The Complete Fables of Jean de La Fontaine

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The Complete Fables of Jean de La Fontaine Page 37

by Jean La Fontaine


  Proof of the perfidy that her suspicion

  Lays clear before her. O pain! O perdition!

  O bitter passion, you, vain jealousy!

  Daughter of mad love, error’s progeny!

  Much do your eyes refuse to see; and yet,

  What they do show you makes you fuss, and fret,

  And suffer without cause! Procris had gone

  To hide within a thicket that a fawn

  Was using for his lair. Disquieted,

  The beast springs out. Whereon our spouse, misled

  By the noise, takes his lance—the one that, ever

  True to the mark, hits home, whithersoever—

  And flings it thither… But the mark it hits

  Is not, alas, the beast! A fierce cry splits

  The air… Misery me! It is his own

  Dear wife!… He runs to see… With many a moan

  He realizes, there, before his eyes,

  Losing his wits, that, in most murderous wise,

  He has cut short her jealous life. Wherefore

  Would he cut short his own as well. What’s more,

  He tries to do so with the selfsame lance…

  Aurora and the Fates look much askance

  On such intent, making bold to prevent it.

  But, though their intercession was well meant, it

  Proved more severe than thoughtful, for he kept

  Pounding his breast with woeful mien, and wept

  So many a tear that he might have created

  Fountains galore, abounding unabated,

  Had not the goddess called on Fate to cut

  His days’ dire thread: unhappy end to what

  Had been a curious marriage!… Sisters mine,

  I cannot say enough, ‘Best we resign

  Ourselves to life unwed.’ For, if the best

  Is such, judge how much worse must be the rest!

  And, if we may not love save in the thrall

  Of wedlock, better we not love at all!”

  They agree. And, befall what may, all three

  Gladly accept their loveless destiny.

  To rid them of their drear thoughts they return

  To task of more immediate concern:

  Their tapestries. Clymene’s was near done,

  Picturing on a cloth most richly spun

  The famous quarrel that had raged betwixt

  Two gods, to see whose name would be affixed

  To a new city—one that you could see

  Dimly, far off, in her embroidery:

  Neptune’s? Wise Pallas’s?… Each would bestow

  A gift, and that boon would decide, just so,

  Whose name should win. Neptune, in warlike wise,

  With a blow of his trident, caused to rise

  Out of the ground a charger, full of fire,

  That all who saw it could not but admire.

  Present most splendid! But Minerva found

  A finer yet: she gave the country round

  The olive tree, symbol of wisdom, whence

  She chose the city’s name. In consequence

  Thereof, did Athens—now thus called—present

  Its homage to her, with magnificent

  Tribute galore. To offer it to her,

  A hundred virgins wise, and prettier

  Each than the last, in bobbin-skills abounding,

  Bore the gifts of all kinds, or stood surrounding

  The goddess of the gray-green eyes… And she,

  With a sweet gaze, smiled on their fealty.

  Clymene, now concluding, folds away

  Her work, falls still, so that young Iris may

  Regale them next. And she commences thus:

  “Sisters, I fear not very copious

  In tearful subject is my repertory.

  Nevertheless, you say you wish a story

  And story you shall have. I tell you of

  Telamon, him whose soul burned hot with love

  For Cloris, who yearned for him quite as much.

  Good breeding, beauty, sense, the graces… Such

  Were the fine qualities that each possessed;

  Everything save that one, that veriest,

  Most necessary one that, here below,

  Rules above all the rest: to wit, wealth! No,

  Naught had they; and, although they would be wed,

  For want of gold—that metal garlanded

  With mankind’s homage and desire—they dare

  Not share the nuptial bed, and must forswear

  Fair Hymen.6 For, though love can do without it,

  Wedlock cannot! Be there no doubt about it!

  Right or wrong, such is Fate’s decree. At one’s

  Own peril would one flout it. Telamon’s

  Woes did not end thereat, however. For

  More would he suffer when the imp of war—

  Vile sprite—spread roundabout its foul intent

  And fell design. Sought out, stoutly he went

  To battle in a land’s defense against

  Those who would conquer it. And so commenced

  His feats of arms, and ended for a time

  The gentler exercise of love sublime.

  Cloris consents, but heartsick is she. Yet,

  Eager is he to show the mignonnette

  That she has reason to esteem him so

  And give her heart to him. Off will he go

  To battle… Now, it happens that, whilst he

  Is gone, a member of her family,

  Citizen of that very land, in fact—

  The very one that has been so attacked,

  And where her beau now wars… Well, as I said,

  It happens that he dies, and, lying dead,

  Has bequeathed Cloris his possessions: gold,

  Treasure immense, a worldly wealth untold.

  Whereupon she goes straightway thither. There,

  Both sides behold her, find her passing fair.

