Works of Robert W Chambers

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by Robert W. Chambers


  “Darling? — oh, gee! I forgot what is due to decorum! Please, please forgive me, Hélène! And kindly inform these ladies and gentlemen that you have consented to render me eternally and supremely happy; because if I tried to express to them that delirious fact I’d end by standing on my head in the grass—”

  “You dear!” whispered Valerie, holding tightly to Hélène’s hands.

  “Isn’t it dreadful?” murmured Hélène, turning her blue eyes on the man who never would grow old enough to grow up. “I had no such intention, I can assure you; and I don’t even understand myself yet.”

  “Don’t you?” said Valerie, laughing tenderly;— “then you are like all other women. What is the use of our ever trying to understand ourselves?”

  Hélène laughed, too:

  “No use, dear. Leave it to men who say they understand us. It’s a mercy somebody does.”

  “Isn’t it,” nodded Valerie; and they kissed each other, laughing.

  “My goodness, it’s like the embrace of the two augurs!” said Ogilvy. “They’re laughing at us, Kelly! — at you, and me and Harry! — and at man in general! — innocent man! — so charmingly and guilelessly symbolised by us! Stop it, Hélène! You make me shiver. You’ll frighten Annan so that he’ll never marry if you and Valerie laugh that way at each other.”

  “I wonder,” said Hélène, quieting him with a fair hand laid lightly on his sleeve, “whether you all would remain and dine with me this evening — just as you are I mean; — and I won’t dress—”

  “I insist proh pudeur,” muttered Sam. “I can’t countenance any such saturnalia—”

  “Oh, Sam, do be quiet, dear—” She caught herself up with a blush, and everybody smiled.

  “What do we care!” said Sam. “I’m tired of convention! If I want to call you darling in public, b’jinks! I will! Darling — darling — darling — there!—”

  “Sam!”

  “Dearest—”

  “Sam!”

  “Ma’am?”

  Hélène looked at Valerie:

  “There’s no use,” she sighed, “is there?”

  “No use,” sighed Valerie, smiling at the man she loved.

  THE END

  THE ADVENTURES OF A MODEST MAN

  CONTENTS

  CHAPTER I

  CHAPTER II

  CHAPTER III

  CHAPTER IV

  CHAPTER V

  CHAPTER VI

  CHAPTER VII

  CHAPTER VIII

  CHAPTER IX

  CHAPTER X

  CHAPTER XI

  CHAPTER XII

  CHAPTER XIII

  CHAPTER XIV

  CHAPTER XV

  CHAPTER XVI

  CHAPTER XVII

  CHAPTER XVIII

  CHAPTER XIX

  CHAPTER XX

  CHAPTER XXI

  CHAPTER XXII

  CHAPTER XXIII

  CHAPTER XXIV

  CHAPTER XXV

  TO

  MR. AND MRS. C. WHEATON VAUGHAN

  This volume packed with bric-à-brac

  I offer you with my affection, —

  The story halts, the rhymes are slack —

  Poor stuff to add to your collection.

  Gems you possess from ages back:

  It is the modern junk you lack.

  We three once moused through marble halls,

  Immersed in Art and deep dejection,

  Mid golden thrones and choir-stalls

  And gems beyond my recollection —

  Yet soft! — my memory recalls

  Red labels pasted on the walls!

  And so, perhaps, my bric-à-brac

  May pass the test of your inspection;

  Perhaps you will not send it back,

  But place it — if you’ve no objection —

  Under some nick-nack laden rack

  Where platters dangle on a tack.

  So if you’ll take this book from me

  And hide it in your cupboards laden

  Beside some Dresden filigree

  And frivolously fetching maiden —

  Who knows? — that Dresden maid may see

  My book — and read it through pardie!

  R. W. C.

  “Senilis stultitia quae deliratio appellari

  solet, senum levium est, non omnium.”

  AN INADVERTENT POEM

  There is a little flow-urr

  In our yard it does grow

  Where many a happy hou-urr

  I watch our rooster crow;

  While clothes hang on the clothes-line

  And plowing has began

  — And the name they call this lit-tul vine

  Is just “Old Man.”

