"And these are the people who will shape this golden era, the people who will make this age-old dream a reality."
"If they can ever learn to wake up without screaming," a Saintz-Raddison man said, and the viewing room erupted into laughter.
Drowned out by the mirth, the narration continued: "These are the men and women of the new frontier, whose bold spirit of adventure and dedication to the future will literally win worlds for them and their children."
The camera's point of view had moved onto the cruiser's bridge now, and looked out a viewscreen that would make the one on which it was projected look like a postage stamp, had it ever existed. But it was pure fiction; the bridges of CoDominium cruisers were not built for the view. In the mythical viewscreen, a blue-green sphere loomed, graphic enhancements (and probably subliminal encoding) making it a hundred times more appealing than any tiresomely familiar snapshots of the blue-white old maid that was Earth.
"For this frontier is a place where all the old freedoms are alive and well." The voice paused, which was a mistake.
"Freedom to bleed, freedom to starve, freedom to die in childbirth, freedom to sell your daughters for scotch." The BuReloc woman was giggling as she counted off the points on perfectly manicured nails. Eventually she lost her composure, and her friend hugged her to stifle gales of laughter.
The camera pulled back to show a farmwork-hardened colonist straighten up over his hoe to stretch luxuriantly, and regard with pride the open fields, evidently his, that stretched on for miles.
"And where a man can have all the land he will ever need."
The entire audience, pushed to the brink by the past few minutes' comments, erupted into guffaws and howls of amusement.
"Yeah, a six-foot plot!" Callan couldn't help himself; the film was a huge success, and the party had apparently started early.
The camera panned up, into a starlit, indigo sky, and the Great Seal of the CoDominium faded into view, with the narrator's tag line:
"The CoDominium's Bureaus of Colonization. Renewing the dreams of our forefathers, every day."
The lights came up as the laughter died down, the audience composing itself as its constituent members tapped out notes on datapads, chuckling to the person next to them.
"Oh, boy, that's great stuff." Callan pushed his glasses up on his nose as he entered figures for minimum police strengths required for the next days' round-up in London's Trafalgar Square. A rally to protest Britain's acceptance of Bureau of Relocation aid in various social programs would allow a vast number of English-speaking colonists to be gathered and send a clear signal to the rest of the United Kingdom. The police would be CoDo, of course; had to keep it non-partisan. And best to draw them from the Russian half. It would do everybody good 'to remind the world that the old bear still had teeth.
He looked across Paulsen to see Scott Saintz wearing a pained smile as he listened to Paulsen.
"But, Mr. Paulsen," Saintz was explaining, "you must understand; our people spent a long time on those CoDo ships and colonies. They're just blowing off steam."
Paulsen was shaking his head. "I still don't see what's so funny."
Saintz's gaze flickered to Callan in a clear plea for help.
"Is there a problem, Mr. Paulsen?" Callan asked neutrally; he liked Saintz, but surviving unexpected disapproval by superiors was the hallmark of the successful bureaucrat.
Paulsen shook his head again. "There's nothing wrong with the film; it's an excellent piece of work. I'm just puzzled by the reaction of Mr. Saintz's people. And yours too, for that matter, Mr. Callan."
Callan had to choke back a laugh of his own. "Ah, yes. Well, Mr. Paulsen, in any public relations venture, a certain amount of embellishment is always necessary, to-"
Paulsen cut him off. "Embellishment?"
Callan's mouth was open; he shut it with an audible pop. What was Paulsen saying? That he believed conditions on all CoDo ships were like that? That all CoDo colonies were like that? Had Paulsen somehow missed the open secret-that those ships were, in fact, claustrophobic steel coffins bulk-freighting human refuse to backwater wastelands, pausing only long enough to jettison their miserable cargo, leaving them to scrabble for survival or die, and heading back to pick up another load of forced deportees?
Paulsen began closing up his own datapads and-an incredible anachronism-paper notebook. "It's a very good advertisement, gentlemen," Paulsen said. "Very good indeed. I see no reason to withhold Bureau of Information approval for its distribution."
