Delphi Complete Works of Nathaniel Hawthorne (Illustrated)

by Hawthorne, Nathaniel

  November 16th. — Mr. Silsbee called yesterday, and talked about matters of art, in which he is deeply interested, and which he has had good opportunities of becoming acquainted with, during three years' travel on the Continent. He is a man of great intelligence and true feeling, and absolutely brims over with ideas, — his conversation flowing in a constant stream, which it appears to be no trouble whatever to him to keep up. . . . He took his leave after a long call, and left with us a manuscript, describing a visit to Berlin, which I read to my wife in the evening. It was well worth reading. He made an engagement to go with us to the Crystal Palace, and came rather for that purpose this morning.

  We drove to the London Bridge station, where we bought return tickets that entitled us to admission to the Palace, as well as conveyance thither, for half a crown apiece. On our arrival we entered by the garden front, thus gaining a fine view of the ornamental grounds, with their fountains and stately pathways, bordered with statues; and of the edifice itself, so vast and fairy-like, looking as if it were a bubble, and might vanish at a touch. There is as little beauty in the architecture of the Crystal Palace, however, as was possible to be with such gigantic use of such a material. No doubt, an architectural order of which we have as yet little or no idea is to be developed from the use of glass as a building-material, instead of brick and stone. It will have its own rules and its own results; but, meanwhile, even the present Palace is positively a very beautiful object. On entering we found the atmosphere chill and comfortless, — more so, it seemed to me, than the open air itself. It was not a genial day; though now and then the sun gleamed out, and once caused fine effects in the glasswork of a crystal fountain in one of the courts.

  We were under Mr. Silshee's guidance for the day, . . . . and first we looked at the sculpture, which is composed chiefly of casts or copies of the most famous statues of all ages, and likewise of those crumbs and little fragments which have fallen from Time's jaw, — and half-picked bones, as it were, that have been gathered up from spots where he has feasted full, — torsos, heads and broken limbs, some of them half worn away, as if they had been rolled over and over in the sea. I saw nothing in the sculptural way, either modern or antique, that impressed me so much as a statue of a nude mother by a French artist. In a sitting posture, with one knee over the other, she was clasping her highest knee with both hands; and in the hollow cradle thus formed by her arms lay two sweet little babies, as snug and close to her heart as if they had not yet been born, — two little love-blossoms, — and the mother encircling them and pervading them with love. But an infinite pathos and strange terror are given to this beautiful group by some faint bas-reliefs on the pedestal, indicating that the happy mother is Eve, and Cain and Abel the two innocent babes.

  Then we went to the Alhambra, which looks like an enchanted palace. If it had been a sunny day, I should have enjoyed it more; but it was miserable to shiver and shake in the Court of the Lions, and in those chambers which were contrived as places of refuge from a fervid temperature. Furthermore, it is not quite agreeable to see such clever specimens of stage decoration; they are so very good that it gets to be past a joke, without becoming actual earnest. I had not a similar feeling in respect to the reproduction of mediaeval statues, arches, doorways, all brilliantly colored as in the days of their first glory; yet I do not know but that the first is as little objectionable as the last. Certainly, in both cases, scenes and objects of a past age are here more vividly presented to the dullest mind than without such material facilities they could possibly be brought before the most powerful imagination. Truly, the Crystal Palace, in all its departments, offers wonderful means of education. I marvel what will come of it. Among the things that I admired most was Benvenuto Cellini's statue of Perseus holding the head of Medusa, and standing over her headless and still writhing body, out of which, at the severed neck, gushed a vast exuberance of snakes. Likewise, a sitting statue, by Michel Angelo, of one of the Medici, full of dignity and grace and reposeful might. Also the bronze gate of a baptistery in Florence, carved all over with relieves of Scripture subjects, executed in the most lifelike and expressive manner. The cast itself was a miracle of art. I should have taken it for the genuine original bronze.

