The tales that troubled me most were those about Rose-Johnny's daddy. I had heard many adults say that he was responsible for her misfortune, which I presumed to mean her short hair. But it was also said that he was a colored man, and this I knew to be untrue. Aunt Minnie, when I pressed her, would offer nothing more than that if it were up to her I wouldn't go near either one of them, advice which I ignored. I was coming to understand that I would not hear the truth about Rose-Johnny from Aunt Minnie or anyone else. I knew, in a manner that went beyond the meanings of words I could not understand, that she was no more masculine than my mother or aunt, and no more lesbian than Lebanese. Rose-Johnny was simply herself, and alone.
And yet she was such a capable woman that I couldn't believe she would be sick for very long. But as the warm weather came she grew sluggish and pale. Her slow, difficult breathing frightened me. I brought my schoolbooks and read to her from the foot of the bed. Sometimes the rather ordinary adventures of the boy in my reader would make her laugh aloud until she choked. Other times she fell asleep while I read, but then would make me read those parts over again.
She worried about the store. Frequently she would ask about Mr. Wall and the customers, and how he was managing. "He does all right," I always said. But eventually my eagerness to avoid the burden of further lies, along with the considerable force of my pride, led me to confess that I had to tell him nearly everything. "He forgets something awful," I told her.
Rose-Johnny smiled. "He used to be as smart as anything, and taught me. Now I've done taught you, and you him again." She was lying back on the pillows with her eyes closed and her plump hands folded on her stomach.
"But he's a nice man," I said. I listened to her breathing. "He don't hurt you does he? Your pa?"
Nothing moved except her eyelids. They opened and let the blue eyes out at me. I looked down and traced my finger over the triangles of the flying-geese patch on the quilt. I whispered, "Does he make you cut off your hair?"
Rose-Johnny's eyes were so pale they were almost white, like ice with water running underneath. "He cuts it with a butcher knife. Sometimes he chases me all the way down to the river." She laughed a hissing laugh like a boy, and she had the same look the yearling calves get when they are cornered and jump the corral and run to the woods and won't be butchered. I understood then that Rose-Johnny, too, knew the power of a lie.
It was the youngest Mattox boy who started the fight at school on the Monday after Easter. He was older than me, and a boy, so nobody believed he would hit me, but when he started the name calling I called them right back, and he threw me down on the ground. The girls screamed and ran to get the teacher, but by the time she arrived I had a bloody nose and had bitten his arm wonderfully hard.
Miss Althea gave me her handkerchief for my nose and dragged Roy Mattox inside to see the principal. All the other children stood in a circle, looking at me.
"It isn't true, what he said," I told them. "And not about Rose-Johnny either. She isn't a pervert. I love her."
"Pervert," one of the boys said.
I marveled at the sight of my own blood soaking through the handkerchief. "I love her," I said.
I did not get to see Rose-Johnny that day. The door of Wall's store was locked. I could see Mr. Wall through the window, though, so I banged on the glass with the flats of my hands until he came. He had the strong medicine smell on his breath.
"Not today, littl'un." The skin under his eyes was dark blue.
"I need to see Rose-Johnny." I was irritated with Mr. Wall, and did not consider him important enough to prevent me from seeing her. But evidently he was.
"Not today," he said. "We're closed." He shut the door and locked it.
I shouted at him through the glass. "Tell her I hit a boy and bit his arm, that was calling her names. Tell her I fought with a boy, Mr. Wall."
The next day the door was open, but I didn't see him in the store. In the back, the apartment was dark except for the lamp by Rose-Johnny's bed. A small brown bottle and a glass stood just touching each other on the night table. Rose-Johnny looked asleep but made a snuffing sound when I climbed onto the bottom of the bed.
"Did your daddy tell you what I told him yesterday?"
She said nothing.
"Is your daddy sick?"
"My daddy's dead," she said suddenly, causing me to swallow a little gulp of air. She opened her eyes, then closed them again. "Pa's all right, honey, just stepped out, I imagine." She stopped to breathe between every few words. "I didn't mean to give you a fright. Pa's not my daddy, he's my mama's daddy."
