“I don’t like it, Rue,” repeated the Princess in a low voice. “I neither understand nor relish this situation.”
“Have you any idea — —”
“Hush, child! I don’t know. That new groom, Verdier, was recommended by the Russian Embassy. I don’t know what to think of this.”
“It can’t be anything — queer, can it, dear?” asked Rue.
“Anything can have happened. Nothing is likely to have occurred, however — unless — unless those Apaches were — —”
“Naïa!”
“It’s possible, I suppose. They may have attacked Picard as part of a conspiracy. The Russian Embassy may have been deceived in Verdier. All this may be part of a plan. But — I scarcely believe it.... All the same, I dislike to take a taxicab — —”
She caught sight of Neeland returning; both women moved forward to meet him.
“I’ve solved the mystery,” he said. “Naïa, your car was run into outside the station a few minutes after you left it. And I’m sorry to say that your chauffeur was badly enough hurt to require an ambulance.”
“Where on earth did you learn that?”
“The official at the taxicab control told me. I went to him because that is where one is likely to receive information.”
“Caron hurt!” murmured the Princess. “What a shame! Where did they take him, Jim?”
“To the Charité.”
“I’ll go this afternoon. But where is that imbecile groom of mine?”
“It appears that he and a policeman went to a garage on the repair truck that took your car.”
“Was he arrested?”
“I believe so.”
“What a contretemps!” exclaimed the Princess Mistchenka. “We shall have to take a taxicab after all!”
“I’ve ordered one from the control. There it comes now,” said Neeland, as a brand new taxicab, which looked like a private car, drew up at the curb, and a smiling and very spick and span chauffeur saluted.
Neeland’s porter hoisted trunk and suitcase on top; the Princess stepped into the limousine, followed by Rue and Neeland; the chauffeur took the order, started his car, wheeled out into the square, circled the traffic policeman, and whizzed away into the depths of the most beautiful city in the world.
Neeland, seated with his back to the driver, laid the olive-wood box on his knees, unlocked it, drew from his breast pocket the papers he carried; locked them in the box once more, and looked up laughingly at the Princess and Ruhannah as he placed it at his feet.
“There you are!” he said. “Thank heaven my task and your affair have been accomplished. All the papers are there — and,” to Ruhannah, “that pretty gentleman you call the Yellow Devil is inside, along with some assorted firearms, drawing instruments, and photographs. The whole business is here, intact — and so am I — if that irrelevant detail should interest you.”
Rue smiled her answer; the Princess scrutinised him keenly:
“Did you have trouble, Jim?”
“Yes, I did.”
“Serious trouble?”
“I tell you it was like a movie in five reels. Never before did I believe such things happened outside a Yonkers studio. But they do, Naïa. And I’ve learned that the world is full of more excitingly melodramatic possibilities than any novel or scenario ever contained.”
“You’re not serious, of course,” began Rue Carew, watching the varying expressions on his animated features; but the Princess Mistchenka said, unsmiling:
“A film melodrama is a crude and tawdry thing compared to the real drama so many of us play in every moment of our lives.”
Neeland said to Rue, lightly:
“That is true as far as I have been concerned with that amazing box. It’s full of the very devil — of that Yellow Devil! When I pick it up now I seem to feel a premonitory tingling all over me — not entirely disagreeable,” he added to the Princess, “but the sort of half-scared exhilaration a man feels who takes a chance and is quite sure he’ll not have another chance if he loses. Do you understand what I mean?”
“Yes,” said the Princess unsmilingly, her clear, pleasant eyes fixed on him.
In her tranquil, indefinite expression there was something which made him wonder how many such chances this pretty woman had taken in her life of intellectual pleasure and bodily ease.
And now he remembered that Ilse Dumont apparently knew about her — about Ruhannah, too. And Ilse Dumont was the agent of a foreign government.
Was the Princess Mistchenka, patron and amateur of the arts, another such agent? If not, why had he taken this journey for her with this box of papers?
