by Alison Weir
On the other hand, we have the saintly queen of the Protestant writers, who did so much to further true religion in England, gave her protection to the followers of Luther, and produced the great Queen Elizabeth. These writers saw Anne as a veritable saint. 'Was not Queen Anne, the mother of the blessed woman, the chief, first and only cause of banishing the beast of Rome with all his beggarly baggage?' asked John Aylmer, the renowned Protestant scholar, in the reign of Anne's daughter. Likewise George Wyatt, grandson of the poet Thomas Wyatt and Anne's first biographer, who compiled his work at the end of the sixteenth century from the reminiscences of his family and those who had known her, such as her former maid of honour, Anne Gainsford; he concluded that 'this princely lady was elect of God'.
Both these conflicting portraits of Anne Boleyn have in them some degree of truth; and both are partially inaccurate. Anne was no saint, but neither was she an adulteress nor guilty of incest. She was however, ruthless and insensitive, and if she was not as black as the Catholics tried to paint her, it is likely they were nearer the truth. Nevertheless, she was a remarkable woman of considerable courage and audacity, who knew exactly what she wanted, and made sure she got it. Once she had achieved her goal, and was expected to conform to conventional ideals of queenship, disaster overtook her, for she was demonstrably unsuited to her role, and incapable of playing the part of a docile, submissive wife.
Much is known about Anne, but there are also vital gaps. Her date of birth was not recorded, and even the date and place of her marriage to the King were kept secret. The best-documented period of her life is the last seventeen days of it, which were spent in the Tower of London, when her courageous bearing at her trial and execution were in stark contrast to her hysterical fits on her arrest, and a world away from the days when she held sway over the court with such hauteur as the King's mistress.
Anne Boleyn was only the second commoner to be elevated to the consort's throne in England - the first had been Elizabeth Woodville, wife of Edward IV. Anne's origins were uninspiring, although, like all Henry VIII's wives, she could trace her descent from Edward I. She was well-connected on her mother's side, but her father's origins were in trade. The Boleyn family came from Norfolk, where there are no records of them before 1402. Anne's forbears lived at Salle, near Aylsham, which was then a thriving community grown prosperous as a result of the profitable wool trade with the Low Countries. Salle is now a deserted hamlet, and the only trace remaining of its former prosperity is its incongruously large church where several early Boleyns are buried.
Geoffrey Boleyn, who died in 1471, was the first member of the family to make a name for himself. A mercer by trade, he became an alderman of the City of London in 1452, and Lord Mayor in 1457. By then he was a wealthy man, having purchased the manor of Blickling in Norfolk from Sir John Fastolf in 1452, and a 200-year- old castle at Hever in Kent in 1462. His wife, Anne, was the daughter of Lord Hoo and Hastings, and his marriage to her was of great social value; he now mixed with the local gentry - such as the Paston family - and the lesser nobility, and even with the much more exalted Howard family. It was probably through their influence that Geoffrey was knighted by Henry VI.
Sir Geoffrey's son, Sir William Boleyn, made an even more impressive marriage, to Margaret Butler, daughter of the Irish Earl of Ormonde. Lady Margaret bore four sons: Thomas, James, William and Edward. Thomas was the eldest, being born around 1477, when his mother was only twelve years old. When he was twenty, he fought with his father for the King, Henry VII, against the men of Cornwall, who had risen in protest against high taxation. The Boleyn family was loyal to the Crown, and came early on to the favourable notice of the Tudor kings, who preferred 'new men' of merchant stock to members of the old nobility.
At around the turn of the century, Thomas Boleyn was married to Elizabeth, the daughter of Thomas Howard, Earl of Surrey. It was fortunate for Thomas that the Howard fortunes had suffered a reversal after the Battle of Bosworth, when Surrey's father had fought on the losing side, otherwise Elizabeth might have been considered too grand for him. Yet it was still in every way a brilliant match: Elizabeth's brother, Lord Thomas Howard, was then married to the Queen's sister, Anne Plantagenet, and as the Howard family was gradually received back into favour, Thomas Boleyn's status increased accordingly.
