Lipstick Traces
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Althusser, Louis, 387
Altman, Roberto, 304
Ambler, Eric, 375
Anabaptists, 85–88, 373
anarchism, 12, 141, 185, 240, 250, 282, 330, 386, 388, 389; of Brethren of the Free Spirit, 277, 298; of McLaren, 26, 65; Paris Commune and, 117–119, 132; in Spanish Civil War, 118, 289, 371
“Anarchy in the U.K.” (Sex Pistols), 1, 4, 7–10, 16, 18, 20, 21, 33, 56, 83, 109, 285, 384, 404, 405, 407
Anscombe, Isabelle, 185
Anticoncept, L’ (Wolman), 305–306, 310
Apollinaire, Guillaume, 191, 198
Appassionata (Beethoven), 202, 227
Aquinas, Thomas, 274
Aragon, Louis, 180
Arbenz, Jacopo, 18, 19, 371–372, 374
Ardrey, Robert, 80
Arendt, Hannah, 43, 112, 126, 160
Aron, Raymond, 394
Arp, Hans (Jean), 179, 181, 184, 188–189, 191, 193, 198, 207, 216, 225, 226
Artaud, Antonin, 177, 262
Ascherson, Neal, 96
Assassin, The (fanzine), 91
Association fédérative générale des étudiants de Strasbourg, 387, 389
Astaire, Fred, 369
Atelier populaire, 28, 30, 31, 187
At Fillmore East (Allman Brothers), 61
“At Home He’s a Tourist” (Gang of Four), 5
Atkins, Guy, 308
Augustine, 264
Au Pairs, 5
Auschwitz exermination camp, 13, 214
Auster, Paul, 161–162, 335
Autumn of Fury (Heikal), 97
Avalon, Frankie, 55
Avant-Garde Film Club (Paris), 306
Baader, Johannes, 107, 215, 216, 290–292, 294, 296, 298
Bakunin, Mikhail, 183, 298, 381
Ball, Hugo, 147, 175, 187, 198–199, 207, 209, 214, 216, 220, 226, 227, 408; in Cabaret Voltaire, 179, 180, 183–184, 189, 191, 200, 219, 404; diary of, 183, 191, 202, 225; Huelsenbeck and, 194–196, 204–206; return to church of, 188, 193, 213; in sorcerer costume, 211, 212; sound poems of, 175, 186, 205
Bangs, Lester, 75
Bardot, Brigitte, 319
Barkley, Alben W., 112–114, 219, 221
Barrault, Jean-Louis, 300
“Barrister Pardon” (Prince Buster), 35
Barthes, Roland, 387
Basel News, 213, 214
Basie, Count, 242
Bataille, Georges, 366–368, 395
Baudelaire, Charles, 178, 191, 231, 233, 249
Baudrillard, Jean, 395
Bayeux Tapestry, 391
Béarn, Henry de, 349–350
“Beat It” (Jackson), 91
Beatles, 12, 37, 38, 61, 90, 102, 103, 351, 370
Beauvoir, Simone de, 238
Beethoven, Ludwig van, 202
“Behind Blue Eyes” (Who), 44, 54, 61
Bell, Terrel, 127–128
Belsen extermination camp, 13, 109, 112
“Belsen Was a Gas” (Sex Pistols), 56, 108–109, 111–115
Benedek, Laslo, 246
Benjamin, Walter, 19, 65, 67
Berger, John, 28, 30
Berlé, P.-J., 339
Berlin Cathedral, 290–292, 294, 296
Berlin Dada Club, 215, 239, 283, 291, 325
Berlin Wall, 13, 70
Berna, Serge, 21–22, 313, 316, 317, 323, 326, 332, 339, 349; in Hurlements, 309, 310; in invasion of Notre-Dame, 259, 261, 287–289, 296, 356; portrait of, 301–302, 302, 305
Bernard de Clairvaux, 333
Bernstein, Michèle, 17, 18, 150, 170, 320, 321, 331, 336, 348–350, 370, 382; on exclusions from Lettrist International, 346, 348, 355–356; at Hurlements screening, 313; on Isou, 233, 239; jobs held by, 350–351; novels by, 327, 333, 348, 369, 378, 392–394
