The Shape of the Journey: New & Collected Poems

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The Shape of the Journey: New & Collected Poems Page 25

by Jim Harrison


  Looking at a big moon too long

  rusts the eyes.

  The raped girl stood all day naked

  in the cold rain holding a plastic Virgin.

  Their colors ran into the ground.

  Tonight the Big Dipper poured down

  its dark blood into the Sea of Cortez,

  El Oso Grande, the hemorrhaged bear.

  In the supermarket beef feet, chicken feet,

  one lone octopus losing its charm.

  An old woman named Octavia

  who stared at my blind eye

  carried out the 100 lb. gunnysack of pintos,

  a bag of groceries in the other hand.

  Just over the mountains

  this other country, despised

  and forsaken, makes more sense.

  It admits people are complicated,

  it tries to ignore its sufferings,

  it cheats and loves itself,

  it admits God might be made

  of stone.

  The red bird sits

  on the dead brown snake.

  The lobo admits its mistake

  right after eating

  the poisoned calf.

  In the forms of death

  we are all the same;

  destinies are traded

  at the very highest levels

  in very high buildings

  in clear view of the dump-pickers.

  My heart and your heart!

  The horses are running from flies.

  Twenty-three horses run

  around and around from the flies

  in the big mesquite retaque corral

  while five boys watch,

  each one smaller

  than the next biggest.

  In the valley of the Toltecs

  the American hunter from Palm Beach

  shot one thousand white-winged doves

  in a single day, all by himself.

  The shark was nearly on shore

  when it ate the child in three bites

  and the mother kicked the shark in the eye.

  The dopers killed the old doctor

  in the mountain village,

  but then the doctor’s patients

  stoned the dopers to death,

  towing their bodies through town

  behind Harley Davidsons.

  It is the unpardonable music

  stretching the soul

  thinner than the skin.

  Everyone knows they are not alone

  as they suffer the music together

  that gives them greater range

  for greater suffering.

  In the vision

  the Virgin who sat in the sycamore

  speaks in the voice

  of the elegant trogon,

  a bird so rare it goes

  mateless for centuries.

  The lagoon near the oil refinery

  outside Tampico caught fire one night.

  Everywhere tarpon were jumping

  higher than a basketball hoop,

  covered with oily flames,

  the gill-plates rattling,

  throwing off burning oil.

  The black dove and white dove

  intermarried, producing not brown doves,

  but some white doves and black doves.

  Down the line, however,

  born in our garden a deep-yellow dove

  more brilliant than gold

  and blind as a bat.

  She sits on my shoulder

  cooing night songs in the day,

  sleeping a few minutes at noon

  and always at midnight, wakes

  as if from a nightmare

  screaming “Guadalupe!”

  She said that outside Magdalena

  on a mountainside

  she counted thirteen guitarists

  perched just below a cave

  from which they tried to evoke

  the usual flow

  of blood and flowers.

  Up in the borderland mountains

  the moon fell slowly on Animas Peak

  until it hit it directly

  and broke like an egg,

  spilling milk on the talus

  and scree, sliding in a flood

  through a dozen canyons.

  The wind rose to fifty knots,

  burning the moon

  deep into the skin.

  In a seaside restaurant

  in Puerto Vallarta

  a Bosnian woman killed a Serbian man

  with a dinner fork,

  her big arm pumping the tines

  like a jackhammer

  before the frightened diners

  who decided not to believe it.

  She escaped the police net,

  fleeing into the green mountains,

  fork in hand.

  The praying mantis crawled

  up the left nostril of our burro

  and killed it.

  Nightjars and goat suckers,

  birds from the far edge of twilight

  carrying ghosts from place to place –

  Just hitching a ride, the ghosts

  say to the birds, slapping

  on the harness of black thread.

  Even in el norte the whippoorwill’s

  nest is lined with the gossamer thread

  of this ghost harness.

  The cow dogs

  tore apart

  and ate

  the pregnant housecat.

  The gray hawk

  (only twenty pair left in the U.S.)

  flew close over

  the vermillion flycatcher

  perched on the tip

  of the green juniper tree.

  The waitress in the diner

  where I ate my menudo

  told me that Christ actually

  bled to death. Back in those days

  nails were the same as railroad spikes,

  and the sun was hot as hell.

  She sees the Resurrection

  without irony or backspin.

  “We are so lucky,” she said.

  “I couldn’t live with all the things

  I’ve done wrong in my life.

  I feel better when I’m forgiven.”

