Delphi Complete Works of Pausanias

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by Pausanias


  [6.6.7] On his return to Italy Euthymus fought against the Hero, the story about whom is as follows. Odysseus, so they say, in his wanderings after the capture of Troy was carried down by gales to various cities of Italy and Sicily, and among them he came with his ships to Temesa. Here one of his sailors got drunk and violated a maiden, for which offence he was stoned to death by the natives.

  [6.6.8] Now Odysseus, it is said, cared nothing about his loss and sailed away. But the ghost of the stoned man never ceased killing without distinction the people of Temesa, attacking both old and young, until, when the inhabitants had resolved to flee from Italy for good, the Pythian priestess forbad them to leave Temesa, and ordered them to propitiate the Hero, setting him a sanctuary apart and building a temple, and to give him every year as wife the fairest maiden in Temesa.

  [6.6.9] So they performed the commands of the god and suffered no more terrors from the ghost. But Euthymus happened to come to Temesa just at the time when the ghost was being propitiated in the usual way; learning what was going on he had a strong desire to enter the temple, and not only to enter it but also to look at the maiden. When he saw her he first felt pity and afterwards love for her. The girl swore to marry him if he saved her, and so Euthymus with his armour on awaited the onslaught of the ghost.

  [6.6.10] He won the fight, and the Hero was driven out of the land and disappeared, sinking into the depth of the sea. Euthymus had a distinguished wedding, and the inhabitants were freed from the ghost for ever. I heard another story also about Euthymus, how that he reached extreme old age, and escaping again from death departed from among men in another way. Temesa is still inhabited, as I heard from a man who sailed there as a merchant.

  [6.6.11] This I heard, and I also saw by chance a picture dealing with the subject. It was a copy of an ancient picture. There were a stripling, Sybaris, a river, Calabrus, and a spring, Lyca. Besides, there were a hero-shrine and the city of Temesa, and in the midst was the ghost that Euthymus cast out. Horribly black in color, and exceedingly dreadful in all his appearance, he had a wolf’s skin thrown round him as a garment. The letters on the picture gave his name as Lycas.

  [6.7.1] VII. So much for the story of Euthymus. After his statue stands a runner in the foot-race, Pytharchus of Mantinea, and a boxer, Charmides of Elis, both of whom won prizes in the contests for boys. When you have looked at these also you will reach the statues of the Rhodian athletes, Diagoras and his family. These were dedicated one after the other in the following order. Acusilaus, who received a crown for boxing in the men’s class; Dorieus, the youngest, who won the pancratium at Olympia on three successive occasions. Even before Dorieus, Damagetus beat all those who had entered for the pancratium.

  [6.7.2] These were brothers, being sons of Diagoras, and by them is set up also a statue of Diagoras himself, who won a victory for boxing in the men’s class. The statue of Diagoras was made by the Megarian Callicles, the son of the Theocosmus who made the image of Zeus at Megara. The sons too of the daughters of Diagoras practised boxing and won Olympic victories: in the men’s class Eucles, son of Callianax and Callipateira, daughter of Diagoras; in the boys’ class Peisirodus, whose mother dressed herself as a man and a trainer, and took her son herself to the Olympic games.

  [6.7.3] This Peisirodus is one of the statues in the Altis, and stands by the father of his mother. The story goes that Diagoras came to Olympia in the company of his sons Acusilaus and Damagetus. The youths on defeating their father proceeded to carry him through the crowd, while the Greeks pelted him with flowers and congratulated him on his sons. The family of Diagoras was originally, through the female line, Messenian, as he was descended from the daughter of Aristomenes.

  [6.7.4] Dorieus, son of Diagoras, besides his Olympian victories, won eight at the Isthmian and seven at the Nemean games. He is also said to have won a Pythian victory without a contest. He and Peisirodus were proclaimed by the herald as of Thurii, for they had been pursued by their political enemies from Rhodes to Thurii in Italy. Dorieus subsequently returned to Rhodes. Of all men he most obviously showed his friendship with Sparta, for he actually fought against the Athenians with his own ships, until he was taken prisoner by Attic men-of-war and brought alive to Athens.

  [6.7.5] Before he was brought to them the Athenians were wroth with Dorieus and used threats against him; but when they met in the assembly and beheld a man so great and famous in the guise of a prisoner, their feeling towards him changed, and they let him go away without doing him any hurt, and that though they might with justice have punished him severely.

