The young girl, so fresh, so unconventional, and yet so orderly and obedient to common rules, as you at once recognized her to be, was widely in contrast, at that moment, with everything about her. The sordid and ugly luxuriance of gigantic weeds that grew in the angle of the house, and the heavy projection that overshadowed her, and the time-worn framework of the door, — none of these things belonged to her sphere. But, even as a ray of sunshine, fall into what dismal place it may, instantaneously creates for itself a propriety in being there, so did it seem altogether fit that the girl should be standing at the threshold. It was no less evidently proper that the door should swing open to admit her. The maiden lady herself, sternly inhospitable in her first purposes, soon began to feel that the door ought to be shoved back, and the rusty key be turned in the reluctant lock.
“Can it be Phoebe?” questioned she within herself. “It must be little Phoebe; for it can be nobody else, — and there is a look of her father about her, too! But what does she want here? And how like a country cousin, to come down upon a poor body in this way, without so much as a day's notice, or asking whether she would be welcome! Well; she must have a night's lodging, I suppose; and to-morrow the child shall go back to her mother.”
Phoebe, it must be understood, was that one little offshoot of the Pyncheon race to whom we have already referred, as a native of a rural part of New England, where the old fashions and feelings of relationship are still partially kept up. In her own circle, it was regarded as by no means improper for kinsfolk to visit one another without invitation, or preliminary and ceremonious warning. Yet, in consideration of Miss Hepzibah's recluse way of life, a letter had actually been written and despatched, conveying information of Phoebe's projected visit. This epistle, for three or four days past, had been in the pocket of the penny-postman, who, happening to have no other business in Pyncheon Street, had not yet made it convenient to call at the House of the Seven Gables.
“No — she can stay only one night,” said Hepzibah, unbolting the door. “If Clifford were to find her here, it might disturb him!”
V May and November
PHOEBE PYNCHEON slept, on the night of her arrival, in a chamber that looked down on the garden of the old house. It fronted towards the east, so that at a very seasonable hour a glow of crimson light came flooding through the window, and bathed the dingy ceiling and paper-hangings in its own hue. There were curtains to Phoebe's bed; a dark, antique canopy, and ponderous festoons of a stuff which had been rich, and even magnificent, in its time; but which now brooded over the girl like a cloud, making a night in that one corner, while elsewhere it was beginning to be day. The morning light, however, soon stole into the aperture at the foot of the bed, betwixt those faded curtains. Finding the new guest there, — with a bloom on her cheeks like the morning's own, and a gentle stir of departing slumber in her limbs, as when an early breeze moves the foliage, — the dawn kissed her brow. It was the caress which a dewy maiden — such as the Dawn is, immortally — gives to her sleeping sister, partly from the impulse of irresistible fondness, and partly as a pretty hint that it is time now to unclose her eyes.
At the touch of those lips of light, Phoebe quietly awoke, and, for a moment, did not recognize where she was, nor how those heavy curtains chanced to be festooned around her. Nothing, indeed, was absolutely plain to her, except that it was now early morning, and that, whatever might happen next, it was proper, first of all, to get up and say her prayers. She was the more inclined to devotion from the grim aspect of the chamber and its furniture, especially the tall, stiff chairs; one of which stood close by her bedside, and looked as if some old-fashioned personage had been sitting there all night, and had vanished only just in season to escape discovery.
When Phoebe was quite dressed, she peeped out of the window, and saw a rosebush in the garden. Being a very tall one, and of luxuriant growth, it had been propped up against the side of the house, and was literally covered with a rare and very beautiful species of white rose. A large portion of them, as the girl afterwards discovered, had blight or mildew at their hearts; but, viewed at a fair distance, the whole rosebush looked as if it had been brought from Eden that very summer, together with the mould in which it grew. The truth was, nevertheless, that it had been planted by Alice Pyncheon, — she was Phoebe's great-great-grand-aunt, — in soil which, reckoning only its cultivation as a garden-plat, was now unctuous with nearly two hundred years of vegetable decay. Growing as they did, however, out of the old earth, the flowers still sent a fresh and sweet incense up to their Creator; nor could it have been the less pure and acceptable because Phoebe's young breath mingled with it, as the fragrance floated past the window. Hastening down the creaking and carpetless staircase, she found her way into the garden, gathered some of the most perfect of the roses, and brought them to her chamber.
