by Pausanias
οἰκισθείσης δὲ αὖθις ἐς τοὺς νῦν οἰκήτορας περιῆλθεν ἡ τιμή.
[2.2] The graves of Sisyphus and of Neleus – for they say that Neleus came to Corinth, died of disease, and was buried near the Isthmus – I do not think that anyone would look for after reading Eumelus. For he says that not even to Nestor did Sisyphus show the tomb of Neleus, because it must be kept unknown to everybody alike, and that Sisyphus is indeed buried on the Isthmus, but that few Corinthians, even those of his own day, knew where the grave was. The Isthmian games were not interrupted even when Corinth had been laid waste by Mummius, but so long as it lay deserted the celebration of the games was entrusted to the Sicyonians, and when it was rebuilt the honor was restored to the present inhabitants.
CORINTH
[3] Κορινθίοις δὲ τοῖς ἐπινείοις τὰ ὀνόματα Λέχης καὶ Κεγχρίας ἔδοσαν, Ποσειδῶνος εἶναι καὶ Πειρήνης τῆς Ἀχελῴου λεγόμενοι: πεποίηται δὲ ἐν Ἠοίαις μεγάλαις Οἰβάλου θυγατέρα εἶναι Πειρήνην. ἔστι δὲ ἐν Λεχαίῳ μὲν Ποσειδῶνος ἱερὸν καὶ ἄγαλμα χαλκοῦν, τὴν δὲ ἐς Κεγχρέας ἰόντων ἐξ ἰσθμοῦ ναὸς Ἀρτέμιδος καὶ ξόανον ἀρχαῖον. ἐν δὲ Κεγχρέαις Ἀφροδίτης τέ ἐστι ναὸς καὶ ἄγαλμα λίθου, μετὰ δὲ αὐτὸν ἐπὶ τῷ ἐρύματι τῷ διὰ τῆς θαλάσσης Ποσειδῶνος χαλκοῦν, κατὰ δὲ τὸ ἕτερον πέρας τοῦ λιμένος Ἀσκληπιοῦ καὶ Ἴσιδος ἱερά. Κεγχρεῶν δὲ ἀπαντικρὺ τὸ Ἑλένης ἐστὶ λουτρόν: ὕδωρ ἐς θάλασσαν ἐκ πέτρας ῥεῖ πολὺ καὶ ἁλμυρὸν ὕδατι ὅμοιον ἀρχομένῳ θερμαίνεσθαι.
[2.3] The names of the Corinthian harbors were given them by Leches and Cenchrias, said to be the children of Poseidon and Peirene the daughter of Achelous, though in the poem called The Great Eoeae Peirene is said to be a daughter of Oebalus. In Lechaeum are a sanctuary and a bronze image of Poseidon, and on the road leading from the Isthmus to Cenchreae a temple and ancient wooden image of Artemis. In Cenchreae are a temple and a stone statue of Aphrodite, after it on the mole running into the sea a bronze image of Poseidon, and at the other end of the harbor sanctuaries of Asclepius and of Isis. Right opposite Cenchreae is Helen’s Bath. It is a large stream of salt, tepid water, flowing from a rock into the sea.
[4] ἀνιοῦσι δὲ ἐς Κόρινθον καὶ ἄλλα ἐστὶ κατὰ τὴν ὁδὸν μνήματα καὶ πρὸς τῇ πύλῃ Διογένης τέθαπται ὁ Σινωπεύς, ὃν κύνα ἐπίκλησιν καλοῦσιν Ἕλληνες. πρὸ δὲ τῆς πόλεως κυπαρίσσων ἐστὶν ἄλσος ὀνομαζόμενον Κράνειον. ἐνταῦθα Βελλεροφόντου τέ ἐστι τέμενος καὶ Ἀφροδίτης ναὸς Μελαινίδος καὶ τάφος Λαΐδος, ᾧ δὴ λέαινα ἐπίθημά ἐστι κριὸν ἔχουσα ἐν τοῖς προτέροις ποσίν.
[2.4] As one goes up to Corinth are tombs, and by the gate is buried Diogenes of Sinope, whom the Greeks surname the Dog. Before the city is a grove of cypresses called Craneum. Here are a precinct of Bellerophontes, a temple of Aphrodite Melaenis and the grave of Lais, upon which is set a lioness holding a ram in her fore-paws.
