Twenty minutes later he arrived at the network office. Ten minutes overdue, but that was unavoidable. He had needed some time to recover after the encounter with the girl on the street. Let the adrenalin drain out of the system, let the sweat dry. It was important for him to present an unruffled exterior; more important, in fact, than showing up on time the first day. The network people were probably prepared to be tolerant of a little unpunctuality at first, considering all that he had been through. But he had to demonstrate that he had the professional qualities the job demanded. They were hiring him as an act of grace, yes, but it wasn’t pure charity: he wouldn’t have been accepted if he hadn’t been suitable for the job. So he needed to show that he had the surface slickness, the smoothness, that a holovision commentator had to have. Pause to catch the breath. Get the hair tidy. Adjust the collar. Give yourself that seamless, sprayed-on look. You had a nasty shock or two in the street, but now you’re feeling much better. All right. Now go in. A confident stride. One-and-two-and-one-and-two.
The lobby was dark and cavernous. Screens everywhere, a hundred sensors mounted in the onyx walls, anti-vandal robots poised with bland impersonality to come rolling forth if anybody tried anything troublesome. Standing beneath the security panel, Macy activated one of the screens and a cheery female face appeared. Just a hint of plump bare breasts at the bottom of the screen, cut off by the prudish camera angle. “I have an appointment,” he said. “Paul Macy. To see Mr. Bercovici.”
“Certainly, Mr. Macy. The liftshaft to your right. Thirty-eighth floor.”
He stepped into the shaft. It was already programmed; serenely he floated skyward. At the top, another screen. Face of an elegant haggard black girl, shaven eyebrows, gleaming cheekbones, no flesh to spare. The expectable gorgeous halo of shimmering hair. “Please step through Access Green,” she said. A throaty, throbbing contralto. “Mr. Fredericks is expecting you in Gallery Nine of the Rotunda.”
“My appointment is with Mr. Bercovici—”
Too late. Screen dead. Access Green, an immense oval doorway the color of a rhododendron leaf, was opening from a central sphincter, like the irising shutter of an antique camera. Abandon all hope, ye who enter here. Macy stepped hastily through, worrying about having the sphincter reverse itself when he had one leg on each side. Beyond the doorway the air was soft and clammy, heavy with a rain-forest warmth and humidity, and mysterious fragrances were adrift. He saw low, dim passages radiating in a dozen directions. The walls were pink and rounded, no corners anywhere, and seemed to be made of some spongy resilient substance. The whole place was like one vast womb. Trapped in the fallopian tubes. Macy tried to persuade himself not to start sweating again. There was a popping sound, of the sort one could make by pushing a fingertip against the inside of one’s cheek and sliding it swiftly out of one’s mouth, and the black girl emerged from a gash in the wall that promptly resealed itself. She was sealed too, encased in purple plastic from throat to toes, like a chrysalis, everything covered but nothing concealed: her tight wrap startlingly displayed the outlines of her bony body. Superb skeletal structure. She said, “I’m Loftus. I’ll show you to Mr. Fredericks’ office.”
“Mr. Bercovici—”
She didn’t wait Hurrying down the hall, legs going like pistons, bare feet hitting the spongy floor, thwunk thwunk thwunk. Trim flat rump: no buttocks at all, so far as he could tell, merely a termination, like a cat’s hindquarters. He was upset. Bercovici was the one who had interviewed him at the Rehab Center, all smiles and sincerity, thinning blond hair, pudgy cheeks. Don’t worry, Mr. Macy, I’ll be looking after you personally during your difficult transition back to daily life. Bercovici was his lifeline. Without looking back, the black girl called out, “Mr. Bercovici’s been transferred to the Addis Ababa office.”
“But I spoke to him only ten days ago, Miss Loftus!”
She halted. Momentary blaze of the eyes. “Loftus is quite sufficient,” she said. Then the expression softened. Perhaps remembering she was dealing with a convalescent. “Sometimes transfers happen rapidly here. But Mr. Fredericks has your full dossier. He’s aware of the problems.”
