What Goes Up

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What Goes Up Page 4

by Christine Heppermann


  I gave them emo titles like

  “Anxiety Pinwheel” and

  “Entrance to Death.”

  Wayne gave me an A

  for the “Rorschach Test” series,

  which left space for viewers

  to write what they saw.

  (Unsurprisingly, lots of

  boobs and butts.)

  I’d been in kind of a slump,

  thinking I was done, all

  spore-printed out, when Dad

  called me over to his laptop.

  Hey, Jorie, take a look at this.

  Amanita phalloides, by Chris Drury

  A large white spore print on a black background.

  Beautifully symmetrical.

  Dad traces the gill lines across the screen

  with his finger. They’re words. See?

  It’s like foraging.

  At first I don’t see,

  and then suddenly I do:

  manitaphalloidesamanitaphalloidesamanitaphalloidesamanitaphalloides

  Curving out from the center,

  row upon row of tiny script.

  Wow. I shake my head. Imagine

  how long it must have taken to write all that.

  You could do more than imagine. Dad

  leans back in his chair. You could find out.

  Tell Him

  A part of me wanted to

  tell him off

  tell him who was he to

  tell me what I should do?

  tell him he ruined our family

  tell him I was sick of pretending he didn’t

  tell him Mom was a masochistic idiot

  tell him maybe he could con her into forgiving him

  tell him I wasn’t that gullible

  tell him I wish I had the guts to say these things out loud

  but maybe I could

  tell him in my art, so I

  tell him

  I’ll give it a try.

  Birth of the Spore Print Diaries

  I showed Wayne Amanita phalloides

  and said I was contemplating doing something similar.

  Would that be copying?

  He told me that good artists copy,

  but great artists steal. Maybe Picasso said

  that and maybe he didn’t, but either way

  it’s worth remembering.

  Um, so that’s a yes?

  Wayne continued. Think of it this way.

  Shakespeare wrote sonnets, but that doesn’t mean

  he owned the format. You’d be borrowing

  this guy’s template, but the content would be your own.

  You could say anything you want.

  First I Had to Teach Myself

  to write

  really small

  Pet Food

  In the reptile section, Esther says, I don’t see

  why you want to give your dad your art.

  I’m not giving him anything. I hold up

  a wide blue bowl. Think this looks big enough?

  Tony needs a water dish he can lounge in

  without his pudgy tail flopping over the edge.

  Okay, except you are giving him something.

  Your psychic energy. Your time. It’s, like, not

  healthy. Hasn’t Esther ever heard of

  catharsis? Hey, go grab me some

  crickets. Pretty please? She shudders but

  relents. Comes back with a bag. Holds

  it close to her eyes. Shakes her head.

  One minute they’re hopping around living

  their carefree cricket lives. The next minute

  they’re dinner. So sad.

  Maybe Esther’s Right

  Not all art has to be

  intense and personal.

  I could write anything.

  Pick any random word.

  Elevator or detergent or snail.

  Hashbrownshashbrownshashbrownshashbrowns

  Petunia or lamppost or car.

  Mirror or face or lies or broken or

  scream.

  Channeling

  A mushroom

  doesn’t need to think,

  it just stands there, relaxed,

  while the spores spill out.

  After an hour of chilling

  with my notebook,

  letting thoughts drift

  down onto the page,

  I’ve got eight lines,

  all crossed out.

  Oh. Right.

  Before a mushroom can

  stand there, relaxed,

  it’s got to bust its way out

  of the ground.

  At the Gym

  You really think he’s over her? Kat

  slides off the bench, reracks the weights.

  I mean, a bank robber doesn’t stop

  loving money just because he gets caught.

  I shrug. That’s what Mom wants

  to believe. You’re really gonna make me

  do this? She knows my upper-body strength

  is nonexistent. That I’m just here

  so she doesn’t have to suffer through

  the Lifter Kings alone. The bar is only

  forty-five pounds, she says. My great-grandma

  could lift it. Woman up, buttercup.

  I sigh, lie down, let Kat adjust my grip.

  Like a moth to a lightbulb, a Lifter King

  swoops in. Can I give you a tip? I tell him

  we didn’t sign up for a trainer.

  I’m not a trainer. This one is older,

  but they come in all ages, sizes, levels

  of swole. Exactly, Kat says. If we want

  advice, we’ll ask for it.

  Sometimes—rarely—they apologize,

  but this one gives the typical scowl. Relax,

  honey. I was just trying to help.

