One route we’d made led to Wick’s rooms, another to the stairs in the former lobby that granted access to a blind hidden near the top mulch. Another route came after subterfuge to the converted swimming pool where Wick stirred a vat of seething biotech creations like a mad scientist—and then from there to the cliff where lay the balconies that had given the place its name.
From the center, near Wick’s workplace, the lines in my head were drawn most urgently to the southern edge of the mound, which faced the Company across the great broken divide of the city’s southwest flank, the confusion deliberately multiplied, my purpose to create a maze for any unexpected visitors … before simplifying again at the exit to three passageways, only one of which led anywhere safe, and before that the door, which from the outside appeared to just be a part of the mound, obliterated by an inspiration of moss and vines. A strong smell of carrion, one of Wick’s most inspired distortion pheromones, grew unbearable closest to the door. Even I had trouble leaving by that entrance.
Throughout the warren we had made of the Balcony Cliffs there now existed allegiances that felt intimate—more intimate even than our sleeping arrangements. Corridors? Tunnels? Even those kinds of distinctions had been lost under our excavating rule and Wick’s addition of special spiders and other insects. I kept track of my traps with a map, but Wick, Company-savvy, used a flounder-creature in a shallow pan of water as his command and control, an ever-changing blueprint traced delicate across its back.
At some point, just as our systems of defense had become entwined, so too had our bodies, and that had wrought an unexpected synergy. What had been created from extremes of loneliness, of need, had moved beyond mutual comfort into friendship and then toward some amorphous frontier or feeling that could not be love—that I refused to call love.
In weak moments, I would run my hand across his wiry chest and tease him about his pale, almost translucent skin against the deep brown of my thighs, and for a time I would be happy at the hidden center of our Balcony Cliffs. It suited me that we could be lovers there and retreat to being mere allies in the aftermath.
But the truth is, when we were together on those nights, I knew that Wick lost every part of himself and let himself be vulnerable. I felt this quite strongly, even if I might be wrong. And if I held back something from Wick because of it, still I let the Balcony Cliffs in, connected by something almost like lasers. These lines that radiated out from both of us surged from body and brain and through the rooms our talents kept safe. Sensors, trip wires, sensitive to touch and vibration, as if we lay always at the center of something important. Even lying there, beneath me, Wick could not be free of that connection.
There was also the thrill of secrecy, for to preserve our security, we could not be seen outside together—left by different pathways, at different times—and some of that thrill entered into our relationship. Anyone passing furtive far above us would have thought that underfoot, beneath the copse of sickly pines, lay only a vast midden, an old garbage dump with dozens of layers of crumbled girders, human remains, abandoned refrigerators, firebombed cars—crushed into a mulch that had a springy, almost jaunty feel.
But beneath that weight lay us, lay the stalwart roof of the Balcony Cliffs and the cross-section of body that served as our home—the lines that connected a woman named Rachel to a man named Wick. There was a secret shape to it all that lived inside us, a map that slowly circled within our minds like a personal cosmology.
This, then, is where I had brought my sea anemone named Borne—into this cocoon, this safe haven, this vast trap that took time and precious resources to maintain, while somewhere a ticking clock kept track of the time we had left. Wick and I both knew that no matter how much raw biotech material he created or bartered for, the beetle parts and other essentials he had taken from the Company so long ago would run out. My physical traps without Wick’s almost uncanny reinforcement would not keep scavengers out for long.
Every day brought us closer to a point where we would have to redefine our relationship to the Balcony Cliffs, and to each other. And, in the middle of all routes, my apartment, where, pulled taut by our connections, we fucked, we screwed, we made love, equidistant from any border that might encroach, any enemy that might try to enter. We could be greedy there and selfish there, and there we saw each other fully. Or at least thought we did, because whatever we had, it was the enemy of the world outside.
* * *
That first night after I had brought Borne into our home, we lay there in my apartment and listened to the remote, hollow sound of heavy rain smashing into the mossy surface far above. We both knew it was not real rain; real rain in this city came to us ethereal and brief, and thus we did not venture out. Even real rain was often poison.
We did not speak much. We didn’t have sex. We just lay there in a comfortable tangle, with Borne on a chair as far from us as possible, in the corner of the bedroom. Wick had strong hands with fingertips worn almost smooth from his years of handling the materials that went into his vats of proto-life, and I liked to hold his hands.
This is how far we had come, that we could be silent and we could be still together. But even then, that first night, the presence of Borne changed things and I didn’t know if part of the silence was because of that.
In the morning, we peeked out through one of our secret doors to find the cracked earth writhing with the death throes of thousands of tiny red salamanders. So intricate, their slow-questing limbs, their obsidian eyes. So much like a mirage. A mosaic of living question marks that had rained down from the darkened sky without meaning. And already to the west we could hear the rage of Mord and feel the tremor of his passage. Rage against this illogical rain or against someone or something else?
Once, comets had appeared in the heavens and people mistook them for celestial creatures. Now we had Mord, and salamanders. What did they portend? What fate was the city working toward? Within minutes of the sun hitting their bodies the salamanders dissolved into liquid, absorbed by the earth so that only an off-red sheen like an oil slick remained behind, dotted with the tiny tracks of investigating animals.