Mr. Fredericks had a long cavernous office, rounded and womby, from the sloping ceiling of which dangled hundreds of soft pink globes, breast-shaped; a tiny light was mounted in each nipple. He was a small dapper man with a moist handshake. Macy received from him a sweet sad embarrassed smile, the kind one gives a man who has had a couple of limbs or perhaps his genitals amputated to check the metastasis of some new lightning cancer. “So glad you’ve come, Mr. Macy. Paul, may I make it? And call me Stilton. We’re all informal here. A wonderful opportunity for you in this organization.” Eyes going to Macy’s Rehab badge, then away, then back, as though he couldn’t refrain from staring at it. The stigmata of healing.
“Show you around,” Fredericks was saying. “Get to know everybody. The options here are tremendous: the whole world of modern data-intake at your service. We’ll start you slowly, feed you into the news in ninety-second slices, first, then, as you pick up real ease at it, we’ll nudge you into the front line.”
Good evening, ladies and chentlemen, this is Pavel Nathanielovitch Macy coming to you from the Kremlin on the eve of the long-awaited summit.
The rear wall of Frederick’s office vanished as though it had been annihilated by some wandering mass of antimatter, and Macy found himself staring into an immense stupefying abyss, a dark well hundreds of feet across and perhaps infinitely deep. A great many golden specks floated freely in that bowl of nothingness. He was so awestruck by the unexpected sight that he lost a chunk of Fredericks’ commentary, but picked up on it in time to hear, “You see, we have thousands, literally thousands of free-ranging hovereye cameras posted in every spot throughout the world where news is likely to break. Their normal altitude is eighty to a hundred feet, but of course we can raise or lower them on command. You can think of them simply as passive observers hanging everywhere overhead, little self-contained self-propelled passive observers, sitting up there soaking in a full range of audio and visual information and holding it all on twenty-four-hour tape-scanning drums. Those of us here at Manhattan North Headquarters can tap in on any of these inputs as needed. For instance, if I want to get some idea of what’s doing at the Sterility Day parade in Trafalgar Square—” he touched a small blue button in a broad console on his desk, and up out of the darkness one of the golden specks came zooming, halting in midair just beyond the place where the wall of Fredericks’ office had been. “What we have here,” Fredericks explained, “is the slave-servo counterpart of the hovereye camera that’s hanging above that parade right now. I simply induce an output—here, we get a visual”Macy saw gesticulating women waving banners and setting off flares—“and here we get the audio.” Raucous screams, the chanting of slogans.
Macy hadn’t heard of Sterility Day before. The world becomes terribly strange when you spend four years out of circulation.
“If we want any of this for the next newscast, you see, we just pump the signal into a recorder and set it up for editing—and meanwhile the hovereye is still up there, soaking it all in, relaying on demand. Gathering the news is no frigging chore at all when you have ten thousand of these lovely little motherfuckers working for you all over the place.” A nervous giggle. “Sometimes our language gets a little rough around here. You stop noticing it after a while.” One doesn’t speak crude Anglo-Saxon to a man who wears the badge of his trauma on his lapel, is that it?
Fredericks had him by the arm. “Time to meet your new colleagues,” he was saying. “I want to fill you in completely. You’re going to love it working here.”
Out of the office. The rear wall mysteriously restoring itself as they leave, the dark well of the hovereyes vanishing once more. Down the humid fallopian passageways. Doors opening. Neat, well-groomed executives everywhere, all of them getting up to greet him. Some of them speaking exceptionally loudly and clearly, as if they thought a man who had had his troubles migh
t find it difficult to understand what they said. Long-legged girls flashing the promise of ecstasy. Some of them looking a trifle scared; maybe they were hip to the evil deeds of his former self. Macy was aware of what crimes the previous user of his body had committed, and sometimes they scared him a little, too.
“In here,” Fredericks said. Into a bright, gaudy room, twice the size of Fredericks’ office. “I’d like you to meet the chief of daytime news, Paul. One hell of a guy. Harold Griswold, and he’s some beautiful son of a bitch. Harold, here’s our new man, Paul Macy. Number six on the late news. Bercovici told you the story, right? Right He’s going to fit in here perfectly.”
