The horses snorted and blew, feeling their charioteer behind them. The wheels gave a little lurch, and I staggered, my spears rattling. “Balance them,” he told me. “It will be easier.” Everyone waited as I awkwardly transferred one spear to my left hand, swiping my helmet askew as I did so. I reached up to fix it.
“I will be fine,” I told him. Myself.
“Are you ready?” Automedon asked.
I took a last look at Achilles, standing by the side of the chariot, almost forlorn. I reached for his hand, and he gripped it. “Be careful,” he said.
“I will.”
There was more to say, but for once we did not say it. There would be other times for speaking, tonight and tomorrow and all the days after that. He let go of my hand.
I turned back to Automedon. “I’m ready,” I told him. The chariot began to roll, Automedon guiding it towards the packed sand nearer the surf. I felt when we reached it, the wheels catching, the car smoothing out. We turned towards the ships, picking up speed. I felt the wind snatch at my crest, and I knew that the horsehair was streaming behind me. I lifted my spears.
Automedon crouched down low so that I would be seen first. Sand flew from our churning wheels, and the Myrmidons clattered behind us. My breaths had begun to come in gasps, and I gripped the spear-shafts till my fingers hurt. We flew past the empty tents of Idomeneus and Diomedes, around the beach’s curve. And, finally, the first clumps of men. Their faces blurred by, but I heard their shouts of recognition and sudden joy. “Achilles! It is Achilles!” I felt a fierce and flooding relief. It is working.
Now, two hundred paces away, rushing towards me, were the ships and the armies, heads turning at the noise of our wheels and the Myrmidon feet beating in unison against the sand. I took a breath and squared my shoulders inside the grip of my—his—armor. And then, head tilted back, spear raised, feet braced against the sides of the chariot, praying that we would not hit a bump that would throw me, I screamed, a wild frenzied sound that shook my whole body. A thousand faces, Trojan and Greek, turned to me in frozen shock and joy. With a crash, we were among them.
I screamed again, his name boiling up out of my throat, and heard an answering cry from the embattled Greeks, an animal howl of hope. The Trojans began to break apart before me, scrambling backwards with gratifying terror. I bared my teeth in triumph, blood flooding my veins, the fierceness of my pleasure as I saw them run. But the Trojans were brave men, and not all of them ran. My hand lifted, hefting my spear in threat.
Perhaps it was the armor, molding me. Perhaps it was the years of watching him. But the position my shoulder found was not the old wobbling awkwardness. It was higher, stronger, a perfect balance. And then, before I could think about what I did, I threw—a long straight spiral into the breast of a Trojan. The torch that he had been waving at Idomeneus’ ship slipped and guttered in the sand as his body pitched backwards. If he bled, if his skull split to show his brain, I did not see it. Dead, I thought.
Automedon’s mouth was moving, his eyes wide. Achilles does not want you to fight, I guessed he was saying. But already my other spear hefted itself into my hand. I can do this. The horses veered again, and men scattered from our path. That feeling again, of pure balance, of the world poised and waiting. My eye caught on a Trojan, and I threw, feeling the swipe of wood against my thumb. He fell, pierced through the thigh in a blow I knew had shattered bone. Two. All around me men screamed Achilles’ name.
I gripped Automedon’s shoulder. “Another spear.” He hesitated a moment, then pulled on the reins, slowing so I could lean over the side of the rattling chariot to claim one stuck in a body. The shaft seemed to leap into my hand. My eyes were already searching for the next face.
The Greeks began to rally—Menelaus killing a man beside me, one of Nestor’s sons banging his spear against my chariot as if for luck before he threw at a Trojan prince’s head. Desperately, the Trojans scrambled for their chariots, in full retreat. Hector ran among them, crying out for order. He gained his chariot, began to lead the men to the gate, and then over the narrow causeway that bridged the trench, and onto the plain beyond.
“Go! Follow them!”
Automedon’s face was full of reluctance, but he obeyed, turning the horses in pursuit. I grabbed more spears from bodies— half-dragging a few corpses behind me before I could jerk the points free—and chased the Trojan chariots now choking the door. I saw their drivers looking back fearfully, frantically, at Achilles reborn phoenix-like from his sulking rage.
