“And how,” inquired I, “did his wife bear the shock of joyful surprise?”
“Why,” said the old man, deepening the grin of a death's-head on which his chisel was just then employed, “I really felt for the poor woman; it was one of my best pieces of marble — and to be thrown away on a living man!”
A comely woman with a pretty rosebud of a daughter came to select a gravestone for a twin-daughter, who had died a month before. I was impressed with the different nature of their feelings for the dead. The mother was calm and woefully resigned, fully conscious of her loss, as of a treasure which she had not always possessed, and therefore had been aware that it might be taken from her; but the daughter evidently had no real knowledge of what Death's doings were. Her thoughts knew, but not her heart. It seemed to me that by the print and pressure which the dead sister had left upon the survivor's spirit her feelings were almost the same as if she still stood side by side and arm in arm with the departed, looking at the slabs of marble, and once or twice she glanced around with a sunny smile, which, as its sister-smile had faded for ever, soon grew confusedly overshadowed. Perchance her consciousness was truer than her reflection; perchance her dead sister was a closer companion than in life.
The mother and daughter talked a long while with Mr. Wigglesworth about a suitable epitaph, and finally chose an ordinary verse of ill-matched rhymes which had already been inscribed upon innumerable tombstones. But when we ridicule the triteness of monumental verses, we forget that Sorrow reads far deeper in them than we can, and finds a profound and individual purport in what seems so vague and inexpressive unless interpreted by her. She makes the epitaph anew, though the selfsame words may have served for a thousand graves.
“And yet,” said I afterward to Mr. Wigglesworth, “they might have made a better choice than this. While you were discussing the subject I was struck by at least a dozen simple and natural expressions from the lips of both mother and daughter. One of these would have formed an inscription equally original and appropriate.”
“No, no!” replied the sculptor, shaking his head; “there is a good deal of comfort to be gathered from these little old scraps of poetry, and so I always recommend them in preference to any new-fangled ones. And somehow they seem to stretch to suit a great grief and shrink to fit a small one.”
It was not seldom that ludicrous images were excited by what took place between Mr. Wigglesworth and his customers. A shrewd gentlewoman who kept a tavern in the town was anxious to obtain two or three gravestones for the deceased members of her family, and to pay for these solemn commodities by taking the sculptor to board. Hereupon a fantasy arose in my mind of good Mr. Wigglesworth sitting down to dinner at a broad, flat tombstone carving one of his own plump little marble cherubs, gnawing a pair of crossbones and drinking out of a hollow death's-head or perhaps a lachrymatory vase or sepulchral urn, while his hostess's dead children waited on him at the ghastly banquet. On communicating this nonsensical picture to the old man he laughed heartily and pronounced my humor to be of the right sort.
“I have lived at such a table all my days,” said he, “and eaten no small quantity of slate and marble.”
“Hard fare,” rejoined I, smiling, “but you seemed to have found it excellent of digestion, too.”
A man of fifty or thereabouts with a harsh, unpleasant countenance ordered a stone for the grave of his bitter enemy, with whom he had waged warfare half a lifetime, to their mutual misery and ruin. The secret of this phenomenon was that hatred had become the sustenance and enjoyment of the poor wretch's soul; it had supplied the place of all kindly affections; it had been really a bond of sympathy between himself and the man who shared the passion; and when its object died, the unappeasable foe was the only mourner for the dead. He expressed a purpose of being buried side by side with his enemy.
“I doubt whether their dust will mingle,” remarked the old sculptor to me; for often there was an earthliness in his conceptions.
“Oh yes,” replied I, who had mused long upon the incident; “and when they rise again, these bitter foes may find themselves dear friends. Methinks what they mistook for hatred was but love under a mask.”
A gentleman of antiquarian propensities provided a memorial for an Indian of Chabbiquidick — one of the few of untainted blood remaining in that region, and said to be a hereditary chieftain descended from the sachem who welcomed Governor Mayhew to the Vineyard. Mr. Wiggles-worth exerted his best skill to carve a broken bow and scattered sheaf of arrows in memory of the hunters and warriors whose race was ended here, but he likewise sculptured a cherub, to denote that the poor Indian had shared the Christian's hope of immortality.
