Viriconium

by Michael John Harrison

  “I’ve seen worse,” said the dwarf speculatively, as if he wondered whether he had. He wore his leather hat at a queer angle; his arms were empurpled with the cold.

  The wreckage of an ancient landscape lay across their path.

  The metaphysical disputes of the late Afternoon Cultures, raging here across the floodplain of some vanished river, had turned it into a corridor of black ash strewn with rounded stones. It was zoned and undulating; in places stripped to the underlying rock, ten or twenty feet thick in others. Every summer a little more of it dried up and blew away into the waste. Some of the stones were quite large, some no bigger than a fist, and each stood on a little pediment of wind-smoothed ash. Some isolated colonies of bilberry and ling grew here and there, raised by the same erosive process until they resembled a chain of hairy islets. Outlier or prefigurement of the deeper waste to come, it was a little less than two miles wide, and across it could be seen the cracked buttresses of the Agdon Roches, brushed at their summits with rosy light. A thin white mist flowed down the gullies and stony cloughs at their feet, drifting through the hanging oakwoods and filling up the village street so that only the roofs and upper storeys of the cottages were visible. Through the still air a dog could be heard barking; sheep bleated from the intakes. In a small field stood one cow. All this one might almost have touched, so precisely enamelled did it seem on the bright surface of the air: but Fay Glass would make no move towards it.

  “She is frightened of the maze.”

  “And yet,” said Fulthor, returning from a brief foray, “her own people must have made it.” Damp ash was caked between the fingers of his gauntlets. The discovery of the earthwork had filled him with an obscure excitement. Her subsequent refusal to enter or even pass it seemed only to have sharpened this. “They were obsessed by patterns, those who came north in the final desperate days of the Resurrection determined to discover a way back.” He smiled whitely. “As if the fingers of the Past do not already brush our cheeks, waking or sleeping—” He stared back into the maze. “She is a child, I’m afraid.”

  (“We gave them life,” the dwarf said. “How were we to know they would go mad?” No one answered him.)

  “It is not just the woman,” said Cellur. “I feel it too.” And he looked out over the little strip of land. “Error is piled on error.”

  “Nevertheless, we go through,” announced Fulthor, setting the madwoman on her horse.

  “There. You shall sit safely. It was bravely done to guide us so far.”

  She looked at him as if he were a stone.

  The basic earthwork, cut into the compacted ash, was supplemented partly by piles of stones, partly by raised banks or dykes: the whole being roughly radial in character and some fifteen feet deep. Are we to guess its purpose? In the Time of the Locust sign and substance become fatally blurred together: it was not so much a maze, perhaps, as a great ideogram, a design representing some barely achievable state of mind; but this said, we have said nothing. Down in the trenches the ash showed evidence of regular traffic, and cold, damp airs moved purposelessly. Fulthor’s motives were unclear. He could equally well have crossed the plain to reach the village. He would not discuss this. He became lost but was slow to admit it. When he did, the girl would not help him, though she had plainly been in the maze before. He set Tomb to climbing one of the walls, but the stuff fell away in fibrous lumps when he was near the top and he slid down in a shower of it without having seen anything. “I seemed to be facing south.”

  Thereafter, they travelled at random.

  An hour passed (they came upon the hoofprints of their own animals, travelling in the opposite direction) and then another.

  A bird flying overhead; the exchange of arguments at a junction; all normal events receded and became stripped of meaning. Queer contractile sensations in Hornwrack’s skull recalled to him his colourless Low City fevers with their intimations of failure and death. (At these times a desultory buzzing had filled his ears, as of a wasp trapped among the dry geraniums in some airless attic: he heard it now.) Looking uncomfortably round he saw that the others were similarly affected. The whole party had halted. Near him the dwarf was shaking his big head about and blinking desperately. Fay Glass had somehow fallen off her horse and lay on the ground glaring madly up at the sky. The walls of the maze began to mutate, and beckoned Hornwrack with limbs like the first delicately curled fronds of a fern in spring. Now the world toppled sideways with a jolt, as it sometimes does on the verge of sleep. Simultaneously he began to perceive it as if through a cluster of tiny hexagonal lenses: for a moment he looked out with horror onto a faceted universe. He could make nothing of it. He thought he was dying.

