by Amanda Ashley, Sherrilyn Kenyon, Maggie Shayne, Ronda Thompson
Their gazes held.
Alex broke the silence. "Merl, Melissa was hired to tell us where we were getting it wrong, as far as the Witchcraft stuff goes. All she's done here is exactly what I hired her to do." He drew the manuscript toward him, began flipping through. "Keep in mind, we are free to take her suggestions or leave them—"
"If you leave them, I'm going to have to quit," she said, addressing Alex now.
He blinked at her as if she'd suddenly levitated or sprouted a wart on the end of her nose. "I don't follow…"
"I'd prefer not to have the entire Pagan community think of me as a traitor, much less an uninformed poser, Alex. I don't want to deal with the mail I'd get, much less the E-mail." Turning her gaze to the head writer's again, she went on. "And I don't mean to tell you what to write, or how to write. Only what's accurate. And Alex is right: you can take it or leave it."
Kinney frowned and leaned back in his chair. But the tense, offended body language remained. "Why don't you nutshell some of these… inaccuracies for me?"
She nodded, licking her lips, wishing she could snatch the script back from Alex as a reference, but he was engrossed. And she found it easier to concentrate when his eyes were not on her, so she decided to let it be. God, she so wanted to keep this job. But she might very well be fired or forced to walk on her first full day.
"Just as a for-instance," she began, choosing her words carefully, "the spells. When a Witch casts a spell, there's a lot more to it than just reading a couple of lines from a book. The words aren't magic. The Witch is."
"So… how would you go about casting a spell?" Alex asked, lifting his gaze from the manuscript, pinning her with it. It burned. There was something in his eyes both attractive and intense. It shook her right to the core. And those damned stones in his necklace winked in the light, adding to her discomfort.
"First I'd determine the goal, then do a divination to determine whether I should even proceed. If I got the okay, then I'd calculate the best possible timing for the spell. Best day of the week, moon phase, other astrological correspondences, best time of day, and so on. I'd determine what herbs or scents, crystals or colors should be used, picking ones whose energies and vibrational frequencies mesh with the goal. I'd compose the words of the spell, and they would be very important, everything from the rhyme scheme to the number of syllables per stanza would have meaning. I'd decide how I wanted to raise energy. Then I'd do yet another reading to ensure every precaution had been taken."
Kinney raised his eyebrows. "It sounds like we're going to need longer episodes. This might end up being a Costner-length feature every single week."
"Even if you just refer to the preparation involved, it would help," Melissa said. "A throwaway line or two would be enough. Just acknowledge there's more to it than simply opening the book and reading the lines."
He nodded. "Doable, I suppose. But boring. This is entertainment, Mel. Not a documentary."
"I understand that. And naturally there will be times when your characters have an emergency situation and have to act instantly."
"What about the actual spell-casting part?" Alex asked. "I mean, all the rest is prep work, correct?"
He was on the edge of his chair, leaning forward, eyes glued to hers, except when they veered south every little while, to slide over her body, down her legs like a caress. She could feel his eyes when they touched her that way.
"Yes. When the time is right, I would create sacred space and cast a ritual circle. I'd invoke the forces and entities I had chosen to meld their powers with mine. Part of the spell casting would involve raising energy by dancing or chanting, drumming or rattling, clapping or whispering, or any number of other methods. When the energy reaches its peak, the Witch releases it from the circle, sending it off to do its job. Then she gives thanks and releases any forces or entities she has invoked. Finally, she takes up the circle."
"So instead of a thirty-second scene it's a half-hour scene," Kinny said, his voice dripping sarcasm.
"Sounds like a riveting scene to me," Karl Stone said. It was the first comment from the director. "Can you imagine the special effects we could put in there? Tell me, Melissa, is this magic circle visible to the naked eye?"
"Not usually. But most experienced Witches know it's there. It wouldn't be outrageous to show it, as if the Enchantress were seeing it with her inner vision."