“Why,” observed I, taking a perverse view of the winged boy and the bow and arrows, “it looks more like Cupid's tomb than an Indian chief's.”
“You talk nonsense,” said the sculptor, with the offended pride of art. He then added with his usual good-nature, “How can Cupid die when there are such pretty maidens in the Vineyard?”
“Very true,” answered I; and for the rest of the day I thought of other matters than tombstones.
At our next meeting I found him chiselling an open book upon a marble headstone, and concluded that it was meant to express the erudition of some black-letter clergyman of the Cotton Mather school. It turned out, however, to be emblematical of the scriptural knowledge of an old woman who had never read anything but her Bible, and the monument was a tribute to her piety and good works from the orthodox church of which she had been a member. In strange contrast with this Christian woman's memorial was that of an infidel whose gravestone, by his own direction, bore an avowal of his belief that the spirit within him would be extinguished like a flame, and that the nothingness whence he sprang would receive him again.
Mr. Wigglesworth consulted me as to the propriety of enabling a dead man's dust to utter this dreadful creed.
“If I thought,” said he, “that a single mortal would read the inscription without a shudder, my chisel should never cut a letter of it. But when the grave speaks such falsehoods, the soul of man will know the truth by its own horror.”
“So it will,” said I, struck by the idea. “The poor infidel may strive to preach blasphemies from his grave, but it will be only another method of impressing the soul with a consciousness of immortality.”
There was an old man by the name of Norton, noted throughout the island for his great wealth, which he had accumulated by the exercise of strong and shrewd faculties combined with a most penurious disposition. This wretched miser, conscious that he had not a friend to be mindful of him in his grave, had himself taken the needful precautions for posthumous remembrance by bespeaking an immense slab of white marble with a long epitaph in raised letters, the whole to be as magnificent as Mr. Wigglesworth's skill could make it. There was something very characteristic in this contrivance to have his money's worth even from his own tombstone, which, indeed, afforded him more enjoyment in the few months that he lived thereafter than it probably will in a whole century, now that it is laid over his bones.
This incident reminds me of a young girl — a pale, slender, feeble creature most unlike the other rosy and healthful damsels of the Vineyard, amid whose brightness she was fading away. Day after day did the poor maiden come to the sculptor's shop and pass from one piece of marble to another, till at last she pencilled her name upon a slender slab which, I think, was of a more spotless white than all the rest. I saw her no more, but soon afterward found Mr. Wigglesworth cutting her virgin-name into the stone which she had chosen.
“She is dead, poor girl!” said he, interrupting the tune which he was whistling, “and she chose a good piece of stuff for her headstone. Now, which of these slabs would you like best to see your own name upon?”
“Why, to tell you the truth, my good Mr. Wigglesworth,” replied I, after a moment's pause, for the abruptness of the question had somewhat startled me — ”to be quite sincere with you, I care little or nothing about a stone for my own
grave, and am somewhat inclined to scepticism as to the propriety of erecting monuments at all over the dust that once was human. The weight of these heavy marbles, though unfelt by the dead corpse or the enfranchised soul, presses drearily upon the spirit of the survivor and causes him to connect the idea of death with the dungeon-like imprisonment of the tomb, instead of with the freedom of the skies. Every gravestone that you ever made is the visible symbol of a mistaken system. Our thoughts should soar upward with the butterfly, not linger with the exuviæ that confined him. In truth and reason, neither those whom we call the living, and still less the departed, have anything to do with the grave.”
“I never heard anything so heathenish,” said Mr. Wigglesworth, perplexed and displeased at sentiments which controverted all his notions and feelings and implied the utter waste, and worse, of his whole life's labor. “Would you forget your dead friends the moment they are under the sod?”
“They are not under the sod,” I rejoined; “then why should I mark the spot where there is no treasure hidden? Forget them? No; but, to remember them aright, I would forget what they have cast off. And to gain the truer conception of death I would forget the grave.”
But still the good old sculptor murmured, and stumbled, as it were, over the gravestones amid which he had walked through life. Whether he were right or wrong, I had grown the wiser from our companionship and from my observations of nature and character as displayed by those who came, with their old griefs or their new ones, to get them recorded upon his slabs of marble. And yet with my gain of wisdom I had likewise gained perplexity; for there was a strange doubt in my mind whether the dark shadowing of this life, the sorrows and regrets, have not as much real comfort in them — leaving religious influences out of the question — as what we term life's joys.