  We then wandered into the House of Diomed, which seemed to me a dismal abode, affording no possibility of comfort. We sat down in one of the rooms, on an iron bench, very cold.

  It being by this time two o'clock, we went to the Refreshment-room and lunched; and before we had finished our repast, my wife discovered that she had lost her sable tippet, which she had been carrying on her arm. Mr. Silsbee most kindly and obligingly immediately went in quest of it, . . . . but to no purpose. . . .

  Upon entering the Tropical Saloon, we found a most welcome and delightful change of temperature among those gigantic leaves of banyan-trees, and the broad expanse of water-plants, floating on lakes, and spacious aviaries, where birds of brilliant plumage sported and sang amid such foliage as they knew at home. Howbeit, the atmosphere was a little faint and sickish, perhaps owing to the odor of the half-tepid water. The most remarkable object here was the trunk of a tree, huge beyond imagination, — a pine-tree from California. It was only the stripped-off bark, however, which had been conveyed hither in segments, and put together again beyond the height of the palace roof; and the hollow interior circle of the tree was large enough to contain fifty people, I should think. We entered and sat down in all the remoteness from one another that is attainable in a good-sized drawing-room. We then ascended the gallery to get a view of this vast tree from a more elevated position, and found it looked even bigger from above. Then we loitered slowly along the gallery as far as it extended, and afterwards descended into the nave; for it was getting dusk, and a horn had sounded, and a bell rung a warning to such as delayed in the remote regions of the building. Mr. Silsbee again most kindly went in quest of the sables, but still without success. . . . I have not much enjoyed the Crystal Palace, but think it a great and admirable achievement.

  November 19th. — On Tuesday evening Mr. Silsbee came to read some letters which he has written to his friends, chiefly giving his observations on Art, together with descriptions of Venice and other cities on the Continent. They were very good, and indicate much sensibility and talent. After the reading we had a little oyster-supper and wine.

  I had written a note to — — — , and received an answer, indicating that he was much weighed down by his financial misfortune. . . . However, he desired me to come and see him; so yesterday morning I wended my way down into the city, and after various reluctant circumlocutions arrived at his house. The interior looked confused and dismal.

  It seems to me nobody else runs such risks as a man of business, because he risks everything. Every other man, into whatever depth of poverty he may sink, has still something left, be he author, scholar, handicraftman, or what not; the merchant has nothing.

  We parted with a long and strong grasp of the hand, and — — — promised to come and see us soon. . . .

  On my way home I called at Truebner's in Pater Noster Row. . . . I waited a few minutes, he being busy with a tall, muscular, English-built man, who, after he had taken leave, Truebner told me was Charles Reade. I once met him at an evening party, but should have been glad to meet him again, now that I appreciate him so much better after reading Never too Late to Mend.

