In Dreams: Screenplay

by James Eddy

In Dreams: Screenplay

  By James Eddy

  Visit https://youngbloodbooks.webplus.net for more information.

  Copyright 2013 James Eddy

  Cover Credits: Vernon Wiley

  Used under a Standard Royalty-Free License.

  Cover Design: James Eddy

  All rights reserved.

  WARNING: This book is not transferable. It is for your own personal use. If it is sold, shared or given away, it is an infringement of the copyright of this work and violators will be prosecuted to the fullest extent of the law.

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  The author/publisher of this book has used his best efforts in preparing this guide. The author/publisher makes no representation or warranties with respect to the accuracy, applicability, fitness, or completeness of the contents of this guide. The author/publisher disclaims any warranties (express or implied), merchantability, or fitness for any particular purpose. The author/publisher shall in no event be held liable for any loss or other damages, including but not limited to special, incidental, consequential or other damages.

  Published in the United Kingdom.

  ****

  FADE IN:

  EXT. NORWICH - DAY

  A taxi travels swiftly through the streets of Norwich, along Prince of Wales Road, Rose Lane, Cattlemarket Street, Westlegate, St Stephens Street, and Chapelfield Road. It stops at the traffic lights on Grapes Hill, before eventually moving along Dereham Road.

  CUT TO:

  INT. TAXI - DAY

  OLIVER BELL - a young man in his early twenties - sits in the back of the taxi, which has stopped because of traffic. Oliver winds down a window to look out and ahead to see the reason for the hold-up. He then looks out of the window and across to the other side of the road. Something immediately catches his eye.

  Fade TO:

  Black screen:

  SUPER: "Five Nights Earlier"

  Fade In:

  BEGIN DREAM SEQUENCE:

  EXT. STREET - DAY

  Oliver walks down his driveway onto the pavement, turns left and continues to walk along the street. As he walks, he looks down to his left at the dew glistening on the grass.

  CUT TO:

  INT. SHOP - DAY

  Oliver grabs two bottles of Absinthe from a shelf.

  CUT TO:

  EXT. SHOP - DAY

  Oliver walks out of the shop carrying one absinthe bottle in each hand. He walks for a short distance before stopping quite suddenly. He looks at something in the distance. The sound of the two absinthe bottles smashing on the ground is heard.

  CUT TO:

  EXT. STREET - DAY

  Oliver runs quickly towards what he has seen. Lying on the ground in a pool of blood is - JOHNNY YOUNGBLOOD - a seventeen year old boy. Oliver crouches down next to him.

  OLIVER

  Jesus, Johnny!

  JOHNNY

  You're already too late my friend

  OLIVER

  No, no... I am so sorry

  JOHNNY

  It’s not your fault... Look... Just do me a favour and go to that house will yer.

  Johnny points to a very large house, which is painted entirely black except for its bright red front door

  OLIVER

  I can get help there!

  (He runs off and shouts back)

  I'LL SEE YOU SOON

  JOHNNY

  I don’t doubt it mate

  CUT TO:

  EXT. BLACK HOUSE - DAY

  Oliver runs to the red front door of the house, pushes it open, and walks inside.

  CUT TO:

  INT. BLACK HOUSE - DAY

  Oliver begins to walk slowly along a dark hallway. Several moments pass as he walks and it becomes obvious that the hallway is extremely long and that it has no windows or doors.

  OLIVER

  (Continuing to walk)

  HELLO, IS ANYONE IN?

  (A beat)

  HELLO?

  (A beat)

  WILL SOMEONE HELP ME PLEASE?

  (Stopping)

  Is there...

  (A beat as he looks around)

  A door anywhere in this place?

  Oliver looks all the way up and down the corridor, which is, aside from its size and the tattered wallpaper hanging from the walls, almost featureless. He begins to walk again, slightly faster than before.

  OLIVER

  Hello?

  He continues walking for several seconds and then he trips over something on the ground. He does not get up and instead feels for what made him fall. He finds that on the ground in the middle of the hallway is a single black door. Oliver stands again for several seconds looking at the door. He bends down to the door and, taking hold of the handle, he pulls it open and folds it out onto the floor. He stands again for several moments staring at the open doorway. Finally, he shrugs his shoulders, walks forward and places one foot into and through the doorway.

