by Pausanias
[22.5] A little farther on is a Zeus turned towards the rising sun; he holds an eagle in one hand and in the other a thunderbolt. On him are set spring flowers, with a crown of them on his head. It is an offering of the people of Metapontum. The artist was Aristonus of Aegina, but we do not know when he lived nor who his teacher was.
[6] ἀνέθεσαν δὲ καὶ Φλιάσιοι Δία καὶ θυγατέρας τὰς Ἀσωποῦ καὶ αὐτὸν Ἀσωπόν, διακεκόσμηται δὲ οὕτω σφίσι τὰ ἀγάλματα. Νεμέα μὲν τῶν ἀδελφῶν πρώτη, μετὰ δὲ αὐτὴν Ζεὺς λαμβανόμενός ἐστιν Αἰγίνης, παρὰ δὲ τὴν Αἴγιναν ἕστηκεν Ἅρπινα — ταύτῃ τῷ Ἠλείων καὶ Φλιασίων λόγῳ συνεγένετο Ἄρης, καὶ Οἰνομάῳ δὲ μήτηρ τῷ περὶ τὴν Πισαίαν βασιλεύσαντί ἐστιν Ἅρπινα — , μετὰ δὲ αὐτὴν Κόρκυρά τε καὶ ἐπ᾽ αὐτῇ Θήβη, τελευταῖος δὲ ὁ Ἀσωπός. λέγεται δὲ ἐς μὲν Κόρκυραν ὡς μιχθείη Ποσειδῶν αὐτῇ: τοιαῦτα δὲ ἕτερα ᾖσε Πίνδαρος ἐς Θήβην τε καὶ ἐς Δία.
[22.6] The Phliasians also dedicated a Zeus, the daughters of Asopus, and Asopus himself. Their images have been ordered thus: Nemea is the first of the sisters, and after her comes Zeus seizing Aegina; by Aegina stands Harpina, who, according to the tradition of the Eleans and Phliasians, mated with Ares and was the mother of Oenomaus, king around Pisa; after her is Corcyra, with Thebe next; last of all comes Aesopus. There is a legend about Corcyra that she mated with Poseidon, and the same thing is said by Pindar of Thebe and Zeus.
[7] ἰδίᾳ δὲ ἄνδρες Λεοντῖνοι καὶ οὐκ ἀπὸ τοῦ κοινοῦ Δία ἀνέστησαν: μέγεθος μὲν τοῦ ἀγάλματος πήχεις εἰσὶν ἑπτά, ἐν δὲ ταῖς χερσὶν ἀετός τέ ἐστιν αὐτῷ καὶ τὸ βέλος τοῦ Διὸς κατὰ τοὺς τῶν ποιητῶν λόγους. ἀνέθεσαν δὲ Ἱππαγόρας τε καὶ Φρύνων καὶ Αἰνεσίδημος, ὃν ἄλλον πού τινα Αἰνεσίδημον δοκῶ καὶ οὐ τὸν τυραννήσαντα εἶναι Λεοντίνων.
[22.7] Men of Leontini have set up a Zeus, not at public expense but out of their private purse. The height of the image is seven cubits, and in its hands are an eagle and the bolt of Zeus, in accordance with the poets’ tales. It was dedicated by Hippagoras, Phrynon, and Aenesidemus, who in my opinion was some other Aenesidemus and not the tyrant of Leontini.