  December 6th. — All these days, since my last date, have been marked by nothing very well worthy of detail and description. I have walked the streets a great deal in the dull November days, and always take a certain pleasure in being in the midst of human life, — as closely encompassed by it as it is possible to be anywhere in this world; and in that way of viewing it there is a dull and sombre enjoyment always to be had in Holborn, Fleet Street, Cheapside, and the other busiest parts of London. It is human life; it is this material world; it is a grim and heavy reality. I have never had the same sense of being surrounded by materialisms and hemmed in with the grossness of this earthly exi
stence anywhere else; these broad, crowded streets are so evidently the veins and arteries of an enormous city. London is evidenced in every one of them, just as a megatherium is in each of its separate bones, even if they be small ones. Thus I never fail of a sort of self-congratulation in finding myself, for instance, passing along Ludgate Hill; but, in spite of this, it is really an ungladdened life to wander through these huge, thronged ways, over a pavement foul with mud, ground into it by a million of footsteps; jostling against people who do not seem to be individuals, but all one mass, so homogeneous is the street-walking aspect of them; the roar of vehicles pervading me, — wearisome cabs and omnibuses; everywhere the dingy brick edifices heaving themselves up, and shutting out all but a strip of sullen cloud, that serves London for a sky, — in short, a general impression of grime and sordidness; and at this season always a fog scattered along the vista of streets, sometimes so densely as almost to spiritualize the materialism and make the scene resemble the other world of worldly people, gross even in ghostliness. It is strange how little splendor and brilliancy one sees in London, — in the city almost none, though some in the shops of Regent Street. My wife has had a season of indisposition within the last few weeks, so that my rambles have generally been solitary, or with J — — - only for a companion. I think my only excursion with my wife was a week ago, when we went to Lincoln's Inn Fields, which truly are almost fields right in the heart of London, and as retired and secluded as if the surrounding city were a forest, and its heavy roar were the wind among the branches. We gained admission into the noble Hall, which is modern, but built in antique style, and stately and beautiful exceedingly. I have forgotten all but the general effect, with its lofty oaken roof, its panelled walls, with the windows high above, and the great arched window at one end full of painted coats of arms, which the light glorifies in passing through them, as if each were the escutcheon of some illustrious personage. Thence we went to the chapel of Lincoln's Inn, where, on entering, we found a class of young choristers receiving instruction from their music-master, while the organ accompanied their strains. These young, clear, fresh, elastic voices are wonderfully beautiful; they are like those of women, yet have something more birdlike and aspiring, more like what one conceives of the singing of angels. As for the singing of saints and blessed spirits that have once been human, it never can resemble that of these young voices; for no duration of heavenly enjoyments will ever quite take the mortal sadness out of it.

  In this chapel we saw some painted windows of the time of James I., a period much subsequent, to the age when painted glass was in its glory; but the pictures of Scriptural people in these windows were certainly very fine, — the figures being as large as life, and the faces having much expression. The sunshine came in through some of them, and produced a beautiful effect, almost as if the painted forms were the glorified spirits of those holy personages.

  After leaving Lincoln's Inn, we looked at Gray's Inn, which is a great, quiet domain, quadrangle beyond quadrangle, close beside Holborn, and a large space of greensward enclosed within it. It is very strange to find so much of ancient quietude right in the monster city's very jaws, which yet the monster shall not eat up, — right in its very belly, indeed, which yet, in all these ages, it shall not digest and convert into the same substance as the rest of its bustling streets. Nothing else in London is so like the effect of a spell, as to pass under one of these archways, and find yourself transported from the jumble, mob, tumult, uproar, as of an age of week-days condensed into the present hour, into what seems an eternal sabbath. Thence we went into Staple Inn, I think it was, — which has a front upon Holborn of four or five ancient gables in a row, and a low arch under the impending story, admitting you into a paved quadrangle, beyond which you have the vista of another. I do not understand that the residences and chambers in these Inns of Court are now exclusively let to lawyers; though such inhabitants certainly seem to preponderate there.

  Since then J — — - and I walked down into the Strand, and found ourselves unexpectedly mixed up with a crowd that grew denser as we approached Charing Cross, and became absolutely impermeable when we attempted to make our way to Whitehall. The wicket in the gate of Northumberland House, by the by, was open, and gave me a glimpse of the front of the edifice within, — a very partial glimpse, however, and that obstructed by the solid person of a footman, who, with some women, were passing out from within. The crowd was a real English crowd, perfectly undemonstrative, and entirely decorous, being composed mostly of well-dressed people, and largely of women. The cause of the assemblage was the opening of Parliament by the Queen, but we were too late for any chance of seeing her Majesty. However, we extricated ourselves from the multitude, and, going along Pall Mall, got into the Park by the steps at the foot of the Duke of York's Column, and thence went to the Whitehall Gateway, outside of which we found the Horse Guards drawn up, — a regiment of black horses and burnished cuirasses. On our way thither an open carriage came through the gateway into the Park, conveying two ladies in court dresses; and another splendid chariot pressed out through the gateway, — the coachman in a cocked hat and scarlet and gold embroidery, and two other scarlet and gold figures hanging behind. It was one of the Queen's carriages, but seemed to have nobody in it. I have forgotten to mention what, I think, produced more effect on me than anything else, namely, the clash of the bells from the steeple of St. Martin's Church and those of St. Margaret. Really, London seemed to cry out through them, and bid welcome to the Queen.

