Except she was not sure. The bells were sounding so wild. It was not the measured tolling that was the usual signal of attack, but a panicked clangour as though the men hauling the ropes were trying to repel an attack by their own efforts. She looked from the window again and saw the English arrows flitting across the roofs. She could hear them thumping into the thatch. The children of the town thought it was a fine sport to retrieve the enemy arrows and two had injured themselves sliding from the roofs. Jeanette thought about getting dressed, but decided she must find out what was happening first so she gave Charles to the servant, then ran downstairs.
One of the kitchen servants met her at the back door. 'What's happening, madame?'
'Another attack, that is all.'
She unbarred the door to the yard, then ran to the private entrance to Renan's church just as an arrow struck the church tower and clattered down into the yard. She pulled open the tower door, then groped up the steep ladders that her father had built. It had not been mere piety that had inspired Louis Halevy to construct the tower, but also the opportunity to look downriver to see if his boats were approaching, and the high stone parapet offered one of the best views in La Roche-Derrien. Jeanette was deafened by the church bell that swung in the gloom, each clapper stroke thumping her ears like a physical blow. She climbed past the bell, pushed open the trapdoor at the top of the ladders and clambered onto the leads.
The English had come. She could see a torrent of men flowing about the river edge of the wall. They waded through the mud and swarmed over the broken stakes like a torrent of rats. Sweet Mother of Christ, she thought, sweet Mother of Christ, but they were in the town! She hurried down the ladders. 'They're here!' she called to the priest who hauled the bell rope. 'They're in the town!'
'Havoc! Havoc!' the English shouted, the call that encouraged them to plunder.
Jeanette ran across the yard and up the stairs. She pulled her clothes from the cupboard, then turned when the voices shouted havoc beneath her window. She forgot her clothes and took Charles back into her arms. 'Mother of God,' she prayed, 'look after us now, look after us. Sweet Mother of God, keep us safe.' She wept, not knowing what to do. Charles cried because she was holding him too tight and she tried to soothe him. Cheers sounded in the street and she ran back to the window and saw what looked like a dark river studded with steel flowing towards the town centre. She collapsed by the window, sobbing. Charles was screaming. Two more servants were in the room, somehow thinking that Jeanette could shelter them, but there was no shelter now. The English had come. One of the servants shot the bolt on the bedroom door, but what good would that do?
Jeanette thought of her husband's hidden weapons and of the Spanish sword's sharp edge, and wondered if she would have the courage to place the point against her breast and heave her body onto the blade. It would be better to die than be dishonoured, she thought, but then what would happen to her son? She wept helplessly, then heard someone beating on the big gate which led to her courtyard. An axe, she supposed, and she listened to its crunching blows that seemed to shake the whole house. A woman screamed in the town, then another, and the English voices cheered rampantly. One by one the church bells fell silent until only the cracked bell hammered its fear across the roofs. The axe still bit at the door. Would they recognize her, she wondered. She had exulted in standing on the ramparts, shooting her husband's crossbow at the besiegers, and her right shoulder was bruised because of it, but she had welcomed the pain, believing that every bolt fired made it less likely that the English would break into the town.
No one had thought they could. And why besiege La Roche-Derrien anyway? It had nothing to offer. As a port it was almost useless, for the largest ships could not make it up the river even at the top of the tide. The English, the townspeople had believed, were making a petulant demonstration and would soon give up and slink away.
But now they were here, and Jeanette screamed as the sound of the axe blows changed. They had broken through, and doubtless were trying to lift the bar. She closed her eyes, shaking as she heard the gate scrape on the cobbles. It was open. It was open. Oh, Mother of God, she prayed, be with us now.
The screams sounded downstairs. Feet thumped on the stairs. Men's voices shouted in a strange tongue.
Be with us now and at the hour of our death for the English had come.
—«»—«»—«»—
Sir Simon Jekyll was annoyed. He had been prepared to climb the ladders if Skeat's archers ever gained the walls, which he doubted, but if the ramparts were captured then he intended to be first into the town. He foresaw cutting down a few panicked defenders then finding some great house to plunder.