23. παρεξιόντι δὲ παρὰ τὴν ἐς τὸ βουλευτήριον ἔσοδον Ζεύς τε ἕστηκεν ἐπίγραμμα ἔχων οὐδὲν καὶ αὖθις ὡς πρὸς ἄρκτον ἐπιστρέψαντι ἄγαλμά ἐστι Διός: τοῦτο τέτραπται μὲν πρὸς ἀνίσχοντα ἥλιον, ἀνέθεσαν δὲ Ἑλλήνων ὅσοι Πλαταιᾶσιν ἐμαχέσαντο ἐναντία Μαρδονίου τε καὶ Μήδων. εἰσὶ δὲ καὶ ἐγγεγραμμέναι κατὰ τοῦ βάθρου τὰ δεξιὰ αἱ μετασχοῦσαι πόλεις τοῦ ἔργου, Λακεδαιμόνιοι μὲν πρῶτοι, μετὰ δὲ αὐτοὺς Ἀθηναῖοι, τρίτοι δὲ γεγραμμένοι καὶ τέταρτοι Κορίνθιοί τε καὶ Σικυώνιοι,
[23.1] XXIII. As you pass by the entrance to the Council Chamber you see an image of Zeus standing with no inscription on it, and then on turning to the north another image of Zeus. This is turned towards the rising sun, and was dedicated by those Greeks who at Plataea fought against the Persians under Mardonius. On the right of the pedestal are inscribed the cities which took part in the engagement: first the Lacedaemonians, after them the Athenians, third the Corinthians, fourth the Sicyonians,
[2] πέμπτοι δὲ Αἰγινῆται, μετὰ δὲ Αἰγινήτας Μεγαρεῖς καὶ Ἐπιδαύριοι, Ἀρκάδων δὲ Τεγεᾶταί τε καὶ Ὀρχομένιοι, ἐπὶ δὲ αὐτοῖς ὅσοι Φλιοῦντα καὶ Τροίζηνα καὶ Ἑρμιόνα οἰκοῦσιν, ἐκ δὲ χώρας τῆς Ἀργείας Τιρύνθιοι, Πλαταιεῖς δὲ μόνοι Βοιωτῶν, καὶ Ἀργείων οἱ Μυκήνας ἔχοντες, νησιῶται δὲ Κεῖοι καὶ Μήλιοι, Ἀμβρακιῶται δὲ ἐξ ἠπείρου τῆς Θεσπρωτίδος, Τήνιοί τε καὶ Λεπρεᾶται, Λεπρεᾶται μὲν τῶν ἐκ τῆς Τριφυλίας μόνοι, ἐκ δὲ Αἰγαίου καὶ τῶν Κυκλάδων οὐ Τήνιοι μόνοι ἀλλὰ καὶ Νάξιοι καὶ Κύθνιοι, ἀπὸ δὲ Εὐβοίας Στυρεῖς, μετὰ δὲ τούτους Ἠλεῖοι καὶ Ποτιδαιᾶται καὶ Ἀνακτόριοι, τελευταῖοι δὲ Χαλκιδεῖς οἱ ἐπὶ τῷ Εὐρίπῳ.
[23.2] fifth the Aeginetans; after the Aeginetans, the Megarians and Epidaurians, of the Arcadians the people of Tegea and Orchomenus, after them the dwellers in Phlius, Troezen and Hermion, the Tirynthians from the Argolid, the Plataeans alone of the Boeotians, the Argives of Mycenae, the islanders of Ceos and Melos, Ambraciots of the Thesprotian mainland, the Tenians and the Lepreans, who were the only people from Triphylia, but from the Aegean and the Cyclades there came not only the Tenians but also the Naxians and Cythnians, Styrians too from Euboea, after them Eleans, Potidaeans, Anactorians, and lastly the Chalcidians on the Euripus.
[3] τούτων τῶν πόλεων τοσαίδε ἦσαν ἐφ᾽ ἡμῶν ἔρημοι: Μυκηναῖοι μὲν καὶ Τιρύνθιοι ὑπὸ τῶν Μηδικῶν ὕστερον ἐγένοντο ὑπὸ Ἀργείων ἀνάστατοι: Ἀμβρακιώτας δὲ καὶ Ἀνακτορίους ἀποίκους Κορινθίων ὄντας ἐπηγάγετο ὁ Ῥωμαίων βασιλεὺς ἐς Νικοπόλεως συνοικισμὸν πρὸς τῷ Ἀκτίῳ: Ποτιδαιάτας δὲ δὶς μὲν ἐπέλαβεν ἀναστάτους ἐκ τῆς σφετέρας ὑπὸ Φιλίππου τε γενέσθαι τοῦ Ἀμύντου καὶ πρότερον ἔτι ὑπὸ Ἀθηναίων, χρόνῳ δὲ ὕστερον Κάσσανδρος κατήγαγε μὲν Ποτιδαιάτας ἐπὶ τὰ οἰκεῖα, ὄνομα δὲ οὐ τὸ ἀρχαῖον τῇ πόλει, Κασσάνδρεια δὲ ἐγένετο ἀπὸ τοῦ οἰκιστοῦ. τὸ δὲ ἄγαλμα ἐν Ὀλυμπίᾳ τὸ ἀνατεθὲν ὑπὸ τῶν Ἑλλήνων ἐποίησεν Ἀναξαγόρας Αἰγινήτης: τοῦτον οἱ συγγράψαντες τὰ ἐς Πλαταιὰς παριᾶσιν ἐν τοῖς λόγοις.
