The finest thing in The Blithdale Romance is the character of Zenobia, which I have said elsewhere strikes me as the nearest approach that Hawthorne has made to the complete creation of a person. She is more concrete than Hester or Miriam, or Hilda or Phoebe; she is a more definite image, produced by a greater multiplicity of touches. It is idle to inquire too closely whether Hawthorne had Margaret Fuller in his mind in constructing the figure of this brilliant specimen of the strong-minded class and endowing her with the genius of conversation; or, on the assumption that such was the case, to compare the image at all strictly with the model. There is no strictness in the representation by novelists of persons who have struck them in life, and there can in the nature of things be none. From the moment the imagination takes a hand in the game, the inevitable tendency is to divergence, to following what may be called new scents. The original gives hints, but the writer does what he likes with them, and imports new elements into the picture. If there is this amount of reason for referring the wayward heroine of Blithedale to Hawthorne's impression of the most distinguished woman of her day in Boston, that Margaret Fuller was the only literary lady of eminence whom there is any sign of his having known, that she was proud, passionate, and eloquent, that she was much connected with the little world of Transcendentalism out of which the experiment of Brook Farm sprung, and that she had a miserable end and a watery grave — if these are facts to be noted on one side, I say; on the other, the beautiful and sumptuous Zenobia, with her rich and picturesque temperament and physical aspects, offers many points of divergence from the plain and strenuous invalid who represented feminine culture in the suburbs of the New England metropolis. This picturesqueness of Zenobia is very happily indicated and maintained; she is a woman, in all the force of the term, and there is something very vivid and powerful in her large expression of womanly gifts and weaknesses. Hollingsworth is, I think, less successful, though there is much reality in the conception of the type to which he belongs — the strong-willed, narrow-hearted apostle of a special form of redemption for society. There is nothing better in all Hawthorne than the scene between him and Coverdale, when the two men are at work together in the field (piling stones on a dyke), and he gives it to his companion to choose whether he will be with him or against him. It is a pity, perhaps, to have represented him as having begun life as a blacksmith, for one grudges him the advantage of so logical a reason for his roughness and hardness.
“Hollingsworth scarcely said a word, unless when repeatedly and pertinaciously addressed. Then indeed he would glare upon us from the thick shrubbery of his meditations, like a tiger out of a jungle, make the briefest reply possible, and betake himself back into the solitude of his heart and mind.... His heart, I imagine, was never really interested in our socialist scheme, but was for ever busy with his strange, and as most people thought, impracticable plan for the reformation of criminals through an appeal to their higher instincts. Much as I liked Hollingsworth, it cost me many a groan to tolerate him on this point. He ought to have commenced his investigation of the subject by committing some huge sin in his proper person, and examining the condition of his-higher instincts afterwards.”
The most touching element in the novel is the history of the grasp that this barbarous fanatic has laid upon the fastidious and high-tempered Zenobia, who, disliking him and shrinking, from him at a hundred points, is drawn into the gulf of his omnivorous egotism. The portion of the story that strikes me as least felicitous is that which deals with Priscilla and with her mysterious relation to Zenobia — with her mesmeric gifts, her clairvoyance, her identity with the Veiled Lady, her divided subjection to Hollingsworth and Westervelt, and her numerous other graceful but fantastic properties — her Sibylline attributes, as the author calls them. Hawthorne is rather too fond of Sibylline attributes — a taste of the same order as his disposition, to which I have already alluded, to talk about spheres and sympathies. As the action advances, in The Blithdale Romance, we get too much out of reality, and cease to feel beneath our feet the firm ground of an appeal to our own vision of the world, our observation. I should have liked to see the story concern itself more with the little community in which its earlier scenes are laid, and avail itself of so excellent an opportunity for describing unhackneyed specimens of human nature. I have already spoken of the absence of satire in the novel, of its not aiming in the least at satire, and of its offering no grounds for complaint as an invidious picture. Indeed the brethren of Brook Farm should have held themselves slighted rather than misrepresented, and have regretted that the admirable genius who for a while was numbered among them should have treated their institution mainly as a perch for starting upon an imaginative flight. But when all is said about a certain want of substance and cohesion in the latter portions of The Blithedale Romance, the book is still a delightful and beautiful one. Zenobia and Hollingsworth live in the memory, and even Priscilla and Coverdale, who linger there less importunately, have a great deal that touches us and that we believe in. I said just now that Priscilla was infelicitous; but immediately afterwards I open the volume at a page in which the author describes some of the out-of-door amusements at Blithedale, and speaks of a foot-race across the grass, in which some of the slim young girls of the society joined. “Priscilla's peculiar charm in a foot-race was the weakness and irregularity with which she ran. Growing up without exercise, except to her poor little fingers, she had never yet acquired the perfect use of her legs. Setting buoyantly forth therefore, as if no rival less swift than Atalanta could compete with her, she ran falteringly, and often tumbled on the grass. Such an incident — though it seems too slight to think of — was a thing to laugh at, but which brought the water into one's eyes, and lingered in the memory after far greater joys and sorrows were wept out of it, as antiquated trash. Priscilla's life, as I beheld it, was full of trifles that affected me in just this way.” That seems to me exquisite, and the book is full of touches as deep and delicate.
