“Take me to it,” Sloane said urgently. Black grabbed her hand and they turned away.
“Hold on!” Nora barked.
The two turned to look at her, and with dismay Nora read the passion in their faces. “Just a minute,” she continued. “Aaron, you’re acting like a pothunter, not a scientist. You should never have broken into the back of the cave. I’m sorry, but we can’t have any more disturbance.”
Sloane looked at her, saying nothing, but Black’s face grew dark. “And I’m sorry,” he said loudly, “but we’re going up there.”
Nora looked into Black’s eyes, saw there was no point in arguing with him, and turned to Sloane instead. “For good or ill, everything that happens here is going into the final report,” she went on urgently. “Sloane, consider how your father will react if he hears we busted willy-nilly into that kiva. If Black is right, this could be the most important discovery yet. Even more reason why we have to proceed carefully.”
At the mention of her father, the sudden hunger seemed to leave Sloane’s face. She tensed, struggling to regain her composure.
“Nora, come up with us,” she said with a quick smile. “All we’ll do is look. What harm is there in that?”
“Absolutely,” said Black. “I’ve touched nothing. Nothing has happened here that can’t go into a public report.”
Nora looked at each of them in turn. Smithback, Swire, and Bonarotti had come over and were listening intently. Only Aragon was missing. She glanced at her watch: almost seven o’clock. She thought about what Black had said: a hidden city, the Sun Kiva. What was it Aragon had said in the Rain Kiva? “There’s a piece of the puzzle still missing. I thought it would be in this kiva. But now, I am not so sure.” If Aragon were here, no doubt he’d disapprove. But she knew Black’s find could mean the key to everything. The fact that it might be looted and destroyed after they were gone filled her with a helpless anger. Because of that, they had an obligation to document the inner cave, at least in photographs. Besides, if she were to keep the group together, she felt she had no choice but to bend just a little. The harm had been done; Black’s transgression would be dealt with later, and not by her.
“All right,” she said. “We’ll make a short visit. Only long enough to take photographs and decide how best to reseal the cave. No more violations of any sort. Am I understood?” She turned to Sloane. “Bring the four-by-five camera. And Aaron, you get the fluorescent lamp.”
* * *
Ten minutes later, a small group stood huddled together in the confines of the inner cave. Nora gazed in awe, overwhelmed despite herself by the richness of the site, by the perfect little gem of an Anasazi pueblo hidden behind the mysterious kiva. The greenish glare of the lamp threw magic-lantern patterns on the irregular walls. It was a small pueblo, no more than thirty rooms; no doubt some kind of sanctum sanctorum for the priests. For that reason alone, it would be exceedingly interesting to study.
The Sun Kiva itself was unadorned except for the great polished disk, glinting in the harsh light. Thick ribbed dust lay in drifts against its base and along its walls. The kiva had been carefully plastered with adobe, and she saw that the only opening in its side had been blocked with rocks.
“Look at that stonework,” said Black. “It’s the most fortified kiva I’ve ever seen.”
A pole ladder was leaning against one side of the kiva. “That was leaning against the roomblocks,” Black said eagerly, following Nora’s glance. “I brought it over and climbed onto the roof. There’s no roof opening. It’s been totally sealed shut.” His voice dropped a notch. “As if it’s hiding something.”
Sloane broke away from the group and walked up to the sun disk. She stroked it lightly, almost reverently, with her fingers. Then she glanced back at Nora, briskly unpacked her camera kit, and began setting up the first shot.
The group stood silently while Sloane moved about the cavern, shooting the kiva and its associated roomblocks from a variety of angles. Soon she rejoined them, folded up her tripod, and put the camera body back in its case.
Even the loquacious Smithback had remained silent and, most uncharacteristically, taken no notes. There was a palpable tension in the air; a tension quite different, Nora realized, than any she had felt at the site before.
“Done?” she asked. Sloane nodded.
“Before we leave tomorrow morning,” Nora went on, careful to keep her voice neutral, “we’ll reblock the hole as best we can. There’s not much to bring a looter back behind the granaries. If we hide it well, they’ll miss it.”