Not all the horses were as nimble as Hector’s, and many panicked chariots skidded off the causeway to founder in the trench, leaving their drivers to flee on foot. We followed, Achilles’ godlike horses racing with their legs outflung into the palm of the air. I might have stopped then, with the Trojans scattering back to their city. But there was a line of rallied Greeks behind me screaming my name. His name. I did not stop.
I pointed, and Automedon swept the horses out in an arc, lashing them onward. We passed the fleeing Trojans and curved around to meet them as they ran. My spears aimed, and aimed again, splitting open bellies and throats, lungs and hearts. I am relentless, unerring, skirting buckles and bronze to tear flesh that spills red like the jagged puncture of a wineskin. From my days in the white tent I know every frailty they have. It is so easy.
From the roiling melee bursts a chariot. The driver is huge, his long hair flying behind as he lashes his horses to foam and froth. His dark eyes are fixed on me, his mouth twisted in rage. His armor fits him like the skin fits the seal. It is Sarpedon.
His arm lifts, to aim his spear at my heart. Automedon screams something, yanks at the reins. There is a breath of wind over my shoulder. The spear’s sharp point buries itself in the ground behind me.
Sarpedon shouts, curse or challenge I do not know. I heft my spear, as if in a dream. This is the man who has killed so many Greeks. It was his hands that tore open the gate.
“No!” Automedon catches at my arm. With his other hand he lashes the horses, and we tear up the field. Sarpedon turns his chariot, angling it away, and for a moment I think he has given up. Then he angles in again and lifts his spear.
The world explodes. The chariot bucks into the air, and the horses scream. I am thrown onto the grass, and my head smacks the ground. My helmet falls forward into my eyes, and I shove it back. I see our horses, tangled in each other; one has fallen, pierced with a spear. I do not see Automedon.
From afar Sarpedon comes, his chariot driving relentlessly towards me. There is no time to flee; I stand to meet him. I lift my spear, gripping it as though it is a snake I will strangle. I imagine how Achilles would do it, feet planted to earth, back muscles twisting. He would see a gap in that impenetrable armor, or he would make one. But I am not Achilles. What I see is something else, my only chance. They are almost upon me. I cast the spear.
It hits his belly, where the armor plate is thick. But the ground is uneven, and I have thrown it with all of my strength. It does not pierce him, but it knocks him back a single step. It is enough. His weight tilts the chariot, and he tumbles from it. The horses plunge past me and leave him behind, motionless on the ground. I clutch my sword-hilt, terrified that he will rise and kill me; then I see the unnatural, broken angle of his neck.
I have killed a son of Zeus, but it is not enough. They must think it is Achilles who has done it. The dust has already settled on Sarpedon’s long hair, like pollen on the underside of a bee. I retrieve my spear and stab it down with all my strength into his chest. The blood spurts, but weakly. There is no heartbeat to push it forward. When I pull the spear out, it dislodges slowly, like a bulb from cracking earth. That is what they will think has killed him.
I hear the shouts, men swarming towards me, in chariots and on foot. Lycians, who see the blood of their king on my spear. Automedon’s hand seizes my shoulder, and he drags me onto the chariot. He has cut the dead horse free, righted the wheels. He is gasping, white with fear. “We must go.”
Automedon gives the eager horses their head, and we race across the fields from the pursuing Lycians. There is a wild, iron taste in my mouth. I do not even notice how close I have come to death. My head buzzes with a red savagery, blooming like the blood from Sarpedon’s chest.
In our escape, Automedon has driven us close to Troy. The walls loom up at me, huge cut stones, supposedly settled by the hands of gods, and the gates, giant and black with old bronze. Achilles had warned me to beware of archers on the towers, but the charge and rout has happened so quickly, no one has returned yet. Troy is utterly unguarded. A child could take it now.
The thought of Troy’s fall pierces me with vicious pleasure. They deserve to lose their city. It is their fault, all of it. We have lost ten years, and so many men, and Achilles will die, because of them. No more.
I leap from the chariot and run to the walls. My fingers find slight hollows in the stone, like blind eye-sockets. Climb. My feet seek infinitesimal chips in the god-cut rocks. I am not graceful, but scrabbling, my hands clawing against the stone before they cling. Yet I am climbing. I will crack their uncrackable city, and capture Helen, the precious gold yolk within. I imagine dragging her out under my arm, dumping her before Menelaus. Done. No more men will have to die for her vanity.
