Dark Chant In A Crimson Key m-11

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Dark Chant In A Crimson Key m-11 Page 14

by George C. Chesbro


  "Jan Rawlings doesn't exactly have the old European ring of a countess's name to it," I said, turning toward Garth.

  "You've got that right," Garth replied casually as he glanced in the rearview mirror. "As a matter of fact she's American, an ex-social worker from New York City."

  "A who?"

  "I know the feeling. That was my first reaction too."

  "The closest living relative to one of the richest men in the world was a New York social worker?"

  Garth shrugged, again glanced in the rearview mirror. "Maybe Blake didn't share the wealth. Or maybe the woman's just an eccentric. A lot of rich people are, you know. Maybe she enjoyed working for a living. The title could have been bought, or it might be wishful thinking."

  "Well, she's certainly in a position now to do a lot of social working."

  "Indeed. She not only inherited the castle but Blake's entire estate as well; every last holding, every penny. She's got to be one of the world's wealthiest women."

  In the distance, barely visible in the hazy morning, slow-moving shapes that I thought might be helicopters had appeared on the horizon. Helicopters were anything but a rare sight in Switzerland, but for some reason the sight of them made me nervous. There had been no time to try to obtain guns, if guns were obtainable, and this lack of weapons did not exactly generate a feeling of security. I asked, "No other heirs?"

  "None that the obituaries mentioned."

  The helicopters disappeared into some low clouds, and I turned back toward my brother. "That seems odd, Garth. With that much money at stake, you'd think there would have been third and fourth cousins crawling out of the woodwork to contest the will and claim a piece of the action."

  "All I know is what I read. The same obituary that mentioned that Blake and the elder Neuberger were half brothers said she was the sole beneficiary, and the will was uncontested at that time."

  "You got anything else on her?"

  "Brief articles in a couple of business magazines. It seems she's pretty reclusive herself; she doesn't give interviews. She doesn't flaunt her wealth, doesn't give or go to the usual fancy parties, and generally avoids the social scene altogether. In fact, you might almost say she lives like a social worker. Presumably, she has an army of CEOs and accountants to run her business empire, and she just kind of hangs out in her castle. Rumor has it that she gives away enormous amounts to various charities, but always anonymously."

  "Jesus Christ," I said. "Another money-laundering operation?"

  "Could be."

  "Anything else?"

  "Like what? I don't think I did too badly for one night, and I'm still waiting to be properly congratulated."

  "Proper congratulations on you. How did Blake die?"

  "A bodyguard killed him."

  "Interesting. Assassination, or did he abuse the help?"

  "Unknown. The obituary simply said he was killed by one of his bodyguards, who was then killed himself."

  The helicopters had reappeared on the horizon. Although it was hard to tell with the distance that separated us, it appeared to me as if they might be keeping pace with us. Veil had seen them too. We exchanged glances, nodded. The helicopters were definitely making me nervous. I was, yet again, in violation of a police order to stay within the Zurich city limits; if the helicopters belonged to Interpol or the Swiss authorities, and they were on to my presence in the rented car, I assumed we would already have been intercepted by a police cruiser. I didn't like the presence of the helicopters. I also didn't like what seemed to be my only two options: go back to Zurich and passively wait in hiding for the whole thing to blow over, whatever the "whole thing" might be, before I was blown over, or forge ahead into the unknown in an effort to increase my chances of survival. I was forging ahead. I was naturally worried about Harper, Garth, and Veil, but I had done my best to prevent them from exposing themselves to my peril, and I had to admit I was more than a bit relieved to have them with me.

  I turned my attention back to Garth, said, "You mentioned that R. Edgar Blake had a private intelligence-gathering operation."

  "The largest. He owned a number of satellites through his various corporations, and probably had a lot of stringers around the world. That's usually how these things work."

  "Right. What happened to that business asset? Is the Countess Rawlings running that too?"

  "Unknown. She may-"

  "Could be company!" Veil said sharply. "Green Saab coming up on the left, Garth!"