  She, meanwhile, sees the battlefield whereon

  Her valorous, victorious Telamon

  Has won the day, honoring her with his

  Rare deeds; and, seeing her, how quick he is

  To hasten to her side, offering her

  All the fruits of the glorious vanquisher,

  In the name of their love!… Fate would decree

  That they would meet beside the open sea—

  That element that all good lovers should

  Eschew at any cost! Gladly they would,

  Without ado, have joined their loves were it

  The simple Age of Gold. Alas! Unfit

  Were such in this, the Age of Iron. Thus

  Cloris demurred. Far more felicitous

  Would be a union celebrated with

  The bounteous blessings of her kin and kith.

  This she preferred; and so return they will,

  Unconsummated… Their journey would fill

  Many a torturous day if they betook

  Themselves by land. Wherefore, instead, they look

  Seaward, to spare the rigors of the road

  And take them, timely-wise, to their abode

  With Zephyr in their wake. When, with great joy,

  They near their shore, they hear a fierce ‘Ahoy!’,

  And spy a privateer, sheets to the wind,

  Whose pirate crew, crass and undisciplined,

  Attacks our doughty hero, who, despite

  Stalwartly fighting to the end, is quite

  Powerless to resist their might. Oh, Ods-

  Bodkins! Who could have thought he would—ye gods!—

  Become a galley slave? Fate pays no mind

  To race and glory, and was ill inclined

  To let his hoped-for happiness deflect

  Her blows upon his honor and respect.

  Cloris’s piteous pleadings too remained

  Unheard, and Telemon languished, enchained.

  “Now, Destiny, for her, was rather less

  Unkind and more restr
ained in her duress.

  A famous wealthy merchant bought her, bore

  Her off to his domain where, more and more,

  Slave though she was, she would enjoy a very

  Honored position, most extraordinary.

  The merchant’s wife—who, as it happens, views her

  With great affection—will not only choose her

  To wait on her, but will select the belle

  To be the mistress to her son as well.

  One and all would most gladly see them wed;

  But she, with long-drawn sigh, dispirited,

  Would reply to their urgings. Damon—he,

  The son—will ply her with sweet gallantry,

  Asking her thus: ‘Milady, why oh why

  Do tears bedew your cheeks? Why do you cry,

  And sob, and sigh unceasing? Hide you some

  Unspoken pain? Have your fair eyes become

  Surfeited with the ravages their darts

  Have wrought on my poor being, and with my heart’s

  Undying flame? I pray you not conceal

  Your woe. Here are you free: ’Tis I the real

  And suffering slave! Is it this place, madame,

  That so displeases you? If so, I am

  Ready to change my dwelling for a new

  And fairer one. I and my parents too—

  Father and mother—willingly would seek

  Another to your taste. You need but speak

  Your will, and your desire will surely be

  Fulfilled posthaste… Or do you longingly

  Yearn for the riches you have lost? If so,

  All we possess is yours. But you must know

  That, much though you deserve a fortune rare,

  Many another one, I vow, is there

  Who would not hesitate to be so wed.

  Lo! At your feet, my love, I lie!’ So said

  The son. And Cloris fair, in fondest wise,

  Eyes streaming tears, most winsomely replies:

  ‘Good sir, your slightest qualities, and this

  Delightful place, would fill with amorous bliss

  Even the daughters of the gods. Believe me,

  Slave though I am, I pray you not perceive me

  To be ungrateful for your generous

  Offers of wealth, for so discourteous

  I should not be. But I must not give ear

  To them, however much I might. Nor is it

  Because my presence is no friendly visit

  But, indeed, servitude. And though, withal,

  Thanks to the gods, I suffer not the thrall

  Of ignominious bondage, and am free

  To live the values that society

  Has bred in me, yet must I tell you—oh!

  Can I, alas?—that most malapropos

  It were to listen to the court you pay me.

  What? Does my mournful sighing not betray me?

  Another has my love: and if he be

  In chains, or dead, for all eternity,

  Even in hell itself I shall be his!

  Could you esteem a heart, good sir, that is

  Untrue? Could you love her who has no more

  The charms and beauty that were hers before;

  Who, twice a slave—to you and to her love—

  Ill deserves and is most unworthy of

  One such as you?’ Damon heard what she said,

  And, though most touched and much discomfited,

  Thought: ‘Let us chase her from our mind. Let us

  Flee from this place. In time her copious

  Tears will abate. They always do! Let be

  What will be in my absence. We shall see…’

  With these words he embarks, leaves shore behind.

  Sailing hither and yon, soon will he find

  An untamed land and, thereupon puts in.

  What does he see? Many a man whose skin

  Bears proof of former bondage. Galley slaves

  Had they all been, escaping on the waves

  To refuge here… Now, of their number, one

  None other was than our own Telamon.

  Damon gazes upon him, notices

  His stately air, his wit. And what he says

  Moves him to admiration for the swain’s

  Qualities, and to pity for his pains.

  Soon are they friends, and Damon will confide

  His passion for a slave who ought his bride

  Become if she loved not a dead man! ‘Yes,

  She would prefer a corpse to me, no less!’