Paulsen stood, looking down at them as he rebuttoned his jacket. "We've a lot of work ahead of us in the years to come. These riots and roundup measures are effective, from a bulk point of view. But the best colony worlds are getting the best citizens. BuReloc's getting the dregs of humanity, and that simply won't do if we're to build real worlds out there." Paulsen looked back at the blank screen, his smile almost wistful. "Something like this will encourage the brighter ones who can't afford citizenship on the better colonies to take a chance on the more marginal ones."
Callan was frowning, puzzled. "Excuse me, Mr. Paulsen; but what kind of person even remotely worthy of the the term 'bright' would willingly go to a place like Tanith, or Folsom's World, or Haven?"
Paulsen shrugged. "Oh, someone who saw your ad and thought it a transparent lie. Someone who thought they could go to those worlds and organize a union, or form a political party." Paulsen smiled down at him, and the dithering bureaucrat's tone was so innocently matter-of-fact that Callan was chilled to the bone.
"You know the sort, Mr. Callan," Paulsen concluded. "Troublemakers. Smart troublemakers have always been the most difficult to deal with productively. But Professor Alderson's contribution to society has changed all that. My sincere congratulations, gentlemen," Paulsen shook their hands as he prepared to leave. "This film is going to be a big help."
Callan watched Paulsen walk up.the aisle. Saintz was next to him, babbling in relief at his ad having been approved. "Boy, that was a close one," Saintz said. "I thought we'd lost the account for sure. Times are tough in the ad business these days; seems people change their agencies like they change their socks."
Callan nodded distractedly. "Everyone is expendable, after all. That's what BuReloc's all about."
Saintz didn't respond to that one, just excused himself to join the other celebrants. Callan sat looking at the blank screen for a long time.
Politics of Melos
Susan Shwartz
Maenads' shrieks from Lilith, dedicating a song to "brothers, sisters, and citizens!" tore through Wyn Baker's lecture yet again.
"You must think of the Fifth Book as more a dialogue than a history," she said anyhow. "Think of two speakers, a voice of Melos and a voice of Athens."
"Equality now. EQUALITY NOW!" brayed from a bullhorn in the square below.
Eight thousand students disentangled themselves from bottles, borloi, and each other to bellow agreement. Then electronic guitars and keyboards clamored, and Lilith shrieked once more.
A few notetakers, clustered near the front of the hall, recorded her statement. No doubt they were intent on grades, on winning scholarships they hoped would lift them from Citizens' status to a post like hers: visiting scholar and Personage. Wyn was too well controlled to wrinkle her nose. She had, she knew, her tenured chair because her family had endowed it generations ago, long before people were divided into Taxpayers and Citizens. She had been born near the top of her world and had dutifully thanked God for that, for good health, and a powerful mind.
People like her might teach in a university in taxpayer country, fiscal and intellectual aristocrats. These days, the best a Citizen-turned-scholar might hope for was a position as major domo, a kind of nanny for adults who wanted culture on the hoof. And did she do well to encourage them?
"Awright, bros and sisters. We're gonna bring you a golden oldie from way-way-back-when. 'Be true to your school-' For the People's University of Los Angeles!"
Another orgasmic
scream from the students lying on the green four floors below. Hell of a way to nave to teach. Her mind fleeted longingly to the dark wood and stained glass of Harvard's Memorial Hall.
Her colleagues would laugh at her if she gave up and went back in mid-semester. "What did you think, Wyn? That you could pretend you were doing settlement house work? This is LA, not Phillips Brooks."
No matter. It was her duty to teach them, and no Baker or Winthrop (her father had wanted two sons) shirked duty. "Think of it as tri-v, in which characters. ." she had wanted to say "disclose and reveal themselves" but she revised fast. . "tell you how they feel." Her voice sounded reedy even to herself, lacking all conviction against Lilith's passionate intensity.