But nothing happened as he had imagined it. The town was awake, the wall manned, and the ladders never went forward, but Skeat's men still got inside by simply wading through the mud at the river's edge. Then a cheer at the southern side of the town suggested that gate was open, which meant that the whole damned army was getting into La Roche-Derrien ahead of Sir Simon. He swore. There would be nothing left!
'My lord?' One of his men-at-arms prompted Sir Simon, wanting a decision as to how they were to reach the women and valuables beyond the walls, which were emptying of their defenders as men ran to protect their homes and families. It would have been quicker, far quicker, to have waded through the mud, but Sir Simon did not want to dirty his new boots and so he ordered the ladders forward.
The ladders were made of green wood and the rungs bent alarmingly as Sir Simon climbed, but there were no defenders to oppose him and the ladder held. He clambered into an embrasure and drew his sword. A half-dozen defenders lay spitted with arrows on the rampart. Two were still alive and Sir Simon stabbed the nearest one. The man had been roused from his bed and had no mail, not even a leather coat, yet still the old sword made hard work of the killing stroke. It was not designed for stabbing, but for cutting. The new swords, made from the finest southern European steel, were renowned for their ability to pierce mail and leather, but this ancient blade required all Sir Simon's brute force to penetrate a rib cage. And what chance, he wondered sourly, would there be of finding a better weapon in this sorry excuse for a town?
There was a flight of stone steps down into a street that was thronged by English archers and men-at-arms smeared with mud to their thighs. They were breaking into houses. One man was carrying a dead goose, another had a bolt of cloth. The plundering had begun and Sir Simon was still on the ramparts. He shouted at his men to hurry and when enough of them had gathered on the wall's top, he led them down into the street. An archer was rolling a barrel from a cellar door, another dragged a girl by an arm. Where to go? That was Sir Simon's problem. The nearest houses were all being sacked, and the cheers from the south suggested the Earl's main army was descending on that part of the town. Some townsfolk, realizing all was lost, were fleeing in front of the archers to cross the bridge and escape into the countryside.
Sir Simon decided to strike east. The Earl's men were to the south, Skeat's were staying close to the west wall so the eastern quarter offered the best hope of plunder. He pushed past Skeat's muddy archers and led his men towards the bridge. Frightened people ran past him, ignoring him and hoping he would ignore them. He crossed the main street, which led to the bridge, and saw a roadway running alongside the big houses that fronted the river. Merchants, Sir Simon thought, fat merchants with fat profits, and then, in the growing light, he saw an archway that was surmounted by a coat of arms. A noble's house.
'Who has an axe?' he asked his men.
One of the men-at-arms stepped forward and Sir Simon indicated the heavy gate. The house had windows on the ground floor, but they were covered by heavy iron bars, which seemed a good sign. Sir Simon stepped back to let his man start work on the gate.
The axeman knew his business. He chopped a hole where he guessed the locking bar was, and when he had broken through he put a hand inside and pushed the bar up and out of its brackets so that Sir Simon and his archers could heave the gates ope
n. Sir Simon left two men to guard the gate, ordering them to keep every other plunderer out of the property, then led the rest into the yard. The first things he saw were two boats tied at the river's quay. They were not large ships, but all hulls were valuable and he ordered four of his archers to go aboard.
'Tell anyone who comes that they're mine, you understand? Mine!'
He had a choice now: storerooms or house? And a stable? He told two men-at-arms to find the stable and stand guard on whatever horses were there, then he kicked in the house door and led his six remaining men into the kitchen. Two women screamed. He ignored them; they were old, ugly servants and he was after richer things. A door led from the back of the kitchen and he pointed one of his archers towards it, then, holding his sword ahead of him, he went through a small dark hall into a front room. A tapestry showing Bacchus, the god of wine, hung on one wall and Sir Simon had an idea that valuables were sometimes hidden behind such wall-coverings so he hacked at it with his blade, then hauled it down from its hooks, but there was only a plaster wall behind. He kicked the chairs, then saw a chest that had a huge dark padlock.
'Get it open,' he ordered two of his archers, 'and whatever's inside is mine.' Then, ignoring two books which were of no use to man or beast, he went back into the hall and ran up a flight of dark wooden stairs.