  [6.7.6] The death of Dorieus is told by Androtion in his Attic history. He says that the great King’s fleet was then at Caunus, with Conon in command, who persuaded the Rhodian people to leave the Lacedaemonian alliance and to join the great King and the Athenians. Dorieus, he goes on to say, was at the time away from home in the interior of the Peloponnesus, and having been caught by some Lacedaemonians he was brought to Sparta, convicted of treachery by the Lacedaemonians and sentenced to death.

  [6.7.7] If Androtion tells the truth, he appears to me to wish to put the Lacedaemonians on a level with the Athenians, because they too are open to the charge of precipitous action in their treatment of Thrasyllus and his fellow admirals at the battle of Arginusae. Such was the fame won by Diagoras and his family.

  [6.7.8] Alcaenetus too, son of Theantus, a Leprean, himself and his sons won Olympian victories. Alcaenetus was successful in the boxing contest for men, as at an earlier date he had been in the contest for boys. His sons, Helianicus and Theantus, were proclaimed winners of the boys’ boxing.match, Hellanicus at the eighty-ninth Festival and Theantus at the next. All have their statues set up at Olympia.

  [6.7.9] Next to the sons of Alcaenetus stand Gnathon, a Maenalian of Dipaea, and Lucinus of Elis. These too succeeded in beating the boys at boxing at Olympia. The inscription on his statue says that Gnathon was very young indeed when he won his victory. The artist who made the statue was Callicles of Megara.

  [6.7.10] A man from Stymphalus, by name Dromeus (Runner), proved true to it in the long race, for he won two victories at Olympia, two at Pytho, three at the Isthmus and five at Nemea. He is said to have also conceived the idea of a flesh diet; up to this time athletes had fed on cheese from the basket. The statue of this athlete is by Pythagoras; the one next to it, representing Pythocles, a pentathlete of Elis, was made by Polycleitus.

  [6.8.1] VIII. Socrates of Pellene won the boys’ race, and Amertes of Elis the wrestlers’ match for boys at Olympia, besides beating all competitors in the men’s wrestling match at Pytho. It is not said who made the statue of Socrates, but that of Amertes is from the band of Phradmon of Argos. Euanoridas of Elis won the boys’ wrestling-match both at Olympia and at Nemea. When he was made an umpire he joined the ranks of those who have recorded at Olympia the names of the victors.

  [6.8.2] As to the boxer, by name Damarchus, an Arcadian of Parrhasia, I cannot believe (except, of course, his Olympic victory) what romancers say about him, how he changed his shape into that of a wolf at the sacrifice of Lycaean (Wolf) Zeus, and how nine years after he became a man again. Nor do I think that the Arcadians either record this of him, otherwise it would have been recorded as well in the inscription at Olympia, which runs:–

  This statue was dedicated by Damarchus, son of Dinytas,

  Parrhasian by birth from Arcadia.

  [6.8.3] Here the inscription ends. Eubotas of Cyrene, when the Libyan oracle foretold to him his coming Olympic victory for running, had his portrait statue made beforehand, and so was proclaimed victor and dedicated the statue on the same day. He is also said to have won the chariot-race at that Festival which, according to the account of the Eleans, was not genuine because the Arcadians presided at it.

  [6.8.4] The statue of Timanthes of Cleonae, who won the crown in the pancratium for men, was made by Myron of Athens, but Naucydes made that of Baucis of Troezen, who overthrew the men wrestlers. Timanthes, they say, met his en
d through the following cause. On retiring from athletics he continued to test his strength by drawing a great bow every day. His practice with the bow was interrupted during a period when he was away from home. On his return, finding that he was no longer able to bend the bow, he lit a fire and threw himself alive on to it. In my view all such deeds, whether they have already occurred among men or will take place hereafter, ought to be regarded as acts of madness rather than of courage.

  [6.8.5] After Baucis are statues of Arcadian athletes: Euthymenes from Maenalus itself, who won the men’s and previously the boys’ wrestling-match; Philip, an Azanian from Pellana, who beat the boys at boxing, and Critodamus from Cleitor, who like Philip was proclaimed victor in the boys’ boxing match. The statue of Euthymenes for his victory over the boys was made by Alypus; the statue of Damocritus was made by Cleon, and that of Philip the Azanian by Myron. The story of Promachus, son of Dryon, a pancratiast of Pellene, will be included in my account of the Achaeans.