Griswold stood up, a slow and complex process, and smiled. Macy smiled. His facial muscles were beginning to ache from all the smiling he had done in the last hour and a half. One doesn’t smile much at a Rehab Center. He shook the hand of the chief of daytime news. Griswold was implausibly tall, slabjawed, perhaps fifty years old, obviously a man of great prestige; he reminded Macy somehow of George Washington. He wore a bright-blue tank suit, an earwatch, and an elaborate breastplate of several kinds of exotic polished Woods. His office was like a museum annex, with works of art everywhere: shaped paintings, crystallines, talk-spikes, programmed resonances. A million-dollar collection. In the corner, to the right of Griswold’s kidney-shaped desk, stood a striking psycho-sculpture, a figure of an old woman. Macy, who had been glancing from piece to piece by way of an implied compliment to Griswold, lurched forward at the sight of the last work, coughed, grabbed the edge of the desk to steady himself. He felt as though he had been clubbed at the back of the neck. Instantly friendly hands clutched at him. “Are you all right? What’s the trouble, fella?” Macy fought off dizziness. He straightened and shook himself free of the propping hands.
“I don’t know what hit me,” he muttered. “Just as I looked at that sculpture in the corner—”
“The Hamlin over there?” Griswold asked. “One of my favorites. A gift from my first wife, ten years back, when Hamlin was still an unknown—”
“If you don’t mind—some cold water—”
Two gulps. Another cup. Three gulps. Carefully averting his eyes from the figure of the old woman. The Hamlin over there. The sleek smooth network men frowning at him, then erasing the frowns the instant he noticed. Everyone so solicitous. “Forgive me,” he said. “You know, it’s only my first day on the outside. The strain, the tension.”
“Of course. The tension.” Griswold.
“The strain. We understand.” Fredericks.
He forced himself to look at the psychosculpture. The Hamlin over there. An excellent piece of work. Poignance; pathos; a sense of the tragedy of aging, a sense of the heroism of defying time. A soft hum coming from its resonators, subtly coloring the mood it was designed to stimulate. The Hamlin over there. Macy said, “That’s Nathaniel Hamlin who did it?”
“Right,” Griswold said. “God only knows what it’s worth now. On account of Hamlin’s tragic fate. Not that I have the slightest interest in selling, but of course when an artist dies young his work skyrockets amazingly in value.”
He didn’t know, then. He couldn’t just be pretending. And he couldn’t be that dumb. Either Bercovici hadn’t told him, or he’d been told and hadn’t cared enough to remember. That was interesting. Macy was shaken, though, by the intensity of his reaction to the unexpected sight of the sculpture. They hadn’t warned him at the Rehab Center that such things might happen. He made a mental note to ask about it when he went back next week for his first session of outpatient post-therapy therapy. And a mental note, also, to stay out of Griswold’s office as much as possible.
The sculpture was still exerting an effect on him. He felt an undertow, the sucking of a subcerebral ocean in his mind. Hollow echoing sounds of surf from far below. A hammering against the threshold of consciousness. The Hamlin over there. That’s Nathaniel Hamlin who did it? On account of his tragic fate. Jesus. Jesus. A bad attack of wobbly knees. Sweaty forehead. Paroxysms of confusion. Going to collapse, going to fall down in a screaming fit, going to vomit all over Harold Griswold’s nappy green electronic carpet. Unless you regain control fast. He turned apologetically to Stilton Fredericks and said in a thick furry voice, “It’s more upsetting than I thought. You’d better get me out of here fast.”
Fredericks took his arm. A firm grasp. To Griswold: “I’ll explain afterward.” Propelling Macy urgently toward the door. Stumbling feet. Head swaying on neck. Jesus. Outside the office, finally.
The moment of intolerable angst ebbing.
“I feel much better now,” Macy murmured.
“Can I get you a pill?”
“No. No. Nothing.”
“Are you sure you’re all right?”
“Sure.”
“You don’t look all right.”
“It’ll pass. It shook me up more than I expected. Listen, Fredericks—Stilton—I don’t want you to think that I’m fragile, or anything, but you know I’ve just been released from the Rehab Center, and for the first few days—”
“It’s perfectly natural,” said Fredericks. A comradely pat on the shoulder. “We understand the problem. We can make allowances. This was my fault, anyway. I should have checked things out before I brought you in there. He’s got so many works of art in his office, though—”
“Sure. How could you have known?”
