OTHER BOOKS IN THE Murder, She Wrote SERIES
Manhattans & Murder
Rum & Razors
Brandy & Bullets
Martinis & Mayhem
A Deadly Judgment
A Palette for Murder
The Highland Fling Murders
Murder on the QE2
Murder in Moscow
A Little Yuletide Murder
Murder at the Powderhorn Ranch
Knock ’Em Dead
Gin & Daggers
Trick or Treachery
Blood on the Vine
Murder in a Minor Key
Provence—To Die For
You Bet Your Life
Majoring in Murder
Destination Murder
Dying to Retire
A Vote for Murder
The Maine Mutiny
Margaritas & Murder
A Question of Murder
Coffee, Tea, or Murder?
Three Strikes and You’re Dead
Panning for Murder
Murder on Parade
A Slaying in Savannah
Madison Avenue Shoot
A Fatal Feast
Nashville Noir
The Queen’s Jewels
Skating on Thin Ice
The Fine Art of Murder
Trouble at High Tide
Domestic Malice
Prescription for Murder
Close-up on Murder
Aloha Betrayed
Death of a Blue Blood
Killer in the Kitchen
The Ghost and Mrs. Fletcher
Design for Murder
Hook, Line, and Murder
A Date with Murder
Manuscript for Murder
Murder in Red
BERKLEY PRIME CRIME
Published by Berkley
An imprint of Penguin Random House LLC
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Copyright © 2019 by Universal Studios
Murder, She Wrote is a trademark and copyright of Universal Studios. All rights reserved.
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Library of Congress Cataloging-in-Publication Data
Names: Fletcher, Jessica, author. | Land, Jon, author.
Title: A time for murder / Jessica Fletcher, Jon Land.
Description: New York : Berkley Prime Crime, 2019. | Series: Murder she wrote; 50 | “A novel by Jessica Fletcher & Jon Land; Based on the Universal television series created by Peter S. Fischer, Richard Levinson & William Link.”
Identifiers: LCCN 2019011805| ISBN 9781984804303 (hardback) | ISBN 9781984804327 (ebook)
Subjects: LCSH: Fletcher, Jessica--Fiction. | Women detectives--Fiction. | Women novelists--fiction. | Murder--Investigation--Fiction. | BISAC: FICTION / Mystery & Detective / Women Sleuths. | FICTION / Media Tie-In. | GSAFD: Mystery fiction.
Classification: LCC PS3552.A376 T56 2019 | DDC 813/.54--dc23
LC record available at https://lccn.loc.gov/2019011805
First Edition: November 2019
Jacket photograph of school corridor © vipman/Shutterstock
Jacket design by Ally Andryshak
This is a work of fiction. Names, characters, places, and incidents either are the product of the authors’ imaginations or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
Version_1
For the fans of the Murder, She Wrote television and book series.
Thanks for coming along for the ride.
Contents
Other Books in the Murder, She Wrote Series
Title Page
Copyright
Dedication
Epigraph
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-one
Chapter Twenty-two
Chapter Twenty-three
Chapter Twenty-four
Chapter Twenty-five
Chapter Twenty-six
Chapter Twenty-seven
About the Authors
What the detective story is about is not murder but the restoration of order.
—P. D. JAMES
Chapter One
When did you solve your first murder?” the reporter for the Cabot Cove High School newspaper asked me from across the table at Mara’s Luncheonette just before the noon lunch rush began.
“Well,” I said to wide-eyed senior Kristi Powell, who was doing a series on former teachers at the school, “that would go back to the first mystery I actually published, called—”
“Mrs. Fletcher,” Kristi interrupted, taking off her horn-rimmed glasses and tightening her gaze on me, “I mean in real life, not in your books. Was it here in Cabot Cove?”
It’s funny, but I’m not at all reluctant to talk about the murder cases I invent. On the other hand, I’m very reluctant to discuss the actual ones, which I’d much prefer to forget the moment they end. Call it the most common proclivity among fiction writers—a preference for the worlds we create over the one in which we’re just as powerless as everyone else. Usually, I would have deflected or avoided the question altogether. But I hated to dodge an impressionable high school student, especially one who was already dreaming of a career in print. I figured it best to set a good example for her and be the best role model I could be by remaining as honest and forthright as I could without divulging more than I was comfortable with.
“No, it wasn’t in Cabot Cove.”
Kristi put her glasses back on and twirled a finger through some stray hair that had escaped the bun wrapped tightly atop her head—an odd way, I thought, for a high school senior to wear her hair. “Was your husband, Frank, still alive at the time?”