THE SHAKER BRIDAL.
One day, in the sick-chamber of Father Ephraim, who had been forty years the presiding elder over the Shaker settlement at Goshen, there was an assemblage of several of the chief men of the sect. Individuals had come from the rich establishment at Lebanon, from Canterbury, Harvard and Alfred, and from all the other localities where this strange people have fertilized the rugged hills of New England by their systematic industry. An elder was likewise there who had made a pilgrimage of a thousand miles from a village of the faithful in Kentucky to visit his spiritual kindred the children of the sainted Mother Ann. He had partaken of the homely abundance of their tables, had quaffed the far-famed Shaker cider, and had joined in the sacred dance every step of which is believed to alienate the enthusiast from earth and bear him onward to heavenly purity and bliss. His brethren of the North had now courteously invited him to be present on an occasion when the concurrence of every eminent member of their community was peculiarly desirable.
The venerable Father Ephraim sat in his easy-chair, not only hoary-headed and infirm with age, but worn down by a lingering disease which it was evident would very soon transfer his patriarchal staff to other hands. At his footstool stood a man and woman, both clad in the Shaker garb.
“My brethren,” said Father Ephraim to the surrounding elders, feebly exerting himself to utter these few words, “here are the son and daughter to whom I would commit the trust of which Providence is about to lighten my weary shoulders. Read their faces, I pray you, and say whether the inward movement of the spirit hath guided my choice aright.”
Accordingly, each elder looked at the two candidates with a most scrutinizing gaze. The man — whose name was Adam Colburn — had a face sunburnt with labor in the fields, yet intelligent, thoughtful and traced with cares enough for a whole lifetime, though he had barely reached middle age. There was something severe in his aspect and a rigidity throughout his person — characteristics that caused him generally to be taken for a schoolmaster; which vocation, in fact, he had formerly exercised for several years. The woman, Martha Pierson, was somewhat above thirty, thin and pale, as a Shaker sister almost invariably is, and not entirely free from that corpse-like appearance which the garb of the sisterhood is so well calculated to impart.
“This pair are still in the summer of their years,” observed the elder from Harvard, a shrewd old man. “I would like better to see the hoar-frost of autumn on their heads. Methinks, also, they will be exposed to peculiar temptations on account of the carnal desires which have heretofore subsisted between them.”
“Nay, brother,” said the elder from Canterbury; “the hoar-frost and the black frost hath done its work on Brother Adam and Sister Martha, even as we sometimes discern its traces in our cornfields while they are yet green. And why should we question the wisdom of our venerable Father's purpose, although this pair in their early youth have loved one another as the world's people love? Are there not many brethren and sisters among us who have lived long together in wedlock, yet, adopting our faith, find their hearts purified from all but spiritual affection?”
Whether or no the early loves of Adam and Martha had rendered it inexpedient that they should now preside together over a Shaker village, it was certainly most singular that such should be the final result of many warm and tender hopes. Children of neighboring families, their affection was older even than their school-days; it seemed an innate principle interfused among all their sentiments and feelings, and not so much a distinct remembrance as connected with their whole volume of remembrances. But just as they reached a proper age for their union misfortunes had fallen heavily on both and made it necessary that they should resort to personal labor for a bare subsistence. Even under these circumstances Martha Pierson would probably have consented to unite her fate with Adam Colburn's, and, secure of the bliss of mutual love, would patiently have awaited the less important gifts of Fortune. But Adam, being of a calm and cautious character, was loth to relinquish the advantages which a single man possesses for raising himself in the world. Year after year, therefore, their marriage had been deferred.
Adam Colburn had followed many vocations, had travelled far and seen much of the world and of life. Martha had earned her bread sometimes as a sempstress, sometimes as help to a farmer's wife, sometimes as schoolmistress of the village children, sometimes as a nurse or watcher of the sick, thus acquiring a varied experience the ultimate use of which she little anticipated. But nothing had gone prosperously with either of the lovers; at no subsequent moment would matrimony have been so prudent a measure as when they had first parted, in the opening bloom of life, to seek a better fortune. Still, they had held fast their mutual faith. Martha might have been the wife of a man who sat among the senators of his native State, and Adam could have won the hand, as he had unintentionally won the heart, of a rich and comely widow. But neither of them desired good-fortune save to share it with the other.