"And the… forces and, uh, entities she invokes?"
"Those, too. But they would always be positive in nature, so I wouldn't make them too scary-looking."
"Because our Witches only practice white magic, right?" he asked, clearly intrigued.
Alex rolled his eyes and leaned back in his chair.
"That's not exactly true," Melissa said. "True white magic is magic designed to put the Witch more in touch with the divine, more in tune with spirit. Magic designed to help yourself or others is more accurately referred to as gray magic. Nothing wrong with it, but it's not pure, either. That's why you do the divination first, to be sure it's wise to proceed. Magic designed to cause harm to yourself or anyone else is black, and to be honest, there are times when it's called for."
"I thought the rule was 'Harm none,'" Alex said. He was watching her. She swore her blood was heating while her skin sprouted goose bumps.
"Some would say allowing evil to flourish unchecked is doing harm," she told him. "So some don't feel restricted from using magic to stop evil, or protect the innocent, or see to it that a criminal is caught. Some Witches wouldn't use it even then. Others insist on doing no more than turning the evildoer's own energy back to its source, so he ends up destroying himself. That would be the most likely course of action for your characters when they were attacked by surprise, with no time to prepare—just flinging up a reflective barrier that bounces the energy back to its source. Personally, I've never subscribed to the belief that we are given the power of the gods to wield and then expected to be victims or passive witnesses to wrongdoing."
The director was rubbing his hands together, the wheels behind his eyes turning. "This is good stuff. We can use this. We're talking about true moral conflicts here. Real soul-searching." He scribbled a note, then glanced her way. "What else have you got?"
"Oh, please," Kinney said, clearly exasperated. "Are we producing a prime-time drama here, or is this going to be a Wicca One-oh-one class?"
"Kinney, you're the head writer, not the creator," Alex said. His tone, normally firm, had gone softer, and somehow that was more intimidating. "Karl and I came up with the idea; this is our baby. Our vision. If you want to stay on as head writer, I suggest you pay attention." Then, turning to Melissa, he smiled. "Please, go on."
She went on. The meeting stretched into two hours as she did her best to give the team a crash course on magic and Witchcraft. By the time she finished, she was energized, bubbling over with enthusiasm. They were actually listening to her!
Kinney alone remained hostile, though he kept it to himself throughout the rest of the meeting. Alex seemed interested, attentive, intense—but he still exuded a sense of frustration she couldn't quite understand.
When the meeting ended, a secretary came in with a list of messages for Alex even before everyone had filed out. Melissa had hoped for a private word with him, but he was clearly too busy just now. So she headed to her Bug with a new spring in her step. She was going to keep her job and her promise. They were taking her suggestions seriously.
Maybe the dream wouldn't come back again now that she'd gained a little confidence that she could actually do this job. Maybe it was only nerves after all. If she could just keep her feelings for Alex under control, she might actually get through this.
She was unlocking the car door, trying not to dance for joy, when Alex's voice came from behind her.
"You really do know your stuff, Melissa. You blew everyone away in there."
His voice sent shivers of awareness up her spine. He moved closer, standing right behind her, invading her aura. His warmth on her back made her clo
se her eyes briefly. Then she straightened and turned to face him, resting her back against the car door. "Thank you." Her gaze lowered to the pentacle on his neck. "I wanted to ask you… about the pent'."
"You like it?"
"Yeah, but why are you wearing it inverted?"
He lifted a hand to finger the five-pointed star, enclosed within a circle, with its topmost point aimed downward. "It came that way. Besides, as I told you, I need to get inside the heads of the villains this season. Isn't this the way a dark magician would wear it?"
She shrugged. "Actually, in the Craft it's the symbol of the Second Degree—the descent into the shadow-self. But it's rarely used that way in the States anymore, because of its negative connotations. I think the Satanists have adopted it as their symbol, but I didn't see any Satanists cast as villains in the breakdowns."
"Wouldn't a dark magician be the same thing as a Satanist?"
