The peculiarity of this house is what is called “The Bloody Footstep.” In the time of Bloody Mary, a Protestant clergyman — George Marsh by name — was examined before the then proprietor of the Hall, Sir Roger Barton, I think, and committed to prison for his heretical opinions, and was ultimately burned at the stake. As his guards were conducting him from the justice-room, through the stone-paved passage that leads from front to rear of Smithell's Hall, he stamped his foot upon one of the flagstones in earnest protestation against the wrong which he was undergoing. The foot, as some say, left a bloody mark in the stone; others have it, that the stone yielded like wax under his foot, and that there has been a shallow cavity ever since. This miraculous footprint is still extant; and Mrs. — — — showed it to me before her husband took me round the estate. It is almost at the threshold of the door opening from the rear of the house, a stone two or three feet square, set among similar ones, that seem to have been worn by the tread of many generations. The footprint is a dark brown stain in the smooth gray surface of the flagstone; and, looking sidelong at it, there is a shallow cavity perceptible, which Mrs. — — — accounted for as having been worn by people setting their feet just on this place, so as to tread the very spot, where the martyr wrought the miracle. The mark is longer than any mortal foot, as if caused by sliding along the stone, rather than sinking into it; and it might be supposed to have been made by a pointed shoe, being blunt at the heel, and decreasing towards the toe. The blood-stained version of the story is more consistent with the appearance of the mark than the imprint would be; for if the martyr's blood oozed out through his shoe and stocking, it might have made his foot slide along the stone, and thus have lengthened the shape. Of course it is all a humbug, — a darker vein cropping up through the gray flagstone; but, it is probably a fact, and, for aught I know, may be found in Fox's Book of Martyrs, that George Marsh underwent an examination in this house [There is a full and pathetic account of the examination and martyrdom of George Marsh in the eleventh section of Fox's Book of Martyrs, as I have just found (June 9, 1867). He went to Smithell's hall, among other places, to be questioned by Mr. Barton. — ED.]; and the tradition may have connected itself with the stone within a short time after the martyrdom; or, perhaps, when the old persecuting knight departed this life, and Bloody Mary was also dead, people who had stood at a little distance from the Hall door, and had seen George Marsh lift his hand and stamp his foot just at this spot, — perhaps they remembered this action and gesture, and really believed that Providence had thus made an indelible record of it on the stone; although the very stone and the very mark might have lain there at the threshold hundreds of years before. But, even if it had been always there, the footprint might, after the fact, be looked upon as a prophecy, from the time when the foundation of the old house was laid, that a holy and persecuted man should one day set his foot here, on the way that was to lead him to the stake. At any rate, the legend is a good one.
Mrs. — — — tells me that the miraculous stone was once taken up from the pavement, and flung out of doors, where it remained many years; and in proof of this, it is cracked quite across at one end. This is a pity, and rather interferes with the authenticity, if not of the stone itself, yet of its position in the pavement. It is not far from the foot of the staircase, leading up to Sir Roger Barton's examination-room, whither we ascended, after examining the footprint. This room now opens sideways on the Chapel, into which it looks down, and which is spacious enough to accommodate a pretty large congregation. On one of the walls of the Chapel there is a marble tablet to the memory of one of the present family, — Mr. — — — 's father, I suppose; he being the first of the name who possessed the estate. The present owners, however, seem to feel pretty much the same pride in the antiquity and legends of the house as if it had come down to them in an unbroken succession of their own forefathers. It has, in reality, passed several times from one family to another, since the Conquest.
Mr. — — — led me through a spacious old room, which was formerly panelled with carved oak, but which is converted into a brew-house, up a pair of stairs, into the garret of one of the gables, in order to show me the ancient framework of the house. It is of oak, and preposterously ponderous, — immense beams and rafters, which no modern walls could support, — a gigantic old skeleton, which architects say must have stood a thousand years; and, indeed, it is impossible to ascertain the date of the original foundation, though it is known to have been repaired and restored between five and six centuries ago. Of course, in the lapse of ages, it must continually have been undergoing minor changes, but without at all losing its identity. Mr. — — — says that this old oak wood, though it looks as strong and as solid as ever, has really lost its strength, and that it would snap short off, on application of any force.