  We were in the center lane of a three-lane highway. Garth quickly glanced over his right shoulder to see if he had room, then yanked the wheel in that direction, sending us into the far right lane. "How many in the car?"

  "Only one that I can see-the driver. Here he comes; he's following. He's motioning for us to pull over."

  "Fuck him."

  I turned around in the seat, got up on my knees, and craned my neck, trying to see around Veil, who was shielding Harper with his body at the same time as he was looking out the rear window. A short throwing knife with a flat, taped handle had suddenly appeared in his right hand. "He's coming up fast now, Garth. Close on your left."

  "Okay. Anything in his hands?"

  "They're both on the wheel. But he could have a gun on the seat."

  "Right," Garth said evenly as he glanced in the side mirror. "I'm tracking him now. Buckle up, everybody, and hang on. If he comes alongside, I'm going to try to cut him off or ram him. If he does have a gun on the seat, we can't risk letting him get close enough to have a clear shot at us."

  "Check," Veil replied calmly. "Get ready to do it now. I think he just put the pedal to the floor."

  "I've got him."

  I watched through the left side window in the back as the hood of the green Saab appeared, and out of the corner of my eye I saw Garth's fingers tighten on the steering wheel as he prepared to sideswipe the other car. A second later the features of the other driver came into view-pale brown hair and eyes, angular face, wispy moustache. "Hold it, Garth!" I said, grabbing my brother's shoulder. "It's Duane Insolers, the designated big mouth from the CIA."

  Garth's fingers remained clenched on the wheel. "Is that supposed to make me feel better, Mongo? Fuck him. He's outta' here."

  "No! If he was going to fire on us, he could have done it by now. He's got a clear shot, and the agency probably would have issued him a bazooka if that's what he wanted. He's looking to talk. It can't hurt to hear what he has to say."

  Garth tilted his head back slightly. "Veil?"

  "All right, we'll have a parley. I'll keep an eye on him; one bad move, I'll stick a knife in his throat."

  "Okay," Garth said as he eased the car over to the hard-packed dirt on the shoulder of the highway and braked to a stop.

  Veil immediately got out of the car, walked around the rear, and stood close by the window on Harper's side. Both of his hands were hanging at his sides and appeared empty, but I didn't have to see it to know that he had palmed the knife and was holding it ready. We had practiced together a few times, and I knew Veil could plant a throwing knife in the center of a target faster than most people could fire a gun.

  The green Saab rattled to a halt just ahead of us, and Insolers got out. He saw Veil, unbuttoned his tweed overcoat, and held it open to show that he wasn't carrying a gun in his belt or a shoulder holster. Then he came forward, ignoring Veil. Veil didn't ignore him. As the CIA operative came up to the car, Veil stepped up to him, abruptly grabbed one of his arms, and twisted it around behind his back, forcing him down over the hood of the car. With his free hand Veil patted him down, searched through his pockets. As Veil proceeded with his business, Insolers looked up and shot me a pained look. I turned my head and looked to my left, out the window on Garth's side. The dark shapes on the horizon had disappeared once again.

  "He's clean," Veil announced, speaking to Garth. He and my brother hadn't been kidding when they'd told me I was to be "handled." I was being virtually ignored when it came to security matters.

>   Garth nodded. Veil released Insolers' arm. I rolled down my window as Insolers straightened his overcoat, then walked up to my door and leaned down close to the window. Immediately, I was aware of the strong medicinal smell the man exuded.

  "We have to talk, Frederickson."

  "So talk."

  "Come to my car."

  "You join us. There's plenty of room."

  "I have to talk to you alone."

  "The fellow standing right behind you is Veil Kendry. This is my brother, Garth, and my friend, Harper Rhys-Whitney.

  They're handling me, Insolers, and I just don't think I'd be permitted to accompany you alone to your car. We're all in this together."

  Insolers shook his head impatiently as he nervously tugged on the ends of his moustache. "You have absolutely no idea what it is you're getting into."

