by Pausanias
[10.38.6] For I have stated in an earlier part of my work that two Samians, Rhoecus, son of Philaeus, and Theodorus, son of Telecles, discovered how to found bronze most perfectly, and were the first casters of that metal. I have found extant no work of Theodorus, at least no work of bronze. But in the sanctuary of Ephesian Artemis, as you enter the building containing the pictures, there is a stone wall above the altar of Artemis called Goddess of the First Seat. Among the images that stand upon the wall is a statue of a woman at the end, a work of Rhoecus, called by the Ephesians Night.
[10.38.7] A mere glance shows that this image is older, and of rougher workmanship, than the Athena in Amphissa. The Amphissians also celebrate mysteries in honor of the Boy Kings, as they are called. Their accounts as to who of the gods the Boy Kings are do not agree; some say they are the Dioscuri, others the Curetes, and others, who pretend to have fuller knowledge, hold them to be the Cabeiri.
MYONIA
[10.38.8] These Locrians also possess the following cities. Farther inland from Amphissa, and above it, is Myonia, thirty stades distant from it. Its people are those who dedicated the shield to Zeus at Olympia. The town lies upon a height, and it has a grove and an altar of the Gracious Gods. The sacrifices to the Gracious Gods are offered at night, and their rule is to consume the meat on the spot before sunrise. Beyond the city is a precinct of Poseidon, called Poseidonium, and a temple of Poseidon is in it. But the image had disappeared before my time.
OEANTHEIA
[10.38.9] These, then, live above Amphissa. On the coast is Oeantheia, neighbor to which is Naupactus. The others, but not Amphissa, are under the government of the Achaeans of Patrae, the emperor Augustus having granted them this privilege. In Oeantheia is a sanctuary of Aphrodite, and a little beyond the city there is a grove of cypress-trees mixed with pines; in the grove is a temple of Artemis with an image. The paintings on the walls I found had lost their color with time, and nothing of them was still left worth seeing.
NAUPACTUS
[10.38.10] I gather that the city got its name from a woman or a nymph, while as for Naupactus, I have heard it said that the Dorians under the sons of Aristomachus built here the vessels in which they crossed to the Peloponnesus, thus, it is said, giving to the place its name. My account of Naupactus, how the Athenians took it from the Locrians and gave it as a home to those who seceded to Ithome at the time of the earthquake at Lacedaemon, and how, after the Athenian disaster at Aegospotami, the Lacedaemonians expelled the Messenians from Naupactus, all this I have fully related in my history of Messenia. When the Messenians were forced to leave, the Locrians gathered again at Naupactus.
[10.38.11] The epic poem called the Naupactia by the Greeks is by most people assigned to a poet of Miletus, while Charon, the son of Pythes, says that it is a composition of Carcinus of Naupactus. I am one of those who agree with the Lampsacenian writer. For what reason could there be in giving the name of Naupactia to a poem about women composed by an author of Miletus?
[10.38.12] Here there is on the coast a temple of Poseidon with a standing image made of bronze; there is also a sanctuary of Artemis with an image of white marble. She is in the attitude of one hurling a javelin, and is surnamed Aetolian. In a cave Aphrodite is worshipped, to whom prayers are offered for various reasons, and especially by widows who ask the goddess to grant them marriage.
[10.38.13] The sanctuary of Asclepius I found in ruins, but it was originally built by a private person called Phalysius. For he had a complaint of the eyes, and when he was almost blind the god at Epidaurus sent to him the poetess Anyte, who brought with her a sealed tablet. The woman thought that the god’s appearance was a dream, but it proved at once to be a waking vision. For she found in her own hands a sealed tablet; so sailing to Naupactus she bade Phalysius take away the seal and read what was written. He did not think it possible to read the writing with his eyes in such a condition, but hoping to get some benefit from Asclepius he took away the seal. When he had looked at the wax he recovered his sight, and gave to Anyte what was written on the tablet, two thousand staters of gold.
The Greek Text
The Gizah Pyramids, which Pausanias visited during his travels
CONTENTS OF THE GREEK TEXT
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CONTENTS
BOOK I.
BOOK II.
BOOK III.
BOOK IV.
BOOK V.
BOOK VI.
BOOK VII.
BOOK VIII.
BOOK IX.
BOOK X.
BOOK I.