Berry, Chuck, 34, 38, 53, 55–56, 61, 77
Bertrand, André, 386–387, 390–393, 396
Best of Marcel Marceao, The (Curb), 312–313
Bielecki, Czeslaw, 95
Big Sleep, The (Chandler), 193
“Billie Jean” (Jackson), 91, 104–105
Bismarck, Otto von, 118
Blake, William, 178
Blanqui, Louis Auguste, 118
“Blue Moon of Kentucky” (Presley), 54
Blum, Léon, 266
Bockelson, Jan. See John of Leyden “Bodies” (Sex Pistols), 1, 83, 105, 109, 405
“Bon Dieu dans le merde, Le” (Ravachol), 389
Bonaparte, Napoleon, 132
Bonds, Gary “U.S.,” 30
“Boredom” (Buzzcocks), 5, 188
“Boring Life, A” (Slits), 34–35, 38, 75
Bossuet, Jacques Benique, 333, 334, 354, 412–413
Bowie, David, 77
Brady, Ian, 26
Brau, Jean-Louis, 254–256, 258, 301, 316, 317, 323, 326, 339, 354
“Breakdown” (Buzzcocks), 75
Brethren of the Free Spirit, 86, 275–281, 284–285, 291, 297, 302, 325, 373, 390, 402, 406, 410
Breton, André, 83, 178, 180, 184, 188, 238, 250, 262, 346, 381
British Union of Fascists, 109
Broido-Cohn, Vera, 294
Brown, Bernard E., 29
Brown, James, 38, 59
Bruant, Aristide, 191 bruitism, 210–211
Brzezinski, Zbigniew, 29
Büchen der Ewigen Weisheit, Das (Suso), 275
Büchen der Wahrheit, Das (Suso), 275, 280
Buchenwald extermination camp, 126, 221 “Building, The” (Mekons), 403, 404
Bundy, Theodore, 247
Buñuel, Luis, 8, 15, 288
Burnham, Walter Dean, 249
Buzzcocks, 5, 64, 75, 188
Byzentinisches Christenum (Ball), 194
Cabaret Voltaire, 179–183, 182, 188–194, 197–200, 202, 207, 219, 226, 326, 406; Janco’s painting of, 189, 225; lettrism compared to, 239; performances in, 180, 189–193, 204–206, 211, 387, 404; as protest against war, 181–182, 222; punk and, 185, 186; Vaneigem on, 224
Cabaret Voltaire (review), 188
Cage, John, 312
Cahiers du cinéma (journal), 301
Cain, James M., 193
Cain’s Book (Trocchi), 358, 359
Cale, John, 58
Camus, Albert, 43, 235, 281, 282
Cannes Film Festival, 300–301, 306
Capital (Marx), 99
Captain Beefheart, 37, 61
Captive Mind, The (Milosz), 95, 377
Carné, Marcel, 111, 312
Carroll, Lewis, 393
“Carte de Tendre” (Map of Feeling), 156, 159
Cathars, 19, 357, 371–374, 377, 381, 402, 410
Catherine of Siena, 274
Catholic Church, 87, 96, 98, 213, 216, 254–262, 265, 275–281, 288–290, 357, 405. See also heretics; Notre-Dame
Cause for Alarm (Ambler), 375
Céline, Louis-Ferdinand, 250
Central Intelligence Agency (CIA), 18, 371–372
Chairs Missing (Wire), 5
Chandler, Raymond, 193
Chaplin, Charlie, 310, 315–319, 326, 338, 356
Char, René, 239–240, 262
Charles, Ray, 37
Chekhov, Anton, 191
Chelsea, 12
Chessler, Deborah, 240, 243
Chiang Kai-shek, 204
Chien Andalou, Un (Buñuel and Dalí), 8
Chinoise, La (Godard), 334
Chinook, 364
Choderlos de Laclos, Pierre, 392–393
Christians, 81, 140, 275, 277, 344, 367, 392; born-again, 87; early, 209. See also Brethren of the Free Spirit; Cathars
Chrysler Corporation, 103