[23.3] Of these cities the following are at the present day uninhabited: Mycenae and Tiryns were destroyed by the Argives after the Persian wars. The Ambraciots and Anactorians, colonists of Corinth, were taken away by the Roman emperor to help to found Nicopolis near Actium. The Potidaeans twice suffered removal from their city, once at the hands of Philip, the son of Amyntas, and once before this at the hands of the Athenians. Afterwards, however, Cassander restored the Potidaeans to their homes, but the name of the city was changed from Potidaea to Cassandreia after the name of its founder. The image at Olympia dedicated by the Greeks was made by Anaxagoras of Aegina. The name of this artist is omitted by the historians of Plataea.
[4] ἔστι δὲ πρὸ τοῦ Διὸς τούτου στήλη χαλκῆ, Λακεδαιμονίων καὶ Ἀθηναίων συνθήκας ἔχουσα εἰρήνης ἐς τριάκοντα ἐτῶν ἀριθμόν. ταύτας ἐποιήσαντο Ἀθηναῖοι παραστησάμενοι τὸ δεύτερον Εὔβοιαν, ἔτει τρίτῳ τῆς τρίτης πρὸς τὰς ὀγδοήκοντα Ὀλυμπιάδος, ἣν Κρίσων Ἱμεραῖος ἐνίκα στάδιον. ἔστι δ�
�� ἐν ταῖς συνθήκαις καὶ τόδε εἰρημένον, εἰρήνης μὲν τῆς Ἀθηναίων καὶ Λακεδαιμονίων τῇ Ἀργείων μὴ μετεῖναι πόλει, ἰδίᾳ δὲ Ἀθηναίους καὶ Ἀργείους, ἢν ἐθέλωσιν, ἐπιτηδείως ἔχειν πρὸς ἀλλήλους. αὗται μὲν λέγουσι τοιαῦτα αἱ συνθῆκαι, Διὸς δὲ ἄλλο ἄγαλμα παρὰ τὸ ἅρμα
[23.4] In front of this Zeus there is a bronze slab, on which are the terms of the Thirty-years Peace between the Lacedaemonians and the Athenians. The Athenians made this peace after they had reduced Euboea for the second time, in the third year of the eighty-third Olympiad, when Crison of Himera won the foot-race. One of the articles of the treaty is to the effect that although Argos has no part in the treaty between Athens and Sparta, yet the Athenians and the Argives may privately, if they wish, be at peace with each other. Such are the terms of this treaty.
[5] ἀνάκειται τὸ Κλεοσθένους: τούτου μὲν δὴ ἡμῖν καὶ ἐν τοῖς ἔπειτα ἔσται μνήμη, τὸ δὲ ἄγαλμα τοῦ Διὸς Μεγαρέων μέν ἐστιν ἀνάθημα, ἀδελφοὶ δὲ αὐτὸ Ψύλακός τε καὶ Ὄναιθος καὶ οἱ παῖδες οἱ τούτων εἰργάσαντο: ἡλικίαν δὲ αὐτῶν ἢ πατρίδα ἢ παρ᾽ ᾧ τινι ἐδιδάχθησαν, οὐκ ἔχω δηλῶσαι.
[23.5] There is yet another image of Zeus dedicated beside the chariot of Cleosthenes. This chariot I will describe later; the image of Zeus was dedicated by the Megarians, and made by the brothers Psylacus and Onaethus with the help of their sons. About their date, their nation and their master, I can tell you nothing.
[6] πρὸς δὲ τῷ ἅρματι τῷ Γέλωνος Ζεὺς ἕστηκεν ἀρχαῖος ἔχων σκῆπτρον, Ὑβλαίων δέ φασιν εἶναι ἀνάθημα: αἱ δὲ ἦσαν ἐν Σικελίᾳ πόλεις αἱ Ὕβλαι, ἡ μὲν Γερεᾶτις ἐπίκλησιν, τὴν δὲ — ὥσπερ γε καὶ ἦν — ἐκάλουν Μείζονα. ἔχουσι δὲ καὶ κατ᾽ ἐμὲ ἔτι τὰ ὀνόματα, ἐν τῇ Καταναίᾳ δὲ ἡ μὲν ἔρημος ἐς ἅπαν, ἡ δὲ κώμη τε Καταναίων ἡ Γερεᾶτις καὶ ἱερόν σφισιν Ὑβλαίας ἐστὶ θεοῦ, παρὰ Σικελιωτῶν ἔχον τιμάς. παρὰ τούτων δὲ κομισθῆναι τὸ ἄγαλμα ἐς Ὀλυμπίαν ἡγοῦμαι: τεράτων γὰρ σφᾶς καὶ ἐνυπνίων Φίλιστος ὁ Ἀρχομενίδου φησὶν ἐξηγητὰς εἶναι καὶ μάλιστα εὐσεβείᾳ τῶν ἐν Σικελίᾳ βαρβάρων προσκεῖσθαι.