Sir Simon found a door leading to a room at the front of the house. It was bolted and a woman screamed from the other side when he tried to force the door. He stood back and used the heel of his boot, smashing the bolt on the far side and slamming the door back on its hinges. Then he stalked inside, his old sword glittering in the dawn's wan light, and he saw a black-haired woman.
Sir Simon considered himself a practical man. His father, quite sensibly, had not wanted his son to waste time on education, though Sir Simon had learned to read and could, at a pinch, write a letter. He liked useful things — hounds and weapons, horses and armour — and he despised the fashionable cult of gentility. His mother was a great one for troubadours, and was forever listening to songs of knights so gentle that Sir Simon reckoned they would not have lasted two minutes in a tourney's mêlée. The songs and poems celebrated love as though it was some rare thing that gave a life enchantment, but Sir Simon did not need poets to define love, which to him was tumbling a peasant girl in a harvest field or thrusting at some ale-reeking whore in a tavern, but when he saw the black-haired woman he suddenly understood what the troubadours had been celebrating.
It did not matter that the woman was shaking with fear or that her hair was wildly awry or that her face was streaked with tears. Sir Simon recognized beauty and it struck him like an arrow. It took his breath away. So this, then, was love! It was the realization that he could never be happy until this woman was his — and that was convenient, for she was an enemy, the town was being sacked and Sir Simon, clad in mail and fury, had found her first.
'Get out!' he snarled at the servants in the room. 'Get out!'
The servants fled in tears and Sir Simon booted the broken door shut, then advanced on the woman, who crouched beside her son's bed with the boy in her arms.
'Who are you?' Sir Simon asked in French.
The woman tried to sound brave. 'I am the Countess of Armorica,' she said. 'And you, monsieur?'
Sir Simon was tempted to award himself a peerage to impress Jeanette, but he was too slow-witted and so heard himself uttering his proper name. He was slowly becoming aware that the room betrayed wealth. The bed hangings were thickly embroidered, the candlesticks were of heavy silver and the walls either side of the stone hearth were expensively panelled in beautifully carved wood. He pushed the smaller bed against the door, reckoning that should ensure some privacy, then went to warm himself at the fire. He tipped more sea-coal onto the small flames and held his chilled gloves close to the heat.
'This is your house, madame?'
'It is.'
'Not your husband's?'
'I am a widow,' Jeanette said.
A wealthy widow! Sir Simon almost crossed himself out of gratitude. The widows he had met in England had been rouged hags, but this one…! This one was different. This one was a woman worthy of a tournament's champion and seemed rich enough to save him from the ignominy of losing his estate and knightly rank. She might even have enough cash to buy a baronage. Maybe an earldom?
He turned from the fire and smiled at her. 'Are those your boats at the quay?'
'Yes, monsieur.'
'By the rules of war, madame, they are now mine. Everything here is mine.'
Jeanette frowned at that. 'What rules?'
'The law of the sword, madame, but I think you are fortunate. I shall offer you my protection.'
Jeanette sat on the edge of her curtained bed, clutching Charles. 'The rules of chivalry, my lord,' she said, 'ensure my protection.' She flinched as a woman screamed in a nearby house.
'Chivalry?' Sir Simon asked. 'Chivalry? I have heard it mentioned in songs, madame, but this is a war. Our task is to punish the followers of Charles of Blois for rebelling against their lawful lord. Punishment and chivalry do not mix.' He frowned at her. 'You're the Blackbird!' he said, suddenly recognizing her in the light of the revived fire.
'The blackbird?' Jeanette did not understand.
'You fought us from the walls! You scratched my arm!' Sir Simon did not sound angry, but astonished. He had expected to be furious when he met the Blackbird, but her reality was too overpowering for rage. He grinned. 'You closed your eyes when you shot the crossbow, that's why you missed.'
'I did not miss!' Jeanette said indignantly.
'A scratch,' Sir Simon said, showing her the rent in his mail sleeve. 'But why, madame, do you fight for the false duke?'
'My husband,' she said stiffly, 'was nephew to Duke Charles.'