I nodded, impressed. “You’ve done your homework, Kristi.”
She didn’t look to be of a mind to accept my praise. “It’s one of the first things that shows up in a Google search,” she said.
Having never googled myself, I wasn’t aware of how the Internet prioritized the various elements of my biography. If I were writing that, in
stead of one of mystery novels, it would be painfully short, perhaps no more than a page. My actual achievements in life make for a pretty thin list, since I’ve long preferred to live vicariously through my alter ego, who’s far better at solving fictional crimes than the real me is at the occasional real-life one.
“What about that first actual murder you solved, Mrs. Fletcher?” Kristi said, prodding me.
Yes, she would make a very good journalist, indeed. I wondered if Kristi really needed those horn-rimmed glasses. She had the look of a young woman bursting with enthusiasm and excitement over chasing her dream through college and beyond—the kind of student who was an absolute pleasure to teach, as I recalled from my days in the classroom. She had dressed fashionably in a skirt and blouse, donning a restrained, professional appearance perhaps to make me more forthcoming with my answers. I’ve probably done a thousand interviews over the years without such a thing ever occurring to me, perhaps because this was the first time one of those interviews had been conducted by a high school student.
In any event, the ploy very nearly worked, because I almost, almost, told Kristi the truth I’d shared with extraordinarily few people over the years.
“Would you believe the first real murderer I caught was my own publisher?”
She looked up from her notepad. “Really?”
I nodded. “And the murder happened at a party in my honor—well, in honor of the publication of my first book.”
“That would be The Corpse Danced at Midnight?”
“It would indeed. It was a costume party with everyone coming dressed as famous characters, the brainchild of my publisher Preston Giles.”
“Then, he was the murderer?”
“Sadly, yes,” I told Kristi, elaborating no further. “I’ll spare you the details. I just happened to be in the right place at the right time. Or the wrong place at the wrong time, depending on your perspective.”
“That seems to happen to you a lot, Mrs. Fletcher, especially right here in Cabot Cove.”
“I don’t keep a running tally.”
“But your publisher, Preston Giles, he was the first?”
I sensed something in Kristi’s tone, an edge that hadn’t been there a moment ago. It reminded me of my own voice when I was about to spring a trap on a man or woman I was convinced had committed murder. So I pulled back a bit, the physical space between us at a corner table in the back of Mara’s Luncheonette remaining the same, but the distance widening.
“For all intents and purposes, yes,” I told her, splitting hairs.
“It’s all right, Mrs. Fletcher. The Eagle is only a high school newspaper, after all.” Kristi seemed hesitant, then pushed herself to continue. “It’s just that the research I did turned up a death where you used to live, where you were an English teacher.”
“Substitute English teacher,” I corrected her, for the record. “And the town was Appleton, Maine, maybe a half-hour drive from Cabot Cove. That’s where I met my husband, Frank.”
“And the murder that took place there?”
“You called it a death before.”
“But it was a murder. I mean, someone was arrested. That’s right, isn’t it?”
“There was a murder, and someone was arrested, yes, Kristi.”
“Were you the one who caught him, Mrs. Fletcher?”
I reached across the table and patted her arm. “Who said it was a him?” I asked, smiling.
“Touché,” she said, smiling back.
“Beyond that, I’m going to need to plead the Fifth.”
“For legal reasons?”
“Personal ones. If you’ve researched me, you’re aware that you’re asking me about something I’ve never discussed publicly or in the media. With that in mind, I’d ask that we proceed to something else out of respect for those who don’t need all this dragged back into their lives. People moved on, a town moved on, and having the story dredged back up by even the Cabot Cove High School Eagle could do harm to those who, if they haven’t forgotten, have at least stopped remembering.”
Kristi started to make a note, then stopped. “This would have been twenty-five years ago?”
I shrugged. “That sounds about right.”
“And you were teaching high school at the time.”
“Substitute teaching,” I corrected her again, “yes.”
She broke off a fresh corner of her blueberry muffin and chased it down with the iced tea she’d ordered with it. “This is a great muffin.”
“Mara, the owner this place is named for, bakes them herself using wild Maine blueberries. I’ve teased her about expanding the business to produce her baked goods on a bigger scale.”
Kristi took another bite. “That’s actually not a bad idea. Do you have any food-based mysteries, Mrs. Fletcher?”
I laughed. “I leave the kitchen to other mystery writers, but I’ve done a few books where cooking plays a prominent role.”
