Gord Rollo

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by The Jigsaw Man v2. 0


  It was the naked body of a well-conditioned m a n — o r

  what used to be a m a n , at any rate—but the head was

  missing and there was a massive cut on the body's back,

  from the neck to j u s t above the buttocks, where the

  man's spine had also been surgically removed. It wasn't

  dead, though. N o t even close. W h a t looked like mil¬

  lions of tiny colorful wires and electrodes trailed down

  into the grievous neck and back wounds, presumably

  attaching into the body's complex central nervous

  system because the body was twitching and dancing

  within the liquid-filled tank like a drunken vaudevillian actor.

  "What on earth is that t h i n g ? " I worked up the cour¬

  age to ask, my curiosity getting the better of my fear

  for the moment.

  Drake laughed, walking over to whisper in my ear,

  "That thing, Mike, is what we're calling a flesh suit.

  Basically, it's a body in waiting. It's what's left of your

  buddy, Bill Smith. Should have been you actually, now

  that I think of it."

  Bill?

  "What do you mean?" I asked.

  "We t h o u g h t it was Mr. Smith who'd snuck into room

  301 during your first night here. We thought he was

  the guy who discovered Andrew's room was a fake, so

  we grabbed him the very next night. It should have

  been you."

  "But why?" I wanted to know. "Why would you do

  something like this to him, or to anyone?"

  Dr. Marshall answered this time. "Two reasons. To

  shut him u p , for one. We didn't want him telling the

  rest of you what we thought he'd seen in Andrew's room.

  We soon found out we'd made a mistake, but by then it

  was too late to turn back. M o r e importantly, I needed

  his body for the most important experiment of all, the

  final step in my plan to free Andrew from his long life

  of misery."

  Dr. Marshall bent over and stuck his face inches away

  from mine then continued, saying, "You can call me

  insane all you want, Mr. Fox, and this might strike you

  as comical and seem like n o t h i n g but a big j o k e , but

  this is serious to m e , you worthless little piece of s h i t . . .

  deadly serious, and whether you like it or not, you're

  going to help me. Understand? Andrew is going to

  walk."

  N o w I was m a k i n g the connections, putting it all

  together as far as Andrew was concerned, but where did

  I fit into all this madness?

  "What are you gonna do to m e ? " I asked.

  Dr. Marshall backed up a few steps and started smil¬

  ing again, his friendly demeanor back in place.

  "Simple really" he said. "I'm going to do to you ex¬

  actly what I plan on putting Andrew through. He's in a

  very unstable condition, and time is of the essence, but

  I don't want to rush ahead and screw up. He's only got

  one more chance, and I have to make sure all the kinks

  are out of my procedure. That's where you come in.

  You're going to be my final test, Mike. I'm going to try

  the entire procedure on you first to make sure it works.

  Then I'll be ready to heal Andrew."

  I couldn't think of a single thing to say. I was shocked,

  and it must have registered on my face because Dr. Mar¬

  shall started reassuring me things would be okay.

  "Don't worry, Mr. Fox. Everything will turn out

  great. Glorious, in fact. You've seen my experiments, so

  you know I can do this. You should be grateful, really.

  I'm going to give you back arms and legs, Mike. Think

  about it. I'm going to make you walk again. You and

  Andrew both!"

  There was part of me buying into the doctor's crazy

  spiel—a large part of m e , actually I had no doubts the

  doctor could successfully do what he was planning, and

  I desperately wanted to have my arms and legs back and

  be able to stand on my own two feet, rather than being

  strapped to this stupid gurney. Technically they wouldn't

  be my arms and legs, but in the half-bonkers state of

  mind I was in, that was starting to sound better than

  nothing.

  But then I took another look at Bill's electronically

  animated body dancing in its tank in front of me and

  realized that to put me inside that body, Dr. Marshall

  would have to cut me down even further—down to my

  head and spine j u s t like Andrew—and that was some¬

  thing I j u s t couldn't handle. Another surgery would

  surely drive me insane and I didn't want any part of it.

  "Please don't do this," I pleaded. "I didn't know him

  all that well, but I don't wanna wear Bill's body. I

  couldn't live with myself. I'm begging you. Just kill me

  now and let it be done with, okay?"

  "Bill's body?" Dr. Marshall questioned. Drake and

  he started to laugh. "Don't worry, you won't be wearing

  Bill's body. Are you crazy?"

  I didn't understand what I had said that was so funny.

  I was tired and very confused. Had I missed something

  or heard the doctor wrong?

  "You're not going to put my head on that body? But

  you j u s t said—"

  "Of course not, you fool," Dr. Marshall interrupted.

  "You think I'd waste a specimen like this on you? Bill

  Smith's flesh suit is perfect. It's fit as a fiddle and blem¬

  ish free. It's the ideal new body for Andrew."

  He nodded to Drake, who happily walked over to the

  left-hand curtains still drawn across to the middle of

  the room. W i t h a wink, Drake slowly shoved this half

  of the heavy drapes to the side wall, revealing a second

  glass tank and a second flesh suit dancing in its own

  watery grave.