  Old Man, Old Man

  A-growing in our yard,

  Every spring a-coming up

  While yet the ground is har-rrd;

  Pottering ‘round the chickens’ pan,

  Creeping low and slow,

  And why they call it Old Man

  I never asked to know.

  I never want to know.

  Crawling through the chick-weed,

  Dragging through the quack,

  Pussly, tansy, tick-weed

  Almost break his back.

  Catnip, cockle, dock prevent

  His travelling all they can,

  But still he goes the ways he’s went,

  Poor Old Man!

  Old Man, Old Man,

  What’s the use of you?

  No one wants to see you, like

  As if you hadn’t grew.

  You ain’t no good to nothing

  So far as I can see,

  Unless some maiden fair will sing

  These lines I’ve wrote to thee.

  And sing ’em soft to me.

  Some maiden fa-hair

  With { ra-haven } hair

  { go-holden }

  Will si-hing this so-hong

  To me-hee-ee!

  CHAPTER I

  CONCERNING TWO GENTLEMEN FROM LONG ISLAND, DESTINY, AND A POT OF BLACK PAINT

  “Hello, old man!” he began.

  “Gillian,” I said, “don’t call me ‘Old Man.’ At twenty, it flattered me; at thirty, it was all right; at forty, I suspected double entendre; and now I don’t like it.”

  “Of course, if you feel that way,” he protested, smiling.

  “Well, I do, dammit!” — the last a German phrase. I am rather strong on languages.

  Now another thing that is irritating — I’ve got ahead of my story, partly, perhaps, because I hesitate to come to the point.

  For I have a certain delicacy in admitting that my second visit abroad, after twenty years, was due to a pig. So now that the secret is out — the pig also — I’ll begin properly.

  I purchased the porker at a Long Island cattle show; why, I don’t know, except that my neighbor, Gillian Schuyler Van Dieman, put me up to it.

  We are an inoffensive community maintaining a hunt club and the traditions of a by-gone generation. To the latter our children refuse to subscribe.

  Our houses are what are popularly known as “fine old Colonial mansions.” They were built recently. So was the pig. You see, I can never get away from that pig, although — but the paradox might injure the story. It has sufficiently injured me — the pig and the story, both.

  The architecture of the pig was a kind of degenerate Chippendale, modified by Louis XVI and traces of Bavarian baroque. And his squeal resembled the atmospheric preliminaries for a Texas norther.

  Van Dieman said I ought to buy him. I bought him. My men built him a chaste bower to leeward of an edifice dedicated to cows.

  Here I sometimes came to contemplate him while my horse was being saddled.

  That particular morning, when Van Dieman saluted me so suspiciously at the country club, I had been gazing at the pig.

  And now, as we settled down to our morning game of chess, I said:

  “Van, that pig of mine seems to be in nowise remarkable. Wh
y the devil do you suppose I bought him?”

  “How do I know?”

  “You ought to. You suggested that I buy him. Why did you?”

  “To see whether you would.”

  I said rather warmly: “Did you think me weak-minded enough to do whatever you suggested?”

  “The fact remains that you did,” he said calmly, pushing the king’s knight to queen’s bishop six.

  “Did what?” I snapped.

  “What you didn’t really want to do.”

  “Buy the pig?”

  “Exactly.”

  I thought a moment, took a pawn with satisfaction, considered.

  “Van,” I said, “why do you suppose I bought that pig?”

  “Ennui.”

  “A man doesn’t buy pigs to escape from ennui!”

  “You can’t predict what a man will do to escape it,” he said, smiling. “The trouble with you is that you’re been here too long; you’re in a rut; you’re gone stale. Year in, year out, you do the same things in the same way, rise at the same time, retire at the same hour, see the same people, drive, motor, ride, potter about your lawns and gardens, come here to the club — and it’s enough to petrify anybody’s intellect.”