[23.6] By the chariot of Gelon stands an ancient Zeus holding a scepter which is said to be an offering of the Hyblaeans. There were two cities in Sicily called Hybla, one surnamed Gereatis and the other Greater, it being in fact the greater of the two. They still retain their old names, and are in the district of Catana. Greater Hybla is entirely uninhabited, but Gereatis is a village of Catana, with a sanctuary of the goddess Hyblaea which is held in honor by the Sicilians. The people of Gereatis, I think, brought the image to Olympia. For Philistus, the son of Archomenides, says that they were interpreters of portents and dreams, and more given to devotions than any other foreigners in Sicily.
[7] πλησίον δὲ τοῦ Ὑβλαίων ἀναθήματος βάθρον τε πεποίηται
χαλκοῦν καὶ ἐπ᾽ αὐτῷ Ζεύς: τοῦτον ὀκτὼ μάλιστα εἶναι ποδῶν καὶ δέκα εἰκάζομεν. οἵτινες δὲ αὐτὸν ἔδοσαν τῷ θεῷ καὶ ὧντινών ἐστιν ἔργον, ἐλεγεῖον γεγραμμένον σημαίνει: “Κλειτόριοι τόδ᾽ ἄγαλμα θεῷ δεκάταν ἀνέθηκαν,
πολλᾶν ἐκ πολίων χερσὶ βιασσάμενοι.
†καιμετρειτ Ἀρίστων ἠδὲ Τελέστας
αὐτοκασίγνητοι καλὰ Λάκωνες ἔθεν.
“τούτους οὐκ ἐς ἅπαν τὸ Ἑλληνικὸν ἐπιφανεῖς νομίζω γενέσθαι: εἶχον γὰρ ἄν τι καὶ Ἠλεῖοι περὶ αὐτῶν λέγειν, καὶ πλέονα ἔτι Λακεδαιμόνιοι πολιτῶν γε ὄντων.
[23.7] Near the offering of the Hyblaeans has been made a pedestal of bronze with a Zeus upon it, which I conjecture to be about eighteen feet high. The donors and sculptors are set forth in elegiac verse:–
The Cleitorians dedicated this image to the god, a tithe
From many cities that they had reduced by force.
The sculptors were Aristo and Telestas,
Own brothers and Laconians.
I do not think that these Laconians were famous all over Greece, for had they been so the Eleans would have had something to say about them, and the Lacedaemonians more still, seeing that they were their fellow-citizens.
24. παρὰ δὲ τοῦ Λαοίτα Διὸς καὶ Ποσειδῶνος Λαοίτα δὲ, παρὰ τούτων τὸν βωμὸν Ζεὺς ἐπὶ χαλκοῦ βάθρου δῶρον μὲν τοῦ Κορινθίων δήμου, Μούσου δέ ἐστι ποίημα, ὅστις δὴ οὗτός ἐστιν ὁ Μοῦσος. ἀπὸ δὲ τοῦ βουλευτηρίου πρὸς τὸν ναὸν ἐρχομένῳ τὸν μέγαν ἔστιν ἄγαλμα ἐν ἀριστερᾷ Διός, ἐστεφανωμένον δὲ οἷα δὴ ἄνθεσι, καὶ ἐν τῇ δεξιᾷ χειρὶ αὐτοῦ κεραυνὸς πεποίηται. τοῦτο δέ ἐστιν Ἀσκάρου τέχνη Θηβαίου, διδαχθέντος παρὰ τῷ Σικυωνίῳ Κανάχῳ: τὸ δὲ ἐπίγραμμα τὸ ἐπ᾽ αὐτῷ δεκάτην ἀπὸ τοῦ πολέμου Φωκέων καὶ Θεσσαλῶν φησιν εἶναι.