  His dog sneezed

  and crawled under a pickup

  to get away from the sun.

  The guitar and concertina music

  swept down the mountainside

  from the old cowboy’s funeral,

  hat and bridle

  hanging from a white cross

  in a cluster of admirable

  plastic flowers.

  The ravens are waiting

  in the oak at twilight

  for the coyotes to come

  and open up the dead steer.

  The ravens can’t break through

  cowhide with their beaks

  and have been there since dawn

  eager for the coyotes to get things started.

  There’s plenty for everyone.

  These black beetles,

  big as a thumb,

  are locked in dead embrace

  either in love or rage.

  The bull does not want

  to be caught. For five

  hours and as many miles

  on a hot morning

  three cowboys and a half-dozen

  cowdogs have worked

  the bull toward the pen.

  The truck is ready to take

  him to the sale. He’s known

  as a baloney bull, inferring

  his destiny: old, used up,

  too lazy and tired to mount cows.

  Meanwhile he’s bawling, blowing

  snot, charging, hooking a horn

  at the horses, dogs, a stray tree.

  Finally loaded, I said good-bye

  to his blood-red eyes.

  He rumbles, raises his huge neck

  and bawls at the sun.

  The cow dog licks her cancerous

>   and bloated teats.

  Otherwise, she’s the happiest

  dog I know, always smiling,

  always trying to help out.

  I gave the woman seven roses

  and she smiled, holding

  the bouquet a couple of hours

  at dusk before saying good-bye.

  The next day I gave her

  a brown calf and three chickens

  and she took me to bed.

  Over her shoulder a rose

  petal fell for an hour.

  From a thicket full

  of red cardinals

  burst seven black javelinas,

  including three infants

  the size of housecats.

  There were so many birds

  at the mountain spring

  they drove one insane

  at dawn and twilight;

  bushes clotted with birds

  like vulgar Christmas trees.

  I counted thirteen hundred

  of a hundred different kinds,

  all frozen in place

  when the gray hawk flew by,

  its keening voice

  the precise weight of death.

  Magdalena kept taking off her clothes

  for hours until there was nothing left,

  not even a trace of moisture on the leather chair.

  Perhaps it was because

  she was a government employee

  and had lost a child.

  It was the sleight of her hand.

  I never saw her again.

  Another bowl of menudo

  and she’s on a rampage in a black

  Guadalupe T-shirt: “We can’t keep

  working through the used part every day.

  Everyone is tired of dope. Day in, day out,

  the newspapers are full of dope news,

  people are shot dead and not-so-dead,

  sent to prison, and both police and criminals

  are so bored with dope they weep

  day and night, going about their jobs,

  living and dying from this stupid dope.

  There has to be more than dope. Understand?”

  I dreamed here

  before I arrived.

  Chuck and whir

  of elf owls above firelight,

  dozens in the black oak

  staring down into the fire

  beyond which a thousand white sycamore

  limbs move their legs into the night.

  Sonoran moon gets red

  again as she sets in the dust

  we’ve colored with blood.

  PREVIOUSLY UNCOLLECTED POEMS

  1976–1990

  HELLO WALLS

  to Willie Nelson

  How heavy I am. My feet sink into the ground and my knees

  are rubbery, my head and brain propped with aluminum braces.

  Life is short! I’m sinking through it at the speed of sound.

  A feather is dropping with me in the vacuum. At bottom we’ll

  prove nothing except the fall is over for both of us. No matter

  that I am richer than Satanta the Kiowa chief if you subtract

  those millions of verdant acres which we did. In the prison

  hospital he hurls himself headfirst from the third-story window.

  Who wants to die like a white Christian? Even his animal skins

  forgave him. But this has nothing to do with me – out the window

  I can’t see the army approach with cocked howitzers. There’s

  nothing but snow. How to lift myself out of this Egypt, wriggle

  free, fly out of the page, out of the human condition like

  a miraculous crow, like Satanta from the window, like birds

  beneath the buffalo feet, griffins to a nest at the cathedral’s

  top. Fly, fly away the old song goes, climb a single note

  and follow it, crazed mariachi, a shot tomcat, or Huxley

  near death from cancer drops ten thousand hits of acid to go out

  on a truly stupendous note, far above King David’s zither,

  the shriek of our space probe hitting Venus plum in the middle.