Sweet God, Sir Simon thought, sweet God! A prize indeed. He bowed to her. 'So your son,' he said, nodding at Charles, who was peering anxiously from his mother's arms, 'is the present Count?'
'He is,' Jeanette confirmed,
'A fine boy.' Sir Simon forced himself to the flattery. In truth he thought Charles was a pudding-faced nuisance whose presence inhibited him from a natural urge to thrust the Blackbird onto her back and thus show her the realities of war, but he was acutely aware that this widow was an aristocrat, a beauty, and related to Charles of Blois, who was nephew to the King of France. This woman meant riches and Sir Simon's present necessity was to make her see that her best interest lay in sharing his ambitions. 'A fine boy, madame,' he went on, 'who needs a father.'
Jeanette just stared at him. Sir Simon had a blunt face. It was bulbous-nosed, firm-chinned, and showed not the slightest sign of intelligence or wit. He had confidence, though, enough to have persuaded himself that she would marry him. Did he really mean that? She gaped, then gave a startled cry as angry shouting erupted beneath her window. Some archers were trying to get past the men guarding the gate. Sir Simon pushed open the window. 'This place is mine,' he snarled in English. 'Go find your own chickens to pluck.' He turned back to Jeanette. 'You see, madame, how I protect you?'
'So there is chivalry in war?'
'There is opportunity in war, madame. You are wealthy, you are a widow, you need a man.'
She gazed at him with disturbingly large eyes, hardly daring to believe his temerity. 'Why?' she asked simply.
'Why?' Sir Simon was astonished by the question. He gestured at the window. 'Listen to the screams, woman! What do you think happens to women when a town falls?'
'But you said you would protect me,' she pointed out'.
'So I will.' He was getting lost in this conversation. The woman, he thought, though beautiful, was remarkably stupid. 'I will protect you,' he said, 'and you will look after me.'
'How?'
Sir Simon sighed. 'You have money?'
Jeanette shrugged. 'There is a little downstairs, my lord, hidden in the kitchen.'
Sir Simon frowned angrily. Did she think he was a fool? That he would take that bait and g
o downstairs, leaving her to climb out of the window? 'I know one thing about money, madame,' he said, 'and that is that you never hide it where the servants can find it. You hide it in the private rooms. In a bedchamber.' He pulled open a chest and emptied its linens onto the floor, but there was nothing hidden there, and then, on an inspiration, he began rapping the wooden panelling. He had heard that such panels often concealed a hiding place and he was rewarded almost instantly by a satisfyingly hollow sound.
'No, monsieur!' Jeanette said.
Sir Simon ignored her, drawing his sword and hacking at the limewood panels that splintered and pulled away from their beams. He sheathed the blade and tugged with his gloved hands at the shattered wood.
'No!' Jeanette wailed.
Sir Simon stared. Money was concealed behind the panelling, a whole barrel of coins, but that was not the prize. The prize was a suit of armour and a set of weapons such as Sir Simon had only ever dreamed of. A shining suit of plate armour, each piece chased with subtle engravings and inlaid with gold. Italian work? And the. sword! When he drew it from the scabbard it was like holding Excalibur itself. There was a blue sheen to the blade, which was not nearly as heavy as his own sword but felt miraculously balanced. A blade from the famous swordsmiths of Poitiers, perhaps, or, even better, Spanish?
'They belonged to my husband,' Jeanette appealed to him, 'and it is all I have of his. They must go to Charles.'
Sir Simon ignored her. He traced his gloved finger down the gold inlay on the breastplate. That piece alone was worth an estate!
'They are all he has of his father's,' Jeanette pleaded.
Sir Simon unbuckled his sword belt and let the old weapon drop to the floor, then fastened the Count of Armorica's sword about his waist. He turned and stared at Jeanette, marvelling at her smooth unscarred face. These were the spoils of war that he had dreamed about and had begun to fear would never come his way: a barrel of cash, a suit of armour fit for a king, a blade made for a champion and a woman that would be the envy of England. 'The armour is mine,' he said, 'as is the sword.'
The Grail Quest Books 1-3: Harlequin, Vagabond, Heretic Page 7