"Not at all. A dark magician would be anyone who practiced magic designed to cause harm to others, or to manipulate the free will of other people for his own interests or gain. Some Satanists might be dark magicians, but I'd bet most of them aren't."
He nodded. "I think I like the symbol, even if it's not wholly accurate. In fact, I was thinking of using it as a prop on the show. It will certainly give the viewers the right cue at the right time. They see this, and they think, 'Evil.' "
"And that's a lie you intend to perpetrate even further?" She shrugged, disappointed in him, then stared at the pent', battling a shiver. "It's really a magnificent piece," she whispered. "Where did you find it?"
"It was my father's."
She lifted her head, a frown knitting itself between her brows.
"So where would one go to find an authentic dark magician?" he asked. "I have some books, but—"
Her hand shot out to clasp his upper arm. "Who are you, Alex? What are you playing with here?"
His eyes seemed to darken, to intensify, and her hand tingled where she touched him. "That's what I'm trying to find out," he told her. He shook her arm off and turned to walk away.
She went after him, grabbing his arm and turning him around again. "Don't dabble in the dark side, Alex. It will pull you in like quicksand. It will destroy you."
"You think so?" He shook his head. "Look over there, you see that car?"
She did. The sleek Mercedes SL 500 convertible was silver and gleaming in the sunlight.
"And there's my house. A mansion. And money. So much money I can have anything I want."
"And you got all you have through black magic?"
He seemed to go still, confusion etching his face for just a moment. "I didn't used to think so. Now… I'm not so sure."
She had no idea what he was talking about. Impulsively she touched his shoulder. "You can have anything you want anyway. You don't need black magic to get it. The universe is surging with abundance; all we need to do is claim it."
He smiled slowly. "Is that why you're driving a VW Bug?"
She tilted her head, studying him. "I love my car. Besides, it's good on gas, and better for the environment. I try to live in harmony with nature, Alex, and nature provides everything I need."
"But not everything you want."
"You don't understand. You have to get past the mentality of a child in a toy store. When you grow spiritually, Alex, your wants and desires start to meld with the will of spirit. And when that happens, things just fall into place. I adore that little car. I smile every time I look at it. I love my little beach house. And I'm starting to love this job—or I was."
"Well, I love my mansion, and I love my Mercedes, and I love the idea that I can have anything I want." He looked at her, her eyes, her lips. "Anyone I want."
She lifted her brows. "You think so, do you?"
"I think so." He moved closer still, closing the tiny gap between them, and his arms slid around her waist. He bent over her and covered her mouth with his. God, he knew how to kiss. His lips and tongue were talented, and he tasted good, and she was female enough to enjoy every second of it. She didn't fight him, didn't struggle. She didn't want to. Instead, she returned the kiss, but gentler, slowing the movement of her mouth beneath his, soothing him with her hands as they moved on his back and shoulders, visualizing cool blue water melding with the red-hot fire she sensed burning through him.
He responded, as she had known he would. His arms around her relaxed a little, so he held her close, but not crushingly. His mouth explored, now, rather than invading. His kiss warmed, gentled, and she felt a shudder rise up as if from somewhere deep within him, and an answering one rose within her.
When he lifted his head away, he blinked twice, and his eyes searched hers. He took a step backward, away from her, licked his lips, and then lowered his gaze. "That was… I was being an ass."
"Yeah, I noticed," she said.
"It's been a rough month. I'm going through some things." He turned away slowly, raking his hair with one hand.
"We all go through things, Alex. But just for the record, that kiss just now didn't happen because of any magic, black or otherwise. Or because of your money or your car. It happened because I wanted it to happen. So don't beat yourself up too much over it, okay?"
She turned back to her car while he was still standing there, in a state of—she didn't know what. Confusion, remorse? She got behind the wheel, started up the Bug. He spun around as if he hadn't realized she'd even moved, even took a few steps toward her as she drove away. Then he stood there watching her go, still looking slightly dazed.