“Before we leave?” Black repeated.
Nora looked at him and nodded.
“By God, not until we open this kiva,” said Black.
Nora looked at his face, then at Sloane. And then at Swire, and Bonarotti, and Smithback. “We’re leaving tomorrow,” she said quietly. “And nobody’s opening this kiva.”
“If we don’t do it now,” Sloane said, her voice loud, “nothing will be left when we return.”
There was a tense silence, broken by Bonarotti. “I would also like to see this kiva full of gold,” he said.
Nora waited, taking measured breaths, thinking about what she was going to say and how she was going to say it.
“Sloane,” she began quietly. “Aaron. This expedition is facing a crisis. One person has died. There are people out there who killed our horses, and who may try to kill us. To open and document this kiva properly would take days. We don’t have days.” She paused. “I’m the leader of this expedition. It’s my choice to make. And we’re leaving tomorrow.”
A tense silence gathered in the cave.
“I don’t accept your so-called choice,” Sloane said in a low tone. “Here we are, on the verge of the greatest discovery, and what is your answer? Go home. You’re just like my father. You have to control everything. Well, this is my career, too. This is my discovery as much as it is yours. If we leave now, this kiva will be looted. And you’ll have thrown away perhaps the greatest discovery in American archaeology.” Nora saw that she was shaking in anger. “I’ve been a threat to you from the beginning. But that’s your problem, not mine. And I’m not going to let you do this to my career.”
Nora looked hard at Sloane. “You mention your father,” she said slowly. “Let me tell you what he said to us, right before we left for Quivira: ‘You are representing the Institute. And what the Institute represents is the very highest standard of archaeological research and ethical conduct.’ Sloane, what we do here, what we say here, will be studied, debated, second-guessed by countless people.” She softened her tone. “I know how you feel. I want to open this kiva as much as you do. And we will be back to do this the right way. I promise you’ll get all the credit you deserve. But until that time, I absolutely forbid the opening of this kiva.”
“If we leave here now, there will be nothing left when we return,” Sloane said, her eyes locked on Nora. “And then we’ll be the ones doing the second-guessing. Go on and run, if you want. Just leave me a horse and some supplies.”
“Is that your final word?” Nora asked quietly.
Sloane merely stared in return.
“Then you leave me no choice but to relieve you of your position on the archaeological team.”
Sloane’s eyes widened. Then her gaze swivelled to Black.
“I’m not sure you can do that,” Black said, a little weakly.
“You’re damn right she can do it,” Smithback suddenly spoke up. “Last time I checked, Nora was leader of this expedition. You heard what she said. We leave the kiva alone.”
“Nora,” Black said, a pleading note entering his voice, “I don’t think you appreciate the magnitude of this discovery. Just on the other side of that adobe wall is a king’s ransom in Aztec gold. I just don’t think we can leave it for . . .”
His voice trailed off. Ignoring Black, Nora continued to look hard at Sloane. But Sloane had turned away, her eyes fixed on the large painted disk on the kiva’s side, glowing brilliantly in
the fluorescent light. Then she gave Nora one last, hateful look and walked to the low passageway. In a moment she was gone. Black stood his ground a little longer, staring from the kiva to Nora and back again. Then, swallowing heavily, he tore himself away and wordlessly made his way out into the Crawlspace.
43
* * *
SKIP KELLY MADE HIS CAREFUL WAY DOWN THE far reaches of Tano Road North, doing his best to keep the VW from bottoming out on the dirt road. It was terrible road, all washboard and ruts: the kind of road that was a much-coveted asset in many of Santa Fe’s priciest neighborhoods. Every quarter mile or so, he passed another enormous set of wrought-iron gates, flanked by adobe pillars, beyond which a narrow dirt road wound off through piñon trees: portals to unseen estates. Occasionally, he caught glimpses of buildings—a caretaker’s cottage, an immaculate set of barns, an enormous house rising from a distant ridgeline—but most of the great estates along Tano Road were so well hidden that one hardly knew they existed.
