Call not my name, nor heed if thine I crave;
So shalt thou sink through mitigated night
And bathe thee in the all-effacing wave.
But upward still thy perilous footsteps fare
Along a high-hung heaven drenched in light,
Dilating on a tide of crystal air
That floods the dark hills to their utmost height.
Strange hour, is this thy waning face that leans
Out of mid-heaven and makes my soul its glass?
What victory is imaged there? What means
Thy tarrying smile? Oh, veil thy lips and pass!
Nay--pause and let me name thee! For I see,
Oh, with what flooding ecstasy of light,
Strange hour that wilt not loose thy hold on me,
Thou’rt not day’s latest, but the first of night!
And after thee the gold-foot stars come thick;
From hand to hand they toss the flying fire,
Till all the zenith with their dance is quick,
About the wheeling music of the Lyre.
Dread hour that leadst the immemorial round,
With lifted torch revealing one by one
The thronging splendors that the day held bound,
And how each blue abyss enshrines its sun--
Be thou the image of a thought that fares
Forth from itself, and flings its ray ahead,
Leaping the barriers of ephemeral cares,
To where our lives are but the ages’ tread,
And let this year be, not the last of youth,
But first--like thee!--of some new train of hours,
If more remote from hope yet nearer truth,
And kin to the unfathomable powers.
"Life." Atlantic Monthly 102 (Oct. 1908): 501-04.
NAY, lift me to thy lips, Life, and once more
Pour the wild music through me--
I quivered in the reed-bed with my kind,
Rooted in Lethe-bank, when at the dawn
There came a groping shape of mystery
Moving among us, that with random stroke
Severed, and rapt me from my silent tribe,
Pierced, fashioned, lipped me, sounding for a voice,
Laughing on Lethe-bank--and in my throat
I felt the wing-beat of the fledgeling notes,
The bubble of godlike laughter in my throat.
Such little songs she sang,
Pursing her lips to fit the tiny pipe,
They trickled from me like a slender spring
That strings frail wood-growths on its crystal thread,
Nor dreams of glassing cities, bearing ships.
She sang, and bore me through the April world
Matching the birds, doubling the insect-hum
In the meadows, under the low-moving airs,
And breathings of the scarce-articulate air
When it makes mouths of grasses--but when the sky
Burst into storm, and took great trees for pipes,
She thrust me in her breast, and warm beneath
Her cloudy vesture, on her terrible heart,
I shook, and heard the battle.
But more oft,
Those early days, we moved in charmed woods,
Where once, at dusk, she piped against a faun,
And one warm dawn a tree became a nymph
Listening; and trembled; and Life laughed and passed.
And once we came to a great stream that bore
The stars upon its bosom like a sea,
And ships like stars; so to the sea we came.
One wild pang through me; then refrained her hand,
And whispered: "Hear--" and into my frail flanks,
Into my bursting veins, the whole sea poured
Its spaces and its thunder; and I feared.
We came to cities, and Life piped on me
Low calls to dreaming girls,
In counting-house windows, through the chink of gold,
Flung cries that fired the captive brain of youth,
And made the heavy merchant at his desk
Curse us for a cracked hurdy-gurdy; Life
Mimicked the hurdy-gurdy, and we passed.
We climbed the slopes of solitude, and there
Life met a god, who challenged her and said:
"Thy pipe against my lyre!" But "Wait!" she laughed,
And in my live flank dug a finger-hole,
And wrung new music from it. Ah, the pain!
We climbed and climbed, and left the god behind.
We saw the earth spread vaster than the sea,
With infinite surge of mountains surfed with snow,
And a silence that was louder than the deep;
But on the utmost pinnacle Life again
Hid me, and I heard the terror in her hair.
Safe in new vales, I ached for the old pang,
And clamoured "Play me against a god again!"
"Poor Marsyas-mortal--he shall bleed thee yet,"
She breathed and kissed me, stilling the dim need.
But evermore it woke, and stabbed my flank
With yearnings for new music and new pain.
"Another note against another god!"
I clamoured; and she answered: "Bide my time.
Of every heart-wound I will make a stop.
And drink thy life in music, pang by pang.
But first thou must yield the notes I stored in thee
At dawn beside the river. Take my lips."
She kissed me like a lover, but I wept,
Remembering that high song against the god,
And the old songs slept in me, and I was dumb.
We came to cavernous foul places, blind
With harpy-wings, and sulphurous with the glare
Of sinful furnaces--where hunger toiled,
And pleasure gathered in a starveling prey,
And death fed delicately on young bones.
"Now sing!" cried Life, and set her lips to me.
"Here are gods also. Wilt thou pipe for Dis?"
My cry was drowned beneath the furnace roar,
Choked by the sulphur-fumes; and beast-lipped gods
Laughed down on me, and mouthed the flutes of hell.