[5] ἔστι δὲ καὶ ἄλλο ἐν Θεσσαλίᾳ Λαΐδος φάμενον μνῆμα εἶναι: παρεγένετο γὰρ καὶ ἐς Θεσσαλίαν ἐρασθεῖσα Ἱπποστράτου. τὸ δὲ ἐξ ἀρχῆς ἐξ Ὑκάρων αὐτὴν τῶν ἐν Σικελίᾳ λέγεται παῖδα οὖσαν ὑπὸ Νικίου καὶ Ἀθηναίων ἁλῶναι, πραθεῖσαν δὲ ἐς Κόρινθον ὑπερβαλέσθαι κάλλει τὰς τότε ἑταίρας, θαυμασθῆναί τε: οὕτω παρὰ Κορινθίοις ὡς ἀμφισβητεῖν σφᾶς καὶ νῦν ἔτι Λαΐδος.
[2.5] There is in Thessaly another tomb which claims to be that of Lais, for she went to that country also when she fell in love with Hippostratus. The story is that originally she was of Hycara in Sicily. Taken captive while yet a girl by Nicias and the Athenians, she was sold and brought to Corinth, where she surpassed in beauty the courtesans of her time, and so won the admiration of the Corinthians that even now they claim Lais as their own.
[6] λόγου δὲ ἄξια ἐν τῇ πόλει τὰ μὲν λειπόμενα ἔτι τῶν ἀρχαίων ἐστίν, τὰ δὲ πολλὰ αὐτῶν ἐπὶ τῆς ἀκμῆς ἐποιήθη τῆς ὕστερον. ἔστιν οὖν ἐπὶ τῆς ἀγορᾶς — ἐνταῦθα γὰρ πλεῖστά ἐστι τῶν ἱερῶν — Ἄρτεμίς τε ἐπίκλησιν Ἐφεσία καὶ Διονύσου ξόανα ἐπίχρυσα πλὴν τῶν προσώπων: τὰ δὲ πρόσωπα ἀλοιφῇ σφισιν ἐρυθρᾷ κεκόσμηται: Λύσιον δέ, τὸν δὲ Βάκχειον ὀνομάζουσι.
[2.6] The things worthy of mention in the city include the extant remains of antiquity, but the greater number of them belong to the period of its second ascendancy. On the market-place, where most of the sanctuaries are, stand Artemis surnamed Ephesian and wooden images of Dionysus, which are covered with gold with the exception of their faces; these are ornamented with red paint. They are called Lysius and Baccheus,
[7] τὰ δὲ λεγόμενα ἐς τὰ ξόανα καὶ ἐγὼ γράφω. Πενθέα ὑβρίζοντα ἐς Διόνυσον καὶ ἄλλα τολμᾶν λέγουσι καὶ τέλος ἐς τὸν Κιθαιρῶνα ἐλθεῖν ἐπὶ κατασκοπῇ τῶν γυναικῶν, ἀναβάντα δὲ ἐς δένδρον θεάσασθαι τὰ ποιούμενα: τὰς δέ, ὡς ἐφώρασαν, καθελκύσαι τε αὐτίκα Πενθέα καὶ ζῶντος ἀποσπᾶν ἄλλο ἄλλην τοῦ σώματος. ὕστερον δέ, ὡς Κορίνθιοι λέγουσιν, ἡ Πυθία χρᾷ σφισιν ἀνευρόντας τὸ δένδρον ἐκεῖνο ἴσα τῷ θεῷ σέβειν: καὶ ἀπ᾽ αὐτοῦ διὰ τόδε τὰς εἰκόνας πεποίηνται ταύτας.
[2.7] and I too give the story told about them. They say that Pentheus treated Dionysus despitefully, his crowning outrage being that he went to Cithaeron, to spy upon the women, and climbing up a tree beheld what was done. When the women detected Pentheus, they immediately dragged him down, and joined in tearing him, living as he was, limb from limb. Afterwards, as the Corinthians say, the Pythian priestess commanded them by an oracle to discover that tree and to worship it equally with the god. For this reason they have made these images from the tree.