  Sweet mother of Jesus!

  The glass tanks and the myriad color-coded wires

  were virtually identical, but that was where the similari¬

  ties ended. Bill Smith's body might have looked strange,

  suspended without a head, but at least it still looked rela¬

  tively human. W h a t was in the other tank could only be

  described as grotesque—a flesh suit made with bits and

  pieces from several different bodies (torso, hands, feet,

  arms, legs, fingers, toes), the parts all sewn and grafted

  together to make a hideous parody of a h u m a n being.

  "This is your flesh suit, Michael," Dr. Marshall said.

  "I pieced it together from the various experiment parts

  I had lying around. It's an amazing accomplishment in

  itself, really, with more than twelve different body do¬

  nors being used in all. Add your head and spine into the

  mix, and we'll have used thirteen. A nice baker's dozen.

  I know it's not quite as attractive as the suit Andrew

  will be getting, but beggars can't be choosers. W h a t do

  you think?"

  My mind froze on me again. My thought processes

  ground to a halt. Looking at the monstrous body that

  might soon be my own, I couldn't think or say anything

  that might help get me out of this crazinessi Partly fas¬

  cinated, partly curious, but mostly horrified, I j u s t stared

  up at th
e headless dancing Frankenstein and prayed to

  die before Dr. Marshall could do to me what I knew he

  had planned.

  God wasn't listening.

  "Mr. Drake," Dr. Marshall said. "Take Michael down

  the hall, will you? Operating room three is prepped

  and ready for us."

  "Be a pleasure, sir," Drake said. "A real pleasure."

  C H A P T E R T W E N T Y - S I X

  The mirror had to have been Drake's inspiration. His

  sick twisted idea of humor to torture my fragile mind

  even further. Instead of breaking me completely, as I'm

  sure he'd hoped, if anything, it made me stronger.It

  replaced my fear and anxiety with good ol' red-blooded

  American bitterness and hatred, and I needed that in¬

  tense level of anger to sustain me through the senseless

  indignities I was being forced to endure. Rage became

  my companion, my ally, my savior.

  W h e n I'd first opened my eyes, I thought they'd put

  me into a room with Andrew, put us so close together I

  was looking right into his haunted-bloodshot eyes, and

  seeing his ragged neckline with its multitude of wires

  leading down to his thrashing submerged spine. But

  once I fully awakened and my mind became a little

  clearer I recognized the eyes, nose and. jawline of the

  person I was gazing at, and noticed the thin wooden

  frame around the perimeter of the silver-backed glass.

  A man in a mirror—three guesses, first two don't count.

  Drake had obviously put the mirror there j u s t so I

  could see what they'd done to me. It wasn't enough for

  me to know I'd been reduced down to a disembodied

  head and spinal column—he wanted me to see it with

  my own eyes.

  It's impossible to describe the series of emotions that

  washed over my damaged psyche at that moment. For

  Christ's sake, what are you supposed to think and feel

  when you can look down and count the number of ver¬

  tebrae in your spine? Maybe shock, horror, sadness,

  denial, self-pity, fear, or insanity? Yep, I had all of those

  emotions, but as I said, it was when I started to get

  m a d — n o , make that furious—about what they'd done

  to me, that was the emotional life preserver I desper¬

  ately latched on to. It wasn't much, but my wrath was

  all I had left. Either that, or take the big plunge and go

  straight out of my freakin' mind.

  I was left alone for a long t i m e , silently staring at

  what was left of my decimated body, my anger building

  and building until I was sure steam would start leaking

  from my ears. I couldn't even scream. I tried, you can

  be sure of that, tried and tried, but no sound was com¬

  ing out I didn't have any vocal cords left, or lungs to

  push air up past them to make sound. All I could do was

  open and close my mouth, raging in silence.

  I soon realized it wasn't my voice I missed most, or any

  of the rest of my body. It was the beating of my heart.

  Normally we don't even hear it, or put any thought to¬

  ward the j o b it performs—until it's gone, that is. I was

  still being supplied with sufficient blood to keep my

  brain alive-and functional, but somehow it wasn't the

  same thing. Although I could hear the similar sounding

  thump-swish noise of the heart/lung bypass machine, the

  blood flowing through me was no longer mine, and no

  word of a lie, I could tell the difference.

  Stop getting so fucking philosophical. These bastards have

  cut away your whole damned body, why the fuck are you so

  worried about your heart? Get over it.

  I suppose that was good advice. Made sense, and

  jolted my mind back on track. Right now, I'd probably

  trade ten good hearts for one meaty fist and a powerful

  arm to take a wicked haymaker at both Drake and Dr.

