by Pausanias
[2] ὑπερβάντι δὲ τοῦ σταδίου τὰ ἐν δεξιᾷ δρόμος ἵππων καὶ ἐν αὐτῷ Πινδάρου μνῆμά ἐστι. Πίνδαρον δὲ ἡλικίαν ὄντα νεανίσκον καὶ ἰόντα ἐς Θεσπιὰς θέρους ὥρᾳ καύματος περὶ μεσοῦσαν μάλιστα ἡμέραν κόπος καὶ ὕπνος ἀπ᾽ αὐτοῦ κατελάμβανεν: ὁ μὲν δὴ ὡς εἷχε κατακλίνεται βραχὺ ὑπὲρ τῆς ὁδοῦ, μέλισσαι δὲ αὐτῷ καθεύδοντι προσεπέτοντό τε καὶ ἔπλασσον πρὸς τὰ χείλη τοῦ κηροῦ.
[23.2] Crossing over the right side of the course you come to a race-course for horses, in which is the tomb of Pindar.
THE POET PINDAR, HISTORY
When Pindar was a young man he was once on his way to Thespiae in the hot season. At about noon he was seized with fatigue and the drowsiness that follows it, so just as he was, he lay down a little way above the road. As he slept bees alighted on him and plastered his lips with their wax.
[3] ἀρχὴ μὲν Πινδάρῳ ποιεῖν ᾁσματα ἐγένετο τοιαύτη: εὐδοκιμοῦντα δὲ αὐτὸν ἤδη ἀνὰ πᾶσαν τὴν Ἑλλάδα ἐς πλέον δόξης ἦρεν ἡ Πυθία ἀνειποῦσα Δελφοῖς, ὁπόσων ἀπήρχοντο τῷ Ἀπόλλωνι, μοῖραν καὶ Πινδάρῳ τὴν ἴσην ἁπάντων νέμειν. λέγεται δὲ καὶ ὀνείρατος ὄψιν αὐτῷ γενέσθαι προήκοντι ἐς γῆρας: ἐπιστᾶσα ἡ Περσεφόνη οἱ καθεύδοντι οὐκ ἔφασκεν ὑμνηθῆναι μόνη θεῶν ὑπὸ Πινδάρου, ποιήσειν μέντοι καὶ ἐς αὐτὴν ᾆσμα Πίνδαρον ἐλθόντα ὡς αὐτήν.
[23.3] Such was the beginning of Pindar’s career as a lyric poet. When his reputation had already spread throughout Greece he was raised to a greater height of fame by an order of the Pythian priestess, who bade the Delphians give to Pindar one half of all the first-fruits they offered to Apollo. It is also said that on reaching old age a vision came to him in a dream. As he slept Persephone stood by him and declared that she alone of the deities had not been honored by Pindar with a hymn, but that Pindar would compose an ode to her also when he had come to her.
[4] τὸν μὲν αὐτίκα τὸ χρεὼν ἐπιλαμβάνει πρὶν ἐξήκειν ἡμέραν δεκάτην ἀπὸ τοῦ ὀνείρατος, ἦν δὲ ἐν Θήβαις γυνὴ πρεσβῦτις γένους ἕνεκα προσήκουσα Πινδάρῳ καὶ τὰ πολλὰ μεμελετηκυῖα ᾁδειν τῶν ᾀσμάτων: ταύτῃ Πίνδαρος ἐνύπνιον τῇ πρεσβύτιδι ἐπιστὰς ὕμνον ᾖσεν ἐς Περσεφόνην, ἡ δὲ αὐτίκα ὡς ἀπέλιπεν αὐτὴν ὁ ὕπνος, ἔγραψε ταῦτα ὁπόσα τοῦ ὀνείρατος ἤκουσεν ᾁδοντος. ἐν τούτῳ τῷ ᾁσματι ἄλλαι τε ἐς τὸν Ἅιδην εἰσὶν ἐπικλήσεις καὶ ὁ χρυσήνιος, δῆλα ὡς ἐπὶ τῆς Κόρης τῇ ἁρπαγῇ.
[23.4] Pindar died at once, before ten days had passed since the dream. But there was in Thebes an old woman related by birth to Pindar who had practised singing most of his odes. By her side in a dream stood Pindar, and sang a hymn to Persephone. Immediately on waking out of her sleep she wrote down all she had heard him singing in her dream. In this song, among the epithets he applies to Hades is “golden-reined” – a clear reference to the rape of Persephone.