[8] ἔστι δὲ καὶ Τύχης ναός: ἄγαλμα ὀρθὸν Παρίου λίθου: παρὰ δὲ αὐτὸν θεοῖς πᾶσίν ἐστιν ἱερόν. πλησίον δὲ ᾠκοδόμηται κρήνη, καὶ Ποσειδῶν ἐπ᾽ αὐτῇ χαλκοῦς καὶ δελφὶς ὑπὸ τοῖς ποσίν ἐστι τοῦ Ποσειδῶνος ἀφιεὶς ὕδωρ. καὶ Ἀπόλλων ἐπίκλησιν Κλάριος χαλκοῦς ἐστι καὶ ἄγαλμα Ἀφροδίτης Ἑρμογένους Κυθηρίου ποιήσαντος. Ἑρμοῦ τέ ἐστιν ἀγάλματα χαλκοῦ μὲν καὶ ὀρθὰ ἀμφότερα, τῷ δὲ ἑτέρῳ καὶ ναὸς πεποίηται. τὰ δὲ τοῦ Διός, καὶ ταῦτα ὄντα ἐν ὑπαίθρῳ, τὸ μὲν ἐπίκλησιν οὐκ εἶχε, τὸν δὲ αὐτῶν Χθόνιον καὶ τὸν τρίτον καλοῦσιν Ὕψιστον.
[2.8] There is also a temple of Fortune, with a standing image of Parian marble. Beside it is a sanctuary for all the gods. Hard by is built a fountain, on
which is a bronze Poseidon; under the feet of Poseidon is a dolphin spouting water. There is also a bronze Apollo surnamed Clarius and a statue of Aphrodite made by Hermogenes of Cythera. There are two bronze, standing images of Hermes, for one of which a temple has been made. The images of Zeus also are in the open; one had not a surname, another they call Chthonius (of the Lower World) and the third Most High.
3. ἐν μέσῳ δὲ τῆς ἀγορᾶς ἐστιν Ἀθηνᾶ χαλκῆ: τῷ βάθρῳ δὲ αὐτῆς ἐστι Μουσῶν ἀγάλματα ἐπειργασμένα. ὑπὲρ δὲ τὴν ἀγοράν ἐστιν Ὀκταβίας ναὸς ἀδελφῆς Αὐγούστου βασιλεύσαντος Ῥωμαίων μετὰ Καίσαρα τὸν οἰκιστὴν Κορίνθου τῆς νῦν.
[3.1] III. In the middle of the market-place is a bronze Athena, on the pedestal of which are wrought in relief figures of the Muses. Above the market-place is a temple of Octavia the sister of Augustus, who was emperor of the Romans after Caesar, the founder of the modern Corinth.
[2] ἐκ δὲ τῆς ἀγορᾶς ἐξιόντων τὴν ἐπὶ Λεχαίου προπύλαιά ἐστι καὶ ἐπ᾽ αὐτῶν ἅρματα ἐπίχρυσα, τὸ μὲν Φαέθοντα Ἡλίου παῖδα, τὸ δὲ Ἥλιον αὐτὸν φέρον. ὀλίγον δὲ ἀπωτέρω τῶν προπυλαίων ἐσιοῦσιν ἐν δεξιᾷ ἐστιν Ἡρακλῆς χαλκοῦς. μετὰ δὲ αὐτὸν ἔσοδός ἐστι τῆς Πειρήνης ἐς τὸ ὕδωρ. ἐπὶ δὲ αὐτῇ λέγουσιν ὡς ἥ Πειρήνη γένοιτο ὑπὸ δακρύων ἐξ ἀνθρώπου πηγή, τὸν παῖδα ὀδυρομένη Κεγχρίαν ὑπὸ Ἀρτέμιδος ἀκούσης ἀποθανόντα.
[3.2] On leaving the market-place along the road to Lechaeum you come to a gateway, on which are two gilded chariots, one carrying Phaethon the son of Helius (Sun), the other Helius himself. A little farther away from the gateway, on the right as you go in, is a bronze Heracles. After this is the entrance to the water of Peirene. The legend about Peirene is that she was a woman who became a spring because of her tears shed in lamentation for her son Cenchrias, who was unintentionally killed by Artemis.
[3] κεκόσμηται δὲ ἡ πηγὴ λίθῳ λευκῷ, καὶ πεποιημένα ἐστὶν οἰκήματα σπηλαίοις κατὰ ταὐτά, ἐξ ὧν τὸ ὕδωρ ἐς κρήνην ὕπαιθρον ῥεῖ πιεῖν τε ἡδὺ καὶ τὸν Κορίνθιον χαλκὸν διάπυρον καὶ θερμὸν ὄντα ὑπὸ ὕδατος τούτου βάπτεσθαι λέγουσιν, ἐπεὶ χαλκός * * γε οὐκ ἔστι Κορινθίοις. ἔτι γε δὴ καὶ Ἀπόλλωνος ἄγαλμα πρὸς τῇ Πειρήνῃ καὶ περίβολός ἐστιν, ἐν δὲ αὐτῷ γραφὴ τὸ Ὀδυσσέως ἐς τοὺς μνηστῆρας ἔχουσα τόλμημα.