  Cloris he then proceeds to paint, whereat

  Telamon, stunned, dissembles and stands pat,

  Revealing not the truth. Whereupon he,

  It is decided, shall accompany

  His comrade back to where said beauty saves—

  For him!—that perfect love… Like errant knaves

  The pair arrive. In vain Telamon tries

  To hide behind the unwitting disguise

  That time, woe, hardship have imposed. For now

  Is he not as he was. And yet, somehow,

  Cloris will recognize him, even though

  His traveler’s pack bows him and bends him low.

  A stranger’s eyes would not have known him; hers,

  However, quickly pierce the voyager’s

  Unhappy state: she swoons from love and shame;

  And Telamon, in turn, does quite the same.

  Later, when asked the cause of her distress,

  She speaks it frankly; nor does one think less

  Of her therefor. So guilelessly she tells

  Her tale that one and all pity the belle’s

  Misfortunes all the more. Damon proclaims

  His passion changed: unselfish now his aims.

  And they believe him—even though desire

  Yields not to honor but that, quelled the fire,

  Yet will it leave its traces… Yes, they do

  Believe him; and, to prove his faith, these two

  Would he see wed. Nor need they wait. For there

  And then, he asks his parents to declare

  His rival for Cloris’s hand to be

  Their heir—a mark of generosity

  Unheard-of in the land. And so, beside

  An oak, spreading its shade at eventide,

  Young man and maid were married… But, ah woe!

  A neighbor child watched as, thereon, a crow

  Went perching; and, with cursèd bow, he shot

  His arrow at the bird. Alas, the tot

  Aimed ill: it flew, rending the air, askew,

  Transpiercing lover and belovèd too.

  Slain on the spot, our Cloris gasps her last,

  As with a piteous yearning she will cast

  A glance at Telamon who, harrowed, sees

  Approach the crowning stroke of Destiny’s

  Decree. What? Gods above, can it be? What?

  Is this the way dour Atropos7 will cut

  His thread of life? ‘Has Fate not done enough?

  Must she deal death with such a rude rebuff?’

  So saying, he sighs his final breath. Within

  A trice, love—not the blow—has done him in.

  His wound was slight, yet did he join the dead,

  For he would follow whither Cloris led.

  Both hasten to the Styx’s shore: man, wife,

  Each at the same time will depart this life.

  In one tomb lie together their remains,

  And one eternal rest their souls contains.

  Later, one wrote—though I cannot aver

  The truth thereof—that they to statues were

  Transformed, in marble: but doubtful is this

  Very unlikely metamorphosis,

  And few believe it.” “Ah! More than you know,

  Iris,” Clymene answers. “For just so

  Did a sage, seeking through our history

  Models of love and virtue, tell to me

  This tale. Much I admir
ed and pitied these

  Evil-starred lovers: both their destinies

  Were finally to be joined. After so much

  Despair abhorrent, they were now to touch

  The moment of the joy that had so long

  Evaded them. But nature loves to wrong

  And cheat us; such her vile perversities,

  I warrant. As our hands reach out to seize

  Our prize, behold! It flees our grasp. The very

  Gods take delight wreaking their arbitrary

  Power upon us, to make sport of our

  Fond hopes!” Says Iris: “Fie on woes! The hour

  Grows late. The feast soon ends, thank heaven! We three

  Have passed the time today most somberly,

  Recounting tales that weaker souls would find

  Most troubling. Let us now cleanse from our mind

  Their deadly images. Best might I use

  The time yet left to sing a hero whose

  Humankind suffered change, but not in mien

  And body: rather, one whose heart had been

  Transformed by Love—indeed, a miracle

  That will permit me in more lyrical,

  Less tragic mode, to tell the tale, and one

  That Love performs each day… Now then, Zoon

  Was pleasing to the eye. But beauty can

  Do little for one’s worth. Here was a man

  Of unimpressive wit, of mood

  Most sullen, whose glum attitude

  Rendered him dull and beautiless withal.

  He fled the cities, shunned the company

  Of others, lived under a constant pall

  Of shadowed gloom: the forest canopy

  Was home to him as to the bears. He spent

  His fairest days unloving, abstinent,

  Indifferent utterly to love! ‘So? We

  Disparage love,’ you are about to say.

  To which I would reply: ‘Nay, nay!

  Though I condemn its evident excesses,

  I have no sympathy for those who never

  Yield to the lure of its sweet tendernesses.’

  What? Ought one choose to banish it forever?

  Are the dead—freed so long from its caresses—

  Happy to be so? Bah! I doubt it.

  Passion is all. How can one live without it?

  If nothingness is far the worst of states,

  No nothingness I know annihilates

  Life quite so much as lovelessness, I vow.

  Woe to the cold, unloving heart!… Well now,

  Zoon loved nothing, no one, not

  Even himself. But one day, as he stood,

  Stunned, before sleeping Iole, his lot

  Changed in a trice. For Love, who would

  Not make of him a lover, nonetheless

  Made him a hero in this wilderness.

  Grateful, he thanks the god who makes

  Him tremble at the awesome sight

  Of this young wonder. At length, she awakes,

 

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