The passage of the Boulevard was slow; at every square traffic was halted; all Paris crowded the streets in the early afternoon sunshine, and the taxicab in which they sat made little speed until the Place de la Concorde opened out and the great Arc — a tiny phantom of lavender and pearl — spanned the vanishing point of a fairy perspective between parallel and endless ramparts of tender green.
“There was a lot of war talk on the Volhynia,” said Neeland, “but I haven’t heard any since I landed, nor have I seen a paper. I suppose the Chancelleries have come to some agreement.”
“No,” said the Princess.
“You don’t expect trouble, do you? I mean a general European free-for-all fight?”
“I don’t know, Jim.”
“Haven’t you,” he asked blandly, “any means of acquiring inside information?”
She did not even pretend to evade the good-humoured malice of his smile and question:
“Yes; I have sources of private information. I have learned nothing, so far.”
He looked at Rue, but the smile had faded from her face and she returned his questioning gaze gravely.
“There is great anxiety in Europe,” she said in a low voice, “and the tension is increasing. When we arrive home we shall have a chance to converse more freely.” She made the slightest gesture with her head toward the chauffeur — a silent reminder and a caution.
The Princess nodded slightly:
“One never knows,” she remarked. “We shall have much to say to one another when we are safely home.”
But Neeland could not take it very seriously here in the sunshine, with two pretty women facing him — here speeding up the Champs Elysées between the endless green of chestnut trees and the exquisite silvery-grey façades of the wealthy — with motors flashing by on every side and the cool, leafy alleys thronged with children and nurse-maids, and Monsieur Guignol squeaking and drumming in his red-curtained box!
How could a young man believe in a sequel to the almost incredible melodrama in which he had figured, with such a sane and delightful setting, here in the familiar company of two charming women he had known?
Besides, all Paris and her police were at his elbow; the olive-wood box stood between his knees; a smartly respectable taxi and its driver drove them with the quiet éclat and precision of a private employé; the Arc de Triomphe already rose splendidly above them, and everything that had once been familiar and reassuring and delightful lay under his grateful eyes on every side.
And now the taxicab turned into the rue Soleil d’Or — a new street to Neeland, opened since his student days, and only one square long, with a fountain in the middle and young chestnut trees already thickly crowned with foliage lining both sides of the street.
But although the rue Soleil d’Or was a new street to him, Paris construction is also a rapid affair. The street was faced by charming private houses built of grey Caen stone; the fountain with its golden sun-dial, with the seated figure — a life-size replica of Manship’s original in the Metropolitan Museum — serenely and beautifully holding its place between the Renaissance façades and rows of slender trees.
Summer had not yet burned foliage or flowers; the freshness of spring itself seemed still to reign there.
Three blue-bloused street-sweepers with hose and broom were washing the asphalt as their cab slowed down, sounding i
ts horn to warn them out of the way. And, the spouting hose still in their hands, the street-cleaners stepped out of the gutter before the pretty private hotel of Madame la Princesse.
Already a butler was opening the grille; already the chauffeur had swung Neeland’s steamer trunk and suitcase to the sidewalk; already the Princess and Rue were advancing to the house, while Neeland fumbled in his pocket for the fare.
The butler, bowing, relieved him of the olive-wood box. At the same instant the blue-bloused man with the hose turned the powerful stream of water directly into the butler’s face, knocking him flat on the sidewalk; and his two comrades tripped up Neeland, passed a red sash over his head, and hurled him aside, blinded, half strangled, staggering at random, tearing furiously at the wide band of woollen cloth which seemed to suffocate him.
Already the chauffeur had tossed the olive-wood box into the cab; the three blue-bloused men sprang in after it; the chauffeur slipped into his seat, threw in the clutch, and, driving with one hand, turned a pistol on the half drowned butler, who had reeled to his feet and was lurching forward to seize the steering wheel.
