Delphi Collected Works of Ouida

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by Ouida


  Then, promising to return on the morrow, he took his leave. Rosselin walked beside him down the little path to the gate. The sun had set and the skies were growing quite dark. The ripple of the Seine water under the sculls of a passing boat was audible in the stillness. From the distance there came the sounds of a violin, and some voices singing the postillions and travellers’ chorus from the ‘Manon Lescaut’ of Massenet.

  Rosselin, left alone, leaned over his wooden gate between his acacia hedges, and listened to the voices dying away in the distance, and looked through the soft dusk to where his Paris lay.

  ‘I wonder if he has told his wife?’ he thought. ‘If not — well, if not, perhaps Madame may not care. She has never cared, why should she care now?’

  The interrogation had been on his lips more than once whilst Othmar had been with him, but his worldly wisdom had kept it back unspoken.

  ‘Entre l’arbre et l’écorce ne mettez pas le doigt,’ was an axiom of which he, so often the exponent of Sganarelle, knew the profound truth.

  Aloud he added:

  ‘Of course I will see her, and with the greatest pleasure. When and where?’

  ‘I will take you to-morrow. I shall remain in Paris two days.’

  ‘Then to-morrow I will await you. Do not think me a cynical and indifferent old hermit. If I dread to see youth throw itself into the river of fire which leads to fame, it is only because I have seen so many burned up in its course. I always advocate obscurity for women. Penelope is a much happier woman than Circe, though the latter is a goddess and a sorceress. Your protégée may become great only to die like Desclée, like Rachel. You would do her a greater service if you married her to one of your clerks, gave them a modest little house in the banlieue, and became sponsor to their first child. Though I have been a graceless artist all my life, I confess I hesitate at being the person to assist such a friendless creature as you describe to enter on a dramatic career. I have seen so many failures! By-the-bye, is she handsome?’

  ‘She has beauty,’ said Othmar a little coldly, because the question slightly confused and irritated him.

  ‘It was a needless interrogation,’ said Rosselin to himself. Even the chivalry of Othmar would have deemed it necessary to do so much for a plain woman.

  When he went to Les Hameaux on the following day he saw her, heard her, studied her, stayed some two hours near her, now and then reciting to her himself, half a scene from ‘Le Joueur,’ a single speech from the ‘Misanthrope,’ a few lines of Feuillet, a few stanzas from the ‘Odes et Ballades.’

  ‘Oh, who are you?’ she asked in transport, the tears of delight and admiration rising to her eyes.

  ‘My dear,’ answered Rosselin with a smile, which for once was sad, ‘I am that most melancholy of all things — an artist who was once great and now is old?’

  She took his hand with reverence and kissed it.

  ‘Va!’ said the man whom the world had adored, with a little laugh which had emotion it. ‘Va! Life is always worth living. The flowers always smell sweet and the sunshine is always warm. And so you, too, would be an artist, would you? Well, well! every spring there are young birds to fill the old nests.’

  When he left her he was long silent. When he at last spoke, he said briefly to Othmar: ‘Elle a de l’avenir.’

  CHAPTER XXIX.

  The day after Othmar went alone to the green shadows of the vale of Port-Royal. It was five o’clock in the afternoon when he reached there: he saw Damaris before she saw him; all her rural habits and associations had come to her in this leafy and rustic place; she rose with the sun and went to bed with it; she had recovered her colour and her strength; she assisted in the out-of-door work and rejoiced in it. As he drew near he saw her mowing a swath of the autumnal aftermath of the little field, the two watch dogs of Bonaventure, which he had bought and restored to her, lying near and watching her with loving eyes. Her arms, vigorous as a youth’s and white as a swan’s neck, were seen bare to the shoulder in the swaying sweep of the scythe; her hair was bound closely round her head, and its dark gold glistened in the sun. The veins in her throat stood out in the effort of the movement; the linen of her bodice heaved and fell. It was an attitude which Rude or Clésinger would have given ten years of their lives to reproduce in marble; it was the perfection of full and youthful female strength and health, teeming with all the promise of a perfect organisation, all the vitality which makes strong mothers of strong men.