"Two voices," Wyn had lectured. "The voice of Athens, harsh, authoritative. . 'For we would have dominion over you without oppressing you, and preserve you to the profit of us both. .' and the voice of Melos, a lesser state threatened with war unless it paid tribute. . paid a bribe not to be attacked. 'But how can it be profitable for us to serve?' "
Outside, an amplifier malfunctioned. The bleeding electronic scream forced a groan from the protestors. The students nearest the window flinched.
That did it. Never ceasing her practiced flow of speech, Wyn stepped down from her platform, stalked to the window-her soft-soled shoes and long, jogger's stride eating up the distance-and reached for the catch, which hadn't been closed (or cleaned) in years. In the grimy surface, she confronted herself: tall, with what would have been a scholar's stoop if she permitted. Cropped, pale hair and an old suit that firmly resisted the Angeleno craving for the new and violently colored.
Wyn exerted the strength that forty summers of tennis and sailing had built into her arms and forced it closed. Amps, Lilith, and protestors faded to the sea-roar of a conchshell held to the ear.
She thought of black ships, armored Athenian marines landing at Melos and ringing it. Hopeless, hopeless, as the Melians knew; hopeless to lecture at these students; but she' read out the passage anyhow. "Men of Athens, our resolution is none other than what you have heard before; nor will we, in a small portion of time, overthrow that liberty in which our city hath remained for the space of seven hundred years since it was first founded." And more hopelessness in their counteroffer-"But this we offer: to be your friends, enemies to neither side."
To her surprise, the students nodded. But then, they knew from gang warfare: to be neutral was to be dead.
"Think of it as if it were today," Wyn said, her voice falling out of the trained, platform speaker's cadence she had learned almost as soon as she was allowed to join her parents at the dinner table or their friends when they sat at night and argued. "Of the people out there, who is Athens, and who Melos?"
The Sovworld? The CoDominium with its marines and its expatriates and its weight of distrust? Or her own life in the rearguard of privileged Cambridge? Answer that yourself, she ordered herself, and came up with no answer. She wondered what answers her students might have, if they dared to speak, or bothered.
Heads raised from the desks, and the notetakers laid down their styluses and recorders. Attention flashed to the windows, then back to Wyn.
"I made a mistake shutting the window," Wyn told them. "You don't study history by shutting out the world. Go and open it again. Look out there, listen-and tell me! Who is speaking with the voice of Melos now?"
She saw the way their eyes kindled with hope. Am I doing this right? Does this all mean something that I can understand?
The boy nearest the window sprang up to obey her. Wyn felt a shiver as she always did when her instincts told her she had caught a class's attention. The shiver deepened. The boy cried out in Spanish and leapt back as the window shattered and the building shook.
"Are you all right?" Wyn had run for years, but she had never moved as fast as she did then, brushing glass from her student (hers! how dare anyone touch him?) and blotting the blood on his hands with her scarf despite his protests that she'd ruin it. She comforted him in the Castilian she'd learned traveling with her parents.
Smoke and screams poured in the window. Beyond the square, a black column of smoke rose: the gate-control shack. Again, the building shook. Bomb or an earthquake?
The door opened, slamming against the wall with such force that two people cried out. Apologizing to the boy she held, Wyn strode toward the university rentacops. Real police muscle stood behind them.
"Taxpayer. ." An imperious flare of her eyebrows drew a snicker from one student and made the rentacop correct himself. "Professor. ."
"Ms. Baker," she identified herself crisply. In her world, everyone was a Taxpayer, and so many people were professors or had some such tide that it was vulgar to use any of them.
"Begging your pardon, but we. ."
"We've had a bombing. We're evacuating the building and moving our own forces in," said the policeman behind University Security, such as it was. He snapped up the dark visor of his helmet long enough that she knew it for a salute, then pushed it down over his eyes again. His riot shield and stick hung over arms and belt.
"My students?"
"All right, any Taxpayers here. . well see you out of the budding."
"All my students, officer."
It was hard to stare down a black visor. She managed.
"Where you want'm to go, lady?" asked the cop.
