by Dan Wells
What did I do that I didn’t have to do? That was always the question. Figure out what we choose when we’re free to choose anything, and you’ll know who we really are. I saved Brooke when I could have run. I chose to be hurt when I could have chosen to never be hurt again. I was a killer, cold-blooded and ruthless, but I was a hero, too. Or at least I was trying to be.
Elijah’s car was damaged from Rack’s rage, so we took mine instead. Brooke climbed in the passenger seat, and Boy Dog in the back, and we drove for three hours before the winter sun finally peeked up behind the horizon.
“I love you, John,” said Brooke. Or maybe it was Nobody. I kept my eyes on the road.
“Rack said he had people to meet,” I told her. “Let’s see if we can find them.”
This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.
THE DEVIL’S ONLY FRIEND
Copyright © 2015 by Dan Wells
All rights reserved.
Cover photograph © Getty Images
A Tor Book
Published by Tom Doherty Associates, LLC
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The Library of Congress Cataloging-in-Publication Data is available upon request.
ISBN 978-0-7653-8066-1 (hardcover)
ISBN 978-0-7653-8067-8 (trade paperback)
ISBN 978-1-4668-7497-8 (e-book)
e-ISBN 9781466874978
First Edition: June 2015
OVER YOUR DEAD BODY
Dan Wells
A Tom Doherty Associates Book
New York
TO MY CHILDREN.
THIS COUNTS AS YOUR CHRISTMAS PRESENT.
ACKNOWLEDGMENTS
I hate writing these, as evidenced by the fact that in the last book I completely forgot. It’s not that I don’t like thanking people or that I don’t have anyone to thank; it’s quite the opposite: I’m always terrified that I won’t thank enough people, and someone vital to my art or life will be completely forgotten. That’s why this time I’m going small and thanking only a tiny handful of people in this public setting. If you’re not mentioned in here, well, neither is almost anybody else. See what good company you’re in?
This book owes its existence to my wife, Dawn; my assistant, Chersti Nieveen; my agent, Sara Crowe; and my editors at Tor and Piper: Moshe Feder, Whitney Ross, and Carsten Polzin. Those six people are the ones, more than anyone else, who convinced me that a second John Cleaver book could work and be awesome, and they are, it follows, the ones who helped make it awesome. I couldn’t ask for any better collaborators than these.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than you can understand.
—WILLIAM BUTLER YEATS,
“THE STOLEN CHILD”
1
“A.”
I looked up, holding the side of the truck bed as we rattled down the highway. Wind whistled in my face, changing its pitch as I raised my head. I’d fallen asleep, and my dreams—all blood soaked, all screaming—faded away in welcome relief. In a panic, I looked for Brooke, fearing the worst, but she sat beside me, her short hair whipping around her face, and she smiled. She hadn’t jumped. She was fine. She pointed at a billboard as we passed it.
“Proud America Motel,” she said. “Ten miles. I could get all the way up to E with that, but there’s no B.”
We were in farmland, by the look of it: low fences on either side of the road, the flat land beyond covered with wheat and sectioned into squares by fences and trees and old dirt roads. A cloud of dust hung in the air a few miles off to our left; some farmer or ranch hand driving a tractor on a dirt road. The truck jostled us again, and Boy Dog whined. He liked his floors stable, so they didn’t disrupt his sleep, but hitchhikers have to take what they can get. Brooke put a hand on his head, scratching the fur behind his floppy, basset hound ears. I scanned the farms again, hoping for an orchard, but it looked like nothing but wheat as far as the eye could see. An orchard we could have eaten in, but wheat might as well be a field full of sticks.
“There we go,” said Brooke, pointing at another sign. “This Highway Adopted by the Baker Community Church. B, C, D, E.”
“Are there really enough signs to play your game?” I asked. “We’re in the middle of nowhere.”
“Ten miles from a motel,” said Brooke. “That means we’re ten miles from whatever town we’re going to, maybe less.”
“That’s not too bad, then,” I said—and even though I knew the number by heart I added up our money again in my head: one hundred thirty-seven dollars and twenty-eight cents. I remember when I used to never count the cents—round everything down to the nearest dollar and lose the change in the couch. These days that was a luxury too painful to think about. Save enough change and you eventually get another dollar. A dollar could buy a burger in a truck stop, or some apples if we found a roadside stand. My stomach rumbled, and I put the thought of food aside. Don’t think about it until it’s close, I thought, you’ll just torment yourself.
Wind lashed my hair back and forth across my eyes. I needed to cut it. Brooke had cut hers short last month, a kind of page-boy cut that was easier to maintain on the road. I looked at her peering ahead, past the cab of the truck, searching for more road signs. She probably needed another cut soon, too. We both needed a shower.
“What’s the name of it?” she asked.
“Of what?”
“The town we’re going to.”
“I told you already,” I said, and instantly felt badly about it. The edges of her mouth tipped down in a frown, from frustration or embarrassment, or maybe both. “Baker,” I said softly. “Same as the church sign we just passed.”