“Do you enjoy cooking yourself?”
“Less so as I’ve gotten older. When you live alone, it just doesn’t seem to be worth the effort as much. And I’ve been living at Hill House for the past few months while my house is being repaired. I fear room service is going to be a tough habit to break.”
“Well, there’s always Grubhub,” Kristi said, flashing a fresh smile. “That didn’t exist when you started your career . . . or when you were living in Appleton.”
“Clever,” I complimented her, nodding.
“What?”
“The way you worked back to the original question, trying another way to get me to answer it.”
She didn’t bother denying that, but laid down her pen as if to concede my point. “Do you blame me?”
“Not at all. You’re just doing your job.”
“It’s only a high school paper, like I said before.”
“Maybe so,” I told Kristi. “But you came here this afternoon better prepared, and with more challenging questions, than anyone who’s interviewed me in quite a while.”
“I’m sorry if I’m pushing too hard.”
That sudden doubt—second thoughts, so to speak—exposed Kristi’s vulnerability, reminding me that she was just a high school student. I wished I could tell her what she wanted to know, give her the scoop she was hoping for. I couldn’t, though. Too many years had passed. Appleton might have been only twenty miles or so away as the crow flies, but for me it was another lifetime, another life. I think it was as much a matter of all that transpiring before I’d become a writer, while Frank was still alive, while we were raising our nephew Grady after his father, Frank’s brother, had been killed in an accident and his mother needed some help.
Grady . . .
He’d been a little boy when I encountered my first murderer, and I guess he was one of the people I was trying to protect by refusing to discuss that time, with Kristi Powell or any of the reporters who’d poked me about the case over the years. There were some places in my past I didn’t want to go, and this was one of them.
In the silence that had settled between us, I wondered whether the real reason for my reluctance to speak about the first murder I ever solved lay in the two separate lives I’d built for myself: my life with Frank and my life after him. His death had provided the impetus for my becoming a writer, and my writing was what had too often embroiled me in very real-life mysteries. It was as if I didn’t want my life with Frank to be at all tarnished by that mess, which meant I needed it to remain wholly separate from my life afterward to keep the memories pure. All we had shared and done together needed to be left apart and not demeaned by such a difficult experience, which haunted me to this day. I’d stored those memories at the periphery of my consciousness, like a dream I couldn’t quite remember, until they were occasionally dug up again by reporters with cigarette-stained fingernails and coffee on their breath.
Whi
ch, of course, didn’t describe Kristi Powell even one little bit.
“Tell you what, Kristi,” I said, starting in again without being prompted. “If I ever decide to share the details of the first murder case I was involved in, you’ll be the first person I call.”
She smiled. “Then I’d better make sure I give you my phone number, Mrs. Fletcher. I think you only have my e-mail address.”
* * *
* * *
I hadn’t thought in quite some time of Appleton or that town’s high school or even the murder that was a prime inspiration for what would ultimately become my future career. Back then, I dabbled in writing as a beloved hobby without ever imagining I’d someday be the author of fifty mystery novels.
After giving up on my original dream of becoming a so-called “serious” writer, I submitted stories one after another to Ellery Queen’s Mystery Magazine and Alfred Hitchcock’s Mystery Magazine among others. While it’s a testament to the enduring qualities of the genre that those magazines are still in existence today, I never received anything from them but rejection letters and renewal notices. A few articles on me have advanced the theory that it was coming face-to-face with murder in real life that allowed me to write not just a story but an entire book that I ended up selling to Coventry House. Little did I know at that point that my publisher, Preston Giles, would end up murdering one of the guests at a party in honor of my debut novel’s publication, and that I’d be the one to ultimately catch him. Most mark that case as the first time I ever solved a murder, when in fact it was the second. But I don’t think that experience made me a better writer, at least not directly; after all, I didn’t plunge into the book-length work that became The Corpse Danced at Midnight until Frank’s death, when I turned to the keyboard as a respite for my grief and loneliness.
Who knows, though? The subconscious is a strange and unexplored place where I guess it’s more than possible that my experience with murder up close and personal in Appleton left an indelible impression that continues to influence me to this day. I like to believe all my stories spring entirely from the imagination, but my proclivity for finding real-life crimes to investigate inspires me to do justice to the process and always pay proper respect to the victims. When you’ve seen so many up close, often with people with whom you’re personally acquainted, murders are bound to leave their marks on you.
Murder, She Wrote--A Time for Murder Page 1