Little Phoebe was one of those persons who possess, as their exclusive patrimony, the gift of practical arrangement. It is a kind of natural magic that enables these favored ones to bring out the hidden capabilities of things around them; and particularly to give a look of comfort and habitableness to any place which, for however brief a period, may happen to be their home. A wild hut of underbrush, tossed together by wayfarers through the primitive forest, would acquire the home aspect by one night's lodging of such a woman, and would retain it long after her quiet figure had disappeared into the surrounding shade. No less a portion of such homely witchcraft was requisite to reclaim, as it were, Phoebe's waste, cheerless, and dusky chamber, which had been untenanted so long — except by spiders, and mice, and rats, and ghosts — that it was all overgrown with the desolation which watches to obliterate every trace of man's happier hours. What was precisely Phoebe's process we find it impossible to say. She appeared to have no preliminary design, but gave a touch here and another there; brought some articles of furniture to light and dragged others into the shadow; looped up or let down a window-curtain; and, in the course of half an hour, had fully succeeded in throwing a kindly and hospitable smile over the apartment. No longer ago than the night before, it had resembled nothing so much as the old maid's heart; for there was neither sunshine nor household fire in one nor the other, and, save for ghosts and ghostly reminiscences, not a guest, for many years gone by, had entered the heart or the chamber.
There was still another peculiarity of this inscrutable charm. The bedchamber, no doubt, was a chamber of very great and varied experience, as a scene of human life: the joy of bridal nights had throbbed itself away here; new immortals had first drawn earthly breath here; and here old people had died. But — whether it were the white roses, or whatever the subtile influence might be — a person of delicate instinct would have known at once that it was now a maiden's bedchamber, and had been purified of all former evil and sorrow by her sweet breath and happy thoughts. Her dreams of the past night, being such cheerful ones, had exorcised the gloom, and now haunted the chamber in its stead.
After arranging matters to her satisfaction, Phoebe emerged from her chamber, with a purpose to descend again into the garden. Besides the rosebush, she had observed several other species of flowers growing there in a wilderness of neglect, and obstructing one another's development (as is often the parallel case in human society) by their uneducated entanglement and confusion. At the head of the stairs, however, she met Hepzibah, who, it being still early, invited her into a room which she would probably have called her boudoir, had her education embraced any such French phrase. It was strewn about with a few old books, and a work-basket, and a dusty writing-desk; and had, on one side, a large black article of furniture, of very strange appearance, which the old gentlewoman told Phoebe was a harpsichord. It looked more like a coffin than anything else; and, indeed, — not having been played upon, or opened, for years, — there must have been a vast deal of dead music in it, stifled for want of air. Human finger was hardly known to have touched its chords since the days of Alice Pyncheon, who had learned the sweet accomplishment of melody in Europe.
>
Hepzibah bade her young guest sit down, and, herself taking a chair near by, looked as earnestly at Phoebe's trim little figure as if she expected to see right into its springs and motive secrets.
“Cousin Phoebe,” said she, at last, “I really can't see my way clear to keep you with me.”
These words, however, had not the inhospitable bluntness with which they may strike the reader; for the two relatives, in a talk before bedtime, had arrived at a certain degree of mutual understanding. Hepzibah knew enough to enable her to appreciate the circumstances (resulting from the second marriage of the girl's mother) which made it desirable for Phoebe to establish herself in another home. Nor did she misinterpret Phoebe's character, and the genial activity pervading it, — one of the most valuable traits of the true New England woman, — which had impelled her forth, as might be said, to seek her fortune, but with a self-respecting purpose to confer as much benefit as she could anywise receive. As one of her nearest kindred, she had naturally betaken herself to Hepzibah, with no idea of forcing herself on her cousin's protection, but only for a visit of a week or two, which might be indefinitely extended, should it prove for the happiness of both.
To Hepzibah's blunt observation, therefore, Phoebe replied as frankly, and more cheerfully.