The taxicab, gathering speed, was already turning the corner of the rue de la Lune when Neeland managed to free throat and eyes from the swathe of woollen.
The butler, checked by the levelled pistol, stood dripping, still almost blinded by the force of the water from the hose; but he had plenty of pluck, and he followed Neeland on a run to the corner of the street.
The street was absolutely empty, except for the sparrows, and the big, fat, slate-coloured pigeons that strutted and coo-cooed under the shadow of the chestnut trees.
CHAPTER XXVI
RUE SOLEIL D’OR
Marotte, the butler, in dry clothes, had served luncheon — a silent, respectable, self-respecting man, calm in his fury at the incredible outrage perpetrated upon his person.
And now luncheon was over; the Princess at the telephone in her boudoir; Rue in the music-room with Neeland, still excited, anxious, confused.
Astonishment, mortification, anger, had left Neeland silent; and the convention known as luncheon had not appealed to him.
But very little was said during that formality; and in the silence the serious nature of the episode which so suddenly had deprived the Princess of the olive-wood box and the papers it contained impressed Neeland more and more deeply.
The utter unexpectedness of the outrage — the helpless figure he had cut — infuriated him. And the more he reflected the madder he grew when he realised that all he had gone through meant nothing now — that every effort had been sterile, every hour wasted, every step he had taken from Brookhollow to Paris — to the very doorstep where his duty ended — had been taken in vain.
It seemed to him in his anger and humiliation that never had any man been so derided, so heartlessly mocked by the gods.
And now, as he sat there behind lowered blinds in the cool half-light of the music-room, he could feel the hot blood of resentment and chagrin in his cheeks.
“Nobody could have foreseen it,” repeated Rue Carew in a pretty, bewildered voice. “And if the Princess Naïa had no suspicions, how could I harbour any — or how could you?”
“I’ve been sufficiently tricked — or I thought I had been — to be on my guard. But it seems not. I ought never to have been caught in such a disgusting trap — such a simple, silly, idiotic cage! But — good Lord! How on earth was a man to suspect anything so — so naturally planned and executed — so simply done. It was an infernal masterpiece, Rue. But — that is no consolation to a man who has been made to appear like a monkey!”
The Princess, entering, overheard; and she seated herself and looked tranquilly at Neeland as he resumed his place on the sofa.
“You were not to blame, Jim,” she said. “It was my fault. I had warning enough at the railroad terminal when an accident to my car was reported to me by the control through you.” She added, calmly: “There was no accident.”
“No accident?” exclaimed Neeland, astonished.
“None at all. My new footman, who followed us to the waiting salon for incoming trains, returned to my chauffeur, Caron, saying that he was to go back to the garage and await orders. I have just called the garage and I had Caron on the wire. There was no accident; he has not been injured; and — the new footman has disappeared!”
“It was a clear case of treachery?” exclaimed Neeland.
“Absolutely a plot. The pretended official at the terminal control was an accomplice of my footman, of the taxicab driver, of the pretended street-cleaners — and of whom else I can, perhaps, imagine.”
“Did you call the terminal control?”
“I did. The official in charge and the starter had seen no such accident; had given no such information. Some masquerader in uniform must have intercepted you, Jim.”
“I found him coming toward me on the sidewalk not far from the kiosque. He was in uniform; I never dreamed he was not the genuine thing.”
“There is no blame attached to you — —”
“Naïa, it actually sickens me to discover how little sense I possess. I’ve been through enough to drive both suspicion and caution into this wooden head of mine — —”
“What have you been through, Jim?” asked the Princess calmly.
“I’ll tell you. I didn’t play a brilliant rôle, I’m sorry to admit. Not common sense but sheer luck pulled me through as far as your own doorstep. And there,” he added disgustedly, “the gods no doubt grew tired of such an idiot, and they handed me what was coming to me.”
He was so thoroughly and so boyishly ashamed and angry with himself that a faint smile flitted over the Princess Naïa’s lips.
“Proceed, James,” she said.