Patroclus. A voice like music, above me. I look up to see a man leaning on the walls as if sunning, dark hair to his shoulders, a quiver and bow slung casually around his torso. Startled, I slip a little, my knees scraping the rock. He is piercingly beautiful, smooth skin and a finely cut face that glows with something more than human. Black eyes. Apollo.
He smiles, as if this was all he had wanted, my recognition. Then he reaches down, his arm impossibly spanning the long distance between my clinging form and his feet. I close my eyes and feel only this: a finger, hooking the back of my armor, plucking me off and dropping me below.
I land heavily, my armor clattering. My mind blurs a little from the impact, from the frustration of finding the ground so suddenly beneath me. I thought I was climbing. But there is the wall before me, stubbornly unclimbed. I set my jaw and begin again; I will not let it defeat me. I am delirious, fevered with my dream of Helen captive in my arms. The stones are like dark waters that flow ceaselessly over something I have dropped, that I want back. I forget about the god, why I have fallen, why my feet stick in the same crevices I have already climbed. Perhaps this is all I do, I think, demented—climb walls and fall from them. And this time when I look up, the god is not smiling. Fingers scoop the fabric of my tunic and hold me, dangling. Then let me fall.
MY HEAD CRACKS the ground again, leaving me stunned and breathless. Around me a blurring crowd of faces gathers. Have they come to help me? And then I feel: the prickling chill of air against my sweat-dampened forehead, the loosening of my dark hair, freed at last. My helmet. I see it beside me, overturned like an empty snail shell. My armor, too, has been shaken loose, all those straps that Achilles had tied, undone by the god. It falls from me, scattering the earth, the remnants of my split, spilt shell.
The frozen silence is broken by the hoarse, angry screams of Trojans. My mind startles to life: I am unarmed and alone, and they know I am only Patroclus.
Run. I lunge to my feet. A spear flashes out, just a breath too slow. It grazes the skin of my calf, marks it with a line of red. I twist away from a reaching hand, panic loose and banging in my chest. Through the haze of terror I see a man leveling a spear at my face. Somehow I am quick enough, and it passes over me, ruffling my hair like a lover’s breath. A spear stabs towards my knees, meant to trip me. I leap it, shocked I am not dead already. I have never been so fast in all my life.
The spear that I do not see comes from behind. It pierces the skin of my back, breaks again to air beneath my ribs. I stumble, driven forward by the blow’s force, by the shock of tearing pain and the burning numbness in my belly. I feel a tug, and the spear point is gone. The blood gushes hot on my chilled skin. I think I scream.
The Trojan faces waver, and I fall. My blood runs through my fingers and onto the grass. The crowd parts, and I see a man walking towards me. He seems to come from a great distance, to descend, somehow, as if I lay in the bottom of a deep ravine. I know him. Hip bones like the cornice of a temple, his brow furrowed and stern. He does not look at the men who surround him; he walks as if he were alone on the battlefield. He is coming to kill me. Hector.
My breaths are shallow gasps that feel like new wounds tearing. Remembrance drums in me, like the pulse-beat of blood in my ears. He cannot kill me. He must not. Achilles will not let him live if he does. And Hector must live, always; he must never die, not even when he is old, not even when he is so withered that his bones slide beneath his skin like loose rocks in a stream. He must live, because his life, I think as I scrape backwards over the grass, is the final dam before Achilles’ own blood will flow.
Desperately, I turn to the men around me and scrabble at their knees. Please, I croak. Please.
But they will not look; they are watching their prince, Priam’s eldest son, and his inexorable steps towards me. My head jerks back, and I see that he is close now, his spear raised. The only sound I hear is my own heaving lungs, air pumped into my chest and pushed from it. Hector’s spear lifts over me, tipping like a pitcher. And then it falls, a spill of bright silver, towards me.