Ἀττικά
1. τῆς ἠπείρου τῆς Ἑλληνικῆς κατὰ νήσους τὰς Κυκλάδας καὶ πέλαγος τὸ Αἰγαῖον ἄκρα Σούνιον πρόκειται γῆς τῆς Ἀττικῆς: καὶ λιμήν τε παραπλεύσαντι τὴν ἄκραν ἐστὶ καὶ ναὸς Ἀθηνᾶς Σουνιάδος ἐπὶ κορυφῇ τῆς ἄκρας. πλέοντι δὲ ἐς τὸ πρόσω Λαύριόν τέ ἐστιν, ἔνθα ποτὲ Ἀθηναίοις ἦν ἀργύρου μέταλλα, καὶ νῆσος ἔρημος οὐ μεγάλη Πατρόκλου καλουμένη: τεῖχος γὰρ ᾠκοδομήσατο ἐν αὐτῇ καὶ χάρακα ἐβάλετο Πάτροκλος, ὃς τριήρεσιν ὑπέπλει ναύαρχος Αἰγυπτίαις, ἃς Πτολεμαῖος ὁ Πτολεμαίου τοῦ Λάγου τιμωρεῖν ἔστειλεν Ἀθηναίοις, ὅτε σφίσιν Ἀντίγονος ὁ Δημητρίου στρατιᾷ τε αὐτὸς ἐσβεβληκὼς ἔφθειρε τὴν χώραν καὶ ναυσὶν ἅμα ἐκ θαλάσσης κατεῖργεν.
[2] ὁ δὲ Πειραιεὺς δῆμος μὲν ἦν ἐκ παλαιοῦ, πρότερον δὲ πρὶν ἢ Θεμιστοκλῆς Ἀθηναίοις ἦρξεν ἐπίνειον οὐκ ἦν: Φαληρὸν δέ — ταύτῃ γὰρ ἐλάχιστον ἀπέχει τῆς πόλεως ἡ θάλασσα — , τοῦτό σφισιν ἐπίνειον ἦν, καὶ Μενεσθέα φασὶν αὐτόθεν ταῖς ναυσὶν ἐς Τροίαν ἀναχθῆναι καὶ τούτου πρότερον Θησέα δώσοντα Μίνῳ δίκας τῆς Ἀνδρόγεω τελευτῆς. Θεμιστοκλῆς δὲ ὡς ἦρξε — τοῖς τε γὰρ πλέουσιν ἐπιτηδειότερος ὁ Πειραιεὺς ἐφαίνετό οἱ προκεῖσθαι καὶ λιμένας τρεῖς ἀνθ᾽ ἑνὸς ἔχειν τοῦ Φαληροῖ — τοῦτό σφισιν ἐπίνειον εἶναι κατεσκευάσατο: καὶ νεὼς καὶ ἐς ἐμὲ ἦσαν οἶκοι καὶ πρὸς τῷ μεγίστῳ λιμένι τάφος Θεμιστοκλέους. φασὶ γὰρ μεταμελῆσαι τῶν ἐς Θεμιστοκλέα Ἀθηναίοις καὶ ὡς οἱ προσήκοντες τὰ ὀστᾶ κομίσαιεν ἐκ Μαγνησίας ἀνελόντες: φαίνονται δὲ οἱ παῖδες οἱ Θεμιστοκλέους καὶ κατελθόντες καὶ γραφὴν ἐς τὸν Παρθενῶνα ἀναθέντες, ἐν ᾗ Θεμιστοκλῆς ἐστι γεγραμμένος.