ACRAEPHNIUM & MT PTOUS
[5] ἐντεῦθεν ἐς Ἀκραίφνιόν ἐστιν ὁδὸς τὰ πλείω πεδιάς. εἶναι δὲ ἐξ ἀρχῆς τε μοῖραν τῆς Θηβαΐδος τὴν πόλιν φασὶ καὶ ὕστερον διαπεσόντας Θηβαίων ἐς αὐτὴν ἄνδρας εὕρισκον, ἡνίκα Ἀλέξανδρος ἐποίει τὰς Θήβας ἀναστάτους: ὑπὸ δὲ ἀσθενείας καὶ γήρως οὐδὲ ἐς τὴν Ἀττικὴν ἀποσωθῆναι δυνηθέντες ἐνταῦθα ᾤκησαν. κεῖται μὲν τὸ πόλισμα ἐν ὄρει τῷ Πτώῳ, θέας δὲ ἄξια ἐνταῦθα Διονύσου ναός ἐστι καὶ ἄγαλμα.
[23.5] From this point to Acraephnium is mainly flat. They say that originally the city formed part of the territory belonging to Thebes, and I learned that in later times men of Thebes escaped to it, at the time when Alexander destroyed Thebes. Weak and old, they could not even get safely away to Attica, but made their homes here. The town lies on Mount Ptous, and there are here a temple and image of Dionysus that are worth seeing.
[6] προελθόντι δὲ ἀπὸ τῆς πόλεως ἐν δεξιᾷ πέντε που καὶ δέκα σταδίους τοῦ Ἀπόλλωνός ἐστι τοῦ Πτώου τὸ ἱερόν. εἶναι δὲ Ἀθάμαντος καὶ Θεμιστοῦς παῖδα τὸν Πτῶον, ἀφ᾽ οὗ τῷ τε Ἀπόλλωνι ἐπίκλησις καὶ τῷ ὄρει τὸ ὄνομα ἐγένετο, Ἄσιος ἐν τοῖς ἔπεσιν εἴρηκε. πρὸ δὲ τῆς Ἀλεξάνδρου καὶ Μακεδόνων ἐπιστρατείας καὶ ὀλέθρου τοῦ Θηβαίων μαντεῖον ἦν αὐτόθι ἀψευδές: καί ποτε ἄνδρα Εὐρωπέα — ὄνομα δέ οἱ εἶναι Μῦν — , τοῦτον ἀποσταλέντα ὑπὸ Μαρδονίου τὸν Μῦν ἐπερέσθαι τε φωνῇ τῇ σφετέρᾳ καί οἱ χρῆσαι τὸν θεόν, οὐχ ἑλληνίσαντα οὐδὲ αὐτόν, διαλέκτῳ τῇ Καρικῇ.
[23.6] About fifteen stades away from the city on the right is the sanctuary of Ptoan Apollo. We are told by Asius in his epic that Ptous, who gave a surname to Apollo and the name to the mountain, was a son of Athamas by Themisto. Before the expedition of the Macedonians under Alexander, in which Thebes was destroyed, there was here an oracle that never lied. Once too a mail of Europus, of the name of Mys, who was sent by Mardonius, inquired of the god in his own language, and the god too gave a response, not in Greek but in the Carian speech.
LARYMNA
[7] ὑπερβαλόντων δὲ τὸ ὄρος τὸ Πτῶον ἔστιν ἐπὶ θαλάσσης Βοιωτῶν πόλις Λάρυμνα, γενέσθαι δὲ αὐτῇ τὸ ὄνομά φασιν ἀπὸ Λαρύμνης τῆς Κύνου: τοὺς δὲ ἀνωτέρω προγόνους δηλώσει μοι τὰ ἔχοντα ἐς Λοκροὺς τοῦ λόγου. καὶ συνετέλει δὲ ἐς Ὀποῦντα ἡ Λάρυμνα τὸ ἀρχαῖον: Θηβαίων δὲ ἐπὶ μέγα ἰσχύος προελθόντων, τηνικαῦτα ἑκουσίως μετετάξαντο ἐς Βοιωτούς. Διονύσου δὲ ἐνταῦθα ναὸς καὶ ἄγαλμα ὀρθὸν πεποίηται. λιμὴν δέ σφισίν ἐστιν ἀγχιβαθής, καὶ τὰ ὄρη τὰ ὑπὲρ τὴν πόλιν ὑῶν παρέχεται θήραν ἀγρίων.
[23.7] On crossing Mount Ptous you come to Larymna, a Boeotian city on the coast, said to have been named after Larymna, the daughter of Cynus. Her earlier ancestors I shall give in my account of Locris. Of old Larymna belonged to Opus, but when Thebes rose to great power the citizens of their own accord joined the Boeotians. Here there is a temple of Dionysus with a standing image. The town has a harbor with deep water near the shore, and on the mountains commanding the city wild boars can be hunted.