  Fay Glass vomited suddenly, leapt to her feet, and ran off down the passage. Hornwrack followed more slowly, leading his horse, concentrating very carefully in case the ground should tilt further and spill him off into the mosaic void he now conceived to be surrounding him. He could hear the other three tottering along behind him, crying out like the newly blind.

  The maze, he now understood, had lain in wait for him since his flight from the Bistro Californium, its centre coexistent with the hub of that affair. As he struggled down its cindery passageways he imagined himself stabbed again and again, a half-successful execution presided over by the mad laughter of the poet Ansel Verdigris. He lost his horse. Clutching the phantom wound in his side he groaned and drew his flawed steel knife (as if a gesture remembered from one maze might release him from the complexities of another). Despairing, he stumbled out into a circular space about thirty feet across, where he was relieved abruptly of the mosaic universe and saw normally again. This central stage or arena was raised a few inches above the level of the surrounding maze, and in the middle of it there waited an insect larger than a man—

  The violation, if there was one, was hieratic, notional. Fay Glass lay like a corpse. The creature crouched over her. It resembled no insect Hornwrack had ever seen but was rather a composite of all insects . From its segmented thorax, which was of a curious smoky yellow colour and as shiny as lacquered bamboo, sprang the veiny wings of the ichneumon fly, the wedge-shaped mask of the common wasp, the mysterious upcurved abdomen of the mantislike a symbol from a forbidden language. Its eyes were lit from within, or seemed to be. They were pale green, and streaked with orange. A mass of palps and maxillae hung beneath its head, clattering spasmodically. He thought of the wasteland grasshopper with its serrated legs and arid stridulations. He thought of flight through vast abandoned regions, and the world he knew fell away from him so suddenly that he was sick. When he could see again, the madwoman had come back to life.

  She made no attempt to get from beneath the insect, but, like something emerging painfully from a larval stage, groped and writhed about until she lay on her stomach, her neck twisted so that her white motionless face was turned to the assassin.

  “I,” she said, and retched dryly. She licked her lips. “We.”

  “I can’t help you,” said Hornwrack.

  The insect, he saw, was damaged. The raised and elongated prothorax from which issued its frail forelimbs was covered in cuts and gouges, some of them deep enough to reveal the whitish stored fat beneath. Crusted secretions rimmed its unearthly eyes. From time to time it scraped aimlessly in the ashes at its feet or beat wildly its filmy wings.

  “We see your world,” said the madwoman. “Killing is all dead world. World killed. We are all killed here.”

  Her voice was flat and mournful. It seemed to come from a huge distance away. In the pauses between the words Hornwrack himself became an insect. He flew through the great derelict spaces, shaken by compulsions he did not understand. Many others were there with him. A hunger drove them, presiding and unproductive. They fell into a choking air and were consumed.

  “We now press your heads. Our words are pressing your heads. Your world presses us. Oh. Gah.”

  The creature flailed its forelimbs against the ground until one of them fell off.

 
“Gah,” said Fay Glass. “Help. Oh.”

  Hornwrack rushed forward and tried to haul her from under the clattering mandibles. She would not come. He felt the huge triangular mask dip toward him. He shouted and ran away again, slashing out blindly with his knife. Tomb the Dwarf came out of the maze and touched his elbow. They both ran forward and this time pulled her out. The dwarf lost his hat. “I. We. Oh,” whined Fay Glass, while the insect’s nervous system underwent some fresh deterioration, causing it to writhe, fan the air, and curl its abdomen repeatedly over its head. These spasms were replaced by a curious immobility, which in turn affected the madwoman. She lay on the floor like a pupating grub, the ends of her fingers bleeding where she had bitten them. The insect looked like a great enamelled brooch dug up from some depraved old city. Hornwrack and the dwarf watched it warily. It stared back, its eyes enigmatic, crusted. A faint smell of lemons hung about it, and behind that, rotting cabbage.

  “It sees us,” whispered Tomb. He licked his lips. “What did she say?” Then: “Can it see us?”

  Hornwrack was too out of breath to speak.

