by Pausanias
[6.19.11] In the treasury of the Metapontines, which adjoins that of the Selinuntians, stands an Endymion; it too is of ivory except the drapery. How it came about that the Metapontines were destroyed I do not know, but to-day nothing is left of Metapontum but the theater and the circuit of the walls.
[6.19.12] The Megarians who are neighbors of Attica built a treasury and dedicated in it offerings, small cedar-wood figures inlaid with gold, representing the fight of Heracles with Achelous. The figures include Zeus, Deianeira, Achelous, Heracles, and Ares helping Achelous. There once stood here an image of Athena, as being an ally of Heracles, but it now stands by the Hesperides in the Heraeum.
[6.19.13] On the pediment of the treasury is carved the war of the giants and the gods, and above the pediment is dedicated a shield, the inscription declaring that the Megarians dedicated the treasury from spoils taken from the Corinthians. I think that the Megarians won this victory when Phorbas, who held a life office, was archon at Athens. At this time Athenian offices were not yet annual, nor had the Eleans begun to record the Olympiads.
[6.19.14] The Argives are said to have helped the Megarians in the engagement with the Corinthians. The treasury at Olympia was made by the Megarians years after the battle, but it is to be supposed that they had the offerings from of old, seeing that they were made by the Lacedaemonian Dontas, a pupil of Dipoenus and Scyllis.
[6.19.15] The last of the treasuries is right by the stadium, the inscription stating that the treasury, and the images in it,were dedicated by the people of Gela. The images, however, are no longer there.
OTHER SHRINES AT OLYMPIA
[6.20.1] XX. Mount Cronius, as I have already said, extends parallel to the terrace with the treasuries on it. On the summit of the mountain the Basilae, as they are called, sacrifice to Cronus at the spring equinox, in the month called Elaphius among the Eleans.
[6.20.2] At the foot of Mount Cronius, on the north . . . , between the treasuries and the mountain, is a sanctuary of Eileithyia, and in it Sosipolis, a native Elean deity, is worshipped. Now they surname Eileithyia Olympian, and choose a priestess for the goddess every year. The old woman who tends Sosipolis herself too by an Elean custom lives in chastity, bringing water for the god’s bath and setting before him barley cakes kneaded with honey.
[6.20.3] In the front part of the temple, for it is built in two parts, is an altar of Eileithyia and an entrance for the public; in the inner Part Sosipolis is worshipped, and no one may enter it except the woman who tends the god, and she must wrap her head and face in a white veil. Maidens and matrons wait in the sanctuary of Eileithyia chanting a hymn; they burn all manner of incense to the god, but it is not the custom to pour libations of wine. An oath is taken by Sosipolis on the most important occasions.
[6.20.4] The story is that when the Arcadians had invaded the land of Elis, and the Eleans were set in array against them, a woman came to the Elean generals, holding a baby to her breast, who said that she was the mother of the child but that she gave him, because of dreams, to fight for the Eleans. The Elean officers believed that the woman was to be trusted, and placed the child before the army naked.
[6.20.5] When the Arcadians came on, the child turned at once into a snake. Thrown into disorder at the sight, the Arcadians turned and fled, and were attacked by the Eleans, who won a very famous victory, and so call the god Sosipolis. On the spot where after the battle the snake seemed to them to go into the ground they made the sanctuary. With him the Eleans resolved to worship Eileithyia also, because this goddess to help them brought her son forth unto men.
[6.20.6] The tomb of the Arcadians who were killed in the battle is on the hill across the Cladeus to the west. Near to the sanctuary of Eileithyia are the remains of the sanctuary of Heavenly Aphrodite, and there too they sacrifice upon the altars.
THE STADIUMS OF OLYMPIA
[6.20.7] There is within the Altis by the processional entrance the Hippodameium, as it is called, about a quarter of an acre of ground surrounded by a wall. Into it once every year the women may enter, who sacrifice to Hippodameia, and do her honor in other ways. The story is that Hippodameia withdrew to Midea in Argolis, because Pelops was very angry with her over the death of Chrysippus. The Eleans declare that subsequently, because of an oracle, they brought the bones of Hippodameia to Olympia.