At length that calm despair which occurs only in a strong and somewhat stubborn character and yields to no second spring of hope settled down on the spirit of Adam Colburn. He sought an interview with Martha and proposed that they should join the Society of Shakers. The converts of this sect are oftener driven within its hospitable gates by worldly misfortune than drawn thither by fanaticism, and are received without inquisition as to their motives. Martha, faithful still, had placed her hand in that of her lover and accompanied him to the Shaker village. Here the natural capacity of each, cultivated and strengthened by the difficulties of their previous lives, had soon gained them an important rank in the society, whose members are generally below the ordinary standard of intelligence. Their faith and feelings had in some degree become assimilated to those of their fellow-worshippers. Adam Colburn gradually acquired reputation not only in the management of the temporal affairs of the society, but as a clear and efficient preacher of their doctrines. Martha was not less distinguished in the duties proper to her sex. Finally, when the infirmities of Father Ephraim had admonished him to seek a successor in his patriarchal office, he thought of Adam and Martha, and proposed to renew in their persons the primitive form of Shaker government as established by Mother Ann. They were to be the father and mot
her of the village. The simple ceremony which would constitute them such was now to be performed.
“Son Adam and daughter Martha,” said the venerable Father Ephraim, fixing his aged eyes piercingly upon them, “if ye can conscientiously undertake this charge, speak, that the brethren may not doubt of your fitness.”
“Father,” replied Adam, speaking with the calmness of his character, “I came to your village a disappointed man, weary of the world, worn out with continual trouble, seeking only a security against evil fortune, as I had no hope of good. Even my wishes of worldly success were almost dead within me. I came hither as a man might come to a tomb willing to lie down in its gloom and coldness for the sake of its peace and quiet. There was but one earthly affection in my breast, and it had grown calmer since my youth; so that I was satisfied to bring Martha to be my sister in our new abode. We are brother and sister, nor would I have it otherwise. And in this peaceful village I have found all that I hope for — all that I desire. I will strive with my best strength for the spiritual and temporal good of our community. My conscience is not doubtful in this matter. I am ready to receive the trust.”
“Thou hast spoken well, son Adam,” said the father. “God will bless thee in the office which I am about to resign.”
“But our sister,” observed the elder from Harvard. “Hath she not likewise a gift to declare her sentiments?”
Martha started and moved her lips as if she would have made a formal reply to this appeal. But, had she attempted it, perhaps the old recollections, the long-repressed feelings of childhood, youth and womanhood, might have gushed from her heart in words that it would have been profanation to utter there.
“Adam has spoken,” said she, hurriedly; “his sentiments are likewise mine.”
But while speaking these few words Martha grew so pale that she looked fitter to be laid in her coffin than to stand in the presence of Father Ephraim and the elders; she shuddered, also, as if there were something awful or horrible in her situation and destiny. It required, indeed, a more than feminine strength of nerve to sustain the fixed observance of men so exalted and famous throughout the Beet as these were. They had overcome their natural sympathy with human frailties and affections. One, when he joined the society, had brought with him his wife and children, but never from that hour had spoken a fond word to the former or taken his best-loved child upon his knee. Another, whose family refused to follow him, had been enabled — such was his gift of holy fortitude — to leave them to the mercy of the world. The youngest of the elders, a man of about fifty, had been bred from infancy in a Shaker village, and was said never to have clasped a woman's hand in his own, and to have no conception of a closer tie than the cold fraternal one of the sect. Old Father Ephraim was the most awful character of all. In his youth he had been a dissolute libertine, but was converted by Mother Ann herself, and had partaken of the wild fanaticism of the early Shakers. Tradition whispered at the firesides of the village that Mother Ann had been compelled to sear his heart of flesh with a red-hot iron before it could be purified from earthly passions.
Delphi Complete Works of Nathaniel Hawthorne (Illustrated) Page 233