  The Reborn Men do not think as we do, but live—pursued by an incomprehensible past—among distempered waking dreams. Alstath Fulthor wandered into the centre of the maze from quite another entrance, his gait stilted. He stared at the insect in astonishment, flung a hand up in front of his face; a long groan came out of his mouth. He looked like some exotic mantis in his blood-red armour. Attracted perhaps by this, the insect turned with a clack clack of coxal joints to face him. (Hornwrack and the dwarf were now able to see the curious markings on its abdomen, the three black diagonal bars or fascia running across each wing.) He walked round it, groaning, his head working as if his neck contained bent clockwork. Plainly he thought he was in a dream of the Afternoon, for he murmured to himself of Arnac san Tehn and the “Yellow Gardens.” Now they faced one another again, and if Fulthor looked like an insect, then the thing before him with its hacked yellow prothorax resembled an armoured man. Fulthor glanced down at the energy blade spitting and fizzing in his hand. He hit the insect across the head with it, bursting an eye, cutting into the thorax, and shearing off one of its legs.

  It fell over on its side and dragged itself round in a circle, a high whining sound coming from its wings. Fay Glass darted about, shrieking. Fulthor hit it again; watched its redoubled frenzies with his head tilted intelligently on one side; then dropped his weapon, which immediately began fusing the ash around it into glass. “Oh, the great cups!” he cried. “The thousand flowers and roses! The thought with the force of a sensation!” He stared imploringly over at Hornwrack, then picked up his sword again and ran off into the maze, his eyes wide and his body leaning at an incredible angle to the vertical.

  The mutilated insect had fetched up against one of the cindery walls and was trying to climb it. Ash showered down. Fay Glass wept, “Wait, we are killed here. Vienna, Blackpool, Venice, drown in their own tears. Press our world. Oh. Oh.” Above her head there materialised suddenly the ghost of Benedict Paucemanly, flabby face full of fear. It grimaced apologetically— “Fenlen! Fenlen!”—and was carried away on some psychic current, waving its arms. Dark clouds had blown up from the west, and now a scatter of hard snow filled the grey air, pattering off the carapace of the insect, which lay motionless in a corner, a flicker of orange animating its remaining eye. The ground was ploughed up all around it. Fay Glass, exhausted, was walking round and round the central area with her hands over her face, moaning.

  Hornwrack stared at the churned earth, the wreckage of the insect. He shuddered.

  “Look after her,” he told Tomb the Dwarf. “Try and find Cellur. Tell him about this. He may understand what is happening here.” And with that he set off into the maze in search of the Reborn Man.

  8 GALEN HORNWRACK AND THE NEW INVASION

  Down ran Alstath Fulthor, last representative of his House, a scarlet figure with a stride like an ostrich’s; and down ran Hornwrack the assassin after him, the breath rattling in his lungs. The maze was behind them, the village before. In the maze, fearing the hidden junction, the sudden mad leap and mantid clutch, the bared teeth of an ambush, Hornwrack had drawn the old sword; out there on the plain it dragged down his arm. Westward the land was all as dark as the sky, long black salients reaching back beneath the cold clouds, their flanks scored by steep-sided valleys and dotted with piles of haunted stones. In the east a little of the early brightness remained to pick out the shattered towers of the Agdon Roches, to touch the escarpment and its oakwoods with a lichenous grey. Mist still choked the village beneath, thick and slow, but a new wind had stirred out in the waste and was beginning to tease its edges out in streamers, like sheep’s wool caught on a fence. The light infused these strands with a delicate yellow, and they smelt strongly of lemons.

  Alstath Fulthor flung up his arms and was engulfed. Hornwrack followed, with a desperate cry.

  The mist enwrapped them; it stuffed their lungs with cotton wool. They passed like two coughing ghosts along the silent village street. The cottages that loomed on either side were tenantless, dusty, and cold, their front doors lodged open and creaking in the small winds which seemed to inhabit the inside of the mist. From the empty rooms behind issued dry smells. Birdlime was spattered beneath the eaves, and the gutters were choked with old nests. Sacking lifted in the wind; lifted, dropped, and lifted again.