“I don’t remember,” she said. “You must have told one of the others.”
I nodded, looking behind us at the road as it slipped away into the distance. Long and flat and lost in a faraway bend. One of the others. “Do you know which one?”
“F, G,” she said, letting my question slip by without an answer. “Food and Gas, Five Miles. Now we need that hotel sign again; we could get H and I.”
“And get stuck on J,” I said. “We never see Js.”
Brooke nodded, staring ahead, but her eyes looked blank—not searching, but simply staring, lost to the world and deep in some memory from another life. “Maybe Kveta,” she said at last, answering my question from earlier. “I’ve been her a lot lately. Or Brooke. I think I’m her more often than not.”
“That’s because you—” I started, and then stopped myself. Brooke was her default state, or at least it used to be. If it wasn’t anymore, bringing it up would only make her feel bad. It made me feel bad to think about it, because this whole problem was my fault. It was supposed to be Brooke’s body; I was the one who’d let all those other memories in there.
I used to never feel bad about anything, but now …
Well, that’s not true. I used to feel bad all the time. I guess the difference is that now, sometimes, I felt good, and the contrast made the bad times that much worse.
I kept my eyes on the road, avoiding her eyes. “Who are you now?”
She glanced at me, though in my peripheral vision I couldn’t tell if she was hurt or surprised or simply curious. “You don’t know?”
“Sorry,” I said. Brooke had been possessed by a monster who had previously possessed tens of thousands of other girls, maybe hundreds of thousands, and all of their memories and personalities had fused with hers. Barely a fra
ction of the memories in Brooke’s head were actually hers, and with numbers like that you could never tell which personality would rise to the surface in any given moment. “You all have Brooke’s face, you know. You need to … announce yourselves or something.”
“I’m Lucinda,” said Brooke. “You remember me, right?”
I nodded. She was Lucinda a lot, especially while we were traveling, though the little I knew about Lucinda didn’t suggest a lot of travel. “You died on your wedding day,” I said, then paused, looking at her curiously. “Lucinda died hundreds of years ago. How do you know the alphabet billboard game?”
“I don’t know,” said Brooke/Lucinda with a shrug. “I just do.”
I sat up straighter, curious, my back against the wall of the truck bed as I gripped it for balance. “Do you think that means anything? About how your personalities talk to each other?”
“We can’t talk to each other,” she said. “We just kind of share things—like, I know some things that Brooke knows, and some things that Aga knows, and different things from different girls. I don’t know how it works.”
“But do you want to?”
She said nothing for a long time, thinking and scratching Boy Dog’s head. The truck slowed slightly, and Brooke shouted abruptly: “H, I, J, K! Baker Junior High!” She pumped her fist and leaned against the side of the truck bed to look ahead past the cab. “Yes! Js are impossible! Let’s see what else we can find.”
We were driving into the town itself now—still a mile or two out from the main drag, but close enough that buildings were starting to pop up more frequently. We passed the Proud America Motel, but I hoped we didn’t have to stay there; I thought about money differently now that I was carrying our entire worldly possessions in a pocket and two backpacks. We could afford a night in a motel—probably several, if it was as cheap as it looked—but then what? Having money wasn’t the same as having income. If we spent it all today, where would we stay next week, and how would we eat?
One hundred thirty-seven dollars and twenty-eight cents. We could get more, sometimes, from the stashes Albert Potash had left here and there around the country. Money and guns and supplies, in bus station lockers and storage units and sometimes gyms or rec centers. We’d found the list in his gear after he’d died and it had kept us going for over a year now, but even that was running dry. There were only a few locations left, and the nearest one was thousands of miles away.
“L,” said Brooke, skipping from letter to letter without slowing down to say where each had come from. “M.” Pause. “N, O, P. Dangit, we’ll never find a Q.”
“Look for ‘equipment,’” I said, closing my eyes and trying not to fixate on our dwindling funds. “Someone’s bound to be selling farm equipment in this town. Or maybe there’s a quality … something. Quality Hair Salon.”
Brooke laughed. “You think they have hair salons that good in a town this small?”
“I think the scale of quality is relative,” I said, permitting myself a small smile. Anything that made Brooke laugh was a good thing. “The best one in town is the quality one, regardless of the wider world of hair care.”
“Maybe we’ll get lucky and find a place that sells quality farm equipment,” she said. “Then we’d have a Q for each of us.”
“I’m not playing.”
“But you could.”
“I suck at this game.”
“That’s because you try to spell things out,” she chided. “You can’t just see a car and claim the letter C, you have to see the C written somewhere.”
“But you never let me write it.”
“Obviously you can’t just write yourself, that’s cheating.”
I shrugged and looked at a passing restaurant. “I don’t think I get the allure of this game.” The restaurant was a greasy dive, some Dairy Queen knockoff called Dairy Keen. Probably out of our price range, unless there was literally nothing else in town. I saw a couple of teenagers in front of it, just hanging around, leaning on the front wall, and it reminded me of the old Friendly Burger back in Clayton. A tiny little place where nobody ate but the locals, and then only until a McDonald’s opened up. Brooke and I had gone on a date there. And Marci and I, too. There weren’t a lot of options in a town like Clayton. Or Baker, by the look of it.