[3] θέας δὲ ἄξιον τῶν ἐν Πειραιεῖ μάλιστα Ἀθηνᾶς ἐστι καὶ Διὸς τέμενος: χαλκοῦ μὲν ἀμφότερα τὰ ἀγάλματα, ἔχει δὲ ὁ μὲν σκῆπτρον καὶ Νίκην, ἡ δὲ Ἀθηνᾶ δόρυ. ἐνταῦθα Λεωσθένην, ὃς Ἀθηναίοις καὶ τοῖς πᾶσιν Ἕλλησιν ἡγούμενος Μακεδόνας ἔν τε Βοιωτοῖς ἐκράτησε μάχῃ καὶ αὖθις ἔξω Θερμοπυλῶν καὶ βιασάμενος ἐς Λάμιαν κατέκλεισε τὴν ἀπαντικρὺ τῆς Οἴτης, τοῦτον τὸν Λεωσθένην καὶ τοὺς παῖδας ἔγραψεν Ἀρκ�
�σίλαος. ἔστι δὲ τῆς στοᾶς τῆς μακρᾶς, ἔνθα καθέστηκεν ἀγορὰ τοῖς ἐπὶ θαλάσσης — καὶ γὰρ τοῖς ἀπωτέρω τοῦ λιμένος ἐστὶν ἑτέρα — , τῆς δὲ ἐπὶ θαλάσσης στοᾶς ὄπισθεν ἑστᾶσι Ζεὺς καὶ Δῆμος, Λεωχάρους ἔργον. πρὸς δὲ τῇ θαλάσσῃ Κόνων ᾠκοδόμησεν Ἀφροδίτης ἱερόν, τριήρεις Λακεδαιμονίων κατεργασάμενος περὶ Κνίδον τὴν ἐν τῇ Καρικῇ χερρονήσῳ. Κνίδιοι γὰρ τιμῶσιν Ἀφροδίτην μάλιστα, καί σφισιν ἔστιν ἱερὰ τῆς θεοῦ: τὸ μὲν γὰρ ἀρχαιότατον Δωρίτιδος, μετὰ δὲ τὸ Ἀκραίας, νεώτατον δὲ ἣν Κνιδίαν οἱ πολλοί, Κνίδιοι δὲ αὐτοὶ καλοῦσιν Εὔπλοιαν. [4] ἔστι δὲ καὶ ἄλλος Ἀθηναίοις ὁ μὲν ἐπὶ Μουνυχίᾳ λιμὴν καὶ Μουνυχίας ναὸς Ἀρτέμιδος, ὁ δὲ ἐπὶ Φαληρῷ, καθὰ καὶ πρότερον εἴρηταί μοι, καὶ πρὸς αὐτῷ Δήμητρος ἱερόν. ἐνταῦθα καὶ Σκιράδος Ἀθηνᾶς ναός ἐστι καὶ Διὸς ἀπωτέρω, βωμοὶ δὲ θεῶν τε ὀνομαζομένων Ἀγνώστων καὶ ἡρώων καὶ παίδων τῶν Θησέως καὶ Φαληροῦ: τοῦτον γὰρ τὸν Φαληρὸν Ἀθηναῖοι πλεῦσαι μετὰ Ἰάσονός φασιν ἐς Κόλχους. ἔστι δὲ καὶ Ἀνδρόγεω βωμὸς τοῦ Μίνω, καλεῖται δὲ Ἥρωος: Ἀνδρόγεω δὲ ὄντα ἴσασιν οἷς ἐστιν ἐπιμελὲς τὰ ἐγχώρια σαφέστερον ἄλλων ἐπίστασθαι.
[5] ἀπέχει δὲ σταδίους εἴκοσιν ἄκρα Κωλιάς: ἐς ταύτην φθαρέντος τοῦ ναυτικοῦ τοῦ Μήδων κατήνεγκεν ὁ κλύδων τὰ ναυάγια. Κωλιάδος δέ ἐστιν ἐνταῦθα Ἀφροδίτης ἄγαλμα καὶ Γενετυλλίδες ὀνομαζόμεναι θεαί: δοκῶ δὲ καὶ Φωκαεῦσι τοῖς ἐν Ἰωνίᾳ θεάς, ἃς καλοῦσι Γενναΐδας, εἶναι ταῖς ἐπὶ Κωλιάδι τὰς αὐτάς. — ἔστι δὲ κατὰ τὴν ὁδὸν τὴν ἐς Ἀθήνας ἐκ Φαληροῦ ναὸς Ἥρας οὔτε θύρας ἔχων οὔτε ὄροφον: Μαρδόνιόν φασιν αὐτὸν ἐμπρῆσαι τὸν Γωβρύου. τὸ δὲ ἄγαλμα τὸ νῦν δή, καθὰ λέγουσιν, Ἀλκαμένους ἐστὶν ἔργον: οὐκ ἂν τοῦτό γε ὁ Μῆδος εἴη λελωβημένος.