No. My hands flurry in the air like startled birds, trying to halt the spear’s relentless movement towards my belly. But I am weak as a baby against Hector’s strength, and my palms give way, unspooling in ribbons of red. The spearhead submerges in a sear of pain so great that my breath stops, a boil of agony that bursts over my whole stomach. My head drops back against the ground, and the last image I see is of Hector, leaning seriously over me, twisting his spear inside me as if he is stirring a pot. The last thing I think is: Achilles.
Chapter Thirty-One
ACHILLES STANDS ON THE RIDGE WATCHING THE DARK shapes of battle moving across the field of Troy. He cannot make out faces or individual forms. The charge towards Troy looks like the tide coming in; the glint of swords and armor is fish-scale beneath the sun. The Greeks are routing the Trojans, as Patroclus had said. Soon he will return, and Agamemnon will kneel. They will be happy again.
But he cannot feel it. There is a numbness in him. The writhing field is like a gorgon’s face, turning him slowly to stone. The snakes twist and twist before him, gathering into a dark knot at the base of Troy. A king has fallen, or a prince, and they are fighting for the body. Who? He shields his eyes, but no more is revealed. Patroclus will be able to tell him.
HE SEES THE THING IN PIECES. Men, coming down the beach towards the camp. Odysseus, limping beside the other kings. Menelaus has something in his arms. A grass-stained foot hangs loose. Locks of tousled hair have slipped from the makeshift shroud. The numbness now is merciful. A last few moments of it. Then, the fall.
He snatches for his sword to slash his throat. It is only when his hand comes up empty that he remembers: he gave the sword to me. Then Antilochus is seizing his wrists, and the men are all talking. All he can see is the bloodstained cloth. With a roar he throws Antilochus from him, knocks down Menelaus. He falls on the body. The knowledge rushes up in him, choking off breath. A scream comes, tearing its way out. And then another, and another. He seizes his hair in his hands and yanks it from his head. Golden strands fall onto the bloody corpse. Patroclus, he says, Patroclus. Patroclus. Over and over until it is sound only. Somewhere Odysseus is kneeling, urging food and drink. A fierce red rage comes, and he almost kills him there. But he would have to let go of me. He cannot. He holds me so tightly I can feel the faint beat of his chest, like the wings of a moth. An echo, the last bit of spirit still tethered to my body. A torment.
BRISEIS RUNS TOWARDS US, face contorted. She bends over the body, her lovely dark eyes spilling water warm as summer rain. She covers her face with her hands and wails. Achilles does not look at her. He does not even see her. He stands.
“Who did this?”
His voice is a terrible thing, cracked and broken.
“Hector,” Menelaus says. Achilles seizes his giant ash spear, and tries to tear free from the arms that hold him.
Odysseus grabs his shoulders. “Tomorrow,” he says. “He has gone inside the city. Tomorrow. Listen to me, Pelides. Tomorrow you can kill him. I swear it. Now you must eat, and rest.”
ACHILLES WEEPS. He cradles me, and will not eat, nor speak a word other than my name. I see his face as if through water, as a fish sees the sun. His tears fall, but I cannot wipe them away. This is my element now, the half-life of the unburied spirit.
His mother comes. I hear her, the sound of waves breaking on shore. If I disgusted her when I was alive, it is worse to find my corpse in her son’s arms.
“He is dead,” she says, in her flat voice.
“Hector is dead,” he says. “Tomorrow.”
“You have no armor.”
“I do not need any.” His teeth show; it is an effort to speak.
She reaches, pale and cool, to take his hands from me. “He did it to himself,” she says.
“Do not touch me!”
She draws back, watching him cradle me in his arms.
“I will bring you armor,” she says.
IT GOES LIKE THIS, on and on, the tent flap opening, the tentative face. Phoinix, or Automedon, or Machaon. At last Odysseus. “Agamemnon has come to see you, and return the girl.” Achilles does not say, She has already returned. Perhaps he does not know.
The two men face each other in the flickering firelight. Agamemnon clears his throat. “It is time to forget the division between us. I come to bring you the girl, Achilles, unharmed and well.” He pauses, as if expecting a rush of gratitude. There is only silence. “Truly, a god must have snatched our wits from us to set us so at odds. But that is over now, and we are allies once more.” This last is said loudly, for the benefit of the watching men. Achilles does not respond. He is imagining killing Hector. It is all that keeps him standing.
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