"You like him, that's all. I like him, too. He's a firstborn male, right?"
"And this means something?"
McGuire had his standard Macallan poured into a rocks glass that sat in the Shamrock's gutter. He took a bite of a piroshki he was eating from a place around the corner and washed it down with scotch. "You got any close friends that aren't?"
Hardy quickly filed through the litany—McGuire, Freeman, Glitsky, Pico Morales, even Graham Russo, another ex-client. And now Holiday. "That's interesting."
To McGuire, it was an old, self-evident truth, and he shrugged. "It might be that, but don't mistake it for a character reference. He reminds me of everybody we knew when we went to school. Sex, drugs, rock and roll, party all night. You remember."
"Not as much as you'd think. I didn't go to Berkeley."
"You were alive in the sixties, though, if I'm not mistaken."
"Here's an ugly surprise, Mose. I hated the sixties. The only good thing in that decade was the Beatles."
"Come on. The Turtles. Herman's Hermits."
Hardy had to smile. "My point exactly. But I give sixty-eight my vote for the worst year of our lifetime. So saying Holiday brings back those good ol' days isn't what I'd call high praise."
"I'll tell you something, though, and no reference to the sixties." Moses leaned over the bar, his broken-nosed face six inches from his brother-in-law's. He spoke quietly, nearly in a whisper, but with some intensity, possibly even rebuke. "He's just like you were when you worked here.
You weren't so hot on all the rules before you got with Frannie and decided it was time to grow up."
This brought Hardy up short, threw him back on himself as McGuire straightened back up and turned to check on the other five customers in the bar. Hardy took a slug of his daytime stout and looked at his face in the back bar mirror.
McGuire was right, he realized. Crippled by grief, loss and guilt over his baby's death and the breakup of his marriage in the wake of that, Hardy had walked the boards behind this very bar for most of another decade. A lawyer without a practice, a thinker without a thought, he hadn't been able to commit to much more than waking up every day, and sometimes that was too much.
Now, with a good marriage, a thriving practice, and teenaged children, Hardy had a life filled—sometimes overfilled—with meaning, import, details, routine, relationships and responsibility. Holiday's life, his situation, couldn't be more different and more importantly, it hadn't been of his choosing. Hardy, of all people, should remember that Holiday was living day-to-day, waiting for that first flicker of meaning or hope to assert itself. Until then, he'd take his solace from whatever source, a woman or a bottle or easy money at the poker table.
McGuire was back in front of him. He poured another half inch of scotch, dropped in one ice cube and stirred with his finger. "So where were we?"
"At the part where I was being a judgmental old dick."
"There's a sixties concept, the famed value judgment."
His brother-in-law reached over and good-naturedly patted his arm. "But you can't qualify for true old dickdom for at least a couple of years."
"The sad thing is, though, Mose, I kind of believe in value judgments nowadays."
McGuire clucked. "Yeah. Well, as you say, most of those sixties ideas—value judgments are bad, dope won't hurt you, fidelity's not important—they haven't exactly stood the test of time. But there's still that old nagging tolerance for different lifestyles."
"And the Beatles," Hardy said. "Don't forget the Beatles."
"Only two of 'em left, though, you notice," Moses said.
7
Hardy didn't talk to Glitsky again until he showed up unannounced late Monday afternoon at his office. His baby's fever hadn't been from teething, and by early Saturday morning it had gotten to 104 degrees and he and Treya were with her at the emergency room. Roseola.
"You should have called me," Hardy said. "The Beck had it, too. I could have diagnosed it over the phone."
"Next time she wakes us up screaming at three a.m., I'll call you first."
"I'll look forward to it." For the past couple of hours, Hardy had been reviewing the technical specifications of a supposedly fully automated truck-washing unit. One of his clients had bought it for a million and a half dollars. It hadn't worked even within the ballpark of the manner promised by the company's brochure from day one. The gap between the gallons of recycled clean water the system could actually process and the gallons guaranteed by the brochure was big enough, Hardy thought, to drive an eighteen-wheeler through. He'd studied the numbers enough to master that fact. He was taking the case to trial in a little over a month.