  [6.8.6] Not far from Promachus is set up the statue of Timasitheus, a Delphian by birth, the work of Ageladas of Argos. This athlete won in the pancratium two victories at Olympia and three at Pytho. His achievements in war too are distinguished by their daring and by the good luck which attended all but the last, which caused his death. For when Isagoras the Athenian captured the Acropolis of the Athenians with a view to setting up a tyranny, Timasitheus took part in the affair, and, on being taken prisoner on the Acropolis, was put to death by the Athenians for his sin against them.

  [6.9.1] IX. Theognetus of Aegina succeeded in winning the crown for the boys’ wrestling-match, and Ptolichus of Aegina made his statue. Ptolichus was a pupil of his father Synnoon, and he of Aristocles the Sicyonian, a brother of Canachus and almost as famous an artist. Why Theognetus carries a cone of the cultivated pine and a pomegranate I could not conjecture; perhaps some of the Aeginetans may have a local story about it.

  [6.9.2] After the statue of the man who the Eleans say had not his name recorded with the others because he was proclaimed winner of the trotting-race, stand Xenocles of Maenalus, who overthrew the boys at wrestling, and Alcetus, son of Alcinous, victor in the boys’ boxing-match, who also was an Arcadian from Cleitor. Cleon made the statue of Alcetus; that of Xenocles is by Polycleitus.

  [6.9.3] Aristeus of Argos himself won a victory in the long-race, while his father Cheimon won the wrestling-match. They stand near to each other, the statue of Aristeus being by Pantias of Chios, the pupil of his father Sostratus. Besides the statue of Cheimon at Olympia there is another in the temple of Peace at Rome, brought there from Argos. Both are in my opinion among the most glorious works of Naucydes. It is also told how Cheimon overthrew at wrestling Taurosthenes of Aegina, how Taurosthenes at the next Festival overthrew all who entered for the wrestling-match, and how a wraith like Taurosthenes appeared on that day in Aegina and announced the victory.

  [6.9.4] The statue of Philles of Elis, who won the boys’ wrestling-match, was made by the Spartan Cratinus.

  As regards the chariot of Gelon, I did not come to the same opinion about it as my predecessors, who hold that the chariot is an offering of the Gelon who became tyrant in Sicily. Now there is an inscription on the chariot that it was dedicated by Gelon of Gela, son of Deinomenes, and the date of the victory of this Gelon is the seventy-third Festival.

  [6.9.5] But the Gelon who was tyrant of Sicily took possession of Syracuse when Hybrilides was archon at Athens, in the second year of the seventy-second Olympiad, when Tisicrates of Croton won the foot-race. Plainly, therefore, he would have announced himself as of Syracuse, not Gela. The fact is that this Gelon must be a private person, of the same name as the tyrant, whose father had the same name as the tyrant’s father. It was Glaucias of Aegina who made both the chariot and the portrait-statue of Gelon.

  [6.9.6] At the Festival previous to this it is said that Cleomedes of Astypalaea killed Iccus of Epidaurus during a boxing-match. On being convicted by the umpires of foul play and being deprived of the prize he became mad through grief and returned to Astypalaea. Attacking a school there of about sixty children he pulled down the pillar which held up the roof.

  [6.9.7] This fell upon the children, and Cleomedes, pelted with stones by the citizens, took refuge in the sanctuary of Athena. He entered a chest standing in the sanctuary and drew down the lid. The Astypalaeans toiled in vain in their attempts to open the chest. At last, however, they broke open the boards of the chest, but found no Cleomedes, either alive or dead. So they sent envoys to Delphi to ask what had happened to Cleomedes.

  [6.9.8] The response given by the Pythian priestess was, they say, as follows:–

  Last of heroes is Cleomedes of Astypalaea;

  Honor him with sacrifices as being no longer a mortal.

  So from this time have the Astypalaeans paid honors to Cleomedes as to a hero.

  [6.9.9] By the side of the chariot of Gelon is dedicated a statue of Philon, the work of the Aeginetan Glaucias. About this Philon Simonides the son of Leoprepes composed a very neat elegiac couplet:–

  My fatherland is Corcyra, and my name is Philon; I am

  The son of Glaucus, and I won two Olympic victories for boxing.

  There is also a statue of Agametor of Mantineia, who beat the boys at boxing.