2. ἐσελθόντων δὲ ἐς τὴν πόλιν ἐστὶν Ἀντιόπης μνῆμα Ἀμαζόνος. ταύτην τὴν Ἀντιόπην Πίνδαρος μέν φησιν ὑπὸ Πειρίθου καὶ Θησέως ἁρπασθῆναι, Τροιζηνίῳ δὲ Ἡγίᾳ τοιάδε ἐς αὐτὴν πεποίηται: Ἡρακλέα Θεμίσκυραν πολιορκοῦντα τὴν ἐπὶ Θερμώδοντι ἑλεῖν μὴ δύνασθαι, Θησέως δὲ ἐρασθεῖσαν Ἀντιόπην — στρατεῦσαι γὰρ ἅμα Ἡρακλεῖ καὶ Θησέα — παραδοῦναι τε τὸ χωρίον. τάδε μὲν Ἡγίας πεποίηκεν: Ἀθηναῖοι δέ φασιν, ἐπεί τε ἦλθον Ἀμαζόνες, Ἀντιόπην μὲν ὑπὸ Μολπαδίας τοξευθῆναι, Μολπαδίαν δὲ ἀποθανεῖν ὑπὸ Θησέως. καὶ μνῆμά ἐστι καὶ Μολπαδίας Ἀθηναίοις. [2] ἀνιόντων δὲ ἐκ Πειραιῶς ἐρείπια τῶν τειχῶν ἐστιν, ἃ Κόνων ὕστερον τῆς πρὸς Κνίδῳ ναυμαχίας ἀνέστησε: τὰ γὰρ Θεμιστοκλέους μετὰ τὴν ἀναχώρησιν οἰκοδομηθέντα τὴν Μήδων ἐπὶ τῆς ἀρχῆς καθῃρέθη τῶν τριάκοντα ὀνομαζομένων. εἰσὶ δὲ τάφοι κατὰ τὴν ὁδὸν γνωριμώτατοι Μενάνδρου τοῦ Διοπείθους καὶ μνῆμα Εὐριπίδου κενόν: τέθαπται δὲ Εὐριπίδης ἐν Μακεδονίᾳ παρὰ τὸν βασιλέα ἐλθὼν Ἀρχέλαον, ὁ δέ οἱ τοῦ θανάτου τρόπος — πολλοῖς γάρ ἐστιν εἰρημένος — ἐχέτω καθὰ λέγουσιν.
[3] συνῆσαν δὲ ἄρα καὶ τότε τοῖς βασιλεῦσι ποιηταὶ καὶ πρότερον ἔτι καὶ Πολυκράτει Σάμου τυραννοῦντι Ἀνακρέων παρῆν καὶ ἐς Συρακούσας πρὸς Ἱέρωνα Αἰσχύλος καὶ Σιμωνίδης ἐστάλησαν: Διονυσίῳ δέ, ὃς ὕστερον ἐτυράννησεν ἐν Σικελίᾳ, Φιλόξενος παρῆν καὶ Ἀντιγόνῳ Μακεδόνων ἄρχοντι Ἀνταγόρας Ῥόδιος καὶ Σολεὺς Ἄρατος. Ἡσίοδος δὲ καὶ Ὅμηρος ἢ συγγενέσθαι βασιλεῦσιν ἠτύχησαν ἢ καὶ ἑκόντες ὠλιγώρησαν, ὁ μὲν ἀγροικίᾳ καὶ ὄκνῳ πλάνης, Ὅμηρος δὲ ἀποδημήσας ἐπὶ μακρότατον καὶ τὴν ὠφέλειαν τὴν ἐς χρήματα παρὰ τῶν δυνατῶν ὑστέραν θέμενος τῆς παρὰ τοῖς πολλοῖς δόξης, ἐπεὶ καὶ Ὁμήρῳ πεποιημένα ἐστὶν Ἀλκίνῳ παρεῖναι Δημόδοκον καὶ ὡς Ἀγαμέμνων καταλείποι τινὰ παρὰ τῇ γυναικὶ ποιητήν. — ἔστι δὲ τάφος οὐ πόρρω τῶν πυλῶν, ἐπίθημα ἔχων στρατιώτην ἵππῳ παρεστηκότα: ὅντινα μέν, οὐκ οἶδα, Πραξιτέλης δὲ καὶ τὸν ἵππον καὶ τὸν στρατιώτην ἐποίησεν. [4] ἐσελθόντων δὲ ἐς τὴν πόλιν οἰκοδόμημα ἐς παρασκευήν ἐστι τῶν πομπῶν, ἃς πέμπουσι τὰς μὲν ἀνὰ πᾶν ἔτος, τὰς δὲ καὶ χρόνον διαλείποντες. καὶ πλησίον ναός ἐστι Δήμητρος, ἀγάλματα δὲ αὐτή τε καὶ ἡ παῖς καὶ δᾷδα ἔχων Ἴακχος: γέγραπται δὲ ἐπὶ τῷ τοίχῳ γράμμασιν Ἀττικοῖς ἔργα εἶναι Πραξιτέλους. τοῦ ναοῦ δὲ οὐ πόρρω Ποσειδῶν ἐστιν ἐφ᾽ ἵππου, δόρυ ἀφιεὶς ἐπὶ γίγαντα Πολυβώτην, ἐς ὃν Κῴοις ὁ μῦθος ὁ περὶ τῆς ἄκρας ἔχει τῆς Χελώνης: τὸ δὲ ἐπίγραμμα τὸ ἐφ᾽ ἡμῶν τὴν εἰκόνα ἄλλῳ δίδωσι καὶ οὐ Ποσειδῶνι. στοαὶ δέ εἰσιν ἀπὸ τῶν πυλῶν ἐς τὸν Κεραμεικὸν καὶ εἰκόνες πρὸ αὐτῶν χαλκαῖ καὶ γυναικῶν καὶ ἀνδρῶν, ὅσοις τι ὑπῆρχεν ὧν τις λόγος ἐς δόξαν.