"To their homes, of course."
A bark of laughter told her what the man thought of that.
"Then I will assume personal responsibility for them," she announced. She turned to face the students. "We are being evacuated," she told them. "I will see that you get home safely."
She walked between the policemen and her students out the door and to the stairs. Down and down and down the spiral stairs of the emergency exit they went. The Taxpayer students, fit from their exercise classes in garish health clubs, pressed at her heels. The Citizens, less fit and less well-fed, panted. In the half-light, their eyes started and bulged with fear.
But I said I would assume personal responsibility, Wyn thought.
Troops-she could not think of them as security or police-waited at the vaulted ground floor and the great arched double doors, forming a cordon of flesh and armor. Flanked by security, the Taxpayer students were led quickly off in one direction.
"Se?ora," whispered the boy whose face she had wiped when glass had struck him, "you get the girls to safety. My friends and I. ."
This was no time for a lecture about the backwardness of "women and children first."
"We all will leave safely," she told him. She edged up to the helmeted man.
"Do you have an escort for us?" she demanded.
"Will someone tell me why this overgrown pain in the ass thinks she's a privileged character?" he muttered at the rentacop. "All I see is another prof. Taller than most; snottier than any. Give me one good reason why. ."
The man's eyes popped again. "Guest faculty. Professor Winthrop Baker from Harvard."
"Big. . fuckin'. . deal. Got an attitude out to there."
The rentacop hissed, drew him slightly to one side. As clearly as if she had a mike turned on them, Wyn overheard. "My God, do you know who her brother is?"
Her brother, Putnam, or as he liked to be called, "Put amp; Call" Baker, who managed her family's money and a good chunk of her university's.
The helmeted man shook his head. "Jeez. Just this once. . just this once."
"Fire! Look!"
Adrenaline spiked, leaving Wyn calm and observant. She threw out her arms in a warding gesture, as if she could shield her students. Those who do not learn from history are destined to repeat it, Santayana had said. You can tell and tell a Harvard man, but you can't tell him much. Well, she was a Harvard woman, and these were her students, and no one was going to tell her she wasn't going to protect them.
Least of all a rentacop charged with getting them all out safely.
Amps and instruments twanged as musicians raced to shut down their equipment and escap
e. A blue tide of security, bearing the university president in its wake, flowed out from patrol cruisers onto the green. Bullhorns blared and interrupted each other. The president's eyes bulged. His cheeks puffed as he tried to make himself understood. Beads of sweat stood out on his bald head.
The building rocked from another blast. Across the green, flame shot from windows, licking the pink marble Facade black. From the roof a man jumped. There was fire equipment nearby, but none in place to catch him. Wyn heard the crack as his bones broke. Behind her, a student dropped retching to his knees.
"Someone hold his head," she ordered in an undertone. She had to watch. Police cruisers landed, the whir of their airpads shrieking, then quieting as they touched down. More blue and armor marched onto the green, wielding nightsticks with a passionless precision that made her mink of martial arts and weapons practice. Two techs stood by a cruiser, hoses at the ready.
A civilian in bright clothing-"Target!" screamed some damn fool and hurled a bottle that a policeman deflected with a blow from his shield-climbed to the roof of the cruiser and began to read.
"We got to get out of here," muttered one of Wyn's students.
"May they leave?" she asked the policeman quickly.
"What about you?" one student, astonishingly enough, asked her.
"I'll be fine. And well have class next week. I'll post a. ."
"Outtahere!" the policeman jerked his chin. The girls in their midst, they fled.
The students on the green screamed down the negotiator, tried to rush the cops, and found themselves pushed back, back toward electrified barriers set up on two sides of the square.
Wyn saw her students caught up and engulfed. "No!" She cried, "No! Help them!" A nightstick came down on the head of the boy with whom she had spoken Spanish with. He toppled, blood pouring from his nose.
Wyn grabbed the policeman's arm. It was like grasping an industrial robot. "You promised they'd be safe! Go help them!"
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