The road narrowed, the piñons crowding in on either side. Skip slowed even further, eased his foot onto the clutch, elbowed Teddy Bear’s huge muzzle out of his face, and once again checked the number scribbled onto a folded sheet of paper, dim in the evening light. Not far now.
He came over the brow of a hill and saw the road peter out a quarter mile ahead, ending in a thicket of chamisa. To the left, a great rock of granite rose out of the earth. Its face had been polished flat, and ESG had been engraved on it in simple, sans-serif letters. Beyond the rock was an old ranch gate. It looked much more battered than the shiny monstrosities he had just driven past. As he eased the car closer, however, he saw that the shabbiness of the gate belied its immensely strong construction. Beside it was a small keypad and an intercom.
Leaving the engine running, he got out of the car, pushed the single red button beneath the intercom’s speaker, and waited. A minute passed, then two. Just as he was preparing to get back into the car, the speaker crackled into life.
“Yes?” came a voice. “Who is it?”
With mild surprise, Skip realized that the voice wasn’t that of a housekeeper, chauffeur, or butler. It was the authoritative voice of the owner, Ernest Goddard himself.
He leaned toward the intercom. “It’s Skip Kelly,” he said.
The speaker was silent.
“I’m Nora Kelly’s brother.”
There was a brief movement in the vegetation beside the gate, and Skip turned to see a cleverly hidden camera swivel toward him. Then it panned away, toward the Volkswagen. Skip winced inwardly.
“What is it, Skip?” the voice said. It did not sound particularly friendly.
Skip swallowed. “I need to talk to you, sir. It’s very important.”
“Why now? You’re working at the Institute, are you not? Can’t it wait until Monday?”
What Skip didn’t say was that he had spent the entire day locked in a debate with himself over whether or not to make this trip. Aloud, he said, “No, it can’t. At least, I don’t think it can.”
He waited, painfully conscious of the camera regarding him, wondering what the old man would say next. But the intercom remained silent. Instead, there was the heavy clank of a lock being released, and the old gate began to swing open.
Skip returned to the car, put it in gear, and eased past the fence. The winding driveway threaded its way along a low ridge. After a quarter of a mile, it dipped down, made a sharp turn, then rose again. There, on the next crest, Skip saw a magnificent estate spread along the ridgeline, its adobe facade brocaded a rich evening crimson beneath the Sangre de Cristo Mountains. Despite himself, he stopped the car for a moment, staring through the windshield in admiration. Then he drove slowly up the remainder of the driveway, parking the Beetle between a battered Chevy truck and a Mercedes Gelaendewagen.
He got out of the car and closed the door behind him. “Stay,” he told Teddy Bear. It was an unnecessary command: even though the windows were rolled all the way down, the dog would never have been able to squeeze his bulk through them.
The entrance to the house was a huge set of eighteenth-century zaguan doors. Pulled from some hacienda in Mexico, I’ll bet, Skip thought as he approached. Clutching a book under one arm, he searched for a doorbell, found nothing, and knocked.
Almost immediately the door opened, revealing a long hallway, grandly appointed but dimly lit. Beyond it he could see a garden with a stone fountain. In front of him stood Ernest Goddard himself, wearing a suit whose muted colors seemed to match the hallway beyond almost exactly. The long white hair and closely trimmed beard framed a pair of lively but rather displeased blue eyes. He turned without a word and Skip followed his gaunt frame as it retreated down the hall, hearing the click of his own heels on the marble.
Passing several doors, Goddard at last ushered Skip into a large, two-story library, its tall rows of books clad in dark mahogany shelves. A spiral staircase of ornate iron led to a second-story catwalk, and to more books, row upon row. Goddard closed and locked a small door on the far side of the room, then pointed Skip toward an old leather chair beside the limestone fireplace. Taking a seat opposite, Goddard crossed his legs, coughed lightly, and looked enquiringly at Skip.
Now that he was here, Skip realized he had no idea exactly how to begin. He fidgeted with unaccustomed nervousness. Then, remembering the book beneath his arm, he brought it forward. “Have you heard of this book?” he asked.