Melissa held her hand out over the passenger seat, opened her fist, and let the gold pentacle drop onto the upholstery. Her palm still pulsed with the energy the piece held. Powerful energy, but dark. She could not wait to get home and wash her hands. She would just do a little cleansing work on Alex's jewelry tonight. He could have it back tomorrow.
It was completely against her principles to do this sort of thing—messing around with his pent' without his permission. Much less stealing from her brand-new boss. But something deep inside was telling her to do it, that she had to do it. That he needed her help. And she never ignored her intuitions.
CHAPTER 4
She left, and he watched her go, cussing himself for acting like an idiot and wondering what homy little demon had possessed him, just now. But no, he couldn't blame his actions on anyone but himself. He was getting cocky. Starting to buy into the bullshit his father's diaries were trying so hard to sell. No matter how ridiculous Alex told himself it was, he was falling into it. He felt himself falling into it.
Maybe he just wanted it to be true. Maybe he'd just wanted an identity so badly for so long that he was embracing his newfound heritage with a little more zeal than common sense. And maybe he ought to have listened to his first instinct and stayed the hell away from the secluded old mansion where his father had lived and died.
The thought of parting with the place, though, sent a pang through his chest. It and its musty contents were all he had of his father. All he would ever have.
Besides the genes. The blood. The power.
Part of him rolled his eyes at the latter notion. Another part of him considered hurling a lightning bolt at something, just to see.
Until recently the practical part, the skeptic, had been stronger. Lately the two seemed evenly matched, and he felt constantly torn by the struggle.
He sighed and went to his car. Everyone had gone their separate ways, but they were due to meet at the studios the next day to refilm today's scene. Karl and Merl were supposed to brainstorm changes to the script, though the actual implementation would be done by Merl's writing team, who would fax the new scripts to the actors tonight. Later Karl would head to the studio to talk special effects. Alex would have to approve all of it before they shot tomorrow, but none of it would be ready for hours yet. He had the afternoon free.
So did Melissa.
He could go out there, he thought with a stirring of hunger. But another thought, one that didn't fe
el like one of his own, overpowered the impulse. Don't chase her. Let her come to you. She will, you know. If all the things your father wrote in those diaries are true, she will—simply because you want her to. Wait and see.
He rolled his eyes at the ridiculous notion even as he wondered what a good shrink would make of the voices in his head that never sounded quite like his own inner monologue. Then he got in the Mercedes and drove to the house he couldn't quite think of as home.
Melissa used the afternoon to bury Alex's pentacle in the sand, in a spot too high for the tide to reach it, though well outside her sacred space. She called on the energies of Earth and Sea to cleanse it of its negative vibes, sprinkled rosemary, angelica, rue, and sage into the hole with it, and sank a tall stick into the sand beside it to mark the spot.
Then she washed her hands repeatedly, first in the sea, then with soap and water in her bathroom sink, and finally with Moon Water that had been blessed and charged with lunar energy.
After that, she got on the phone with Alex's secretary and got his address from the woman. He was famous enough that Melissa expected his secretary would be extremely careful about letting the information out. It surprised her when the secretary gave her the address without even a token protest. Strange.
So it was done. She'd buried the pilfered pent' to cleanse it, and she'd gotten the address without effort. Now all she had to do was work up the nerve to go over there and tell him what she'd done… and maybe why she'd felt compelled to do it.
But what was she supposed to say? Was she going to lecture him about what he'd been reading, who he'd been talking to? Grill him about who the hell this father of his was that he'd gone around with a half-pound of diamond-studded gold hanging from his neck? It was none of her business. She barely knew Alex, and she was certainly in no position to preach to him. He was wealthy, powerful, successful, and respected. How dare she presume to know what was good for him?
Even if she did.
She wasn't certain whether she should go over there or not, and she wasn't going to be able to come to a reasonable decision in this state. She needed to get centered.