[3.3] The spring is ornamented with white marble, and there have been made chambers like caves, out of which the water flows into an open-air well. It Is pleasant to drink, and they say that the Corinthian bronze, when red-hot, is tempered by this water, since bronze . . . the Corinthians have not. Moreover near Peirene are an image and a sacred enclosure of Apollo; in the latter is a painting of the exploit of Odysseus against the suitors.
[4] αὖθις δ᾽ ἰοῦσιν ἐπὶ Λεχαίου τὴν εὐθεῖαν χαλκοῦς καθήμενός ἐστιν Ἑρμῆς, παρέστηκε δέ οἱ κριός, ὅτι Ἑρμῆς μάλιστα δοκεῖ θεῶν ἐφορᾶν καὶ αὔξειν ποίμνας, καθὰ δὴ καὶ Ὅμηρος ἐν Ἰλιάδι ἐποίησεν “υἱὸν Φόρβαντος πολυμήλου, τόν ῥα μάλιστα
Ἑρμείας Τρώων ἐφίλει καὶ κτῆσιν ὄπασσε:
“Hom. Il 14.490τὸν δὲ ἐν τελετῇ Μητρὸς ἐπὶ Ἑρμῇ λεγόμενον καὶ τῷ κριῷ λόγον ἐπιστάμενος οὐ λέγω. μετὰ δὲ τὸ ἄγαλμα τοῦ Ἑρμοῦ Ποσειδῶν καὶ Λευκοθέα καὶ ἐπὶ δελφῖνός ἐστιν ὁ Παλαίμων.
[3.4] Proceeding on the direct road to Lechaeum we see a bronze image of a seated Hermes. By him stands a ram, for Hermes is the god who is thought most to care for and to increase flocks, as Homer puts it in the Iliad:–
Son was he of Phorbas, the dearest of Trojans to Hermes,
Rich in flocks, for the god vouchsafed him wealth in abundance. Hom. Il. 14.490
The story told at the mysteries of the Mother about Hermes and the ram I know but do not relate. After the image of Hermes come Poseidon, Leucothea, and Palaemon on a dolphin.
[5] λουτρὰ δὲ ἔστι μὲν πολλαχοῦ Κορινθίοις καὶ ἄλλα, τὰ μὲν ἀπὸ τοῦ κοινοῦ, τὸ δὲ βασιλέως Ἀδριανοῦ κατασκευάσαντος: τὸ δὲ ὀνομαστότατον αὐτῶν πλησίον τοῦ Ποσειδῶνος. τοῦτο δὲ Εὐρυκλῆς ἐποίησεν ἀνὴρ Σπαρτιάτης λίθοις κοσμήσας καὶ ἄλλοις καὶ ὃν ἐν Κροκεαῖς χώρας τῆς Λακωνικῆς ὀρύσσουσιν. ἐν ἀριστερᾷ δὲ τῆς ἐσόδου Ποσειδῶν καὶ μετ᾽ αὐτὸν Ἄρτεμις θηρεύουσα ἕστηκε. κρῆναι δὲ πολλαὶ μὲν ἀνὰ τὴν πόλιν πεποίηνται πᾶσαν ἅτε ἀφθόνου ῥέοντός σφισιν ὕδατος καὶ ὃ δὴ βασιλεὺς Ἀδριανὸς ἐσήγαγεν ἐκ Στυμφήλου, θέας δὲ μάλιστα ἀξία ἡ παρὰ τὸ ἄγαλμα τὸ τῆς Ἀρτέμιδος: καί οἱ Βελλεροφόντης ἔπεστι καὶ τὸ ὕδωρ ὁ δι᾽ ὁπλῆς ἵππου ῥεῖ τοῦ Πηγάσου.
[3.5] The Corinthians have baths in many parts of the city, some put up at the public charge and one by the emperor Hadrian. The most famous of them is near the Poseidon. It was made by the Spartan Eurycles, who beautified it with various kinds of stone, especially the one quarried at Croceae in Laconia. On the left of the entrance stands a Poseidon, and after him Artemis hunting. Throughout the city are many wells, for the Corinthians have a copious supply of flowing water, besides the water which the emperor Hadrian brought from Lake Stymphalus, but the most noteworthy is the one by the side of the image of Artemis. Over it is a Bellerophontes, and the water flows through the hoof of the horse Pegasus.