He could spare his friend some time. "So what's up? Did you take today off?"
Glitsky sometimes wasn't much of a sitter. First he'd crossed over to one of the windows and peered out, now was pulling darts from Hardy's board. "Amazingly enough, I finished all my critical work by," he looked at his watch, "about six hours ago."
"You must be underutilized. I hope at least you looked busy."
Glitsky threw a dart. "I sat behind my door and gnashed my teeth."
"For six hours? That must be hell on your molars."
"I don't care about my molars."
"You would if you cracked one with all that gnashing.
But then, you're the guy who chews ice all the time. I bet you grind your teeth at night, too."
Glitsky turned to face him. "How'd you like a dart in the eyeball?"
"You'd probably miss." He stood and came around his desk, strode over to the dartboard, and waited for Glitsky to throw the third dart. "So did you ever get to find out anything else about Silverman?"
"Else implies I found out anything at all." He threw.
"And yet just today you whiled away six perfectly good hours when you could have been detecting."
"Except I'm not a detective anymore."
"Nor much of a dart player." Hardy pulled the darts, walked back to the tape line on the floor. He whirled, paused for an instant setting up, and threw a triple twenty—one of the very difficult shots. "Right now you're probably asking yourself how I can be so good."
"The question fills my every waking moment. Nat tried to find out something, though, about Silverman."
"Without you? How'd he do that?"
Glitsky appeared to be gnashing his teeth again. "When I got busy with Rachel, he told Sadie—Silverman's wife—she might as well go through the normal channels. So she called homicide."
"And?" Hardy's focus was suddenly lost, and his next two darts didn't score at all.
Glitsky pulled the darts for his round. "And nobody called her back all day yesterday or today. Nobody."
"They were probably busy."
"Right. So finally, maybe an hour ago, Nat called me.
Again with would I check? So I called Lanier."
"And a fine inspector he is. Are you going to throw or not?"
"Are we playing a game? I'm shooting bull's-eyes, that's all."
"Not too many."
Glitsky pegged a dart, missed his target by three inches.
Threw, missed again. Threw the last dart, missed.
"Good round," Hardy said. "So what did Lanier say?"
"He hasn't seen Gerson all day."
"All right. Progress."
Glitsky ignored him, stepped to the side as he came to the line. "But—and you'll love this—the guys working the case, Russell and Cuneo ..."
"Do I know them?"
"I'd be surprised. Anyway, Lanier checked the sign-in and they hadn't been in over the weekend, or today."
Hardy threw a bull's-eye. "They're not out in the field?"
"Lanier didn't think so. They would have checked in.
We're big on paperwork nowadays. They don't sign in, they get a nasty letter from payroll. Ask me how I know."
Hardy threw the last two darts in quick succession, leaving all three clustered in the middle of the board. He eased himself back up onto
his desk. "They'll probably get to it someday." He paused. "I probably shouldn't tell you this ..."
At the dartboard, pulling the darts again, Glitsky turned around, a question.
"They're snooping around one of my ex-clients who, I need hardly add, had nothing to do with it. You remember John Holiday?"
It didn't take Glitsky two seconds. "The drug guy."
"Right. And two of his friends, all of whom have alibis."
The tumblers fell into place. "The call you got Friday night."
Hardy nodded. "It pains me to admit it, but that was why I was willing to go and peruse the crime scene with you on Saturday, and would do the same today if you were so inclined."
For a long moment, Glitsky considered it, then shook his head. "That's what I came by here thinking we might do, to tell you the truth. But what are we going to do there, except get me in trouble? How do we even get in?"
"You're probably right," Hardy said.
"I'll let Gerson call Sadie first, find out for sure what they've got, if anything. At least get some questions of my own I might want to ask. Why do they like your guy?"