  "Insolers, if you've got something to tell me, why don't you just come out and say it? We're just a little conspicuous standing here at the side of the road."

  "Either get in the car, pal," Garth said tersely, "or get the hell out of the way." He didn't bother even looking at Insolers. "Decide right now."

  Insolers cursed softly, then abruptly opened the rear door and slid onto the seat next to Harper, who wrinkled her nose slightly and moved away from him. Veil remained on watch outside the car.

  "You can't go where you want to go, Frederickson," Insolers said with quiet urgency.

  "How do you know where we're going? Maybe we're just out for a ride, enjoying the Swiss scenery."

  "You're going to the castle in Geneve."

  "Bingo. What are we going to find there?"

  "Nothing of any use to you. But you can't go."

  "But we are going. If you didn't want me to eventually wind up at Countess Jan Rawlings' castle, why did you mention R. Edgar Blake and the 'countess' in the first place? You dropped quite a few clues and dollops of information on me the other day in my hotel room. Why? Incidentally, you should be warned that these are trick questions, because I already know the answers. But I wouldn't mind having you fill us in on certain details."

  Insolers pressed one hand over his eyes. When he took the hand away, he was wearing another pained expression. "It was just a mistake, Frederickson. A miscalculation. I thought you already knew much more than you did."

  "Bong. Wrong answer. Spooks like you who work the field, and there are damn few of you left, don't rise to your level by giving out information to people you think already know it. Are you kidding me? I couldn't get you to shut your mouth."

  Insolers' expression grew even more pained. "It's the truth. I couldn't believe you were being honest with me about your reason for coming to Switzerland. It was very important for me to find out who your real employer might be and what your real goals were. At the time I thought we might have common interests, and I didn't want us working at cross-purposes."

  "Nope. Wrong answer again. I can see I'm going to have to prompt you. You see, if I'd met you six months from now in some bar in New York and you told me that story, I'd have no reason to doubt you. However, the fact that you are now sitting in the back of this car proves that you have gone to considerable trouble, and probably gone without much sleep, all in order to keep track of my movements and everybody I've talked to since you talked to me. You've obviously been very curious about what I might find out. Now, what does that tell me?"

  "You shouldn't take my presence in the back seat of your car so lightly, Frederickson. What it should tell you is that if I can follow you, so can other people."

  "That's been true all along. But now, suddenly, you want to call the game off, and that I'd really appreciate having you explain to me. It was after I'd finally convinced you I was really acting as nothing more than a gofer for Neuberger that you started name-dropping in earnest. You primed me just to see what I would do and what I might find out on my own. You've been trying to run me, Insolers, get me to do something for you that you couldn't do yourself. What? What do you possibly think I can find out that you don't already know, for Christ's sake? And why, all of a sudden, do you want me to stop?"

  I had been turned around, talking to Insolers through the space between the two bucket seats in front. Now Insolers leaned forward so that his face was very close to mine.

  "You've got it all wrong, Frederickson. You've cooked up a fantasy with teeth that could get you all killed."

  "Why don't you just say why it is you don't want us to go to Blake's castle to meet the countess?"

  Insolers sighed, again tugged at his moustache. He glanced out the side window, as if gathering his thoughts, then looked back at me. "The countess isn't going to talk to you, Frederickson.

  I guarantee you that. The countess isn't even a countess. She's just part of a very elaborate cover for a very large and very secret CIA operation."

  "Aha. Now we're getting someplace. Did R. Edgar Blake work for the CIA?"

  Insolers' laugh had no trace of humor in it. "Hardly. But, as you may already know, he ran his own intelligence-gathering business. It was sort of like a hobby with him, and he was pretty good at it. He had his own company satellites, good economic analysts, and great contacts in business and industry all around the world. Among other things, he housed a multimillion-dollar complex of computer gear in that castle, and he kept elaborate files on all sorts of things, including lots of sensitive information about the many government intelligence agencies he routinely did business with. The CIA often used him as an asset, buying information we didn't have, or sometimes just to verify something we suspected, like crop failure in the Soviet Union. He also did business with the KGB. He was often a useful go-between.