Elizabeth Howard proved a fertile bride. 'She brought me every year a child,' Thomas recorded later, remembering what a struggle it had been to provide for them all on an income of only 50.00 per annum. But only three of the children grew to maturity: Mary, Anne and George. Of those who died in infancy, Thomas was buried in Penshurst Church in Kent, and Henry in Hever Church. There has been some dispute as to which of the surviving Boleyn children was the eldest, but it seems clear that Mary was. In 1597, her grandson, George Carey, Lord Hunsdon, referred to her in a letter to Lord Burleigh as 'the eldest daughter' of Sir Thomas Boleyn. This is supported by the wording of the Letters Patent creating Anne Boleyn Marquess of Pembroke in 1532, which refers to Anne as 'one of the daughters' of Sir Thomas Boleyn. Had Anne been the elder, the Patent would surely have said so.
Even more controversy surrounds the dates of birth of Anne and her siblings. Their parents married around the turn of the century, and thus the earliest date for Mary's birth would have been around 1499-1500. George was the youngest of the three: he was not more than twenty-seven when he was preferred to the Privy Council in 1529, and therefore cannot have been born before 1502. It is likely also that his dead brother Thomas was the eldest son, and that George was actually born after 1502, probably in 1503-4.
Until recently, it was accepted that Anne Boleyn was born in 1507; this was the date noted by William Camden in the margin of his manuscript copy of his biography of Elizabeth I, printed in 1615; another late source, Henry Clifford'sLife of Jane Dormer, Duchess of Feria,based on the reminiscences of one of Mary Tudor's maids of honour as told to her secretary in old age, published in 1645, also gives Anne's date of birth as 1507, stating that she was 'not 29 years of age when she was executed'. However, if Anne was born in 1507, she could not have been more than six years old when she entered the service of Margaret of Austria in 1513, an impossibly early age. For a more realistic date we must turn to Lord Herbert of Cherbury's biography of Henry VIII, written during the early seventeenth century and based on many contemporary sources now lost to us. Herbert states that Anne was twenty when she returned from France in 1522; this would place her date of birth in 1501-2, and make her around eleven or twelve when she entered the Archduchess's household. Two other late sources support an even earlier date of birth: Gregorio Leti's suppressed life of Elizabeth I, which suggests 1499-1500, and William Rastell's biography of Sir Thomas More, both written in the late sixteenth century.
If Anne Boleyn was born in 1500-1501, she would have been around thirty-five when she died, middle-aged by Tudor standards. Life had not been kind to her, and stress had aged her prematurely. In 1536, the Spanish ambassador referred to her as 'that thin old woman', and there is other evidence that Anne was ageing visibly: the portrait of her (in a private collection) painted at this time is in striking contrast to earlier portraits, which show her as youthful and vivacious. None of this evidence is conclusive, but it all points to an earlier date of birth than 1507, probably 1501.
Finally, there is conflicting archaeological evidence. In 1876, during restoration work in the Chapel of St Peter ad Vincula within the Tower of London, workmen found Anne Boleyn's bones beneath the altar pavement. Victorian archaeologists described the bones as those of a woman of delicate frame; the neck vertebrae, which had been severed, were very small. They estimated that Anne had been aged between twenty-five and thirty at her death. It is a fact, however, that the science of pathology was then in its infancy, and this estimate may easily have been inaccurate.
If we date Anne's birth to around 1501, we are able to establish exactly where she was born, for - prior to Sir William's death in 1505 - Thomas Boleyn and his family lived at the manor hous
e at Blickling in Norfolk. Anne's chaplain, Matthew Parker, confirmed her birth here in later years when he referred to himself as her 'countryman', in the sense that he came from the same part of the country that she did; he, too, was born in Norfolk. It has sometimes been claimed that Anne was born at Hever Castle, but her father did not move his family there until after Sir William Boleyn's death. As the eldest son, Thomas inherited both properties, but made over Blickling to his brother James, preferring to settle at Hever which was more convenient for the court.