  It was womanhood; not the womanhood of the mondaines, delicate and fragile as a hothouse flower, pale from late hours or faintly tinted with the resources of art, serene and harmonious in tone, in charm, in manner, the most perfect of all the products of artificial culture; but womanhood as it was when the earth was young, and when life was simple and straight as a rod of hazel; womanhood buoyant, healthful, forceful, fearless; with limbs uncramped by fashion and beauty ignorant of art, living in the wind, in the water, in the grass, in the sun, like the dappled cattle and the strong-winged bird.

  He watched her awhile, himself unseen. With what grace, yet with what vigour, she moved the scythe, sweeping round her in its wide semicircle, the long grass falling about her in green billows, with trails of bindweed and tall red heads of clover in it; beyond her, the blue sky and the pastoral horizon of the vast wheat-fields of La Beauce.

  What would the hot, close, fevered pressure of life in the world give her that was half so good as that? How much better to dwell so, between the green grass and the wide sky, than to court the fickle homage and the fleeting loves of men! How much better if all her years could pass so on the peaceful breast of the kindly earth, living to lead her children out amongst the swaths of hay and teach them to love the lark’s song and the face of the fields as she loved them! How much better to be Baucis than Aspasia!

  Perhaps! but where was Philemon?

  As the thoughts drifted through his mind she paused to whet her scythe, looked up, and saw him. With a smile that was as glad as sunshine in May weather she came towards him, leaping lightly over the hillocks of mown grass. She was happy to see him there. She felt no embarrassment for her bare arms and her kilted skirt; she had not been taught the immodesty of prudes.

  ‘No, we will not go in the house,’ he said to her when he had greeted her. ‘Let us stay in your sweet-smelling meadow. Why are you mowing? Are there no mowers to do it?’

  ‘I like doing it,’ she answered; ‘and it spares Madame Chabot the day’s pay of a man. I can mow very well,’ she added, with that pride in her pastoral skill which she had been imbued with on Bonaventure.

  She walked on by his side through the little narrow spaces of mown ground which ran between the waves of the fallen grasses. She had pulled down her sleeves and taken the pins out of her skirt, and passed with her firm light tread and her uncovered head over the rough soil, with the afternoon sun in her eyes and on the rich tints of her face. It intensified the radiance of her colouring, as it did that of the scarlet poppies which were blowing here and there where the grass still stood uncut.

  ‘What did he say of me?’ she asked anxiously and wistfully, as Othmar walked on in silence beside her.

  ‘He says you have not deceived yourself.’

  ‘Ah!’ — she drew a deep breath of relief— ‘I pleased him, then? And yet, when I heard him recite, it seemed to me that I could do nothing more than stutter and gabble foolishly; his voice was music — —’

  ‘He has been a very great artist, and speech is to him as the flute to the flute-player: an instrument with which he does what he will. Yes, you pleased him, my dear. He thinks that you have in you the soul of an artist, the future of one if you choose.’

  ‘Ah!’ she laughed aloud for sheer happiness and triumph, in the joy and the pride of a child. It seemed to her the most exquisite glad tidings, the most superb success.

  ‘He will even help you; he will train you himself; and whoever is trained by David Rosselin is in a certain sense secure of the public ear,’ said Othmar with a r
eluctance which he felt was unjust to her, for if she possessed this power why should she be denied the knowledge of it? ‘But,’ he added slowly, ‘I must warn you that even he, great artist as he has been, thinks as I think — that it is better to mow grass in the fresh air than to seek the suffrage of crowds in the gaslight. He thinks as I think, that, for a woman, the more secluded and sheltered be the path of life the happier and the better is it for her. This sounds very cold and cautious to you, no doubt; but it would be what every man of the world would tell you, who was honest with you, and had your welfare at heart.’