After this we took our walk through the grounds, which are well wooded, though the trees will bear no comparison with those which I have seen in the midland parts of England. It takes, I suspect, a much longer time for trees to attain a good size here than in America; and these trees, I think Mr. — — — told me, were principally set out by himself. He is upwards of sixty, — a good specimen of the old English country-gentleman, sensible, loving his land and his trees and his dogs and his game, doing a little justice-business, and showing a fitness for his position; so that you feel satisfied to have him keep it. He was formerly a member of Parliament. I had met him before at dinner at Mrs. H — — — 's. . . . He took pleasure in showing me his grounds, through which he has laid out a walk, winding up and down through dells and over hillocks, and now and then crossing a rustic bridge; so that you have an idea of quite an extensive domain.
Beneath the trees there is a thick growth of ferns, serving as cover for the game. A little terrier-dog, who had hitherto kept us company, all at once disappeared; and soon afterwards we heard the squeak of some poor victim in the cover, whereupon Mr. — — — set out with agility, and ran to the rescue. — By and by the terrier came back with a very guilty look. From the wood we passed into the open park, whence we had a distant view of the house; and, returning thither, we viewed it in other aspects, and on all sides. One portion of it is occupied by Mr. — — — 's gardener, and seems not to have been repaired, at least as to its exterior, for a great many years, — showing the old wooden frame, painted black, with plaster in the interstices; and broad windows, extending across the whole breadth of the rooms, with hundreds of little diamond-shaped panes of glass. Before dinner I was shown to my room, which opens from an ancient gallery, lined with oak, and lighted by a row of windows along one side of the quadrangle. Along this gallery are the doors of several sleeping-chambers, one of which — I think it is here — is called “The Dead Man's Chamber.” It is supposed to have been the room where the corpses of persons connected with the household used to be laid out. My own room was called “The Beam Chamber,” from am immense cross-beam that projects from the ceiling, and seems to be an entire tree, laid across, and left rough-hewn, though at present it is whitewashed. The but of the tree (for it diminishes from one end of the chamber to the other) is nearly two feet square, in its visible part.
We dined, at seven o'clock, in a room some thirty-five or forty feet long, and proportionably broad, all panelled with the old carved oak which Mr. — — — took from the room which he had converted into a brew-house. The oak is now of a very dark brown hue, and, being highly polished, it produces a sombre but rich effect. It is supposed to be of the era of Henry the Seventh, and when I examined it the next morning, I found it very delicately and curiously wrought. There are carved profiles of persons in the costume of the times, done with great skill; also foliage, intricate puzzles of intersecting lines, sacred devices, anagrams, and, among others, the device of a bar across a tun, indicating the name of Barton. Most of the carving, however, is less elaborate and intricate than these specimens, being in a perpendicular style, and on one pattern. Before the wood grew so very dark, the beauty of the work must have been mu
ch more easily seen than now, as to particulars, though I hardly think that the general effect could have been better; at least, the sombre richness that overspreads the entire square of the room is suitable to such an antique house. An elaborate Gothic cornice runs round the whole apartment. The sideboard and other furniture are of Gothic patterns, and, very likely, of genuine antiquity; but the fireplace is perhaps rather out of keeping, being of white marble with the arms of this family sculptured on it.
Though hardly sunset when we sat down to dinner, yet, it being an overcast day, and the oaken room so sombre, we had candles burning on the table; and, long before dinner was over, the candle-light was all the light we had. It is always pleasanter to dine by artificial light. Mrs. — — — 's dinner was a good one, and Mr. — — — 's wines were very good. I had Mrs. — — — on one side, and another lady on the other side. . . .