[24.1] XXIV. By the side of the altar of Zeus Laoetas and Poseidon Laoetas is a Zeus on a bronze pedestal. The people of Corinth gave it and Musus made it, whoever this Musus may have been. As you go from the Council Chamber to the great temple there stands on the left an image of Zeus, crowned as it were with flowers, and with a thunderbolt set in his right hand. It is the work of Ascarus of Thebes, a pupil of Canachus of Sicyon. The inscription on it says that it is a tithe from the war between Phocis and Thessaly.
[2] εἰ δὲ Φωκεῦσιν ἐς πόλεμόν τινα οὗτοι κατέστησαν καὶ ἔστιν ἀπὸ Φωκέων αὐτοῖς τὸ ἀνάθημα, οὐκ ἂν ὅ γε ἱερὸς καλούμενος εἴη πόλεμος, ὃν δὲ πρότερον ἔτι ἐπολέμησαν πρὶν ἢ Μήδους καὶ βασιλέα ἐπὶ τὴν Ἑλλάδα διαβῆναι. τούτου δὲ οὐ πόρρω Ζεύς ἐστιν, ὅντινα ἀναθεῖναι Ψωφιδίους ἐπὶ πολέμου κατορθώματι τὸ ἔπος τὸ ἐπ᾽ αὐτῷ γεγραμμένον δηλοῖ.
[24.2] If the Thessalians went to war with Phocis and dedicated the offering from Phocian plunder, this could not have been the so-called “Sacred War,” but must have been a war between the two States previous to the invasion of Greece by the Persians under their king. Not far from this is a Zeus, which, as is declared by the verse inscribed on it, was dedicated by the Psophidians for a success in war.
[3] τοῦ ναοῦ δέ ἐστιν ἐν δεξιᾷ τοῦ μεγάλου Ζεὺς πρὸς ἀνατολὰς ἡλίου, μέγεθος μὲν δυόδεκα ποδῶν, ἀνάθημα δὲ λέγουσιν εἶναι Λακεδαιμονίων, ἡνίκα ἀποστᾶσι Μεσσηνίοις δεύτερα τότε ἐς πόλεμον κατέστησαν: ἔπεστι δὲ καὶ ἐλεγεῖον ἐπ᾽ αὐτῷ,”Δέξο ἄναξ Κρονίδα Ζεῦ Ὀλύμπιε καλὸν ἄγαλμα
ἱλάῳ θυμῷ τοῖς Λακ
εδαιμονίοις.
“
[24.3] On the right of the great temple is a Zeus facing the rising of the sun, twelve feet high and dedicated, they say, by the Lacedaemonians, when they entered on a war with the Messenians after their second revolt. On it is an elegiac couplet:–
Accept, king, son of Cronus, Olympian Zeus, a lovely image,
And have a heart propitious to the Lacedaemonians.
[4] Ῥωμαίων δὲ οὔτε ἄνδρα ἰδιώτην οὔτε ὁπόσοι τῆς βουλῆς οὐδένα Μομμίου πρότερον ἀνάθημα ἴσμεν ἐς ἱερὸν ἀναθέντα Ἑλληνικόν, Μόμμιος δὲ ἀπὸ λαφύρων ἀνέθηκε τῶν ἐξ Ἀχαΐας Δία ἐς Ὀλυμπίαν χαλκοῦν: οὗτος ἕστηκεν ἐν ἀριστερᾷ τοῦ Λακεδαιμονίων ἀναθήματος, παρὰ τὸν πρῶτον ταύτῃ τοῦ ναοῦ κίονα. ὃ δὲ ἐν τῇ Ἄλτει μέγιστον τῶν χαλκῶν ἐστιν ἀγαλμάτων τοῦ Διός, ἀνετέθη μὲν ὑπὸ αὐτῶν Ἠλείων ἀπὸ τοῦ πρὸς Ἀρκάδας πολέμου, μέγεθος δὲ ἑπτὰ καὶ εἴκοσι ποδῶν ἐστι.
[24.4] We know of no Roman, either commoner or senator, who gave a votive offering to a Greek sanctuary before Mummius, and he dedicated at Olympia a bronze Zeus from the spoils of Achaia. It stands on the left of the offering of the Lacedaemonians by the side of the first pillar on this side of the temple. The largest of the bronze images of Zeus in the Altis is twenty-seven feet high, and was dedicated by the Eleans themselves from the plunder of the war with the Arcadians.