After writing it, Hawthorne went back to live in Concord, where he had bought a small house in which, apparently, he expected to spend a large portion of his future. This was in fact the dwelling in which he passed that part of the rest of his days that he spent in his own country. He established himself there before going to Europe, in 1853, and he returned to the Wayside, as he called his house, on coming back to the United States seven years later. Though he actually occupied the place no long time, he had made it his property, and it was more his own home than any of his numerous provisional abodes. I may therefore quote a little account of the house which he wrote to a distinguished friend, Mr. George Curtis.
“As for my old house, you will understand it better after spending a day or two in it. Before Mr. Alcott took it in hand, it was a mean-looking affair, with two peaked gables; no suggestiveness about it, and no venerableness, although from the style of its construction it seems to have survived beyond its first century. He added a porch in front, and a central peak, and a piazza at each end, and painted it a rusty olive hue, and invested the whole with a modest picturesqueness; all which improvements, together with its situation at the foot of a wooded hill, make it a place that one notices and remembers for a few moments after passing. Mr. Alcott expended a good deal of taste and some money (to no great purpose) in forming the hillside behind the house into terraces, and building arbours and summer-houses of rough stems and branches and trees, on a system of his own. They must have been very pretty in their day, and are so still, although much decayed, and shattered more and more by every breeze that blows. The hillside is covered chiefly with locust trees, which come into luxuriant blossom in the month of June, and look and smell very sweetly, intermixed with a few young elms, and white pines and infant oaks — the whole forming rather a thicket than a wood. Nevertheless, there is some very good shade to be found there. I spend delectable hours there in the hottest part of the day, stretched out at my lazy length, with a book in my hand, or some unwritten book in my thoughts. There is almost always a breeze
stirring along the sides or brow of the hill. From the hill-top there is a good view along the extensive level surfaces and gentle hilly outlines, covered with wood, that characterise the scenery of Concord.... I know nothing of the history of the house except Thoreau's telling me that it was inhabited, a generation or two ago, by a man who believed he should never die. I believe, however, he is dead; at least, I hope so; else he may probably reappear and dispute my title to his residence.”
As Mr. Lathrop points out, this allusion to a man who believed he should never die is “the first intimation of the story of Septimius Felton.” The scenery of that romance, he adds, “was evidently taken from the Wayside and its hill.” Septimius Felton is in fact a young man who, at the time of the war of the Revolution, lives in the village of Concord, on the Boston road, at the base of a woody hill which rises abruptly behind his house, and of which the level summit supplies him with a promenade continually mentioned in the course of the tale. Hawthorne used to exercise himself upon this picturesque eminence, and, as he conceived the brooding Septimius to have done before him, to betake himself thither when he found the limits of his dwelling too narrow. But he had an advantage which his imaginary hero lacked; he erected a tower as an adjunct to the house, and it was a jocular tradition among his neighbours, in allusion to his attributive tendency to evade rather than hasten the coming guest, that he used to ascend this structure and scan the road for provocations to retreat.
In so far, however, as Hawthorne suffered the penalties of celebrity at the hands of intrusive fellow-citizens, he was soon to escape from this honourable incommodity. On the 4th of March, 1853, his old college-mate and intimate friend, Franklin Pierce, was installed as President of the United States. He had been the candidate of the Democratic party, and all good Democrats, accordingly, in conformity to the beautiful and rational system under which the affairs of the great Republic were carried on, begun to open their windows to the golden sunshine of Presidential patronage. When General Pierce was put forward by the Democrats, Hawthorne felt a perfectly loyal and natural desire that his good friend should be exalted to so brilliant a position, and he did what was in him to further the good cause, by writing a little book about its hero. His Life of Franklin Pierce belongs to that class of literature which is known as the “campaign biography,” and which consists of an attempt, more or less successful, to persuade the many-headed monster of universal suffrage that the gentleman on whose behalf it is addressed is a paragon of wisdom and virtue. Of Hawthorne's little book there is nothing particular to say, save that it is in very good taste, that he is a very fairly ingenious advocate, and that if he claimed for the future President qualities which rather faded in the bright light of a high office, this defect of proportion was essential to his undertaking. He dwelt chiefly upon General Pierce's exploits in the war with Mexico (before that, his record, as they say in America, had been mainly that of a successful country lawyer), and exercised his descriptive powers so far as was possible in describing the advance of the United States troops from Vera Cruz to the city of the Montezumas. The mouthpieces of the Whig party spared him, I believe, no reprobation for “prostituting” his exquisite genius; but I fail to see anything reprehensible in Hawthorne's lending his old friend the assistance of his graceful quill. He wished him to be President — he held afterwards that he filled the office with admirable dignity and wisdom — and as the only thing he could do was to write, he fell to work and wrote for him. Hawthorne was a good lover and a very sufficient partisan, and I suspect that if Franklin Pierce had been made even less of the stuff of a statesman, he would still have found in the force of old associations an injunction to hail him as a ruler. Our hero was an American of the earlier and simpler type — the type of which it is doubtless premature to say that it has wholly passed away, but of which it may at least be said that the circumstances that produced it have been