[6.20.8] At the end of the statues which they made from the fines levied on athletes, there is the entrance called the Hidden Entrance. Through it umpires and competitors are wont to enter the stadium. Now the stadium is an embankment of earth, and on it is a seat for the presidents of the games. Opposite the umpires is an altar of white marble;
[6.20.9] seated on this altar a woman looks on at the Olympic games, the priestess of Demeter Chamyne, which office the Eleans bestow from time to time on different women. Maidens are not debarred from looking on at the games. At the end of the stadium, where is the starting-place for the runners, there is, the Eleans say, the tomb of Endymion.
[6.20.10] When you have passed beyond the stadium, at the point where the umpires sit, is a place set apart for the horse-races, and also the starting-place for the horses. The starting-place is in the shape of the prow of a ship, and its prow is turned towards the course. At the point where the prow adjoins the porch of Agnaptus it broadens and a bronze dolphin on a rod has been made at the very point of the ram.
[6.20.11] Each side of the starting-place is more than four hundred feet in length, and in the sides are built stalls. These stalls are assigned by lot to those who enter for the races. Before the chariots or race-horses is stretched a cord as a barrier. An altar of unburnt brick, plastered on the outside, is made at every Festival as near as possible to the center of the prow,
[6.20.12] and a bronze eagle stands on the altar with his wings stretched out to the fullest extent. The man appointed to start the racing sets in motion the mechanism in the altar, and then the eagle has been made to jump upwards, so as to become visible to the spectators, while the dolphin falls to the ground.
[6.20.13] First on either side the barriers are withdrawn by the porch of Agnaptus, and the horses standing thereby run off first. As they run they reach those to whom the second station has been allotted, and then are withdrawn the barriers at the second station. The same thing happens to all the horses in turn, until at the ram of the prow they are all abreast. After this it is left to the charioteers to display their skill and the horses their speed.
[6.20.14] It was Cleoetas who originally devised the method of starting, and he appears to have been proud of the discovery, as on the statue at Athens he wrote the inscription:–
Who first invented the method of starting the horses at Olympia,
He made me, Cleoetas the son of Aristocles.
It is said that after Cleoetas some further device was added to the mechanism by Aristeides.
[6.20.15] The race-course has one side longer than the other, and on the longer side, which is a bank, there stands, at the passage through the bank, Taraxippus, the terror of the horses. It has the shape of a round altar, and as they run along the horses are seized, as soon as they reach this point, by a great fear without any apparent reason. The fear leads to disorder; the chariots generally crash and the charioteers are injured. Consequently the charioteers offer sacrifice, and pray that Taraxippus may show himself propitious to them.
[6.20.16] The Greeks differ in their view of Taraxippus. Some hold that it is the tomb of an original inhabitant who was skilled in horsemanship; they call him Olenius, and say that after him was named the Olenian rock in the land of Elis. Others say that Dameon, son of Phlius, who took part in the expedition of Heracles against Augeas and the Eleans, was killed along with his charger by Cteatus the son of Actor, and that man and horse were buried in the same tomb.
[6.20.17] There is also a story that Pelops made here an empty mound in honor of Myrtilus, and sacrificed to him in an effort to calm the anger of the murdered man, naming the mound Taraxippus (Frightener of horses) becaus
e the mares of Oenomaus were frightened by the trick of Myrtilus. Some say that it is Oenomaus himself who harms the racers in the course. I have also heard some attach the blame to Alcathus, the son of Porthaon. Killed by Oenomaus because he wooed Hippodameia, Alcathus, they say, here got his portion of earth; having been unsuccessful on the course, he is a spiteful and hostile deity to chariot-drivers.
[6.20.18] A man of Egypt said that Pelops received something from Amphion the Theban and buried it where is what they call Taraxippus, adding that it was the buried thing which frightened the mares of Oenomaus, as well as those of every charioteer since. This Egyptian thought that Amphion and the Thracian Orpheus were clever magicians, and that it was through their enchantments that the beasts came to Orpheus, and the stones came to Amphion for the building of the wall. The most probable of the stories in my opinion makes Taraxippus a surname of Horse Poseidon.
[6.20.19] There is another Taraxippus at the Isthmus, namely Glaucus, the son of Sisyphus. They say that he was killed by his horses, when Acastus held his contests in honor of his father. At Nemea of the Argives there was no hero who harmed the horses, but above the turning-point of the chariots rose a rock, red in color, and the flash from it terrified the horses, just as though it had been fire. But the Taraxippus at Olympia is much worse for terrifying the horses. On one turning-post is a bronze statue of Hippodameia carrying a ribbon, and about to crown Pelops with it for his victory.