Here, in the moated castle amid the Kentish countryside, Anne Boleyn spent most of her childhood. If we are to believe Lord Herbert, Thomas noticed early on that Anne was an exceptionally bright and 'toward' girl, and 'took all possible care for her good education'. As well as receiving the usual 'virtuous instruction', Anne was taught to play on various musical instruments, to sing and to dance. She quickly became accomplished in all these things, excelling on the lute and virginals, and soon learned to carry herself with grace and dignity. Her academic education was limited to the teaching of literary skills, including a fine Italianate hand and - achieved after some struggle - French. Under her mother's guidance, she became expert at embroidery, and also learned to enjoy poetry, perhaps as a result of associating with the young poet Thomas Wyatt, who lived nearby at Allington Castle. Anne, too, had a talent for composing verse. In sum, her education was similar to that enjoyed by many girls of her class, its purpose being to perfect those feminine accomplishments that were so prized, both in the marriage market and at court. With this behind her, and her undoubted charm and vivacity, she would not fail to attract the right kind of husband.
During Anne's childhood, her father's career traced an upward curve. After the accession of Henry VIII in 1509, he was often at court, and by 1511 already figured prominently in the King's circle of intimates. He was an affable man and highly cultivated, if at times somewhat brusque, and he was a natural diplomat, sent by the King on a succession of embassies to foreign courts. Henry's favour also brought a string of honours his way, and with them came increasing wealth and status. Some attributed this to sexual favours bestowed upon the King by Lady Boleyn, but this was categorically denied by Thomas Cromwell, in Henry's presence, in 1537. Thomas Boleyn was nothing if not ambitious; when sent on an embassy to the court of Margaret of Austria, Regent of the Netherlands, at Mechelen in Brabant, he quickly ingratiated himself with his hostess and wasted no time in extolling to her the virtues and accomplishments of his daughter Anne, the brightest of his children. Margaret responded by offering to take Anne into her household as one of her eighteen maids of honour, and when Thomas returned to England in the spring of 1513, Anne was despatched immediately to the Low Countries in the care of a knight surnamed Broughton.
The Regent was delighted with her new maid of honour, and wrote to thank Sir Thomas for sending her, for Anne was a present more than welcome in my sight. I hope to treat her in such a way that you shall be quite satisfied with me. I find in her so fine a spirit, and so perfect an address for a lady of her years, that I am more beholden to you for sending her than you can be to me for receiving her.
To improve Anne's command of the French language, Margaret appointed a governess called Simonette to tutor her, and insisted that Anne's letters to her father be written in French, so that Sir Thomas, who spoke that language fluently, would be suitably impressed. Anne herself later wrote and confessed to him that these early letters were dictated by Simonette but 'the work of my hands alone'. By then, however, she would be as proficient in French as if it were her native tongue.
Anne stayed at the court of Brabant for about eighteen months, until her father found a better position for her as maid of honour to Mary Tudor, who was betrothed to Louis XII of France in August 1514. There was the usual rush to obtain places in the future Queen of France's household, and Sir Thomas was influential enough to secure two, for both his daughters. Yet only one 'Mistress Boleyn' was listed amongst her attendants when she sailed to France in October 1514; this was probably Mary, for it appears that Anne travelled to France direct from Mechelen. Anne's position in Brabant had latterly become slightly uncomfortable due to the deteriorating relationship between England and the Empire, though the Regent recorded in a letter that she was sad to lose her. Anne herself was delighted at the prospect of serving Mary Tudor, and wrote to her father:
Sir, I find by your letter that you wish me to appear at court in a manner becoming a respectable female, and likewise that the Queen will condescend to enter into conversation with me. At this I rejoice, as I do think that conversing with so sensible and eloquent a princess will make me even more desirous of continuing to speak and to write good French.
The transition to Mary Tudor's service could only be to her advantage, she reasoned. She and her father were kindred spirits in their desire for advancement, their ambition, and their self-interest. Even at this age Anne had a shrewd eye to the future.
