handbasins. Everywhere the same thick cream paint, smooth as enamel, clammy as skin. I wore a mouse-coloured dressing-gown with faded red piping. Someone had died in it, I imagine, before it passed to me. I walked and walked, slouching along the vermiform corridors, dragging one foot. People looked away from me, visitors especially, the uninitiates. Young doctors frowned, a sort of bland grimace, as at a show of bad taste. I passed on, hauling my pain behind me.
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