"Now sing!" said Life, reissuing to the stars;
And wrung a new note from my wounded side.
So came we to clear spaces, and the sea.
And now I felt its volume in my heart,
And my heart waxed with it, and Life played on me
The song of the Infinite. "Now the stars," she said.
Then from the utmost pinnacle again
She poured me on the wild sidereal stream,
And I grew with her great breathings, till we swept
The interstellar spaces like new worlds
Loosed from the fiery ruin of a star.
Cold, cold we rested on black peaks again,
Under black skies, under a groping wind,
And life, grown old, hugged me to a numb breast,
Pressing numb lips against me. Suddenly
A blade of silver severed the black peaks
From the black sky, and earth was born again,
Breathing and various, under a god’s feet.
A god! A god! I felt the heart of Life
Leap under me, and my cold flanks shook again.
He bore no lyre, he rang no challenge out,
But Life warmed to him, warming me with her,
And as he neared I felt beneath her hands
The stab of a new wound that sucked my soul
Forth in a new song from my throbbing throat.
"His name--his name?" I whispered, but she poured
The music faster, and I grew with it,
Became a part of it, while Life and I
Clung lip to lip, and I from her wrung song
As she from me, one song, one ecstasy,
In indistinguishable union blent,
> Till she became the flute and I the player.
And lo! the song I played on her was more
Than any she had drawn from me; it held
The stars, the peaks, the cities, and the sea,
The faun’s catch, the nymph’s tremor, and the heart
Of dreaming girls, of toilers at the desk,
Apollo’s challenge on the sunrise slope,
And the hiss of the night-gods mouthing flutes of hell--
All, to the dawn-wind’s whisper in the reeds,
When Life first came, a shape of mystery,
Moving among us, and with random stroke
Severed, and rapt me from my silent tribe.
All this I wrung from her in that deep hour,
While Love stood murmuring: "Play the god, poor grass!"
Now, by that hour, I am a mate to thee
Forever, Life, however spent and clogged,
And tossed back useless to my native mud!
Yea, groping for new reeds to fashion thee
New instruments of anguish and delight,
Thy hand shall leap to me, thy broken reed,
Thine ear remember me, thy bosom thrill
With the old subjection, then when Love and I
Held thee, and fashioned thee, and made thee dance
Like a slave-girl to her pipers--yea, thou yet
Shalt hear my call, and dropping all thy toys
Thou’lt lift me to thy lips, Life, and once more
Pour the wild music through me--
"All Souls." Scribner’s Magazine 45 (Jan. 1909): 22-23. BY EDITH WHARTON
A THIN moon faints in the sky o’erhead,
And dumb in the churchyard lie the dead.
Walk we not, Sweet, by garden ways,
Where the late rose hangs and the phlox delays,
But forth of the gate and down the road,
Past the church and the yews, to their dim abode.
For it’s turn of the year and All Souls’ night,
When the dead can hear and the dead have sight.
Fear not that sound like wind in the trees:
It is only their call that comes on the breeze;
Fear not the shudder that seems to pass:
It is only the tread of their feet on the grass;
Fear not the drip of the bough as you stoop:
It is only the touch of their hands that grope--
For the year’s on the turn, and it’s All Souls’ night,
When the dead can yearn and the dead can smite.
And where should a man bring his sweet to woo
But here, where such hundreds were lovers too?
Where lie the dead lips that thirst to kiss,
The empty hands that their fellows miss,
Where the maid and her lover, from sere to green,
Sleep bed by bed, with the worm between?
For it’s turn of the year and All Souls’ night,
When the dead can hear and the dead have sight.
And now that they rise and walk in the cold,
Let us warm their blood and give youth to the old.
Let them see us and hear us, and say: "Ah, thus
In the prime of the year it went with us!"
Till their lips drawn close, and so long unkist,
Forget they are mist that mingles with mist!
For the year’s on the turn, and it’s All Souls’ night,
When the dead can burn and the dead can smite.
Till they say, as they hear us--poor dead, poor dead!--
"Just an hour of this, and our age-long bed--
Just a thrill of the old remembered pains
To kindle a flame in our frozen veins,
Just a touch, and a sight, and a floating apart,
As the chill of dawn strikes each phantom heart--
For it’s turn of the year and All Souls’ night,
When the dead can hear, and the dead have sight."
And where should the living feel alive
But here in this wan white humming hive,
As the moon wastes down, and the dawn turns cold,
And one by one they creep back to the fold?
And where should a man hold his mate and say:
"One more, one more, ere we go their way"?
For the year’s on the turn, and it’s All Souls’ night,
When the living can learn by the churchyard light.