OTHER SHRINES & THE GYMNASIUM AT OLYMPIA
[6.21.1] XXI. The other side of the course is not a bank of earth but a low hill. At the foot of the hill has been built a sanctuary to Demeter surnamed Chamyne. Some are of opinion that the name is old, signifying that here the earth gaped for the chariot of Hades and then closed up once more. Others say that Chamynus was a man of Pisa who opposed Pantaleon, the son of Omphalion and despot at Pisa, when he plotted to revolt from Elis; Pantaleon, they say, put him to death, and from his property was built the sanctuary to Demeter.
[6.21.2] In place of the old images of the Maid and of Demeter new ones of Pentelic marble were dedicated by Herodes the Athenian.
In the gymnasium at Olympia it is customary for pentathletes and runners to practise, and in the open has been made a basement of stone. Originally there stood on the basement a trophy to commemorate a victory over the Arcadians. There is also another enclosure, less than this, to the left of the entrance to the gymnasium, and the athletes have their wrestling-schools here. Adjoining the wall of the eastern porch of the gymnasium are the dwellings of the athletes, turned towards the southwest.
[6.21.3] On the other side of the Cladeus is the grave of Oenomaus, a mound of earth with a stone wall built round it, and above the tomb are ruins of buildings in which Oenomaus is said to have stabled his mares.
SAURUS RIDGE & RIVER ERYMANTHUS
The boundaries which now separate Arcadia and Elis originally separated Arcadia from Pisa, and are thus situated. On crossing the river Erymanthus at what is called the ridge of Saurus are the tomb of Saurus and a sanctuary of Heracles, now in ruins. The story is that Saurus used to do mischief to travellers and to dwellers in the neighborhood until he received his punishment at the hands of Heracles.
[6.21.4] At this ridge which has the same name as the robber, a river, falling into the Alpheius from the south, just opposite the Erymanthus, is the boundary between the land of Pisa and Arcadia; it is called the Diagon. Forty stades beyond the ridge of Saurus is a temple of Asclepius, surnamed Demaenetus after the founder. It too is in ruins. It was built on the height beside the Alpheius.
[6.21.5] Not far from it is a sanctuary of Dionysus Leucyanites, whereby flows a river Leucyanias. This river too is a tributary of the Alpheius; it descends from Mount Pholoe. Crossing the Alpheius after it you will be within the land of Pisa.
PHRIXA & RIVER PARTHENIA
[6.21.6] In this district is a hill rising to a sharp peak, on which are the ruins of the city of Phrixa, as well as a temple of Athena surnamed Cydonian. This temple is not entire, but the altar is still there. The sanctuary was founded for the goddess, they say, by Clymenus, a descendant of Idaean Heracles, and he came from Cydonia in Crete and from the river Jardanus. The Eleans say that Pelops too sacrificed to Cydonian Athena before he set about his contest with Oenomaus.
[6.21.7] Going on from this point you come to the water of Parthenia, and by the river is the grave of the mares of Marmax. The story has it that this Marmax was the first suitor of Hippodameia to arrive, and that he was killed by Oenomaus before the others; that the names of his mares were Parthenia and Eripha; that Oenomaus slew the mares after Marmax, but granted burial to them also, and that the river received the name Parthenia from the mare of Marmax.
HARPINA & PISA
[6.21.8] There is another river called Harpinates, and not far from the river are, among the other ruins of a city Harpina, its altars. The city was founded, they say, by Oenomaus, who named it after his mother Harpina.
[6.21.9] A little farther on is a high mound of earth, the grave of the suitors of Hippodameia. Now Oenomaus, they say, laid them in the ground near one another with no token of respect. But afterwards Pelops raised a high monument to them all, to honor them and to please Hippodamaeia. I think too that Pelops wanted a memorial to tell posterity the number and character of the men vanquished by Oenomaus before Pelops himself conquered him.
[6.21.10] According to the epic poem called the Great Eoeae the next after Marmax to be killed by Oenomaus was Alcathus, son of Porthaon; after Alcathus came Euryalus, Eurymachus and Crotalus. Now the parents and fatherlands of these I was unable to discover, but Acrias, the next after them to be killed, one might guess to have been a Lacedaemonian and the founder of Acriae. After Acrias they say that Oenomaus slew Capetus, Lycurgus, Lasius, Chalcodon and Tricolonus, who, according to the Arcadians, was the descendant and namesake of Tricolonus, the son of Lycaon.