  Her face changed and clouded as she heard him.

  ‘Why?’ she said abruptly.

  He was silent. It was impossible to tell this child, who was as innocent as any one of the poppies blowing in the grass, all the reasons which made the future she coveted look to him like the open mouth of a furnace into which a white sea-bird was flying in its ignorance.

  ‘Private life is the best life,’ he said as she repeated, a little imperiously, her ‘why?’ ‘It is the calmest, the simplest, the most screened from envy and hatred. I suppose tranquillity does not seem to you the one inestimable blessing which it really is. You are full of ardours and enthusiasms and longings, as the vines are full of sap in the springtime. You want the wine of life, because you do not know that the intoxication of it is always coupled with nausea, and fever, and unspeakable disgust. It is of no use saying this to you, because you are so young; but it is true. If I could compel your future, I would have it pass yonder, where, far away, we see that golden haze. There are the great wheat-lands of La Beauce, and the thrift and the peace and the abundance of a rich pastoral life. If you spent your little fortune on a farm there, with your love of country sights and sounds and ways, you would be happy; and you could take your choice from the many gallant youths who reap the harvests of those plains. You would be a rich demoiselle in La Beauce, but in the world of art you may be poor, my dear, for all your gifts from nature. We are poor, very poor, forever, when once we have failed.’

  His own words sounded in his ears unkind, unsympathetic, harsh, and almost coarse; but he spoke as, it seemed to him, both experience and conscience made it duty to do. Damaris looked down on the shorn grass at her feet, and he saw her face and throat grow red.

  ‘If I had wished to marry I would have married my cousin,’ she said with a sound of anger and offence in her voice. ‘Peasant life is good, very good. Perhaps, if I had never seen anything different, it might have seemed always the best. But not now — not now — —’

  ‘But you do not know —— .’ He left his reply unfinished.

  Standing in the green warm meadow, with the light of afternoon shed on it, and the golden haze of a late summer day on its horizon, his thoughts were full of all the many things in life of which she could imagine nothing. All the passions and pleasures and disgusts, all the desires and satisfactions and satieties, all the tumult and vanity and nausea and giddy haste of life in the world — what could she tell of these? She would be handsome and young and alone; what would that world not teach her in a year, a month, an hour? Self-consciousness first; then, with that knowledge, all else.

  As, to her, having never known anything but the close limits of peasant life, the world which she did not know assumed the colours and the rejoicing of a vast borealis pageantry, so to him, by whom the world was known like an oft-read Virgil, it seemed that the safety, the quietude, the daily round of simple duties, undisturbed by ambition within or by contention from without, which the life of the peasant afforded, was a kind of happiness, a positive security from which any safe within it were ill-advised to wander.

  Of all wretched creatures the déclassée seemed to him to be the most wretched. He had reproached his wife with the effort to make this child one of those pitiful anomalies, and he now reproached himself with doing the same unkindness.

  Damaris was a déclassée; she could never more return to the order of life whence she had come. Ever since some indistinct glory for herself had been suggested to her by the thoughtless words of the great lady who had represented Fate to her, she had been haunted by the desire for an existence wholly unlike that to which she had been born and by which she had been surrounded. It had been only a very few hours which she had passed under the roof of St. Pharamond, but that short space had been long enough to make her conceive a world wholly inconceivable to her before, a world in which art and luxury were things of daily habit, in which leisure and loveliness and gaiety and ease were matters of course, like the coming and going of time, in which personal graces and personal charm were all cultured as the flowers were cultured under glass; in which even for her there might become possible the fruition of all manner of gorgeous indefinite visions, born out of the suggestions of poets and the phantasmagoria of romantic books — a world in which all she had humbly longed for, as she had listened to the nightingales in the orange thickets, would become visible to her and possessed.