  CUT TO:

  EXT. MULTI-STOREY CAR PARK - EVENING

  Oliver hits the ground with a thump. He picks himself up, dusts himself off and looks up to the sky. EMILY - a young woman in her twenties - then immediately runs past, grabbing his hand and pulling him along after her.

  EMILY

  (Running and

  slightly out

  of breath)

  You've got to help me!

  OLIVER

  What?

  EMILY

  You've got to save me!

  OLIVER

  Where are we going?

  EMILY

  Up there.

  She points up at the upper floors of the car park but continues to run, dragging Oliver with her, until she knocks straight into and through the door which leads into the car park.

  CUT TO:

  INT. MULTI-STOREY CAR PARK - EVENING

  OLIVER

  (Still running)

  What the hell is going on?

  EMILY

  (A beat or

  two as she

  slows and

  then stops

  running before

  turning to

  face him)

  Trust me…. And will you hide with me please?

  OLIVER

  I can’t

  Emily looks at him longingly. She grabs his hand with both of hers. He looks down at her hands on his before looking up at her face.

  CUT TO:

  INT. MULTI-STOREY CAR PARK - NIGHT

  Oliver and Emily lie next to each other under a car.

  OLIVER

  (Turning his head

  towards Emily)

  What exactly are we doing here?

  EMILY

  Shh...

  (Whispering)

  We're hiding

  OLIVER

  (Whispering)

  Yes... But who from?

  EMILY

  (A beat)

  Demons

  (A beat or two)

  It doesn’t look like they know we’re here

  Both Oliver and Emily slide out from opposite sides of the car. She walks behind the car to stand next to him. At that moment another car can be heard coming from a lower level of the car park. They both turn towards where the noise is coming from. The next thing they see is a black car that is driven up from the lower levels of the car park, which comes to a stop in front of them. The driver of the car - JIM BRADY, a boy in his late teens with short dark hair - gets up and out of the car to lean over the car door and look directly at Oliver. Oliver is shocked and surprised to see him.

  OLIVER

  (To Emil
y)

  RUN!

  Oliver grabs Emily’s hand and runs up an incline. As they get to the next level of the car park, Oliver, still holding Emily’s hand, looks back down towards the black car, which is still on the level below them. He turns away and looks around again. When he sees something ahead of him, he stops.

  OLIVER

  (Pointing forward)

  THERE!

  Ahead of the two of them is a red door. He pulls Emily toward it.

  EMILY

  What’s going on? That wasn't there before

  OLIVER

  Trust me... And will you hide with me please?

  Emily smiles at Oliver. They then walk on, open the door and step through it.

  CUT TO:

  EXT. CATHEDRAL GROUNDS - DAY

  Oliver and Emily sit on a grass lawn. Oliver looks around and sees a large statue of Admiral Nelson. He then looks upwards, taking in the sheer size and scale of the Cathedral.

  EMILY

  (To Oliver)

  Thank you for that

  Oliver moves his gaze down from looking at the cathedral and looks over his shoulder. This time he sees a large statue of the Duke of Wellington. He turns back towards Emily.

  OLIVER

  Where are we now?

  EMILY

  (Pointing around

  herself)

  Well, that’s a cathedral, that’s a statue of Admiral Nelson, that’s another of the Duke of Wellington and this is the city I live in.

  (A beat)

  The rest is up to you to find out

  She smiles at him.

  OLIVER

  What? But who are you? What's your name?

  EMILY

  That’s really two different questions... And the second one’s a bit easier to answer. I’m...

  As Oliver looks at her, her face fades to white. Her lips move but he doesn't hear a word.

  END DREam sequence.

  INT. BEDROOM - MORNING

  Oliver lies in bed. He lifts his upper body and leans over to look at a clock on the bedside table. The time is 8.15am. Oliver exhales heavily and falls back onto his pillow.

  CUT TO:

  EXT. LONDON - MORNING

  Oliver makes his way through busy streets in the pouring rain.

  CUT TO:

  EXT. OFFICE BUILDING - MORNING

  Oliver walks up to and through the outer doors of the office building where he works.

  CUT TO:

  INT. OFFICE - MORNING

  Oliver walks through the lift doors onto the floor where he works. He is still wet from the rain. No one pays any attention to his arrival. He carries on walking until he reaches the desk in his workstation. He sits down facing a computer and