  “Do you mean to say that mine — —”

  “Partly. Don’t get mad. No man who lives year after year in a Long Island community could escape it. What you need is to go abroad. What you require is a good dose of Paris.”

  “For twenty odd years I have avoided Paris,” I said, restlessly. “Why should I go back there?”

  “Haven’t you been there in twenty years?”

  “No.”

  “Why?”

  “Well, for one thing, to avoid meeting the entire United States.”

  “All right,” said Van Dieman, “if you want to become an old uncle foozle, continue to take root in Long Island.” He announced mate in two moves. After I had silently conceded it, he leaned back in his chair and lighted a cigarette.

  “It’s my opinion,” he said, “that you’ve already gone too stale to take care of your own pig.”

  Even years of intimacy scarcely justified this.

  “When the day comes,” said I, “that I find myself no longer competent to look after my own affairs, I’ll take your advice and get out of Long Island.”

  He looked up with a smile. “Suppose somebody stole that pig, for instance.”

  “They couldn’t.”

  “Suppose they did, under your very nose.”

  “If anything happens to that pig,” I said— “anything untoward, due to any negligence or stupidity of mine, I’ll admit that I need waking up.... Now get that pig if you can!”

  “Will you promise to go to Paris for a jolly little jaunt if anything does happen to your pig?” he asked.

  “Why the devil do you want me to go to Paris?”

  “Do you good, intellectually.”

  Then I got mad.

  “Van,” I said, “if anybody can get that pig away from me, I’ll do anything you suggest for the next six months.”

  “À nous deux, alors!” he said. He speaks French too fast for me to translate. It’s a foolish way to talk a foreign language. But he has never yet been able to put it over me.

  “À la guerre comme à la guerre,” I replied carelessly. It’s a phrase one can use in reply to any remark that was ever uttered in French. I use it constantly.

  That afternoon I went and took a good look at my pig. Later, as I was walking on the main street of Oyster Bay, a man touched his hat and asked me for a job. Instantly it occurred to me to hire him as night watchman for the pig. He had excellent references, and his countenance expressed a capacity for honest and faithful service. That night before I went to bed, I walked around to the sty. My man was there on duty.

  “That,” thought I, “will hold Van Dieman for a while.”

  When my daughters had retired and all the servants were abed, I did a thing I have not done in years — not since I was a freshman at Harvard: I sat up with my pipe and an unexpurged translation of Henry James until nearly eleven o’clock. However, by midnight I was asleep.

  It was full starlight when I awoke and jumped softly out of bed. Somebody was tapping at the front door. I put on a dressing-gown and slippers and waited; but no servants were aroused by the persistent rapping.

  After a moment I went to the window, raised it gently and looked out. A farmer with a lantern stood below.

  “Say, squire,” he said, when he beheld my head, “I guess I’ll have to ask for help. I’m on my way to market and my pig broke loose and I can’t ketch him nohow.”

  “Hush!” I whispered; “I’ll come down.”

  Very cautiously I unbarred the front door and stepped out into the lovely April starlight. In the road beyond my hedge stood a farm-wagon containing an empty crate. Near it moved the farmer, and just beyond his outstretched hands sported a playful pig. He was a black pig. Mine was white. Besides I went around to the pen and saw, in the darkness, my Oyster Bay retainer still on guard. So, it being a genuine case, I returned to the road.

  The farmer’s dilemma touched me. What in the world was so utterly hopeless to pursue, unaided, as a coy pig at midnight.

  “If you will just stand there, squire, and sorter spread out your skirts, I’ll git him in a jiffy,” said the panting farmer.

  I did as I was bidden. The farmer approached; the pig pranced between his legs.

  “By gum!” exclaimed the protected of Ceres.

  But, after half an hour, the pig became over-confident, and the tiller of phosphites seized him and bore him, shrieking, to the wooden crate in the wagon, there depositing him, fastening the door, and climbing into his seat with warm thanks to me for my aid.

  I told the Brother to the Ox that he was welcome. Then, with heart serenely warmed by brotherly love and a knowledge of my own condescension, I retired to sleep soundly until Higgins came to shave me at eight o’clock next morning.