Once in France, Anne was reunited with her sister Mary, and they were among the six young girls permitted to remain at the French court by King Louis XII after he had dismissed all Mary's other English attendants. When Louis died in 1515, Anne and Mary remained in the service of his young widow until she married Suffolk and returned to England. They were then invited to serve Queen Claude, the long-suffering wife of the new King, Francis I - perhaps because both of them by this time spoke French so well.
Claude of Valois was a virtuous woman, crippled from birth by lameness; her household resembled nothing so much as a nunnery. Places in it were much sought after, and the Boleyn girls were honoured to be accorded them. They would now be expected to follow the Queen's example and conduct themselves with modesty and decorum by observing an almost conventual routine based upon prayers, good works and chastity. Claude's marriage had brought her little happiness; she was constantly pregnant, while her philandering husband entertained scores of mistresses and set the tone for one of the most licentious courts of the period. Because Claude was ill at ease in such an environment, she lived mainly at the chateaux of Amboise and Blois in the lush countryside of the Loire valley. On the occasions when her presence was required at court, the Queen was extremely watchful over her female attendants, knowing full well that they were morally at risk from Francis and his courtiers.
In such contrasting worlds did Mary and Anne Boleyn grow to maturity. The experience would shape their characters in strikingly different ways. Mary succumbed early on to the temptations so feared by Queen Claude, briefly shared her favours with Francis I, and then went on to become Henry VIII's mistress. Anne, however, was more discreet, and learned from the example set by her sister. She benefited from the regime observed in Claude's household in that she learned dignity and poise. 'She became so graceful that you would never have taken her for an Englishwoman, but for a Frenchwoman born,' wrote the French poet, Lancelot de Carles. She adopted becoming French fashions, and the French courtier Brantome tells us in his memoirs that she dressed with marvellous taste and devised new modes which were copied by all the fashionable ladies at court; Anne wore them all with a 'gracefulness that rivalled Venus'. Later, she would be responsible for introducing the French hood into England, a fashion that would last for sixty years. Even the Jesuit historian, Nicholas Sanders - who was responsible for some of the wilder inaccuracies that later gained currency about Anne Boleyn, such as the tale that she was raped by one of her father's household officials at the age of seven - felt moved to praise her inventiveness, saying she was regarded in France as 'the glass of fashion'.
Brantome remembered Anne Boleyn in his later years as 'the fairest and most bewitching of all the lovely dames of the French court'. According to Lancelot de Carles, her most attractive feature was 'her eyes, which she well knew how to use. In truth, such was their power that many a man paid his allegiance.' She used her eyes, he tells us, to invite conversation, and to convey the promise of hidden passion. It was a trick that enslaved several men. Even King Francis was smit
ten by the fascinating Anne, and wrote:
Venus etait blonde, on m'a dit: L'on You bien, qu'elle est brunette.
Anne's charm lay not so much in her physical appearance as in her vivacious personality, her gracefulness, her quick wit and other accomplishments. She was petite in stature, and had an appealing fragility about her. Her eyes were black and her hair dark brown and of great length; often, she would wear it interlaced with jewels, loose down her back. But she was not pretty, nor did her looks conform to the fashionable ideals of her time. She had small breasts when it was fashionable to have a voluptuous figure, and in a period when pale complexions were much admired, she was sallow, even swarthy, with small moles on her body. George Wyatt says she had a large Adam's apple, 'like a man's'. This was described by the hostile Nicholas Sanders as 'a large wen under her chin', which Anne always concealed by wearing 'a high dress under her throat'. Nowhere is this borne out by other contemporary writers, or by portraits. Anne did, however, have a small deformity, which her enemies sometimes delighted in describing as a devil's teat. Wyatt tells us she had a second nail 'upon the side of her nail upon one of her fingers', about which she was rather self-conscious, for she took pains to hide it with long hanging oversleeves, another of her fashionable innovations. Sanders described it as a sixth finger, as did Margaret Roper, the daughter of Sir Thomas More.