  As he struts off toward the locker rooms,

  Kat laughs. I wish men weren’t so

  predictable. My arms shake. The bar

  wobbles. Tilts. The words to a new

  art piece start forming inside my head.

  See, muscle queen. Kat looms

  above me, grinning. I knew you could

  do it! Only fourteen more to go!

  Wayne Loved It

  Though it made him sad for me,

  that nature was no escape,

  but I assured him it wasn’t so bad,

  that I’ve figured out ways to deal.

  For instance, I’ll bring a canvas bag

  instead of a basket, so no one can

  see my haul, and if I really want to

  repel potential mansplainers,

  the bag will be pink and sequined

  so they’ll assume I’m just out hiking

  with my purse.

  Carbon Sink

  I love Chris Drury’s website. That’s where I found

  “Carbon Sink: What Goes Around, Comes Around,”

  a thirty-six-foot vortex of charred logs and coal.

  Drury installed the piece in 2011, but it might

  as well be today. It sat in front of the University

  of Wyoming’s art museum. People were into it.

  The coal industry? Not so much.

  WTF?

  WTF, University of Wyoming?

  We give you tons of money, and you give us this pile of . . .

  Turns out they’re not big fans of anything

  that calls them out for destroying the planet!

  Drury claimed that his goal was

  to “inspire conversation,”

  so the coal companies said,

  Great. We’re inspired

  to withhold university funding.

  Thanks for the chat.

  So “Carbon Sink,” well,

  sank.

  Removed because of “water damage”

  from a broken irrigation line.

  But nobody bought that flimsy excuse.

  It started a conversation about

  censorship.

&
nbsp; Drury did what he set out to do:

  he inspired. Sure, they could remove

  his sculpture, but not his ideas.

  Once art is made,

  it’s not so easy to unmake it.

  Once it’s out there for everyone to see,

  you can’t just pull the plug.

  Backstory

  Or course Chris Drury didn’t have to say

  where he got those logs—from trees killed

  by pine beetles—or why it mattered—because

  pine beetles thrive in global warming.

  He could have kept the meaning to himself.

  Maybe then “Carbon Sink” would still exist.

  Everyone would see it as nothing more

  than a cool design, a pleasing shape, an obstacle

  to detour around on the way to class. It would still

  be swirling across that lawn. Bland. Unobjectionable.

  Wayne Liked This One, Too

  But

  he thinks the title

  could be ironic,

  since there’s always someone

  who is allergic to vanilla,

  hates kittens,

  blames Mr. Rogers

  for failing to

  make him feel special

  enough.

  Wayne says it’s impossible

  to know what will push

  somebody’s buttons,

  so we might as well

  lean into the fear.

  Every piece should

  scare you a little.

  That’s the sign

  you’re doing it right.

  A.T.B.

  It was easy

  A.T.B.

  (After The Breakup)

  to do things together

  as friends—

  binge-watch David Attenborough

  (and not make out),

  ride bikes on the rail trail

  (no water-break PDA!),

  go for sushi

  (only spicy thing here is the tuna roll!),

  sing along with Dorothy

  at Movies Under the Walkway

  (“Somewhere over the rainbow . . .”

  oh, all right, maybe just one little

  kiss).

  The Off-Season

  Wayne doesn’t believe in breaks.

  That’s why he always schedules

  an art show in early October.

  Because if we want to have art to show,

  we can’t lie around all summer,

  unless we’re on our backs

  repainting the Sistine Chapel.

  He tells us that LeBron James

  still trains in the off-season,

  and then—for those who speak

  MOMA, not NBA—Georgia O’Keeffe

  didn’t paint one poppy and call it a day.

  In Common

  My new piece is called

  “Family Resemblance.”

  It’s inspired by research

  that shows mushrooms,

  evolutionarily speaking,

  are more closely related

  to humans than plants.

  On the gill lines

  I start writing everything

  Great-great-great-uncle Fungus

  and I have in common:

  We are eukaryotes.

  We don’t contain chlorophyll.

  We lack roots, leaves, flowers, and seeds.

  We digest our food with enzymes.

  We enjoy a heavy rain.

  We hang out under trees.

  We aren’t athletic.

  We don’t play the ukulele.

  We rarely wear makeup.

  We don’t see the point of microwave popcorn.

  We are bad at making memes.

  We can’t tell the difference between Ryan Gosling and Ryan Reynolds.

  Hmmmmmm, clearly

  I’m not really feeling it.