“All right. Only first may I ask — who is Ilse Dumont?”
For a moment the Princess sat silent, expressionless, intent on the man whose clear, inquiring eyes still questioned her.
The Princess finally answered with a question:
“Did she cause you any trouble, Jim?”
“Every bit I had was due to her. Also — and here’s a paradox — I shouldn’t be here now if Ilse Dumont had not played square with me. Who is she?”
The Princess Naïa did not reply immediately. Instead, she dropped one silken knee over the other, lighted a cigarette, and sat for a few moments gazing into space. Then:
“Ilse Dumont,” she said, “is a talented and exceedingly pretty young woman who was born in Alsace of one German and one thoroughly Germanised parent.
“She played two seasons in Chicago in light opera under another name. She had much talent, an acceptable voice and she became a local favourite.”
The Princess looked at her cigarette; continued speaking as though addressing it:
“She sang at the Opéra Comique here in Paris the year before last and last year. Her rôles were minor ones. Early this spring she abruptly broke her contract with the management and went to New York.”
Neeland said bluntly:
“Ilse Dumont is an agent in the service of the Turkish Government.”
The Princess nodded.
“Did you know it, Naïa?”
“I began to suspect it recently.”
“May I ask how?”
The Princess glanced at Rue and smiled:
“Ruhannah’s friend, Colonel Izzet Bey, was very devoted to Minna Minti — —”
“To whom!” exclaimed Neeland, astounded.
“To Ilse Dumont. Minna Minti is her stage name,” said the Princess.
Neeland turned and looked at Rue, who, conscious of his excitement, flushed brightly, yet never suspecting what he was about to say.
The Princess said quietly:
“Yes, tell her, Jim. It is better she should know. Until now it has not been necessary to mention the matter, or I should have done so.”
Rue, surprised, still prettily flushed with expectancy, looked with new curiosity from one to the other.
Neeland said:
&
nbsp; “Ilse Dumont, known on the stage as Minna Minti, is the divorced wife of Eddie Brandes.”
At the mention of a name so long hidden away, buried in her memory, and almost forgotten, the girl quivered and straightened up, as though an electric shock had passed through her body.
Then a burning colour flooded her face as at the swift stroke of a lash, and her grey eyes glimmered with the starting tears.
“You’ll have to know it, darling,” said the Princess in a low voice. “There is no reason why you should not; it no longer can touch you. Don’t you know that?”
“Y-yes — —” Ruhannah’s slowly drooping head was lifted again; held high; and the wet brilliancy slowly dried in her steady eyes.
“Before I tell you,” continued Neeland, “what happened to me through Ilse Dumont, I must tell you what occurred in the train on my way to Paris.... May I have a cigarette, Princess Naïa?”
“At your elbow in that silver box.”
Rue Carew lighted it for him with a smile, but her hand still trembled.
“First,” he said, “tell me what particular significance those papers in the olive-wood box have. Then I can tell you more intelligently what happened to me since I went to Brookhollow to find them.”
“They are the German plans for the fortification of the mainland commanding the Dardanelles, and for the forts dominating the Gallipoli peninsula.”
“Yes, I know that. But of what interest to England or France or Russia — —”
“If there is to be war, can’t you understand the importance to us of those plans?” asked the Princess in a low, quiet voice.
“To— ‘us’?” he repeated.
“Yes, to us. I am Russian, am I not?”
“Yes. I now understand how very Russian you are, Princess. But what has Turkey — —”
“What is Turkey?”
“An empire — —”
“No. A German province.”
“I did not know — —”
“That is what the Ottoman Empire is today,” continued the Princess Mistchenka, “a Turkish province fortified by Berlin, governed from Berlin through a Germanised Turk, Enver Pasha; the army organised, drilled, equipped, officered, and paid by the Kaiser Wilhelm; every internal resource and revenue and development and projected development mortgaged to Germany and under German control; and the Sultan a nobody!”
Works of Robert W Chambers Page 828