Wick did not seem much concerned about the salamanders despite his need to replenish the supplies in his swimming pool.
“Contaminated,” he said, which I had known already from the look on his face.
WHY I CALLED HIM BORNE AND HOW HE CHANGED
I called the creature Borne because of one of the few things Wick had told me about his time working for the Company. Remembering a creature he’d created, Wick had said, “He was born, but I had borne him.”
When I wasn’t scavenging for myself or Wick, I took care of Borne. This required some experimenting, in part because I had never taken care of anyone or anything before—except some hermit crabs as a child and a stray dog for a day that I had to give up. I had no family, and my parents had died before I had arrived in the city.
I knew nothing about Borne and treated him like a plant at first. It seemed logical, from my initial observations. The first time Borne felt comfortable enough to relax and open up, I was sitting down to a quiet dinner of old Company food packets I’d found buried in a half-collapsed basement. He was sitting on the table in front of me, as enigmatic as ever. Then, mid-chew, I heard a whining noise and a distinctly wet pucker. As I set down the packet, the aperture on top of Borne widened, releasing a scent like roses and tapioca. The sides of Borne peeled back in segments to reveal delicate dark-green tendrils that even in their writhing protected the still-hidden core.
Without thinking, I said, “Borne, you’re not a sea anemone at all—you’re a plant!”
I’d already gotten into the habit of talking to him, but at the sound of my voice Borne snapped back into what I thought of as his “defensive mode” and didn’t relax again for a full day. So I put him on a plate in the bathroom, on a shelf beneath a slanted hole in the ceiling that let in improbable sunlight from far above. I savored that green-tinged, musty light in the mornings befo
re I went out to do Wick’s work.
By the end of the second day, Borne had taken on a yellow-pink hue and the tenacity of his defensive posture hinted at either sickness or religious ecstasy, both of which I had seen too often out in the city. He smelled overcooked. I removed Borne from the shelf and returned him to the kitchen table. However, by then I noticed that the worms that composted my bathroom waste and excreted the nutrients Wick used in his vat had “disappeared.”
Now I knew a few useful things. Borne could overdose on sunlight. Borne was a glutton for compost worms. Borne could move around by himself but wouldn’t while I was there. So Borne chose to overdose on sunlight. Nothing now indicated that Borne was malformed or in any way a mistake.
I upgraded Borne from plant to animal, but still did not reclassify him as “purposeful.” I should have, though, because following his bathroom adventures, Borne made no attempt to disguise his movements. I would come home to find him in the bedroom when he had been in the kitchen when I’d left—or back in the hallway when he’d been on the living-room floor. Upon my approach, Borne always remained silent and unmoving, and I could never catch him in the act. I sensed amusement from Borne over this, but I was probably projecting. This made me smile. It became a kind of game, to guess where he might be when I returned. I looked forward to coming home more than usual.
When I mentioned this to Wick, while giving him a half-dead azure slug I’d found near the Company, he didn’t find it funny.
“You’re not worried?”
“Why should I be worried?”
“Because it is concealing its capabilities from you. Already. You have no idea what it might do next. You’re telling me it’s organized and possibly as intelligent as a dog, and we still don’t know its purpose.”
“You said Borne didn’t have to have a purpose.”
“I might have been wrong. Give it to me. I can find out what it is.”
That made me shudder. “Only by taking Borne apart.”
“Maybe. Yes, of course. I don’t have any sophisticated equipment here. I don’t have the time or the ability for anything noninvasive.” The Magician encroached, the supplies wouldn’t last forever—the rhythm that ruled our lives.
To Wick, Borne was just another variable, something he needed to control to manage his own stress. I understood that, but perhaps the lie created by life inside the Balcony Cliffs was that at some point we might think beyond the next day or the next week. That was the sliver of doubt that had crept into me along with the laughter at Borne’s antics.
On impulse, I hugged Wick, held him close, even though he tried to pull away. This was business, this was survival, that resistance told me, and I shouldn’t mix our personal relationship with business. But I couldn’t help it.
And I still couldn’t give him Borne—not out of pity or concern or anything else false. And because I couldn’t give him Borne, I stopped talking about Borne with him. When he asked about Borne, I kept my answers brief and casual. He’s fine. He’s really nothing more than some kind of vegetable. A potted plant that walks. Wick would look at me like he saw right through me, but he didn’t take Borne away from me.
It was all a test as to whether trust could still exist between us, and every time I extended that trust a little further I expected it would be unable to take the weight, or the pressure of my weight on it, and snap.
WHAT I FOUND IN WICK’S APARTMENT
Trust, though, required certain betrayals. Long before the arrival of Borne, I had searched Wick’s quarters while he was out selling his drugs. I assumed he had done the same to me, but who knew? This aspect of trust you don’t talk about with the recipient.