I missed Marci. I tried not to think of her, but she was always with me, like a ghost in the back of the truck. Invisible and intangible yet relentlessly, inescapably present.
“No Q on the Dairy Keen,” said Brooke. “Come on, guys, think about the alphabet game when you name your restaurants. Doesn’t anybody plan ahead?”
I thought about our next moves. Our first stop would be a bus station, if we saw one, or a bank if we didn’t—not because we had any use for a bank, but because it was a good place to ask about a bus station. We couldn’t just ask anywhere in a little town like this; we looked so obviously homeless that if we walked into a store, word of the teenage beggars would spread too fast and we’d get locked out of any real assistance. Small-town shop owners looked out for each other. Bank tellers, on the other hand, tended to move in different circles, and we could talk to them without any real fear that they’d call the local grocery store to warn them. Our end goal, of course, was that bus station, where we could find either cheap showers or some fellow drifters who could tell us where the nearest shower might be. Drifters looked out for each other just as much as shop owners. Once we were clean and changed into some better clothes, we’d look like regular tourists passing through on the way somewhere else and we could walk around the town without setting off any mental alarms. We’d get some food and then look for the church—not Baker Community, but the other one. The commune. The reason we’d come here in the first place. I figured most of Baker’s regular residents wouldn’t want to talk about it, but they’d all know about it, and if we got lucky they’d point out one of the members.
“Quality Feed and Fertilizer,” said Brooke. “Q and R. And over there’s an S, T, U … V. Video Rental. They still rent videos in this town? Did we hitchhike into the past?”
“Looks closed,” I said. We’d had a place like that in Clayton—it rode the home DVD boom, then crumbled when the Internet made their business obsolete. They’d closed a few years ago, and nothing had moved into the building. Looked like the same story here.
“At least they left the sign up,” said Brooke. “I’m glad somebody in this town was thinking about my needs.” She grimaced, and looked at me. “What’s it called again?”
“The town?” I asked. She might have just switched personalities again; a lot of ideas transferred from one to the next, but some didn’t, and she tried to hide the transitions by faking a poor memory. “Baker,” I told her. “We’re here to look for The Spirit of Light Collective.”
“Yashodh,” said Brooke, nodding. “We’re going to kill him.”
I felt the old, familiar pull of death. “Or he’ll kill us.”
“You say that every time.”
“One of these days it’ll be true.”
The truck was slowing, probably looking for a good place to drop us off. I grabbed the strap of my backpack, getting ready to jump out, but saw that Brooke was ignoring hers, staring instead at the buildings we were driving past: tall brick storefronts with ornate, peaked facades on the second story. Some of them were painted, some were covered with wooden or vinyl siding, others were bare brick or bore the residue of old-timey signs too weathered to read. A barber shop. An antique store. A pizza place that looked way more modern than the rest of the street. I wondered if we could beg any food from the back door.
The truck pulled to the side of the road, by a bright green lawn in some kind of town plaza—city hall probably—and I was already over the side and reaching back for Brooke’s bag when the driver rolled down his window. “This good? I could take you a few more blocks if you want.”
“This is perfect,” I said. A few more blocks would have been nice, through the town and out the other side w
here we could infiltrate at our own pace, but it never helped to ask the drivers for extras. Always make them feel generous, not put upon—like they would have done more if they could, instead of wishing they’d done less. Instead I pointed at the tailgate. “Do you mind if I open the back to get the dog out?”
“No problem,” said the driver. He didn’t offer to help, which meant I was probably right to refuse the extra ride. He was already forgetting us, free of his hitchhiker burden with his mind a mile down the road. I dropped the tailgate and lifted Boy Dog out, smelling the strong scent of dirt and hound. He needed a bath as much as I did. He sat on the sidewalk where I left him, scratching his ear with his stubby front leg, and I offered Brooke my hand. She seemed lost in some kind of reverie again, all too common for her, and I said her name to get her attention.
“Brooke?”
She turned to look at me, but her eyes showed no recognition. “Who?”
“Lucinda.” I said, remembering. There was no response, so I tried another. “Kveta?”
“I’m…” She paused. “I’m so sorry, John.”
The warning signs were all over her face—the disorientation, the downcast eyes, the subtle whine in her voice. I put on my biggest smile and grabbed her hand, knowing that physical contact was one of the best ways of bringing her out of a mood swing. “We got here early,” I said, “everything’s great.”
“I don’t want to be this way,” she said, not moving. I tugged gently on her hand, trying not to glance at the driver for signs of impatience. If he yelled at her to hurry, it would only make her worse.
She remembered the lives of a hundred thousand girls, and she remembered dying as every single one of them. Suicide was as natural to Brooke as breathing.
“You want some pizza for dinner?” I asked. “I saw a good place about a block back.”