  “Beg pardon, sir,” said Higgins, stirring his lather as I returned from the bath to submit my chin to his razor— “beg pardon, sir, but — but the pig, sir — —”

  “What pig?” I asked sharply. Had Higgins beheld me pursuing that midnight porker? And if he had, was he going to tell about it?

  “What pig, sir? Why, the pig, sir.”

  “I do not understand you, Higgins,” I said coldly.

  “Beg pardon, sir, but Miss Alida asked me to tell you, that the pig — —”

  “What pig?” I repeated exasperated.

  “Why — why — ours, sir.”

  I turned to stare at him. “My pig?” I asked.

  “Yes, sir — he’s gone, sir — —”

  “Gone!” I thundered.

  “Stolen, sir, out o’ the pen last night.”

  Stunned, I could only stare at Higgins. Stolen? My pig? Last night?

  “Some one,” said Higgins, “went and opened that lovely fancy sty, sir; and the pig he bolted. It takes a handy thief to stop and steal a pig, sir. There must ha’ been two on ’em to catch that pig!”

  “Where’s that miserable ruffian I hired to watch the sty?” I demanded hotly.

  “He has gone back to work for Mr. Van Dieman, sir. His hands was all over black paint, and I see him a-wipin’ of ’em onto your white picket fence.”

  The calmness of despair came over me. I saw it, now. I had been called out of bed to help catch my own pig. For nearly half an hour I had dodged about there in front of my own house, too stupid to suspect, too stupid even to recognize my own pig in the disguised and capricious porker shying and caracolling about in the moonlight. Good heavens! Van Dieman was right. A man who helps to steal his own pig is fit for nothing but Paris or a sanitarium.

  “Shave me speedily, Higgins,” I said. “I am not very well, and it is difficult for me to preserve sufficient composure to sit still. And, Higgins, it is not at all necessary for you to refer to that pig hereafter. You understand? Very well. Go to the telephone and call up the
Cunard office.”

  Presently I was in communication with Bowling Green.

  That morning in the breakfast-room, when I had kissed my daughter Alida, aged eighteen, and my daughter Dulcima, aged nineteen, the younger said: “Papa, do you know that our pig has been stolen?”

  “Alida,” I replied, “I myself disposed of him” — which was the dreadful truth.

  “You sold him?” asked Dulcima in surprise.

  “N — not exactly. These grape-fruit are too sour!”

  “You gave him away?” inquired Alida.

  “Yes — after a fashion. Is this the same coffee we have been using? It has a peculiar — —”

  “Who did you give him to?” persisted my younger child.

  “A — man.”

  “What man?”

  “Nobody you know, child.”

  “But — —”

  “Stop!” said I firmly. “It is a subject too complicated to discuss.”

  “Oh, pooh!” said Dulcima; “everybody discusses everything in Oyster Bay. And besides I want to know — —”

  “About the pig!” broke in Alida.

  “And that man to whom you gave the pig — —”

  “Alida,” said I, with misleading mildness, “how would you like to go to Paris?”

  “Oh! papa — —”

  “And you, Dulcima?”

  “Darling papa!”

  “When?” cried Alida.

  “Wednesday,” I replied with false urbanity.

  “Oh! The darling!” they cried in rapture, and made toward me.

  “Wait!” I said with a hideous smile. “We have not yet left Sandy Hook! And I solemnly promise you both that if either of you ever again ask me one question concerning that pig — nay, if you so much as look askance at me over the breakfast bacon — neither you nor I will ever leave Sandy Hook alive!”

  They have kept their promises — or I should never have trodden the deck of the S. S. Cambodia, the pride of the great Cunard Line, with my daughter Dulcima on one side and my daughter Alida on the other side of me, and my old friend Van Dieman waving me adieu from a crowded pier, where hundreds of handkerchiefs flutter in the breeze.

  “Au revoir et bon voyage!” he called up to me.

  “Toujours la politesse,” I muttered, nodding sagely.

 

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