I was confused. "And your real daddy's dead?"
She nodded. "Long time."
"And your mama, what about her? Is she dead too?"
"Mm-hmm," she said, in the same lazy sort of way Mama would say it when she wasn't really listening.
"That her?" I pointed to the picture over the bed. The woman's shoulders were bare except for a dark lace shawl. She was looking backward toward you, over her shoulder.
Rose-Johnny looked up at the picture, and said yes it was.
"She's pretty," I said.
"People used to say I looked just like her." Rose-Johnny laughed a wheezy laugh, and coughed.
"Why did she die?"
Rose-Johnny shook her head. "I can't tell you that."
"Can you when I'm older?"
She didn't answer.
"Well then, if Mr. Wall isn't your daddy, then the colored man is your daddy," I said, mostly to myself.
She looked at me. "Is that what they say?"
I shrugged.
"Does no harm to me. Every man is some color," she said.
"Oh," I said.
"My daddy was white. After he died my mama loved another man and he was brown."
"What happened then?"
"What happened then," she said. "Then they had a sweet little baby Johnny." Her voice was more like singing than talking, and her eyes were so peacefully closed I was afraid they might not open again. Every time she breathed there was the sound of a hundred tiny birds chirping inside her chest.
"Where's he?"
"Mama's Rose and sweet little baby Johnny," she sang it like an old song. "Not nothing bad going to happen to them, not nobody going to take her babies." A silvery moth flew into the lamp and clicked against the inside of the lampshade. Rose-Johnny stretched out her hand toward the night table. "I want you to pour me some of that bottle."
I lifted the bottle carefully and poured the glass half full. "That your medicine?" I asked. No answer. I feared this would be another story without an end, without meaning. "Did somebody take your mama's babies?" I persisted.
"Took her man, is what they did, and hung him up from a tree." She sat up slowly on her elbows, and looked straight at me. "Do you know what lynched is?"
"Yes, ma'am," I said, although until that moment I had not been sure.
"People will tell you there's never been no lynchings north of where the rivers don't freeze over. But they done it. Do you know where Jackson Crick is, up there by Floyd's Mill?" I nodded. "They lynched him up there, and drowned her baby Johnny in Jackson Crick, and it was as froze as you're ever going to see it. They had to break a hole in the ice to do it." She would not stop looking right into me. "In that river. Poor little baby in that cold river. Poor Mama, what they did to Mama. And said they would do to me, when I got old enough."
She didn't drink the medicine I poured for her, but let it sit. I was afraid to hear any more, and afraid to leave. I watched the moth crawl up the outside of the lampshade.
And then, out of the clear blue, she sat up and said, "But they didn't do a thing to me!" The way she said it, she sounded more like she ought to be weighing out bags of mash than sick in bed. "Do you want to know what Mama did?"
I didn't say.
"I'll tell you what she did. She took her scissors and cut my hair right off, every bit of it. She said, 'From now on, I want you to be Rose and Johnny both.' And then she went down to the same ho
le in the crick where they put baby Johnny in."
I sat with Rose-Johnny for a long time. I patted the lump in the covers where her knees were, and wiped my nose on my sleeve. "You'd better drink your medicine, Rose-Johnny," I said. "Drink up and get better now," I told her. "It's all over now."
It was the last time I saw Rose-Johnny. The next time I saw the store, more than a month later, it was locked and boarded up. Later on, the Londroski brothers took it over. Some people said she had died. Others thought she and Mr. Wall had gone to live somewhere up in the Blue Ridge, and opened a store there. This is the story I believed. In the years since, when passing through that part of the country, I have never failed to notice the Plymouth Rocks and Rhode Islands scratching in the yards, and the tomato vines tied up around the back doors.
I would like to stop here and say no more, but there are enough half-true stories in my past. This one will have to be heard to the end.
Whatever became of Rose-Johnny and her grandfather, I am certain that their going away had something to do with what happened on that same evening to Mary Etta. And I knew this to be my fault.
It was late when I got home. As I walked I turned Rose-Johnny's story over and over, like Grandpa Bowles's Indian penny with the head on both sides. You never could stop turning it over.