“Dear cousin, I cannot tell how it will be,” said she. “But I really think we may suit one another much better than you suppose.”
“You are a nice girl, — I see it plainly,” continued Hepzibah; “and it is not any question as to that point which makes me hesitate. But, Phoebe, this house of mine is but a melancholy place for a young person to be in. It lets in the wind and rain, and the snow, too, in the garret and upper chambers, in winter-time, but it never lets in the sunshine. And as for myself, you see what I am, — a dismal and lonesome old woman (for I begin to call myself old, Phoebe), whose temper, I am afraid, is none of the best, and whose spirits are as bad as can be! I cannot make your life pleasant, Cousin Phoebe, neither can I so much as give you bread to eat.”
“You will find me a cheerful little body” answered Phoebe, smiling, and yet with a kind of gentle dignity, “and I mean to earn my bread. You know I have not been brought up a Pyncheon. A girl learns many things in a New England village.”
“Ah! Phoebe,” said Hepzibah, sighing, “your knowledge would do but little for you here! And then it is a wretched thought that you should fling away your young days in a place like this. Those cheeks would not be so rosy after a month or two. Look at my face!” and, indeed, the contrast was very striking, — ”you see how pale I am! It is my idea that the dust and continual decay of these old houses are unwholesome for the lungs.”
“There is the garden, — the flowers to be taken care of,” observed Phoebe. “I should keep myself healthy with exercise in the open air.”
“And, after all, child,” exclaimed Hepzibah, suddenly rising, as if to dismiss the subject, “it is not for me to say who shall be a guest or inhabitant of the old Pyncheon House. Its master is coming.”
“Do you mean Judge Pyncheon?” asked Phoebe in surprise.
“Judge Pyncheon!” answered her cousin angrily. “He will hardly cross the threshold while I live! No, no! But, Phoebe, you shall see the face of him I speak of.”
She went in quest of the miniature already described, and returned with it in her hand. Giving it to Phoebe, she watched her features narrowly, and with a certain jealousy as to the mode in which the girl would show herself affected by the picture.
“How do you like the face?” asked Hepzibah.
“It is handsome! — it is very beautiful!” said Phoebe admiringly. “It is as sweet a face as a man's can be, or ought to be. It has something of a child's expression, — and yet not childish, — only one feels so very kindly towards him! He ought never to suffer anything. One would bear much for the sake of sparing him toil or sorrow. Who is it, Cousin Hepzibah?”
“Did you never hear,” whispered her cousin, bending towards her, “of Clifford Pyncheon?”
“Never. I thought there were no Pyncheons left, except yourself and our cousin Jaffrey,” answered Phoebe. “And yet I seem to have heard the name of Clifford Pyncheon. Yes! — from my father or my mother; but has he not been a long while dead?”
“Well, well, child, perhaps he has!” said Hepzibah with a sad, hollow laugh; “but, in old houses like this, you know, dead people are very apt to come back again! We shall see. And, Cousin Phoebe, since, after all that I have said, your courage does not fail you, we will not part so soon. You are welcome, my child, for the present, to such a home as your kinswoman can offer you.”
With this measured, but not exactly cold assurance of a hospitable purpose, Hepzibah kissed her cheek.
They now went below stairs, where Phoebe — not so much assuming the office as attracting it to herself, by the magnetism of innate fitness — took the most active part in preparing breakfast. The mistress of the house, meanwhile, as is usual with persons of her stiff and unmalleable cast, stood mostly aside; willing to lend her aid, yet conscious that her natural inaptitude would be likely to impede the business in hand. Phoebe and the fire that boiled the teakettle were equally bright, cheerful, and efficient, in their respective offices. Hepzibah gazed forth from her habitual sluggishness, the necessary result of long solitude, as from another sphere. She could not help being interested, however, and even amused, at the readiness with which her new inmate adapted herself to the circumstances, and brought the house, moreover, and all its rusty old appliances, into a suitableness for her purposes. Whatever she did, too, was done without conscious effort, and with frequent outbreaks of song, which were exceedingly pleasant to the ear. This natural tunefulness made Phoebe seem like a bird in a shadowy tree; or conveyed the idea that the stream of life warbled through her heart as a brook sometimes warbles through a pleasant little dell. It betokened the cheeriness of an active temperament, finding joy in its activity, and, therefore, rendering it beautiful; it was a New England trait, — the stern old stuff of Puritanism with a gold thread in the web.