"He doesn't know, and in any case he's not worried about it."
"Except that he called you."
Hardy shrugged. "It was early in the process. He's over it. But his bartender's got a sheet and maybe a squishy alibi. John thinks they were just shaking his tree, see if he knew anything at all."
"And did he?"
"He was bartending a couple of blocks away."
Glitsky frowned. "What's squishy about that?"
"It was evidently a slow night. Few if any customers. He and his partner—the other alleged suspect—they alibi each other, but that's about it."
"And what about your guy, Holiday?"
"He was having dinner with a girlfriend. Chinatown," he added.
"So he's out of it."
A tight smile. "Yep."
"Well." Glitsky pursed his lips, thinking. "If they're even shaking this guy's tree, at least they're doing something."
He let out a heavy breath. "It's not my job. I keep telling myself. I guess I'm just not so good with being patient."
"You're kidding me," Hardy said. "When did that start?"
Matt Creed had been off the past two nights, but now he was back in the beat, walking with both hands in his pockets. Vapor appeared in front of him with every breath he took. The night, outside the glow of the streetlights, was full dark, as it had been about the same time that things had gotten hairy outside of Silverman's last week. That sequence of events had been an unending tape loop in his mind over the weekend—the first shot and simultaneous ricochet by his ear so much louder than anything he'd ever heard with his earphones on at the range. Even now it re-echoed in his memory.
He turned the corner up from Market and on the other side of the street came abreast of the Ark, noticed this time that a dim light emanated from the doorway. Stopping, he tried to force himself to picture, to remember, anything about the previous Thursday. But it was such a nondescript length of street, such an anonymous location, that it had no discrete existence for him at all. There was the plywood in the hole for one window, the tinted blank of the other, the darkened mouth of the doorway. The door itself stood open tonight, but he couldn't for the life of him recall even glancing in the bar's direction when it mattered the most.
Here he was, all dressed up like a cop and really nothing like one. His apparent duty was so far from the reality that it almost made him sick to his stomach. Creed was twenty-two years old and taking courses in criminology at City College during the day. He had taken the assistant patrol special job with WGP Enterprises because it offered decent pay along with the opportunity to attend the Police Academy on, essentially, a Panos scholarship. Creed's plan was to get his AA from City, get training at the PA and experience with Panos, then apply for the regular PD, where he thought he'd have the inside track. His life goal was to become a homicide inspector, and he'd been thinking he was well on his way.
Until last Thursday, when he hadn't seen a damn thing, and of what he'd seen he noticed even less. Although he was the only real witness to any part of the crime, he'd been little enough help, no more than coffee gofer, when Wade Panos—the big boss himself!—had been at Silverman's Thursday night. Even worse, he had a sickening feeling that he'd let himself be manipulated when Roy had come by with the two real-life homicide inspectors. Because he'd so wanted to please them, to be important, he'd picked up the thread of their suspicions and let himself more or less volunteer Randy Wills and Clint Terry as suspects.
Creed had run into Randy Wills a few times in the Ark, but he didn't know him except to nod at. Terry, on the other hand, was a pretty good guy who, back when they'd still been clients in the beat, had often given Creed a free coffee or a Coke when he'd stopped in. In reality, he hadn't seen enough of the two forward runners in his chase last week to say for sure whether or not they were two-headed Martians. And as to the shooter? Sure, he'd seemed like a pretty good-size guy, but again, running away at seventy-five feet in the dark and wearing a heavy coat against the weather, he could have been anybody. Hell, he could have been a she.
But now Creed worried that he might have helped direct the homicide cops to some innocent people. More, because it had been so nonspecific, he didn't know how to undo what he might have done.
Suddenly, he found himself standing inside the Ark. It was Monday night, slow as death, two patrons at the bar, and the huge, really hulking form of Clint Terry stood behind it, right up by him, by the front door. Suddenly, force-fully, it struck him that the shooter surely couldn't have been that big. Creed would have retained that as a positive memory rather than a vague sense.