  "We were perfectly happy with the arrangement until one day Blake decided to switch from passive information gathering to go into actual operations. He owned a company in Texas that manufactured a drug called gluteathin, or GTN. The drug-" Insolers paused when he saw Garth and me exchange glances. "You already know about this?"

  "Just tell your story, Insolers," I said. "So far, you haven't touched on the points that interest me most-why you've been trying to run me, and why you now want me to stop."

  "Just listen, Frederickson. Gluteathin is an extremely powerful hypnotic drug used for treating schizophrenia and severe delusional psychoses. It puts a normal person into a deep, drug-induced trance in which the subject is highly suggestible, and the person can be made to forget anything he said or did while he was in the trance. Blake's researchers also came up with a little sweetener that they added to the mix-a chemical compound that amplifies strength, like a continuous surge of adrenaline. Blake figured he had the makings of a pretty good weapons system that was cheap to produce and could bring in enormous profits."

  Garth and I looked at each other, and I could see we were both thinking the same thing. "Assassins," my brother said tersely. "Drug a man, plant a target in his mind, and then send him off like a guided missile."

  "Or a human lobox," Harper said, horror in her voice.

  Insolers' brows knitted. "A human what?"

  I said, "Never mind. Blake's people used this drug, gluteathin, to program assassins, right?"

  Insolers nodded. "Throwaway assassins. He got his subjects from a phony psychological research program he'd set up at a college in New York he owned. Supposedly, the project's purpose was to study the long-term physical and psychological effects of prison on long-term ex-convicts. The subjects were paid, so Blake got a lot of client referrals from social workers and ex-convict self-help programs. In fact, what he was looking for was a specific psychological profile in men with sociopathic personalities, murderers who would not subconsciously resist a suggestion to kill again. When he'd find a suitable subject, he'd pluck that person out of the research project by feeding him a bullshit story about being selected for a special rehabilitation project. The man would be given an easy job with good pay, under an assumed name, in one of Blake's companies around the world. Naturally, the subject thought he'd died and gone to heaven. But, to use you
r brother's analogy, he was in reality nothing more than a guided missile, sitting in its silo, waiting to be programmed and fired. When Blake would find a suitable customer who wanted somebody killed, and who was willing to pay a high fee, Blake would take one of the subjects he had in reserve, drug him with gluteathin, hypnotize him, then prime him to kill the selected target. Experts will tell you that anyone at all can be assassinated, just as long as the assassin doesn't mind dying himself; all it takes is someone willing to drive a truckload of dynamite or strap a bomb around his waist. You need a kamikaze. Well, all of these subjects were unwitting kamikazes; drugged and hypnotized, they would walk right up to a victim in broad daylight to put a knife in his heart or a bullet in the brain. If the subject was captured, he would reveal nothing, because he would not remember anything. He would not recall his reasons for wanting the victim dead, because he would have had no reasons. He would not recall working for Blake, and there would be no record of his employment, since he had been working under an assumed name. However, few subjects were ever captured, since they'd been programmed to kill themselves after they'd killed their victim. The police would naturally assume the assassination was merely the work of a crazed killer. If an autopsy was performed on the subject, a pathologist would have to know exactly what to look for in order to find any traces of the gluteathin and strength amplifier. A simple idea, really, given the right human and chemical materials, and very effective."

  "Indeed," I said. "It sounds like the kind of program the CIA could learn to love."

  "I won't deny it interested us, or that some people wished that we'd come up with the whole program ourselves. But there was no way the agency would have bought one of those zombie assassins from Blake; he already had a lot of bad stuff on us in his files, and we weren't about to put ourselves in a position to be further compromised by him. His real problem with us began when his clients started using those assassins to eliminate some of our favored clients. He allowed that to happen once too often, and Langley decided to put him out of business."

 

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