Hepzibah brought out some old silver spoons with the family crest upon them, and a china tea-set painted over with grotesque figures of man, bird, and beast, in as grotesque a landscape. These pictured people were odd humorists, in a world of their own, — a world of vivid brilliancy, so far as color went, and still unfaded, although the teapot and small cups were as ancient as the custom itself of tea-drinking.
“Your great-great-great-great-grandmother had these cups, when she was married,” said Hepzibah to Phoebe. “She was a Davenport, of a good family. They were almost the first teacups ever seen in the colony; and if one of them were to be broken, my heart would break with it. But it is nonsense to speak so about a brittle teacup, when I remember what my heart has gone through without breaking.”
The cups — not having been used, perhaps, since Hepzibah's youth — had contracted no small burden of dust, which Phoebe washed away with so much care and delicacy as to satisfy even the proprietor of this invaluable china.
“What a nice little housewife you are!” exclaimed the latter, smiling, and at the same time frowning so prodigiously that the smile was sunshine under a thunder-cloud. “Do you do other things as well? Are you as good at your book as you are at washing teacups?”
“Not quite, I am afraid,” said Phoebe, laughing at the form of Hepzibah's question. “But I was schoolmistress for the little children in our district last summer, and might have been so still.”
“Ah! 'tis all very well!” observed the maiden lady, drawing herself up. “But these things must have come to you with your mother's blood. I never knew a Pyncheon that had any turn for them.”
It is very queer, but not the less true, that people are generally quite as vain, or even more so, of their deficiencies than of their available gifts; as was Hepzibah of this native inapplicability, so to speak, of the Pyncheons to any useful purpose. She regarded it as an hereditary trait; and so, perhaps, it was, but unfortunately
a morbid one, such as is often generated in families that remain long above the surface of society.
Before they left the breakfast-table, the shop-bell rang sharply, and Hepzibah set down the remnant of her final cup of tea, with a look of sallow despair that was truly piteous to behold. In cases of distasteful occupation, the second day is generally worse than the first. We return to the rack with all the soreness of the preceding torture in our limbs. At all events, Hepzibah had fully satisfied herself of the impossibility of ever becoming wonted to this peevishly obstreperous little bell. Ring as often as it might, the sound always smote upon her nervous system rudely and suddenly. And especially now, while, with her crested teaspoons and antique china, she was flattering herself with ideas of gentility, she felt an unspeakable disinclination to confront a customer.
“Do not trouble yourself, dear cousin!” cried Phoebe, starting lightly up. “I am shop-keeper to-day.”
“You, child!” exclaimed Hepzibah. “What can a little country girl know of such matters?”
“Oh, I have done all the shopping for the family at our village store,” said Phoebe. “And I have had a table at a fancy fair, and made better sales than anybody. These things are not to be learnt; they depend upon a knack that comes, I suppose,” added she, smiling, “with one's mother's blood. You shall see that I am as nice a little saleswoman as I am a housewife!”
The old gentlewoman stole behind Phoebe, and peeped from the passageway into the shop, to note how she would manage her undertaking. It was a case of some intricacy. A very ancient woman, in a white short gown and a green petticoat, with a string of gold beads about her neck, and what looked like a nightcap on her head, had brought a quantity of yarn to barter for the commodities of the shop. She was probably the very last person in town who still kept the time-honored spinning-wheel in constant revolution. It was worth while to hear the croaking and hollow tones of the old lady, and the pleasant voice of Phoebe, mingling in one twisted thread of talk; and still better to contrast their figures, — so light and bloomy, — so decrepit and dusky, — with only the counter betwixt them, in one sense, but more than threescore years, in another. As for the bargain, it was wrinkled slyness and craft pitted against native truth and sagacity.
Delphi Complete Works of Nathaniel Hawthorne (Illustrated) Page 46