Chtcheglov, Ivan, ix, 149, 161, 165, 323–324, 326, 331, 335–337, 345, 350, 355–356, 408
Circle des ratés. See Washouts Club
City Lights (Chaplin), 310, 317, 369
Clanton, Jimmy, 55
Clark, Larry, 8, 351
Clark, T. J., 116, 137–140, 394
Clash, 4, 10–11, 33, 34, 65, 75
Clemenceau, Georges, 118
Clift, Montgomery, 369
Cocteau, Jean, 233, 300, 301
Cohn, Nik, 87–88, 110, 281
Cohn, Norman, ix, 85, 87, 220, 276–279, 289, 298–299
Cohn-Bendit, Daniel, 394, 397
Coleridge, Samuel Taylor, 405
Combat, 234, 245, 261, 262–264, 289, 301, 317, 318, 343, 371
Communards. See Paris Commune
communism, 15, 29, 70, 98, 267, 322, 328, 367, 368; Chaplin and, 315; demonization of, in postwar West, 240; libertarian, of Liebknecht and Luxembourg, 107
Communist Manifesto (Marx), 129
Communists, 189, 216, 217, 271, 282, 388, 398; French, 134, 136, 178, 262, 289, 349, 397; Polish, 95, 388; Spanish, 266
“Complete Control” (Clash), 4, 75
Confessions (Augustine), 264
Confessions of an English Opium Eater (De Quincey), 358, 360–361
Conord, André-Frank, 321
Contre le cinéma situationiste, néo-nazi (Isou), 315
“ Contributions to a Critique of Hegel’s Philosophy of Right” (Marx), 107, 289–290, 387
Cook, Paul, 30, 31, 57, 74, 79
Cooper, Alice, 25–26
Coppe, Abiezer, 25, 277, 402–403, 408
Corona, Juan, 247
Cortinas, 71
Costello, Elvis (Declan MacManus), 3, 4, 9
Council for Maintaining the Occupations, 398–399
Count Five, 37
Courbet, Gustave, 132
Crash, Darby, 304
Cravan, Arthur, 180, 185, 310
Creeping Unknown, The (Guest), 216
Crevel, René, 22
Critique de la séparation (Debord), 196, 197, 401
Croce, Arlene, 369
Crossing the Red Sea with the Adverts (Adverts), 5
Cubism, 180
Curb, Mike, 312–313
Curtay, Jean-Paul, 237, 238
Custer, General George Armstrong, 336
Czezowski, Andrew, 185
Dachau extermination camp, 112
dada, 19, 20, 176, 178–227, 230, 231, 265, 282, 285–286, 315, 374, 394; in Berlin, 3–4, 25, 106–108, 215–217, 239, 283, 290–296, 325, 363; bruitism and, 210–211; Debord and, 174, 310, 311, 315; futurism and, 200, 202; Lefebvre on, 21, 173, 178–179; Isou and, 234, 235, 238, 239; Lettrist International and, 333, 342, 381; manifestos of, 296–297, 410; Nazism and, 220–222; neo-, 186, 197, 213, 330; punk and, 17, 184–191, 199, 224, 292, 408, 409; situationists and, 170, 196, 222–224, 321, 406, 407; in Zurich, 17, 21, 173, 194–197, 204, 216. See also Cabaret Voltaire
Dadaco (Munich, 1920), 212, 218
“Dadaland” (Arp), 191
Dada Shampoo, 194, 195, 213
Dahou, Mohamed, 321, 331, 339, 355
Dalai Lama, 354, 356
Damage (punk tabloid), 84
Danny and the Juniors, 77
Danton (Rolland), 141
“Danton’s Death” (Tucholsky), 141
“Day in the Life, A” (Beatles), 38
Dean, James, 247
Death of Sardanapal (Delacroix), 391