  Keep Trying, Bro

  If Ian wasn’t there

  I probably would have

  exploded, torn the letter

  to shreds, and left the shrapnel

  on my parents’ bedroom floor.

  He told me to Be the bigger person.

  How would you would feel if your dad

  ripped up something of yours?

  Not convincing.

  Okay, then think about your mom.

  She’ll come home and be all,

  What’s this? And what are you

  going to tell her? Oh, it’s just

  your husband’s secret love letter.

  Exactly! She should know.

  Try again?

  It doesn’t mean they’re back together.

  She moved to Ohio. He might not

  even remember he has it.

  Or he’s holding on to it

  Because he still has feelings for her.

  Next!

  Maybe. Maybe not.

  But why destroy the evidence?

  Good point.

  I took a picture with my phone

  and left the bomb in the drawer,

  ticking.

  Inspiration

  After the hike,

  I came home and got

  straight to work.

  A Different Perspective

  Peach-colored paper

  framed with pale-green vines.

  That stationery seemed

  lovely when all it held

  were instructions for

  feeding Leo, her cat.

  Now it has given me

  a glimpse of what she and Dad

  were really doing at those

  “conferences” while I was

  bringing in her mail and scooping

  salmon flakes into a bowl.

  BTW, I Never Saw Leo

  No matter how much I cooed

  and called his name.

  The I.S. told me not to

  take it personally. He’s shy.

  Though now I would say

  he’s smart.

  Better to hide,

  listen, watch, wait,

  than to trust someone

  trying too hard

  to seem harmless.

  Without the Context

  In September,

  I show Wayne my work in progress.

  He’s underwhelmed.

  Your text is a little generic.

  What else could he think?

  He assumes it’s my own

  bland stanza,

  my mushy teen anthem,

  that I’m baring my soul

  like an emo Instagram poet.

  It’s not like

  I’m going to

  reveal my source

  yet.

  With the Context

  Ian laughs. I mean you might as well have called it

  “Go fuck yourself, Dad.”

  Rage

  I can’t remember what Mom said

  to set me off, maybe nothing.

  A blast of anger hit me all at once,

  and I couldn’t stop. Calling her

  a bitch, a fucking idiot, a stupid—

  I can’t even write the word,

  but somehow it rolled out of me,

  like heat from an open oven,

  and she just stood there and took it,

  so I slapped her face, and it was like

  smacking a stone, a wall, a pole,

  and I was crying and thinking, Why

  is she letting me do this, Why isn’t she

  fighting back? And when the answer

  came, I could almost see it, like it was

  written in the air: Because she loves you.

  And then I woke up.

  Elegant Stinkhorn (Mutinus elegans)

  Long, thin, tapered, red,

  coated in olive-green slime,

  it has other names: headless

  stinkhorn, devil’s dipstick, dog’s penis.

  Commonly found thrusting up

  from mulch in parks or yards,

  its
stench attracts insects, particularly

  flies. Hey, they can’t help how

  they’re wired. To them, rotting flesh

  smells like rosebuds. Our shit is

  their cake. It’s not their fault if

  we can’t understand their perspective.

  I wish I could give Mom a break.

  Overcompensating

  It was just a dream,

  but I still feel guilty

  enough not to leave

  my dirty dishes

  in the sink, and to start

  the kettle so her tea

  is ready when she

  comes downstairs

  and says, You made me

  breakfast? Am I dying?

  as I serve her toast

  with honey and say,

  I just want you to

  have a good day,

  and she gives me a hug

  and says, You, too,

  sweetie, and I guess

  I must be staring

  because she adds,

  What? Do I have

  lipstick on my cheek?

  and I lie and say,

  A little and rub away

  the imaginary mark.

  Practice

  Yes, our pieces should speak

  for themselves, but part of being artists,

  Wayne says, is knowing how to articulate

  our vision, our motivation, which is why

  he won’t let us hide by the snack table,

  but wants us standing beside our work

  at the art show, pretending it’s our debut

  at some swank Chelsea gallery, answering

  every polite question from somebody’s

  bewildered grandma as if we’re talking to

  Roberta Smith, top critic for the New York Times.

  Damn. Kat whistles. Are you going to tell the truth?

  And Esther says, Practice on me. She cocks her head.

  Taps her chin. Contemplates the bare wall. So,

  young lady, what’s your piece about? But when

  I look at her, all I can see is my mother,

  waiting for yet another bullshit explanation.

  Laetiporus sulphureus

  Fanning out over wounded oak,

 

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