My betrayal required skill—to un-puzzle locks, to bypass traps, to snuff optics—but in the end it wasn’t worth the effort. Wick’s three rooms did not reveal much about the man. The sum of his existence in that cramped space came to so very little. No family photographs or portraits, few personal items.
Perhaps, I thought, he chose to live so small to keep whatever secrets he hid out of his mind? I imagined that somewhere buried deep in our Balcony Cliffs midden lay a warehouse full of artifacts Wick kept locked away so he could not be compromised by them. But if that was true, I never found that place.
I had only the stark evidence at hand, coerced gently from a desk drawer with a little creative lock-picking: a diagram of a fish curled inside the outer tube of a broken telescope and a metal box filled with tiny vermilion nautilus shells, curled up and dry.
I pocketed one nautilus shell for later, examined the fish diagram. I held the diagram unfolded beneath the dim light of the fireflies Wick had embedded in the ceiling. I knew it was a relic from Wick’s final project at the Company, the one he would only talk about when he was drunk. Certainly nothing like this had ever arisen from Wick’s makeshift swimming-pool vat. Yet.
Whatever purpose the schematic had served, in the end it depicted an ugly fish, like a huge grouper or carp. A sideways, cutaway view, with lines radiating out from the brain, but also other parts, with numbers and random letters at the end of the spikes. That the fish had a wistful face of a woman with pale skin and blue eyes did not help, the effect ghoulish. It made me wary, as if some mad scientist had decided to make real a figurehead from an old sailing ship.
Wariness was not the term for the scrawling on the back. The more recent notes around the edges I could tell were in Wick’s handwriting, and amounted to nostalgia: little nudges about how he might re-create the fish project, which had clearly petered out over time. But there was also a second writer, dominating the center space, with what looked like older marks, whose clear passion had increased into madness. The handwriting devolved into sweeping or stabbing marks, less and less legible, and then became gouged dark clouds of scribbles. The damage obscured meaning or told me too much. And what words that did peer through the mess were less than useful. Near the end of legibility, the scrawled words, No more company.
I put the empty telescope on the bed, continued my rummaging, worried Wick might catch me in the act. But I quickly realized there was nothing left to riffle through. So some scavenger’s sixth sense made me return to the telescope. A patina like mother-of-pearl covered the surface. I held the telescope up to the firefly lights to admire it.
Then frowned. Something seemed etched on the surface. In fact, up close, the “metal” surface revealed itself as hundreds of tiny hard fish scales forming a pattern so integrated you almost couldn’t see the joins. The surface was still silver shiny, blank, but when I adjusted my grip I discovered that the heat of my fingers had done something to the scales: miniature photographs had formed there. Sneaky, sneaky Wick—although I couldn’t understand the purpose of concealment. The photographs appeared to date from before the city’s ruination, reproduced from old books, but hardly seemed worth keeping secret.
Curious, I made quick work of the telescope’s surface, heating up every scale with my touch, almost as if playing a musical instrument, and then squinting at the results.
Most that weren’t photographs of places now destroyed held a record of impressions of the city. There were lists of places under titles like “Reclaim” and asked/answereds like “How do you kill a building? Do nothing.” Some of it appeared to be the equivalent of microfiche containing a rich history of the city before the Company’s appearance. Other fragments were so microscopic I could only guess at their importance, and wondered how Wick could read them, unless he had some viewing device hidden away, too. None of this seemed like the Wick I knew—who was a loner, who had never mentioned the city as it had existed before the Company, and who seemed to have blocked the hope of any future for the city from his mind.
But I finally understood the need for secrecy when I realized it wasn’t just old photographs and older data. Some scales held monstrous visions of projects never completed that scared me because they made Mord seem mundane. Most important, other scales included a fair number of technical specifications for biotech that I knew W
ick had created. None of our enemies needed that information.
Sometimes I wondered whether I would still find Wick fascinating if I uncovered all of his secrets, if I would even know who he was without them.
Back in my apartment, I dropped the nautilus I had stolen into a glass of water and watched as it reanimated, turned a brilliant shade of crimson, began to uncoil as it stared at me, almost defiant, and then disintegrated into nothing as if it had never existed. A disappearing trick. An illusion.
Drinking that elixir of Wick mysteries was impossible for me. I poured the water out, cleaned the glass, tossed the glass onto a pile of dirty old clothes out in the corridor.
* * *
My other betrayal was simple: I liked Borne too much. I knew this in my bones, knew I really should give him up. But I also knew it would take something catastrophic for me to do so. The more personality Borne showed, the more I felt attached to him.
Borne also made it easy to keep him because I discovered he would eat just about anything—any crumb, lowly pebble, or scrap of wood. Any worm of any description that came within reach would disappear, never to be seen again. Borne ate a lot of what I would have discarded as trash and in a sense made a compost pile redundant. I think he would’ve eaten a garbage can if he’d been hungry enough.
This ease of life with Borne didn’t stop him from continuing to puzzle me. The most basic and troubling puzzle? Even though so much went into Borne, nothing ever came out of Borne. This fact struck me as absurd, even humorously sinister. It actually made me giggle. No pellets. No dung. No little puddles. Nothing.
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