  December 7th. — This being a muddy and dismal day, I went only to the

  BRITISH MUSEUM,

  which is but a short walk down the street (Great Russell Street). I have now visited it often enough to be on more familiar terms with it than at first, and therefore do not feel myself so weighed down by the many things to be seen. I have ceased to expect or hope or wish to devour and digest the whole enormous collection; so I content myself with individual things, and succeed in getting now and then a little honey from them. Unless I were studying some particular branch of history or science or art, this is the best that can be done with the British Museum.

  I went first to-day into the Townley Gallery, and so along through all the ancient sculpture, and was glad to find myself able to sympathize more than heretofore with the forms of grace and beauty which are preserved there, — poor, maimed immortalities as they are, — headless and legless trunks, godlike cripples, faces beautiful and broken-nosed, — heroic shapes which have stood so long, or lain prostrate so long, in the open air, that even the atmosphere of Greece has almost dissolved the external layer of the marble; and yet, however much they may be worn away, or battered and shattered, the grace and nobility seem as deep in them as the very heart of the stone. It cannot be destroyed, except by grinding them to powder. In short, I do really believe that there was an excellence in ancient sculpture, which has yet a potency to educate and refine the minds of those who look at it even so carelessly and casually as I do. As regards the frieze of the Parthenon, I must remark that the horses represented on it, though they show great spirit and lifelikeness, are rather of the pony species than what would be considered fine horses now. Doubtless, modern breeding has wrought a difference in the animal. Flaxman, in his outlines, seems to have imitated these classic steeds of the Parthenon, and thus has produced horses that always appeared to me affected and diminutively monstrous.

  From the classic sculpture, I passed through an Assyrian room, where the walls are lined with great slabs of marble sculptured in bas-relief with scenes in the life of Senmacherib, I believe; very ugly, to be sure, yet artistically done in their own style, and in wonderfully good preservation. Indeed, if the chisel had cut its last stroke in them yesterday, the work could not be more sharp and distinct. In glass cases, in this room, are little relics and scraps of utensils, and a great deal of fragmentary rubbish, dug up by Layard in his researches, — things that it is hard to call anything but trash, but which yet may be of great significance as indicat
ing the modes of life of a long-past race. I remember nothing particularly just now, except some pieces of broken glass, iridescent with certainly the most beautiful hues in the world, — indescribably beautiful, and unimaginably, unless one can conceive of the colors of the rainbow, and a thousand glorious sunsets, and the autumnal forest-leaves of America, all condensed upon a little fragment of a glass cup, — and that, too, without becoming in the least glaring or flagrant, but mildly glorious, as we may fancy the shifting lines of an angel's wing may be. I think this chaste splendor will glow in my memory for years to come. It is the effect of time, and cannot be imitated by any known process of art. I have seen it in specimens of old Roman glass, which has been famous here in England; but never in anything is there the brilliancy of these Oriental fragments. How strange that decay, in dark places, and underground, and where there are a billion chances to one that nobody will ever see its handiwork, should produce these beautiful effects! The glass seems to become perfectly brittle, so that it would vanish, like a soap-bubble, if touched.

  Ascending the stairs, I went through the halls of fossil remains, — which I care little for, though one of them is a human skeleton in limestone, — and through several rooms of mineralogical specimens, including all the gems in the world, among which is seen, not the Koh-i-noor itself, but a fac-simile of it in crystal. I think the aerolites are as interesting as anything in this department, and one piece of pure iron, laid against the wall of the room, weighs about fourteen hundred pounds. Whence could it have come? If these aerolites are bits of other planets, how happen they to be always iron? But I know no more of this than if I were a philosopher.