greatly modified. The generation to which he belonged, that generation which grew up with the century, witnessed during a period of fifty years the immense, uninterrupted material development of the young Republic; and when one thinks of the scale on which it took place, of the prosperity that walked in its train and waited on its course, of the hopes it fostered and the blessings it conferred, of the broad morning sunshine, in a word, in which it all went forward, there seems to be little room for surprise that it should have implanted a kind of superstitious faith in the grandeur of the country, its duration, its immunity from the usual troubles of earthly empires. This faith was a simple and uncritical one, enlivened with an element of genial optimism, in the light of which it appeared that the great American state was not as other human institutions are, that a special Providence watched over it, that it would go on joyously for ever, and that a country whose vast and blooming bosom offered a refuge to the strugglers and seekers of all the rest of the world, must come off easily, in the battle of the ages. From this conception of the American future the sense of its having problems to solve was blissfully absent; there were no difficulties in the programme, no looming complications, no rocks ahead. The indefinite multiplication of the population, and its enjoyment of the benefits of a common-school education and of unusual facilities for making an income — this was the form in which, on the whole, the future most vividly presented itself, and in which the greatness of the country was to be recognised of men. There was indeed a faint shadow in the picture — the shadow projected by the “peculiar institution” of the Southern States; but it was far from sufficient to darken the rosy vision of most good Americans, and above all, of most good Democrats. Hawthorne alludes to it in a passage of his life of Pierce, which I will quote not only as a hint of the trouble that was in store for a cheerful race of men, but as an example of his own easy-going political attitude.
“It was while in the lower house of Congress that Franklin Pierce took that stand on the Slavery question from which he has never since swerved by a hair's breadth. He fully recognised by his votes and his voice, the rights pledged to the South by the Constitution. This, at the period when he declared himself, was an easy thing to do. But when it became more difficult, when the first imperceptible murmur of agitation had grown almost to a convulsion, his course was still the same. Nor did he ever shun the obloquy that sometimes threatened to pursue the Northern man who dared to love that great and sacred reality — his whole united country — better than the mistiness of a philanthropic theory.”
This last invidious allusion is to the disposition, not infrequent at the North, but by no means general, to set a decisive limit to further legislation in favour of the cherished idiosyncrasy of the other half of the country. Hawthorne takes the license of a sympathetic biographer in speaking of his hero's having incurred obloquy by his conservative attitude on the question of Slavery. The only class in the American world that suffered in the smallest degree, at this time, from social persecution, was the little band of Northern Abolitionists, who were as unfashionable as they were indiscreet — which is saying much. Like most of his fellow-countrymen, Hawthorne had no idea that the respectable institution which he contemplated in impressive contrast to humanitarian “mistiness,” was presently to cost the nation four long years of bloodshed and misery, and a social revolution as complete as any the world has seen. When this event occurred, he was therefore proportionately horrified and depressed by it; it cut from beneath his feet the familiar ground which had long felt so firm, substituting a heaving and quaking medium in which his spirit found no rest. Such was the bewildered sensation of that earlier and simpler generation of which I have spoken; their illusions were rudely dispelled, and they saw the best of all possible republics given over to fratricidal carnage. This affair had no place in their scheme, and nothing was left for them but to hang their heads and close their eyes. The subsidence of that great convulsion has left a different tone from the tone it found, and one may say that the Civil War marks an era in the history of the American mind. It introduced into the national consciousness a certain sense of proportion and
relation, of the world being a more complicated place than it had hitherto seemed, the future more treacherous, success more difficult. At the rate at which things are going, it is obvious that good Americana will be more numerous than ever; but the good American, in days to come, will be a more critical person than his complacent and confident grandfather. He has eaten of the tree of knowledge. He will not, I think, be a sceptic, and still less, of course, a cynic; but he will be, without discredit to his well-known capacity for action, an observer. He will remember that the ways of the Lord are inscrutable, and that this is a world in which everything happens; and eventualities, as the late Emperor of the French used to say, will not find him intellectually unprepared. The good American of which Hawthorne was so admirable a specimen was not critical, and it was perhaps for this reason that Franklin Pierce seemed to him a very proper President.
The least that General Pierce could do in exchange for so liberal a confidence was to offer his old friend one of the numerous places in his gift. Hawthorne had a great desire to go abroad and see something of the world, so that a consulate seemed the proper thing. He never stirred in the matter himself, but his friends strongly urged that something should be done; and when he accepted the post of consul at Liverpool there was not a word of reasonable criticism to be offered on the matter. If General Pierce, who was before all things good-natured and obliging, had been guilty of no greater indiscretion than to confer this modest distinction upon the most honourable and discreet of men of letters, he would have made a more brilliant mark in the annals of American statesmanship. Liverpool had not been immediately selected, and Hawthorne had written to his friend and publisher, Mr. Fields, with some humorous vagueness of allusion to his probable expatriation.
Delphi Complete Works of Nathaniel Hawthorne (Illustrated) Page 588