Debord, Guy, ix, 22, 92–98, 125, 149, 150, 168, 204, 266, 301, 307, 351, 375, 386, 394, 408–410; asphyxiation attempted by, 323, 330–331; in attack on Chaplin, 316, 317; Bernstein and, 349; birth of, 153; Clark and, 139; construction of philosophy of leisure by, 117; dérive theory of, 360–361; films by, 110–111, 149, 150, 163, 196–197, 401, 306–313, 314, 315, 319, 320, 320, 326–327, 329, 333, 335–338, 356, 391, 400–401; formation of Situationist International by, 48, 53, 171, 358, 407; Johnny Rotten and, 284, 285; Lefebvre and, 135–137, 227; in Lettrist International, 160, 162–163, 170, 321, 331–37, 339, 350, 354–355, 364, 370–372, 382; and May ’68, 169, 399, 400, 406; metagraphics by, 233; psychogeographical maps of, 361–362, 363; reversible connecting factor of, 222, 223, 205, 357–358; Situationist International dissolved by, 377; theory of “situations without a future” of, 412–413; Trocchi and, 358–360. See also Mémoires; Society of the Spectacle, The
Declaration of Independence, 127
“Decline and Fall of the Spectacle-Commodity Economy, The” (Situationist International), 165–166, 166
de Gaulle, Charles, 29, 267, 328, 331, 399
“Dejection: An Ode” (Coleridge), 405
Delacroix, Eugène, 391
Deneuve, Catherine, 253–254
“Departure” (Rosenblum), 89
De Quincey, Thomas, 156, 358, 360–361
dérive, 158, 160–162, 168, 334–337, 345, 357–358, 360–361, 382
Descartes, René, 187, 282
Des Pres, Terrence, 43
De Stijl, 177
détournement, 299, 327, 330, 334, 374–375, 377, 383, 391–392, 405, 410; British situationists on, 390; by Debord, 196, 333; definitions of, 158, 160, 337; irony and, 299; methods of, 372; by Wolman, 346
Deutsche Tageszeitung, 296
Deutschland muss untergehen! See Germany Must Fall
Dictature lettriste, La (review), 234
Dils, 28, 30
Dionysius the Areopagite, 194, 198
Dominicans, 272–277, 281
Donellan, Colin, 352, 353, 353
Drabble, Margaret, 40–42
Dreiser, Theodore, 120
Dreyfus affair, 268–269
Drifters, 37
Duchamp, Marcel, 180, 186
Dufrêne, François, 301
Duhring Duhring (Wolman), 340, 341, 342, 346
Dulles, John Foster, 372
Durkheim, Emile, 366
Durruti, Buenaventura, 387, 389
Dwinger, Ernst, 43
Dylan, Bob, 15, 38, 116, 125
“Earth Angel” (Penguins), 88, 90
Eater, 71, 75
Ebert, Friedrich, 107
Ecclésia (journal), 287
Eckhart, Meister, 274–275
Economic and Philosophical Manuscripts (Marx), 136
Edwardians, 351, 352
“Eighteen” (Alice Cooper), 25–26
Eisenhower, Dwight D., 2
Eisenstürzende Neubauten, 88
“Eisiger Wind” (Liliput), 5
Eisner, Kurt, 290
Elderfield, John, 194
Elizabeth II, Queen of England, 9, 10, 30, 316
Eluard, Paul, 180, 262
EMI records, 9
En avant dada (Huelsenbeck), 107–108, 213
“End of the World, The” (Huelsenbeck), 205
Endore, Guy, 118
Enfants du paradis, Les (Carné), 111, 310, 313, 337
Engels, Friedrich, 290
Enlightenment, 192, 282
Enragés, 26, 395, 397, 398
Ephriam, Jan, 188, 189, 199, 205
Essai sur le don (The Gift) (Mauss), 357, 366
Essential Logic, 5
“Every Picture Tells a Story” (Stewart), 58 existentialism, 238, 239, 265, 281, 286, 330
“Experimental Researches (On the Irrational Embellishment of a City)” (Breton), 381