  She was a déclassée: not in the vulgar sense, but in the sadder meaning of a young life uprooted from its natural soil and filled with desires, aspirations, dreams, which made all that was actually within her grasp valueless to her. That one night, in which she had seen around her the destinies which appeared to her like a tale of fairy-land, had impressed her imagination with indelible memories and her heart with ineffaceable wishes. He, who only saw in the life of his own world tedium, inanity, stupidity, extravagance, monotonous repetition, could not guess what enchantment its externals had worn to her. He, who was tired of the unvaried paths of that garden of pleasure whose habitués only see that in it ‘grove nods to grove, each alley has its fellow,’ could not divine what a paradise it had looked to this young waif and stray, who had been only able to catch one glimpse of its beauties through the golden bars of its shut gates. To him her wish for the world appeared the most pathetic of errors, the most pitiable of blunders, a very madness of unwise choice. Had not the world been with him always, and what had it given him? Possibly it had in reality given him much more than he remembered: it had given him culture with all its charms, and courtesy with all its graces; it had given him the great powers which lie in wealth, and the great light which shines from knowledge. But then he was so used to these he counted them not, and the world only wore to him the aspect of a monster devouring all leisure, all simplicity, all repose, driving all mankind before it in a breathless chase of swiftly escaping hours; and to her this monster would be ravenous as a wolf, cruel as it could never be to any man! It would take everything from her, and only give her in return worthless gifts of ruinous passions, of consuming fevers, of poisoned fruits, of fierce desires.

  It seemed to him as if he saw some young child coming gaily through the grasses, clasping all unconscious to its breast a mass of smoking dynamite, and deeming it a kindly playfellow.

  And it was impossible to warn her in words brutal enough to scare her from her purpose. He could not say to her, ‘Men are beasts, and women are worse: there are hideous pleasures, hateful appetites, cruel temptations, of which you know nothing, but which will all crowd on your knowledge and grow to your taste, once you are in the midst of them. The world will embrace you, but as the bull embraced the Christian maiden forced to appear as Pasiphaë in the circus of Nero. Be wise while there is time. Stay in the clean, clear daylight of a country life. Its paths are narrow and few, they only lead from the hearth to the door, from the door to the brook or the mill; but you may walk in them safe and content, and teach your children to follow your steps. Peace of mind is the sweetest thing upon earth; but it is like the wood-sorrel, it only grows in shady, quiet, homely places. No one has it in the world.’

  But he thought these thoughts, and did not say them. He looked at her standing with dew-wet feet amongst the seeding grasses, the warm fresh air about her, the blue sky above, and he thought of her in the atmosphere of a supper-room in Paris, with the smoke, and the perfumes, and the odours of the wines, and beside her men with swimming lascivi
ous eyes, and drôlesses with flushed faces and indecent gestures. He would not take her there, but others would.

  She raised her head suddenly and looked at him.

  ‘What are you afraid of for me?’ she said suddenly. ‘There is nothing to be afraid of. If I fail I fail; I have enough always to live on, you say; and if I succeed — —’

  ‘Failure will not hurt you,’ he said coldly; ‘success may.’

  ‘How can success hurt one unless one be very vain or very weak? I do not think I am vain, and I know I am strong.’

  ‘My dear — you can go from the meadows to the world if you will, but remember you cannot come back from the world to the meadows.’

  ‘Why? Did not many come from the world to Port-Royal when it stood yonder?’

  ‘Yes; they came with sick hearts, with defeated hopes, with aching wounds, with disappointed passions; but they never stood in the green pastures, in the morning of life, again.’

  There was a sigh in the words which brought them home to her heart with a sudden sense of all their meaning.

  She was mute while the little crickets in the stalks of the hay grass sung their last little song of one note, which would soon end with the end of their tiny lives.

  ‘You are not happy yourself?’ she said after awhile. Astonishment and regret were in the question.

  Othmar hesitated. His sincerity combated the negative, which a vague sense of loyalty to one absent made him desirous to utter.

  ‘No one after a certain age is happy, my dear,’ he answered evasively. ‘Illusions are happiness; and in the world which you think must be a fairy tale, we lose them very quickly.’

 

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