After dinner there were two card-parties formed in the dining-room, at one of which there was a game of Vingt-et-un, and at the other a game of whist, at which Mrs. — — — and I lost several shillings to a Mrs. Halton and Mr. Gaskell. . . . After finishing our games at cards, Mrs. Halton drove off in a pony-chaise to her own house; the other ladies retired, and the gentlemen sat down to chat awhile over the hall fire, occasionally sipping a glass of wine-and-water, and finally we all went off to our rooms. It was past twelve o'clock when I composed myself to sleep, and I could not have slept long, when a tremendous clap of thunder woke me just in time to see a vivid flash of lightning. I saw no ghosts, though Mrs. — — — tells me there is one, which makes a disturbance, unless religious services are regularly kept up in the Chapel.
In the morning, before breakfast, we had prayers, read by Mr. — — — , in the oak dining-room, all the servants coming in, and everybody kneeling down. I should like to know how much true religious feeling is indicated by this regular observance of religious rites in English families. In America, if people kneel down to pray, it is pretty certain that they feel a genuine interest in the matter, and their daily life is supposed to be in accordance with their devotions. If an American is an infidel, he knows it; but an Englishman is often so without suspecting it, — being kept from that knowledge by this formality of family prayer, and his other regularities of external worship. . . .
There was a parrot in a corner of the dining-room, and, when prayers were over, Mrs. — — — praised it very highly for having been so silent; it being Poll's habit, probably, to break in upon the sacred exercises with unseemly interjections and remarks. While we were at breakfast, Poll began to whistle and talk very vociferously, and in a tone and with expressions that surprised me, till I learned that the bird is usually kept in the kitchen and servants' hall, and is only brought into the dining-room at prayer-time and breakfast. Thus its mouth is full of kitchen talk, which flows out before the gentlefolks with the queerest effect.
After breakfast I examined the carvings of the room. Mr. — — — has added to its decorations the coats of arms of all the successive possessors of the house, with those of the families into which they married, including the Ratcliffes, Stanleys, and others. From the dining-room I passed into the library, which contains books enough to make a rainy day pass pleasantly. I remember nothing else that I need to record; and as I sat by the hall fire, talking with Mr. Gaskell, at about eleven o'clock, the butler brought me word that a fly, which I had bespoken, was ready to convey me to the railway. I took leave of Mrs. — — — , her last request being that I would write a ghost-story for her house, — and drove off.
SHREWSBURY
September 5th. — Yesterday we all of us set forth from Rock Ferry at half past twelve, and reached Shrewsbury between three and four o'clock, and took up our quarters at the Lion Hotel. We found Shrewsbury situated on an eminence, around which the Severn winds, making a peninsula of it, quite densely covered by the town. The streets ascend, and curve about, and intersect each other with the customary irregularity of these old English towns, so that it is quite impossible to go directly to any given point, or for a stranger to find his way to a place which he wishes to reach, though, by what seems a singular good fortune, the sought-for place is always offering itself when least expected. On this account I never knew such pleasant walking as in old streets like those of Shrewsbury. And there are passages opening under archways, and winding up between high edifices, very tempting to the explorer, and generally leading to some court, or some queer old range of buildings or piece of architecture, which it would be the greatest pity to miss seeing. There was a delightful want of plan in the laying out of these ancient towns. In fact, they never were laid out at all, nor were restrained by any plan whatever, but grew naturally, with streets as eccentric as the pathway of a young child toddling about the floor.