[6] ἑτέραν δὲ ἐκ τῆς ἀγορᾶς τὴν ἐπὶ Σικυῶνα ἐρχομένοις ἔστιν ἰδεῖν ἐν δεξιᾷ τῆς ὁδοῦ ναὸς καὶ ἄγαλμα χαλκοῦν Ἀπόλλωνος καὶ ὀλίγον ἀπωτέρω κρήνη καλουμένη Γλαύκης: ἐς γὰρ ταύτην ἔρριψεν αὑτήν, ὡς λέγουσι, τῶν Μηδείας ἔσεσθαι φαρμάκων τὸ ὕδωρ νομίζουσα ἴαμα. ὑπὲρ ταύτην πεποίηται τὴν κρήνην καὶ τὸ καλούμενον Ὠιδεῖον, παρὰ δὲ αὐτὸ μνῆμά ἐστι τοῖς Μηδείας παισίν: ὧν ὀνόματα μέν σφισι Μέρμερος καὶ Φέρης, καταλιθωθῆναι δὲ ὑπὸ Κορινθίων λέγονται τῶν δώρων ἕνεκα ὧν τῇ Γλαύκῃ κομίσαι φασὶν αὐτούς:
[3.6] As you go along another road from the market-place, which leads to Sicyon, you can see on the right of the road a temple and bronze image of Apollo, and a little farther on a well called the Well of Glauce. Into this they say she threw herself in the belief that the water would be a cure for the drugs of Medea. Above this well has been built what is called the Odeum (Music Hall), beside which is the tomb of Medea’s children. Their names were Mermerus and Pheres, and they are said to have been stoned to death by the Corinthians owing to the gifts which legend says they brought to Glauce.
[7] ἅτε δὲ τοῦ θανάτου βιαίου κ
αὶ οὐ σὺν τῷ δικαίῳ γενομένου, τὰ τέκνα Κορινθίων τὰ νήπια ὑπ᾽ αὐτῶν ἐφθείρετο, πρὶν ἢ χρήσαντος τοῦ θεοῦ θυσίαι τε αὐτοῖς ἐπέτειοι κατέστησαν καὶ Δεῖμα ἐπεστάθη. τοῦτο μὲν δὴ καὶ ἐς ἡμᾶς ἔτι λείπεται, γυναικὸς ἐς τὸ φοβερώτερον εἰκὼν πεποιημένη: Κορίνθου δὲ ἀναστάτου γενομένης ὑπὸ Ῥωμαίων καὶ Κορινθίων τῶν ἀρχαίων ἀπολομένων, οὐκέτι ἐκεῖναι καθεστήκασιν αὐτοῖς αἱ θυσίαι παρὰ τῶν ἐποίκων οὐδὲ ἀποκείρονταί σφισιν οἱ παῖδες οὐδὲ μέλαιναν φοροῦσιν ἐσθῆτα.
[3.7] But as their death was violent and illegal, the young babies of the Corinthians were destroyed by them until, at the command of the oracle, yearly sacrifices were established in their honor and a figure of Terror was set up. This figure still exists, being the likeness of a woman frightful to look upon but after Corinth was laid waste by the Romans and the old Corinthians were wiped out, the new settlers broke the custom of offering those sacrifices to the sons of Medea, nor do their children cut their hair for them or wear black clothes.
[8] Μήδεια δὲ τότε μὲν ἐλθοῦσα ἐς Ἀθήνας συνῴκησεν Αἰγεῖ, χρόνῳ δὲ ὕστερον φωραθεῖσα ἐπιβουλεύειν Θησεῖ καὶ ἐξ Ἀθηνῶν ἔφυγε, παραγενομένη δὲ ἐς τὴν λεγομένην τότε Ἀρίαν τοῖς ἀνθρώποις ἔδωκε τὸ ὄνομα καλεῖσθαι Μήδους ἀπ᾽ αὐτῆς: τὸν δὲ παῖδα, ὃν ἐπήγετο φεύγουσα ἐς τοὺς Ἀρίους, γενέσθαι λέγουσιν ἐξ Αἰγέως, ὄνομα δέ οἱ Μῆδον εἶναι: Ἑλλάνικος δὲ αὐτὸν Πολύξενον καλεῖ καὶ πατρὸς Ἰάσονός φησιν εἶναι.