  [6.10.1] X. Next to those that I have enumerated stands Glaucus of Carystus. Legend has it that he was by birth from Anthedon in Boeotia, being descended from Glaucus the sea-deity. This Carystian was a son of Demylus, and they say that to begin with he worked as a farmer. The ploughshare one day fell out of the plough, and he fitted it into its place, using his hand as a hammer;

  [6.10.2] Demylus happened to be a spectator of his son’s performance, and thereupon brought him to Olympia to box. There Glaucus, inexperienced in boxing, was wounded by his antagonists, and when he was boxing with the last of them he was thought to be fainting from the number of his wounds. Then they say that his father called out to him, “Son, the plough touch.” So he dealt his opponent a more violent blow which forthwith brought him the victory.

  [6.10.3] He is said to have won other crowns besides, two at Pytho, eight at the Nemean and eight at the Isthmian games. The statue of Glaucus was set up by his son, while Glaucias of Aegina made it. The statue represents a figure sparring, as Glaucus was the best exponent of the art of all his contemporaries. When he died the Carystians, they say, buried him in the island still called the island of Glaucus.

  [6.10.4] Damaretus of Heraea, his son and his grandson, each won two victories at Olympia. Those of Damaretus were gained at the sixty-fifth Festival (at which the race in full armour was instituted) and also at the one succeeding. His statue shows him, not only carrying the shield that modern competitors have, but also wearing a helmet on his head and greaves on his legs. In course of time the helmet and greaves were taken from the armour of competitors by both the Eleans and the Greeks generally. Theopompus, son of Damaretus, won his victories in the pentathlum, and his son Theopompus the second, named after his father, won his in the wrestling-match.

  [6.10.5] Who made the statue of Theopompus the wrestler we do not know, but those of his father and grandfather are said by the inscription to be by Eutelidas and Chrysothemis, who were Argives. It does not, however, declare the name of their teacher, but runs as follows:–

  Eutelidas and Chrysothemis made these works,

  Argives, who learnt their art from those who lived before.

  Iccus the son of Nicolaidas of Tarentum won the Olympic crown in the pentathlum, and afterwards is said to have become the best trainer of his day.

  [6.10.6] After Iccus stands Pantarces the Elean, beloved of Pheidias, who beat the boys at wrestling. Next to Pantarces is the chariot of Cleosthenes, a man of Epidamnus. This is the work of Ageladas, and it stands behind the Zeus dedicated by the Greeks from the spoil of the battle of Plataea. Cleosthenes’ victory occurred at the sixty-sixth Festival, and together with the statues of his horses he dedicated a statue of himself and o
ne of his charioteer.

  [6.10.7] There are inscribed the names of the horses, Phoenix and Corax, and on either side are the horses by the yoke, on the right Cnacias, on the left Samus. This inscription in elegiac verse is on the chariot:–

  Cleosthenes, son of Pontis, a native of Epidamnus, dedicated me

  After winning with his horses a victory in the glorious games of Zeus.

  [6.10.8] This Cleosthenes was the first of those who bred horses in Greece to dedicate his statue at Olympia. For the offering of Evagoras the Laconian consists of the chariot without a figure of Evagoras himself; the offerings of Miltiades the Athenian, which he dedicated at Olympia, I will describe in another part of my story. The Epidamnians occupy the same territory to-day as they did at first, but the modern city is not the ancient one, being at a short distance from it. The modern city is called Dyrrhachium from its founder.

  [6.10.9] Lycinus of Heraea, Epicradius of Mantineia, Tellon of Oresthas, and Agiadas of Elis won victories in boys’ matches; Lycinus for running, the rest of them for boxing. The artist who made the statue of Epicradius was Ptolichus of Aegina; that of Agiadas was made by Serambus, also a native of Aegina. The statue of Lycinus is the work of Cleon. Who made the statue of Tellon is not related.

  [6.11.1] XI. Next to these are offerings of Eleans, representing Philip the son of Amyntas, Alexander the son of Philip, Seleucus and Antigonus. Antigonus is on foot; the rest are on horseback.

  [6.11.2] Not far from the kings mentioned stands a Thasian, Theagenes the son of Timosthenes. The Thasians say that Timosthenes was not the father of Theagenes, but a priest of the Thasian Heracles, a phantom of whom in the likeness of Timosthenes had intercourse with the mother of Theagenes. In his ninth year, they say, as he was going home from school, he was attracted by a bronze image of some god or other in the marketplace; so he caught up the image, placed it on one of his shoulders and carried it home.

 

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