  – from Aisling, summer 1976

  SCRUBBING THE FLOOR THE NIGHT A GREAT LADY DIED

  Ruffian 1972–1975

  Sunday, with two weeks of heat lifting from us in a light rain. A good day for work with the break in weather; then the race, the great horse faltering, my wife and daughter leaving the room in tears, the dinner strangely silent, with a dull, metallic yellow cast to the evening sun. We turn from the repeats, once is so much more than enough. So the event fades and late in the night writing in the kitchen I look at the floor soiled by the Airedales in the heatwave, tracking in the brackish dirt from the algaecovered pond. I want the grace of this physical gesture, filling the pail, scrubbing the floor after midnight, sweet country music from the radio and a drink or two; then the grotesque news bringing me up from the amnesia of the floor. How could a creature of such beauty merely disap- pear? I saw her as surely as at twilight I watched our own horses graze in the pasture. How could she wake so frantic, as if from a terrible dream? Then to continue with my scrubbing, saying it’s only a horse but knowing that if I cannot care about a horse, I cannot care about earth herself. For she was so surely of earth, in earth; once so animate, sprung in some final, perfect form, running, running, saying, “Look at me, look at me, what could be more wonderful than the way I move, tell me if there’s something more wonderful, I’m the same as a great whale sounding.” But then who am I sunk on the floor scrubbing at this bitterness? It doesn’t matter. A great creature died who took her body as far as bodies go toward perfection and I wonder how like Crazy Horse she seems to leave us so far behind.

  – from Natural World, 1982

  THE SAME GOOSE MOON

  Peach sky

  at sunset,

  then (for a god’s sake)

  one leaf whirled

  across the face

  of the big October moon.

  – from Book for Sensei, 1990

  NEW POEMS

  1998

  GEO–BESTIARY

  1

  I can hear the cow dogs sleeping

  in the dust, the windmill’s

  creak above thirty-three

  sets of shrill mating birds.

  The vultures fly above the corrals

  so softly the air ignores them.

  In all of the eons, past and future,

  not one day clones itself.

  2

  I walked the same circular path today

  in the creek bottom three times.

  The first: a blur, roar of snowmelt

  in creek, brain jumbling like the rolling

  of river stones I watched carefully

  with swim goggles long ago, hearing

  the stones clack, click, and slow shuffle

  along the gravel.

  The second time: the creek is muddy,

  a Mexican jay follows me at a polite

  distance, the mind slows to the color

  of wet, beige grass, a large raindrop

  hits the bridge of my nose, the remote

  mountain canyon has a fresh dusting

  of snow. My head hurts pleasantly.

  The third time: my life depends

  on the three million two hundred seventy-seven

  thousand three hundred and thirty-three

  pebbles locked into the ground so I

  don’t fall through the thin skin of earth

  on which there is a large coyote-turd full

  of Manzanita berries I stepped over twice

  without noticing it, a piece of ancient chert,

  a fragment of snakeskin, an owl eye

  staring from a hole in an Emory oak,

  the filaments of eternity hanging in the earthly

  air like the frailest of beacons seen

  from a ship mortally far out in the sea.

  3
<
br />   That dew-wet glistening wild iris

  doesn’t know where it comes from,

  what drove the green fuse, the poet said,

  up and out into the flowering I see

  in the dank flat of the creek, my eye

  drawn there by a Virginia rail who keeps

  disappearing as they do, unlike the flower

  which stays exactly in the place the heron stands

  every day, the flower no doubt fertilized

  by heron shit, or deeper – those rocky bones

  my daughter found of the Jurassic lizard.

  I said to the flower one brain-bleeding morning

  that I don’t know where I came from either

  or where I’m going, such a banal statement

  however true. O wild iris here today and soon gone,

  the earth accepts us both without comment.

  4

  Some eco-ninny released

  at least a hundred tame white doves

  at our creek crossing. What a feast

  he innocently offered, coyotes in the yard

  for the first time, a pair of great horned

  owls, male and then the female

  ululating, two ferruginous hawks,

  and then at dawn today all song-

  birds vamoosed at a startling shadow,

  a merlin perched in the willow,

  ur-falcon, bird-god, sweetly vengeful,

  the white feathers of its meal,

  a clump, among others, of red-spotted snow.

  5

  The little bull calf gets his soft pink

  nuts clipped off, then is released

  in a state of bafflement, wandering

  this way and that, perhaps feeling

  a tad lighter, an actual lacuna.

  But like the rest of the culture these creatures

  are quick healers, have been dumbed down

  so far from their wild state they think we’re harmless.

 

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