"Hey, Matt. Checking up on us? You cold?"
"It's not warm, Clint."
"I've got some go-cups. You want one? Two sugars and cream, right?"
"That'd be good, thanks. Everything okay in here?"
"Good." A pause. "Roy was in here the other night with a couple of inspectors from homicide."
"Yeah, they told me. The Silverman thing, huh?"
"That's what he said. I was working here, though, just at that time. You might remember."
"I never crossed over, Clint. Never looked in. Sorry."
"Yeah, well, it probably don't matter. The cops haven't been back, but listen, from now on, you want to poke your head in here when you pass, the coffee's on me."
The cup did warm him up, but neither Clint's hospitality nor the steaming brew made him feel much better. By the time he got to Ellis, he'd pretty much decided he would have to talk to Russell and Cuneo, back off from his earlier stance. And this might be his opportunity now. The lights were on at Silverman's.
When abreast of the door, Creed saw an old man sitting on a chair by the counter, an old woman standing in the center aisle facing the shelves, writing on a clipboard. For a few seconds, he watched them. They appeared relaxed if somewhat subdued, and were having some kind of conversation between the woman's notes. When Creed knocked on the glass, it startled both of them, but then they noticed the uniform and the woman came to the door and unlocked it.
"Can I help you?" she asked. To Creed, she looked to be in her late sixties, early seventies. Her face was sharp-featured, birdlike under her wispy white hair. He would be surprised if she weighed more than a hundred pounds. But there wasn't anything frail or timid about her. Her eyes—no glasses—narrowed down critically at him.
"I was going to ask you the same thing," Creed said.
"How would you be able to help me? You're with WGP, aren't you?" She peered closely at the name tag over his pocket. "Well, Mr. Creed, I'm Sadie Silverman, Sam's wife.
We're not with the beat anymore."
"Yes, ma'am, I realize that. I just saw the light and ..."
He came to an end, shrugged.
Suddenly the man was up with both of them. He put a hand on Sadie's shoulder, pulled the door open, and motioned Creed inside. "I'm Nat Glitsky," he sa
id, extending his hand. "A friend of the family. We thought it would be smart to take an inventory. Were you here the night it happened?" He closed the door, threw the deadbolt.
"Yes, sir. I was the ..." Again, he stopped. "I discovered the body," he said.
"Do you know if the police took anything?"
"No. I don't think so. From the shelves, you mean?"
"They haven't told me anything," Sadie snapped. "I can't get anybody to call me back. I just came down here with Nat and opened up myself."
Nat laid a hand on the woman's arm. "All they told Sadie was that Sam had been killed in a robbery attempt.
Three men, apparently. Did you see them?"
Creed temporized. "From a distance. One of them shot at me twice. I chased them but couldn't catch up."
"So if you'd come by just a couple of minutes earlier ..."
Sadie let out a heavy breath. "What about these robbers, these killers? Why did they pick here? Why was it Sam who ..."
A small tremor began in her jaw, and Nat put an arm over her shoulders. "It's all right, Sadie; it's all right." He walked her back to the chair he'd been sitting in by the jewelry case, sat her down, then turned and came halfway back down the center aisle, to where Creed was now standing. "It would be nice to know if anybody's interested in what happened here," he said. "That's all. Is anybody looking for who did this?"
"They're looking. The inspectors came by and interviewed me on Friday night."
"And what did you tell them? What did you know?"
"Pretty much what I told you. Three guys. At least one of them with a gun. Mr. Panos thought they probably got away with Mr. Silverman's bank deposit. This old leather pouch he was supposed to be carrying."
"That's what it was," Sadie said. "Thursday was his deposit night."
"Who's Mr. Panos?" Nat asked.
"My boss," Creed said.
Sadie had recovered enough to stand up again. "He owns the security patrol we used to pay. But he raised his rates last summer and we had to drop it."
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