And how should we break faith who have seen
Those dead lips plight with the mist between,
And how forget, who have seen how soon
They lie thus chambered and cold to the moon?
How scorn, how hate, how strive, we too,
Who must do so soon as those others do?
For it’s All Souls’ night, and break of the day,
And behold, with the light the dead are away. . . .
"Ogrin the Hermit." Atlantic Monthly 104 (Dec. 1909): 844-48.
Vous qui nous jugez, savez-vous quel boivre nous avons bu sur la
mer?
Ogrin the Hermit in old age set forth
This tale to them that sought him in the extreme
Ancient grey wood where he and silence housed:
Long years ago, when yet my sight was keen,
My hearing knew the word of wind in bough,
And all the low fore-runners of the storm,
There reached me, where I sat beneath my thatch,
A crash as of tracked quarry in the brake,
And storm-flecked, fugitive, with straining breasts
And backward eyes and hands inseparable,
Tristan and Iseult, swooning at my feet,
Sought hiding from their hunters. Here they lay.
For pity of their great extremity,
Their sin abhorring, yet not them with it,
I nourished, hid, and suffered them to build
Their branched hut in sight of this grey cross,
That haply, falling on their guilty sleep,
Its shadow should part them like the blade of God,
And they should shudder at each other’s eyes.
So dwelt they in this solitude with me,
And daily, Tristan forth upon the chase,
The tender Iseult sought my door and heard
The words of holiness. Abashed she heard,
Like one in wisdom nurtured from a child,
Yet in whose ears an alien language dwells
Of some far country whence the traveller brings
Magical treasure, and still images
Of gods forgotten, and the scent of groves
That sleep by painted rivers. As I have seen
Oft-times returning pilgrims with the spell
Of these lost lands upon their lids, she moved
Among familiar truths, accustomed sights,
As she to them were strange, not they to her.
And often, reasoning with her, have I felt
Some ancient lore was in her, dimly drawn
From springs of life beyond the four-fold stream
That makes a silver pale to Paradise;
For she was calm as some forsaken god
Who knows not that his power is passed from him,
But sees with tranced eyes rich pilgrim-trains
In sands the desert blows about his feet.
Abhorring first, I heard her; yet her speech
Warred not with pity, or the contrite heart,
Or hatred of things evil: rather seemed
The utterance of some world where these are not,
And the heart lives in heathen innocence
With earth’s innocuous creatures. For she said:
"Love is not, as the shallow adage goes,
A witch’s filter, brewed to trick the blood.
The cup we drank of on the flying deck
Was the blue vault of air, the round world’s lip,
Brimmed with life’s hydromel, and pressed to ours
By myriad
hands of wind and sun and sea.
For these are all the cup-bearers of youth,
That bend above it at the board of life,
Solicitous accomplices: there’s not
A leaf on bough, a foam-flash on the wave,
So brief and glancing but it serves them too;
No scent the pale rose spends upon the night,
Nor sky-lark’s rapture trusted to the blue,
But these, from the remotest tides of air
Brought in mysterious salvage, breathe and sing
In lovers’ lips and eyes; and two that drink
Thus onely of the strange commingled cup
Of mortal fortune shall into their blood
Take magic gifts. Upon each others’ hearts
They shall surprise the heart-beat of the world,
And feel a sense of life in things inert;
For as love’s touch upon the yielded body
Is a diviner’s wand, and where it falls
A hidden treasure trembles: so their eyes,
Falling upon the world of clod and brute,
And cold hearts plotting evil, shall discern
The inextinguishable flame of life
That girdles the remotest frame of things
With influences older than the stars."
So spake Iseult; and thus her passion found
Far-flying words, like birds against the sunset
That look on lands we see not. Yet I know
It was not any argument she found,
But that she was, the colour that life took
About her, that thus reasoned in her stead,
Making her like a lifted lantern borne
Through midnight thickets, where the flitting ray
Momently from inscrutable darkness draws
A myriad-veined branch, and its shy nest
Quivering with startled life: so moved Iseult.
And all about her this deep solitude
Stirred with responsive motions. Oft I knelt
In night-long vigil while the lovers slept
Under their outlawed thatch, and with long prayers
Sought to disarm the indignant heavens; but lo,
Thus kneeling in the intertidal hour
’Twixt dark and dawning, have mine eyes beheld
How the old gods that hide in these hoar woods,
And were to me but shapings of the air,
And flit and murmur of the breathing trees,
Or slant of moon on pools--how these stole forth,
Grown living presences, yet not of bale,
But innocent-eyed as fawns that come to drink,
Thronging the threshold where the lovers lay,
In service of the great god housed within
Who hides in his breast, beneath his mighty plumes,
The purposes and penalties of life.
Edith Wharton's Verse, 1879-1919, from various journals. Page 6