  Alstath Fulthor drew ahead. He became a shadow, and then only a thud of footfalls. Hornwrack ran on, isolated and a little afraid. Death, he saw, had been there before them; perhaps a month, perhaps two months before. A dead man hung half in and half out of a broken window beneath the spattered eaves. Another sat like a bundle of sticks propped up in the angle of a stone wall. They observed one another dryly, as if some old joke had recently passed between them. Their weapons were orange with rust but their bodies, instead of decomposing, seemed to have shrunk, and were as intact as tight old sheaves of straw tied up in ancient sacking; as though the mist in advancing one process of decay had retarded the other. The village was full of corpses, staring out of doorways, caught in contorted attitudes on the grass round the horse trough—looking surprised or complacent or out of breath. Others had drawn their knives and had been about to throw themselves on some enemy. A few children had fallen down during a game in which they followed one another stealthily among the houses, hands held hooked above their heads.

  “They sail inland all night,” thought Hornwrack, and for a moment the face of St. Elmo Buffin came into his mind, decent, puzzled, wistful. “Where they are going we do not know—”

  They had been coming here. Wherever they had come from they had ended up here, standing at salient junctions like abandoned machines, their broken antennae and cracked wings dangling in the wind, their compound eyes as dull as stones. Patches of corruption darkened the ground beneath them like tarry shadows, as if vital fluids had bled slowly from abdomen and thorax to fertilize a crop of bluish mushrooms and unearthly moulds before drying up altogether. With this desiccation had come the slow retreat of the intelligence into the husk, the drying up of the violent insectile telepathies received by Hornwrack and the others in the maze, those incidental broadcasts from the mosaic universe which had driven Buffin’s sailors to burn their own ships or drown themselves in the fog-bound sea.

  At night, its mad energy not quite spent, a disembodied head bounced down the gutters of Hornwrack’s Low City dreams, accompanied by the laughter of the crackpot poet: plainly it had originated here among these dilapidated hulks, one out of three of which had fallen under the energy blades of the Reborn villagers and, curious viscera exposed in section, now lay surrounded by a litter of amputated limbs. Someone had cut it off and sent it south as a call for help. The rest of them, though they showed a few shallow cuts and scrapes made by less-exotic weapons—like violent scribbles on a lacquered screen—had evidently succumbed to the same disease as the lone survivor in the maze. Crusted discharges had swollen their joints. Strin
gs of hardened mucus hung from the curious appendages attached by leather straps to their facial parts. They faced one another in the mechanistic postures of their death, and a faint whisper of telepathy was draped about them like a cobweb. It touched the inside of his skull as he ran dreaming between them, afraid they would come back to life if he lingered.

  He ducked beneath a complicated snout. He pushed aside a canted crackling wing. He waved the old sword about until his arm ached. Later he might recall this: now he knew nothing. The wings of the wasteland locust rustled uneasily in his head, gathering for some vast migration. He no longer cared about Alstath Fulthor, running ahead in the mist. He leapt and sang like a grasshopper, and his progress had become a flight.

  Alive or dead, he managed to think, they have altered the earth; they have changed it manifestly. Something has come into it . . .

  . . . And thinking this, emerged from the village. It was like a door opening and closing. When he looked back the mist was streaming away along the foot of the escarpment in the new wind, and the three small figures of Cellur, Tomb, and Fay Glass, issuing uncertainly from the maze, had begun to cross the plain.

  Hornwrack and Fulthor confronted in a stony cleft among dwarf birch and oak. A chalky light, slanting down between the brittle boughs onto banks of heather and bilberry, revealed the Reborn Man sitting quietly on an unfinished millstone, his features as white and careworn as those of a praying king. A pied bird absorbed his attention: it hopped from stone to stone, tilting its small bright eye to watch him. Chill airs rattled the twigs above his head, stirred his yellow hair. The baan in his hand flickered like a firework in the hand of a child; he had forgotten it. Votive and calm in his scarlet armour, he looked like the invalid knight in the old painting; and the overhanging towers of the Agdon Roches, with their silent gullies and damp sandy courses, rose up behind him through a screen of black branches like the buttresses of an ancient chapel.