  Marshall. That would be sweet, but it was a stupid, ir¬

  rational thought. N o t the last, I was sure. I was losing

  it, big t i m e , and I knew it. There j u s t wasn't much I

  could do to stop it. Then again, maybe sanity was over¬

  rated. W h a t good would it do me in my present condi¬

  tion? I'd be far better off nutty as a fruitcake, lost in a

  delusional sense of reality that had me strolling down

  an imaginary white sandy beach with some dark-skinned

  beauty on my arm. Wouldn't I?

  I spent a minute thinking about the dream beach,

  but my illusion was shattered when I heard Drake call

  my name from somewhere behind me.

  "Looking good, Mike," he said, walking around and

  removing the mirror from in front of me.

  The tank that held my spine was situated on a low

  table near the floor, and I had to crane my neck to look

  up at him. The muscle-bound head of security stared

  down at me for a full minute without speaking, then

  bent down to my eye level, leaning in so dose our noses

  were actually touching. His breath stank of stale whis¬

  key, but from the slightly glassy look in his drunken

  eyes, I was sure I had more to worry about from Drake

  than j u s t his bad breath. He had the look of a hungry

  predator about him, and there was no doubt I was defi¬

  nitely easy prey.

  "How you feeling, little man? You cold? I should get

  you a s w e a t e r . . . oh, sorry. Sweater wouldn't do you

  much good, would it? Perhaps a nice warm hat?"

  Drake burst out laughing, spraying my face with spit¬

  tle. I hated him more than anyone else in the world at

  that moment—even Dr. Marshall, who was most re¬

  sponsible for what had happened to me. At least the

  doctor was driven by his mad obsession to help his only

  son. Drake acted the way he did out of sheer vicionsness.

  He was a wickedly evil, pretentious bastard and I vowed

  to myself that I'd hang on, somehow find the courage

  and strength to live long enough to see him die.

  "Dr. Marshall wants to talk to you. Said he'd be along

  in a few minutes." Drake leaned down to whisper in my

  ear, "What should we do while we're waiting?"

  He stepped back a few feet, pretending to ponder it

  for a moment, and then started to undo his pants.

  You wouldn't DARE?

  Of course he would. Seconds later, he had his man¬

  hood in his hand and was stroking it hard.

  "I've had my eye on you right from the start," Drake

  said in a lusty growl. "I like 'em feisty like you, Mike.

  N o w you be good, or ol' Drake's gonna have to hurt

  you real bad. Understand?"

  Perfectly. I opened my m o u t h up as wide as I possibly

  could—an open invitation for him. Drive it home, big

  boy, see what it gets you!

  God, I hoped he'd be stupid enough to do it. If he

  stuck that filthy thing in my mouth, there was n o t h i n g

  on earth that would stop me from taking a chomp. He

  could threaten me with pain, endless suffering, and even

  death, but I didn't give two shits about any of that. If he

  stuck it in, he was gonna lose it. Guaranteed!

  Do it, Drake. Do it!

 
Something in my eyes must have given my intentions

  away, because I saw him hesitate, think things through,

  then decide maybe his present course of action wasn't

  exactly the smartest. I swear I saw a flicker of fear race

  across his face and when his penis started to soften in

  his hand I knew I'd gotten the better of him.

  "You're not worth the bother," Drake said, trying to

  backpedal and cover his tracks.

  He was far too macho to ever admit I'd managed to

  scare him. Instead he zipped up his pants and walked

  out of the room without saying another word.

  He sulked back a few minutes later with Dr. Mar¬

  shall, who seemed to be walking around much better

  now than I remembered. Made me wonder how long I'd

  been floating around in recuperation land this time and

  I actually tried to ask, forgetting I couldn't speak. The

  doctor saw my lips moving and walked over.

  "Save your strength, Mr. Fox," he said. "I've tried to

  master reading lips, so I could communicate better

  with Andrew, but I j u s t don't seem to have the knack

  for it. Besides, I've come to tell you some great news."

  I highly doubted that, but what could I do but wait

  for him to spill the beans?

  "I've gone over all the test data at least twenty times,

  Michael. Everything looks exactly as I'd predicted and

  hoped. We're ready to go ahead and do the transplant.

  Yours that is, not Andrew's. I still need to study the re¬

  sults of y o u r transplant into the flesh suit before I com¬

  mit to doing Andrew."

  This was his good news? That I was headed back for

  more surgery? Admittedly, I sure as hell didn't want to

  remain in the pitiful helpless condition I was in now, but

  the thought of being sewn up inside that hideous patch¬

  work body I'd seen clumsily dancing in the second tank

  was too much to contemplate rationally. I mean, how

  could I possibly exist within a body made up of thirteen

  different people? Michael Fox: from street bum to Fran¬

  kenstein, in four easy steps. W h a t a nightmare.

  I started to panic, helpless to do anything but squirm

  around and shout silent obscenities, but I had to do

  something. I couldn't j u s t sit idly by and be turned into

  a walking freakshow without at least trying to fight.

  N o t that it did me any good. As soon as Dr. Marshall

  saw me getting agitated and dangerously thrashing

  around, he filled yet another of his seemingly endless

  large syringes and injected it into one of the tubes

 

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