When I caught sight of Mama standing like somebody's ghost in the front doorway I thought she was going to thrash me, but she didn't. Instead she ran out into the yard and picked me up like she used to when I was a little girl, and carried me into the house.
"Where's Daddy?" I asked. It was suppertime, but there was no supper.
"Daddy's gone looking for you in the truck. He'll be back directly, when he don't find you."
"Why's he looking for me? What did I do?"
"Georgeann, some men tried to hurt Mary Etta. We don't know why they done it, but we was afraid they might try to hurt you."
"No, ma'am, nobody hurt me," I said quietly. "Did they kill her?" I asked.
"Oh Lordy no," Mama said, and hugged me. "She's all right. You can go upstairs and see her, but don't bother her if she don't want to be bothered."
Our room was dark, and Mary Etta was in bed crying. "Can I turn on the little light?" I asked. I wanted to see Mary Etta. I was afraid that some part of her might be missing.
"If you want to."
She was all there: arms, legs, hair. Her face was swollen, and there were marks on her neck.
"Don't stare at me," she said.
"I'm sorry." I looked around the room. Her dress was hanging over the chair. It was her best dress, the solid green linen with covered buttons and attached petticoat that had taken her all winter to make. It was red with dirt and torn nearly in half at the bodice.
"I'll fix your dress, Mary Etta. I can't sew as good as you, but I can mend," I said.
"Can't be mended," she said, but then tried to smile with her swollen mouth. "You can help me make another one."
"Who was it that done it?" I asked.
"I don't know." She rolled over and faced the wallpaper. "Some men. Three or four of them. Some of them might have been boys, I couldn't tell for sure. They had things over their faces."
"What kind of things?"
"I don't know. Just bandanners and things." She spoke quietly to the wall. "You know how the Mattoxes have those funny-colored eyes? I think some of them might of been Mattoxes. Don't tell, Georgeann. Promise."
I remembered the feeling of Roy Mattox's muscle in my teeth. I did not promise.
"Did you hit them?"
"No. I screamed. Mr. Dorsey come along the road."
"What did they say, before you screamed?"
"Nothing. They just kept saying, 'Are you the Bowles girl, are you the Bowles girl?' And they said nasty things."
"It was me they was looking for," I said. And no matter what anyone said, I would not believe otherwise. I took to my bed and would not eat or speak to anyone. My convalescence was longer than Mary Etta's. It was during that time that I found my sister's sewing scissors and cut off all my hair and all of Miss Regina's. I said that my name was George-Etta, not Georgeann, and I called my doll Rose-Johnny.
For the most part, my family tolerated my distress. My mother retrimmed my hair as neatly as she could, but there was little that could be done. Every time I looked in the mirror I was startled and secretly pleased to see that I looked exactly like a little boy. Mama said that when I went back to school I would have to do the explaining for myself. Aunt Minnie said I was going through a stage and oughtn't to be pampered.
But there was only a month left of school, and my father let Mary Etta and me stay home to help set tobacco. By the end of the summer my hair had grown out sufficiently so that no explanations were needed. Miss Regina's hair, of course, never grew back.
Why I Am a
Danger to the Public
BUENO, if I get backed into a corner I can just about raise up the dead. I'll fight, sure. But I am no lady wrestler. If you could see me you would know this thing is a joke--Tony, my oldest, is already taller than me, and he's only eleven. So why are they so scared of me I have to be in jail? I'll tell you.
Number one, this strike. There has never been one that turned so many old friends chingandose, not here in Bolton. And you can't get away from it because Ellington don't just run the mine, they own our houses, the water we drink and the dirt in our shoes and pretty much the state of New Mexico as I understand it. So if something is breathing, it's on one side or the other. And in a town like this that matters because everybody you know some way, you go to the same church or they used to babysit your kids, something. Nobody is a stranger.