The first curious thing we particularly noticed, when we strolled out after dinner, was the old market-house, which stands in the midst of an oblong square; a gray edifice, elevated on pillars and arches, and with the statue of an armed knight, Richard Plantagenet, Duke of York, in a central niche, in its front. The statue is older than the market-house, having been moved thither from one of the demolished towers of the city wall in 1795. The market-house was erected in 1595. There are other curious sculptures and carvings and quirks of architecture about this building; and the houses that stand about the square are, many of them, very striking specimens of what dwelling-houses used to be in Elizabeth's time, and earlier. I have seen no such stately houses, in that style, as we found here in Shrewsbury. There were no such fine ones in Coventry, Stratford, Warwick, Chester, nor anywhere else where we have been. Their stately height and spaciousness seem to have been owing to the fact that Shrewsbury was a sort of metropolis of the country round about, and therefore the neighboring gentry had their town-houses there, when London was several days' journey off, instead of a very few hours; and, besides, it was once much the resort of kings, and the centre-point of great schemes of war and policy. One such house, formerly belonging to a now extinct family, that of Ireland, rises to the height of four stories, and has a front consisting of what look like four projecting towers. There are ranges of embowered windows, one above another, to the full height of the house, and these are surmounted by peaked gables. The people of those times certainly did not deny themselves light; and while window-glass was an article of no very remote introduction, it was probably a point of magnificence and wealthy display to have enough of it. One whole side of the room must often have been formed by the window. This Ireland mansion, as well as all the rest of the old houses in Shrewsbury, is a timber house, — that is, a skeleton of oak, filled up with brick, plaster, or other material, and with the beams of the timber marked out with black paint; besides which, in houses of any pretension, there are generally trefoils, and other Gothic-looking ornaments, likewise painted black. They have an indescribable charm for me, — the more, I think, because they are wooden; but, indeed, I cannot tell why it is that I like them so well, and am never tired of looking at them. A street was a development of human life, in the days when these houses were built, whereas a modern street is but the cold plan of an architect, without individuality or character, and without the human emotion which a man kneads into the walls which he builds on a scheme of his own.
We strolled to a pleasant walk under a range of trees, along the shore of the Severn. It is called the Quarry Walk. The Severn is a pretty river, the largest, I think (unless it be such an estuary as the Mersey), that I have met with in England; that is to say, about a fair stone's-throw across. It is very gentle in its course, and winds along between grassy and sedgy banks, with a good growth of weeds in some part of its current. It has one stately bridge, called the English Bridge, of several arches, and, as we sauntered along the Quarry Walk, we saw a ferry where the boat seemed to be navigated across by means of a rope, stretched from bank to bank of the river. After leaving the Quarry Walk, we passed an old tower of red freestone, the only one remaining of those formerly standing at intervals along the whole course
of the town wall; and we also went along what little is now left of the wall itself. And thence, through the irregular streets, which gave no account of themselves, we found our way, I know not how, back to our hotel. It is an uncheerful old hotel, which takes upon itself to be in the best class of English country hotels, and charges the best price; very dark in the lower apartments, pervaded with a musty odor, but provided with a white-neckclothed waiter, who spares no ceremony in serving the joints of mutton.
J — — - and I afterwards walked forth again, and went this time to the castle, which stands exactly above the railway station. A path, from its breadth quite a street, leads up to the arched gateway; but we found a board, giving notice that these are private grounds, and no strangers admitted; so that we only passed through the gate a few steps, and looked about us, and retired, on perceiving a man approaching us through the trees and shrubbery. A private individual, it seems, has burrowed in this old warlike den, and turned the keep, and any other available apartment, into a modern dwelling, and laid out his pleasure-grounds within the precincts of the castle wall, which allows verge enough for the purpose. The ruins have been considerably repaired. This castle was built at various times, the keep by Edward I., and other portions at an earlier period, and it stands on the isthmus left by the Severn in its wandering course about the town. The Duke of Cleveland now owns it. I do not know who occupies it.
In the course of this walk, we passed St. Mary's Church, — a very old church indeed, no matter how old, but say, eight hundred or a thousand years. It has a very tall spire, and the spire is now undergoing repairs; and, seeing the door open, I went into the porch, but found no admission further. Then, walking around it, through the churchyard, we saw that all the venerable Gothic windows — one of them grand in size — were set with stained glass, representing coats of arms and ancient armor, and kingly robes, and saints with glories about their heads, and Scriptural people; but all of these, as far as our actual perception was concerned, quite colorless, and with only a cold outline, dimly filled up. Yet, had we been within the church, and had the sunlight been streaming through, what a warm, rich, gorgeous, roseate, golden life would these figures have showed!
Delphi Complete Works of Nathaniel Hawthorne (Illustrated) Page 481