[6.21.11] After Tricolonus there met their fate in the race Aristomachus and Prias, and then Pelagon, Aeolius and Cronius. Some add to the aforesaid Erythras, the son of Leucon, the son of Athamas, after whom was named Erythrae in Boeotia, and Eioneus, the son of Magnes the son of Aeolus. These are the men whose monument is here, and Pelops, they say, sacrificed every year to them as heroes, when he had won the sovereignty of Pisa.
[6.22.1] XXII. Going forward about a stade from the grave one sees traces of a sanctuary of Artemis, surnamed Cordax because the followers of Pelops celebrated their victory by the side of this goddess and danced the cordax, a dance peculiar to the dwellers round Mount Sipylus. Not far from the sanctuary is a small building containing a bronze chest, in which are kept the bones of Pelops. Of the wall and of the rest of the building there were no remains, but vines were planted over all the district where Pisa stood.
[6.22.2] The founder of the city, they say, was Pisus, the son of Perieres, the son of Aeolus. The people of Pisa brought of themselves disaster on their own heads by their hostility to the Eleans, and by their keenness to preside over the Olympic games instead of them. At the eighth Festival they brought in Pheidon of Argos, the most overbearing of the Greek tyrants, and held the games along with him, while at the thirty-fourth Festival the people of Pisa, with their king Pantaleon the son of Omphalion, collected an army from the neighborhood, and held the Olympic games instead of the Eleans.
[6.22.3] These Festivals, as well as the hundred and fourth, which was held by the Arcadians, are called “Non-Olympiads” by the Eleans, who do not include them in a list of Olympiads. At the forty-eighth Festival, Damophon the son of Pantaleon gave the Eleans reasons for suspecting that he was intriguing against them, but when they invaded the land of Pisa with an army he persuaded them by prayers and oaths to return quietly home again.
[6.22.4] When Pyrrhus, the son of Pantaleon, succeeded his brother Damophon as king, the people of Pisa of their own accord made war against Elis, and were joined in their revolt from the Eleans by the people of Macistus and Scillus, which are in Triphylia, and by the
people of Dyspontium, another vassal community. The list were closely related to the people of Pisa, and it was a tradition of theirs that their founder had been Dysponteus the son of Oenomaus. It was the fate of Pisa, and of all her allies, to be destroyed by the Eleans.
PYLUS
[6.22.5] Of Pylus in the land of’ Elis the ruins are to be seen on the mountain road from Olympia to Elis, the distance between Elis and Pylus being eighty stades. This Pylus was founded, as I have already said, by a Megarian called Pylon, the son of Cleson. Destroyed by Heracles and refounded by the Eleans, the city was doomed in time to be without inhabitants. Beside it the river Ladon flows into the Peneius.
[6.22.6] The Eleans declare that there is a reference to this Pylus in the passage of Homer:–
And he was descended from the river
Alpheius, that in broad stream flows through the land of the Pylians. Hom. Il. 5.544
The Eleans convinced me that they are right. For the Alpheius does flow through this district, and the passage cannot refer to another Pylus. For the land of the Pylians over against the island Sphacteria simply cannot in the nature of things be crossed by the Alpheius, and, moreover, we know of no city in Arcadia named Pylus.
THE RIVER CYTHERUS
[6.22.7] Distant from Olympia about fifty stades is Heracleia, a village of the Eleans, and beside it is a river Cytherus. A spring flows into the river, and there is a sanctuary of nymphs near the spring. Individually the names of the nymphs are Calliphaeia, Synallasis, Pegaea and Iasis, but their common surname is the Ionides. Those who bathe in the spring are cured of all sorts of aches and pains. They say that the nymphs are named after Ion, the son of Gargettus, who migrated to this place from Athens.
LETRINI
[6.22.8] If you wish to go to Elis through the plain, you will travel one hundred and twenty stades to Letrini, and one hundred and eighty from Letrini to Elis. Originally Letrini was a town, and Letreus the son of Pelops was its founder; but in my time were left a few buildings, with an image of Artemis Alpheiaea in a temple.