My sister went down to Las Cruces, New Mexico, and got a job down there, but me, no. I stayed here and got married to Junior Morales. Junior was my one big mistake. But I like Bolton. From far away Bolton looks like some kind of all-colored junk that got swept up off the street after a big old party and stuffed down in the canyon. Our houses are all exactly alike, company houses, but people paint them yellow, purple, colors you wouldn't think a house could be. If you go down to the Big Dipper and come walking home loca you still know which one is yours. The copper mine is at the top of the canyon and the streets run straight uphill; some of them you can't drive up, you got to walk. There's steps. Oliver P. Snapp, that used to be the mailman for the west side, died of a heart attack one time right out there in his blue shorts. So the new mailman refuses to deliver to those houses; they have to pick up their mail at the P.O.
Now, this business with me and Vonda Fangham, I can't even tell you what got it started. I never had one thing in the world against her, no more than anybody else did. But this was around the fourth or fifth week so everybody knew by then who was striking and who was crossing. It don't take long to tell rats from cheese, and every night there was a big old fight in the Big Dipper. Somebody punching out his brother or his best friend. All that and no paycheck, can you imagine?
So it was a Saturday and there was just me and Corvallis Smith up at the picket line, setting in front of the picket shack passing the time of day. Corvallis is un tipo, he is real tall and lifts weights and wears his hair in those corn rows that hang down in the back with little pieces of aluminum foil on the ends. But good-looking in a certain way. I went out with Corvallis one time just so people would have something to talk about, and sure enough, they had me getting ready to have brown and black polka-dotted babies. All you got to do to get pregnant around here is have two beers with somebody in the Dipper, so watch out.
"What do you hear from Junior," he says. That's a joke; everybody says it including my friends. See, when Manuela wasn't hardly even born one minute and Tony still in diapers, Junior says, "Vicki, I can't find a corner to piss in around this town." He said there was jobs in Tucson and he would send a whole lot of money. Ha ha. That's how I got started up at Ellington. I was not going to support my kids in no little short skirt down at the Frosty King. That was eight years ago. I got started on the track gang,
laying down rails for the cars that go into the pit, and now I am a crane operator. See, when Junior left I went up the hill and made such a rackus they had to hire me up there, hire me or shoot me, one.
"Oh, I hear from him about the same as I hear from Oliver P. Snapp," I say to Corvallis. That's the rest of the joke.
It was a real slow morning. Cecil Smoot was supposed to be on the picket shift with us but he wasn't there yet. Cecil will show up late when the Angel Gabriel calls the Judgment, saying he had to give his Datsun a lube job.
"Well, looka here," says Corvallis. "Here come the ladies." There is this club called Wives of Working Men, just started since the strike. Meaning Wives of Scabs. About six of them was coming up the hill all cram-packed into Vonda Fangham's daddy's air-condition Lincoln. She pulls the car right up next to where mine is at. My car is a Buick older than both my two kids put together. It gets me where I have to go.
They set and look at us for one or two minutes. Out in that hot sun, sticking to our T-shirts, and me in my work boots--I can't see no point in treating it like a damn tea party--and Corvallis, he's an eyeful anyway. All of a sudden the windows on the Lincoln all slide down. It has those electric windows.
"Isn't this a ni-i-ice day," says one of them. Doreen Carter. Doreen visited her sister in Laurel, Mississippi, for three weeks one time and now she has an accent. "Bein' payday an' all," she says. Her husband is the minister of Saint's Grace, which is scab headquarters. I quit going. I was raised up to believe in God and the union, but listen, if it comes to pushing or shoving I know which one of the two is going to keep tires on the car.
"Well, yes, it is a real nice day," another one of them says. They're all fanning theirselves with something paper. I look, and Corvallis looks. They're fanning theirselves with their husbands' paychecks.
I haven't had a paycheck since July. My son couldn't go to Morse with his baseball team Friday night because they had to have three dollars for supper at McDonald's. Three damn dollars.
The windows start to go back up and they're getting ready to drive off, and I say, "Vonda Fangham, vete al infierno."
The windows whoosh back down.
"What did you say?" Vonda wants to know.
"I said, I'm surprised to see you in there with the scab ladies. I didn't know you had went and got married to a yellow-spine scab just so somebody would let you in their club."
Homeland and Other Stories Page 21