Fairport Convention, 78
“Fairytale in the Supermarket” (Raincoats), 5
Falling Angel (Hjortsberg), 193
Family Physician, The (magazine), 242
fascism, 9, 74, 75, 110, 167, 235, 260, 264, 375; futurism and, 202; Mourre and, 267, 268, 270, 271
Faust (Goethe), 194
Feminine Mystique, The (Friedan), 240
Fielding, Henry, 230
Fiery Flying Roll (Coppe), 25
Figaro, Le, 306, 371
Fillon, Jacques, 321, 331, 382
“Fire and Rain” (Taylor), 44, 54
Firesign Theatre, 370
First World Congress of Free Artists, 342
Fiszbach, Tadeusz, 96
Five Million Years to Earth (Baker), 80–83, 216, 367
Five Satins, 90
Flight Out of Time (Die Flucht aus der Zeit) (Ball), 191, 194, 206
Ford, John, 310
“Formula for a New Urbanism” (Chtcheglov), 161, 323–324, 355
4′ 33″ (Cage), 312
Franciscans, 275, 277
Franco, Generalissimo Francisco, 289
Frankfurt School, 67, 68, 122–123, 158
Free Speech Movement, 118, 388, 410–412
French Revolution, 177, 289, 310, 321, 323, 325, 371, 395, 397
Freud, Sigmund, 80–81, 175
Freudianism, 184, 282
Friedan, Betty, 240
Frith, Simon, 125, 188
Fröliche Dame (Höch), 207, 208
Front de la jeunesse (review), 250
Fugate, Caril, 8, 244, 245, 247
Fuit, La (Tzara), 234
Funicello, Annette, 92
futurists, 184, 191, 200, 202, 304
G.I. Blues (Taurog), 228–229
Gacy, John Wayne, 247
Galbraith, John Kenneth, 391
Galerie Dada, 188, 189
Gallimard, Gaston, 233
Gance, Abel, 300
Gang of Four, 5, 405
“Gary Gilmore’s Eyes” (Adverts), 188
Gay Divorcee, The (Sandrich), 369
Geldof, Bob, 7, 8, 18, 125, 130
Germany Must Fall (Huelsenbeck), 105–106, 108
Germfree Adolescents (X-ray Spex), 5
Germs, 304
“Get Raped” (Eater), 75
Giacometti, Alberto, 191
Gide, André, 233, 234, 238
Gift, The (Mauss), 357, 366
Gillett, Charlie, 241, 243–244
Gilmore, Gary, 188
Ginsberg, Allen, 359
Girodias, Maurice, 358
“Gloire” (Hennings), 199, 220
“Go, Jimmy, Go” (Clanton), 55
God and the State, 78
Godard, Jean-Luc, 301, 334
“God Save the Queen” (Sex Pistols), 9–12, 30, 56, 186, 285
Goethe, Johann Wolfgang von, 194
Golden Bough, The (Frazer), 79
Goldstein, Jean-Isidore. See Isou, Isidore
Goldthwait, Bob, 185
Goodman, Paul, 250
Gordon, Kim, 45, 304
Gordon Riots, 405
Gorin, Jean-Pierre, 78
Gospel of Truth, 205, 210
Graff, Gerald, 119
Gray, Christopher, ix, 27–28, 160, 162, 171, 385, 389, 405–407
“Great Balls of Fire” (Lewis), 26, 54
Great Rock ’n’ Roll Swindle, The (Sex Pistols), 56
Greco, Juliet, 235
Greenberg, Clement, 158
Griffith, D. W., 300
Groening, Matt, 27
Grosz, George, 106, 107, 215, 216, 223, 291, 292, 293, 295
Guatemala, coup against Arbenz in, 18, 19, 371–372, 374
Hammett, Dashiell, 193
Hampton, Howard, 116
Hancock, Butch, 117
Harder They Come, The (Henzell), 246
Harper’s, 127
Hartmann, Johann, 278
Hasan i-Sabbah II, 409
Hausmann, Raoul, 107, 197, 215–217, 236, 282–285, 292, 294, 296, 325
Haussmann, Baron Georges-Eugène, 119, 120, 124, 128–130, 329, 334, 344, 357