“Heard of it?” murmured Goddard, a trace of irritation in his voice. “Who hasn’t? It’s a classic anthropological study.”
Skip paused. Sitting here, in the quiet confines of the library, what he thought he had discovered began to seem faintly ridiculous. He realized the best thing would be to simply relate what had happened.
“A few weeks ago,” he said, “my sister was attacked at our old farmhouse out past Buckman Road.”
“Oh?” said Goddard, leaning forward.
“She was assaulted by two people. Two people wearing wolfskins, and nothing much else. It was dark, and she didn’t get a very good look at them, but she said they were covered with white spots. They wore old Indian jewelry.”
“Skinwalkers,” Goddard said. “Or, at least, some people playing as skinwalkers.”
“Yes,” said Skip, relieved to hear no note of scorn in Goddard’s voice. “They also broke into Nora’s apartment and stole her hairbrush to get samples of her hair.”
“Hair.” Goddard nodded. “That would fit the skinwalker pattern. They need bodily material from an enemy in order to accomplish their witching.”
“That’s just what this book says,” Skip replied. Briefly, he recounted how it had been his own hair in the brush, and how he had been the one who almost died when his brakes failed so mysteriously.
Goddard listened silently. “What do you suppose they wanted?” he asked when Skip had finished.
Skip licked his lips. “They were looking for the letter Nora found. The one written by my father.”
Goddard suddenly tensed, his entire body registering surprise. “Why didn’t Nora tell me of this?” The voice that had previously expressed mild interest was now razor-sharp with irritation.
“She didn’t want to derail the expedition. She figured she needed the letter to find the valley, and that if she got out of town fast and quietly, whoever or whatever it was would be left behind.”
Goddard sighed.
“But that’s not all. A few days ago, our neighbor, Teresa Gonzales, was murdered in the ranch house. Maybe you heard about it.”
“I recall reading something about that.”
“And did you read that the body was mutilated?”
Goddard shook his head.
Skip slapped Witches, Skinwalkers, and Curanderas with the back of his hand. “Mutilated in just the way described in this study. Fingers and toes sliced off, the whorl of hair on the back of the head scalped off. A disk of skull cut out underneath. According to this book, that’s where the life force enters the body.�
� He paused. “Nora’s dog disappeared while she was in California. After reading this book, I searched the woods behind her townhouse. I found Thurber’s body. His paws had been cut off. Front and back.”
Goddard’s blue eyes flashed. “The police must have questioned you about the murder. Did you tell them any of this?”
“No,” Skip said, hesitating. “Not exactly. Well, how do you think they’d react to a story about Indian witches?” He put the book aside. “But that’s what they were. They wanted that letter. And they were willing to kill for it.”
Goddard’s look had suddenly gone far away. “Yes,” he murmured. “I understand why you’ve come. They’re interested in the ruins of Quivira.”
“They vanished just about the time the expedition left, maybe a day or two later. Anyway, I haven’t seen or heard any sign of them since. And I’ve been keeping a close eye on Nora’s apartment. I’m worried they may have followed the expedition.”
Goddard’s drawn face went gray. “Yesterday we lost radio contact.”
A feeling of dread suddenly gripped Skip’s heart. This had been the one thing he didn’t want to hear. “Could it be equipment trouble?”
“I don’t think so. The system had redundant backups. And according to your sister, that imaging technician, Holroyd, could have rigged a transmitter out of tin cans and string.”
The older man rose and walked to a small window set among the bookshelves, gazing out toward the mountains, hands in his pockets. A quietness began to gather in the library, punctuated by the steady ticking of an old grandfather clock.
“Dr. Goddard,” Skip blurted suddenly, unable to contain himself any longer. “Please. Nora’s the only family I’ve got left.”
For a moment, Goddard seemed not to have heard. Then he turned, and in his face Skip could see a sudden, iron resolve.
“Yes,” he said, striding to a telephone on a nearby desk. “And the only family I’ve got left is out there with her.”
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