[5] ἡ δὲ ἑτέρα τῶν στοῶν ἔχει μὲν ἱερὰ θεῶν, ἔχει δὲ γυμνάσιον Ἑρμοῦ καλούμενον: ἔστι δὲ ἐν αὐτῇ Πουλυτίωνος οἰκία, καθ᾽ ἣν παρὰ τὴν ἐν Ἐλευσῖνι δρᾶσαι τελετὴν Ἀθηναίων φασὶν οὐ τοὺς ἀφανεστάτους: ἐπ᾽ ἐμοῦ δὲ ἀνεῖτο Διονύσῳ. Διόνυσον δὲ τοῦτον καλοῦσι Μελπόμενον ἐπὶ λόγῳ τοιῷδε ἐφ᾽ ὁποίῳ περ Ἀπόλλωνα Μουσηγέτην. ἐνταῦθά ἐστιν Ἀθηνᾶς ἄγαλμα Παιωνίας καὶ Διὸς καὶ Μνημοσύνης καὶ Μουσῶν, Ἀπόλλων τε ἀνάθημα καὶ ἔργον Εὐβουλίδου, καὶ δαίμων τῶν ἀμφὶ Διόνυσον Ἄκρατος: πρόσωπόν ἐστίν οἱ μόνον ἐνῳκοδομημένον τοίχῳ. μετὰ δὲ τὸ τοῦ
Διονύσου τέμενός ἐστιν οἴκημα ἀγάλματα ἔχον ἐκ πηλοῦ, βασιλεὺς Ἀθηναίων Ἀμφικτύων ἄλλους τε θεοὺς ἑστιῶν καὶ Διόνυσον. ἐνταῦθα καὶ Πήγασός ἐστιν Ἐλευθερεύς, ὃς Ἀθηναίοις τὸν θεὸν ἐσήγαγε: συνεπελάβετο δέ οἱ τὸ ἐν Δελφοῖς μαντεῖον ἀναμνῆσαν τὴν ἐπὶ Ἰκαρίου ποτὲ ἐπιδημίαν τοῦ θεοῦ. [6] τὴν δὲ βασιλείαν Ἀμφικτύων ἔσχεν οὕτως. Ἀκταῖον λέγουσιν ἐν τῇ νῦν Ἀττικῇ βασιλεῦσαι πρῶτον: ἀποθανόντος δὲ Ἀκταίου Κέκροψ ἐκδέχεται τὴν ἀρχὴν θυγατρὶ συνοικῶν Ἀκταίου, καί οἱ γίνονται θυγατέρες μὲν Ἕρση καὶ Ἄγλαυρος καὶ Πάνδροσος, υἱὸς δὲ Ἐρυσίχθων: οὗτος οὐκ ἐβασίλευσεν Ἀθηναίων, ἀλλά οἱ τοῦ πατρὸς ζῶντος τελευτῆσαι συνέβη, καὶ τὴν ἀρχὴν τὴν Κέκροπος Κραναὸς ἐξεδέξατο, Ἀθηναίων δυνάμει προύχων. Κραναῷ δὲ θυγατέρας καὶ ἄλλας καὶ Ἀτθίδα γενέσθαι λέγουσιν: ἀπὸ ταύτης ὀνομάζουσιν Ἀττικὴν τὴν χώραν, πρότερον καλουμένην Ἀκταίαν. Κραναῷ δὲ Ἀμφικτύων ἐπαναστάς, θυγατέρα ὅμως ἔχων αὐτοῦ, παύει τῆς ἀρχῆς: καὶ αὐτὸς ὕστερον ὑπὸ Ἐριχθονίου καὶ τῶν συνεπαναστάντων ἐκπίπτει: πατέρα δὲ Ἐριχθονίῳ λέγουσιν ἀνθρώπων μὲν οὐδένα εἶναι, γονέας δὲ Ἥφαιστον καὶ Γῆν.