“I should have checked anyway. Now that I see the difficulty, I’ll check the whole building. I simply didn’t realize that it would upset you so much to come face to face with one of your own sculptures.”
“Not mine,” Macy said, shaking his head emphatically. “Not mine.”
2
DAYTIME IT WASN’T SO bad. He built a cozy routine for himself and lived within it, just as they had advised him at the Center to do. The Rehab people had found him a little apartment near the upper tip of Old Manhattan, five minutes from the network office by short-hop tube, forty minutes if he walked; he hadn’t wanted to risk exposing himself to the chaotic rush-hour environment of the tubes too soon, and so at first he went to work on foot. The exercise was good for him, and he had nothing better to do with his time anyway. But from the fourth day on he took the tube. The jostling and the screeching of wheels turned out not to bother him as much as he feared it might, and packed belly to rump in the cars, he didn’t have to worry about people staring at him or his Rehab badge.
At work he slipped easily and comfortably into the network’s news-broadcast operation. He had had six months of vocational training at the Center, and so he came to his new career already skilled in voice projection, sincerity dynamics, makeup technique, and other such things; he needed only to learn the details of the network’s daily practice, the authority levels and flow patterns and such. Everybody was kind to him, although after the first few days most of them dropped the maddening exaggerated courtesy that made him feel like such a cripple. They showed him what to do, they covered his blunders, they responded patiently and good-humoredly to his questions.
In the beginning Fredericks didn’t let him do any actual broadcasting, just dummy off-the-air runs under simulated studio circumstances. Instead he was put to work reading scripts aloud for the timing, and monitoring air checks of the other broadcasters. But he did so well at the dummy runs that by the fifth day they were putting him on the late news to do ninety-second capsule reports in what they called the mosaic-texture section, in which a bunch of broadcasters offered quick bouncy segments of the news in swift succession. Fredericks told him that in another few weeks he’d be allowed to handle full-scale stories, even to select his own accompanying hovereye coverage. So all went well professionally.
The nights were something else.
Lonely, for one thing. You’d be wisest to avoid sexual liaisons, at least at the outset, the Center therapists had suggested. They could be disturbing during the initial two or three weeks of adjustment. He paid heed. He refrained from bringing any of the network girls home with him,
though plenty of them made it clear that they were available. Just ask, honey. At night he sat alone in the modest apartment. Watching a lot of holovision. Pretending that it was important to his career to study how the various networks handled the news. In truth he simply wanted the companionship of the bright screen and the loud audio; he left it on even when he wasn’t watching anything.
He didn’t go out in the evenings. A matter of economy, he told himself. Supposedly he had been a wealthy man in his former life, or at least pretty damned prosperous. A successful artist, work in constant demand, prices going up at the gallery every year, that kind of thing. But his assets had been forfeit to the state. Most of his money had been used up by the costs of his therapy and the termination settlement awarded his wife. What little was left had gone into renting and furnishing his apartment. He was essentially a pauper until the network salary checks began coming in. But he knew that the real reason for staying home was fear. He wasn’t ready yet to explore the night world of this formidable city. He couldn’t go out there while his new self was still moist and malleable around the edges.
Then there were the dreams.
He hadn’t had nightmares at the Rehab Center. He had them now. Traumatic identity crises punctuated his sleep. He ran breathlessly down long gleaming ropy corridors, pursued by a man who wore his face. He stood by the shore of a viscous gray-green pool that bubbled and steamed and heaved, and a gnarled hairy claw reached up from its depths and groped for him. He tiptoed across a sea of quicksand, sinking deeper and deeper, and something underneath plucked at his toes. Pulling him under with a loud plop. A coven of monsters waiting down below. Teeth and green horns and yellow eyes. Often he woke up shrieking. And then lay awake, listening to something knocking on the inside of his skull. Let me out, let me out, let me out, let me out! Great gusts of wind blew through his brain. Vast snorting snores setting the medulla atremble. A slumbering giant, restless, cranky, trapped behind his forehead. Belching and farting within his head. Knock. Knock. Knock.
To Live Again And The Second Trip Page 24