LAKE COPAIS
24. ἐξ Ἀκραιφνίου δὲ ἰόντι εὐθεῖαν ἐπὶ λίμνην τὴν Κηφισίδα — οἱ δὲ Κωπαΐδα ὀνομάζουσι τὴν αὐτήν — πεδίον καλούμενόν ἐστιν Ἀθαμάντιον: οἰκῆσαι δὲ Ἀθάμαντα ἐν αὐτῷ φασιν. ἐς δὲ τὴν λίμνην ὅ τε ποταμὸς ὁ Κηφισὸς ἐκ�
�ίδωσιν ἀρχόμενος ἐκ Λιλαίας τῆς Φωκέων καὶ διαπλεύσαντί εἰσι Κῶπαι. κεῖνται δὲ αἱ Κῶπαι πόλισμα ἐπὶ τῇ λίμνῃ, τούτου δὲ καὶ Ὅμηρος ἐποιήσατο ἐν καταλόγῳ μνήμην: ἐνταῦθα Δήμητρος καὶ Διονύσου καὶ Σαράπιδός ἐστιν ἱερά.
[24.1] XXIV. On the straight road from Acraephnium to the Cephisian, or as it is also called, the Copaic Lake, is what is styled the Athamantian Plain, on which, they say, Athamas made his home. Into the lake flows the river Cephisus, which rises at Lilaea in Phocis, and on sailing across it you come to Copae, a town lying on the shore of the lake. Homer mentions it in the Catalogue. Here is a sanctuary of Demeter, one of Dionysus and a third of Serapis.
[2] λέγουσι δὲ οἱ Βοιωτοὶ καὶ πολίσματα ἄλλα πρὸς τῇ λίμνῃ ποτὲ Ἀθήνας καὶ Ἐλευσῖνα οἰκεῖσθαι, καὶ ὡς ὥρᾳ χειμῶνος ἐπικλύσασα ἠφάνισεν αὐτὰ ἡ λίμνη. οἱ μὲν δὴ ἰχθῦς οἱ ἐν τῇ Κηφισίδι οὐδέν τι διάφορον ἐς ἄλλους ἰχθῦς τοὺς λιμναίους ἔχουσιν: αἱ δὲ ἐγχέλεις αὐτόθι καὶ μεγέθει μέγισται καὶ ἐσθίειν εἰσὶν ἥδισται.
[24.2] According to the Boeotians there were once other inhabited towns near the lake, Athens and Eleusis, but there occurred a flood one winter which destroyed them. The fish of the Cephisian Lake are in general no different from those of other lakes, but the eels there are of great size and very pleasant to the palate.
OLMONES & HYETTUS
[3] Κωπῶν δὲ ἐν ἀριστερᾷ σταδίους προελθόντι ὡς δώδεκα εἰσὶν Ὄλμωνες, Ὀλμωνέων δὲ ἑπτά που στάδια Ὕηττος ἀφέστηκε κῶμαι νῦν τε οὖσαι καὶ εὐθὺς ἐξ ἀρχῆς: μοίρας δὲ ἐμοὶ δοκεῖν τῆς Ὀρχομενίας εἰσὶ καὶ αὗται καὶ πεδίον τὸ Ἀθαμάντιον. καὶ ὅσα μὲν ἐς Ὕηττον ἄνδρα Ἀργεῖον καὶ Ὄλμον τὸν Σισύφου λεγόμενα ἤκουον, προσέσται καὶ αὐτὰ τῇ Ὀρχομενίᾳ συγγραφῇ: θέας δὲ ἄξιον ἐν μὲν Ὄλμωσιν οὐδ᾽ ἐπὶ βραχύτατον παρεῖχον οὐδέν, ἐν Ὑήττῳ δὲ ναός ἐστιν Ἡρακλέους καὶ ἰάματα εὕρασθαι παρὰ τούτου τοῖς κάμνουσιν ἔστιν, ὄντος οὐχὶ ἀγάλματος σὺν τέχνῃ, λίθου δὲ ἀργοῦ κατὰ τὸ ἀρχαῖον.
[24.3] On the left of Copae about twelve stades from it is Olmones, and some seven stades distant from Olmones is Hyettus both right from their foundation to the present day have been villages. In my view Hyettus, as well as the Athamantian plain, belongs to the district of Orchomenus. All the stories I heard about Hyettus the Argive and Olmus, the son of Sisyphus, I shall include in my history of Orchomenus. In Olmones they did not show me anything that was in the least worth seeing, but in Hyettus is a temple of Heracles, from whom the sick may get cures. There is an image not carefully carved, but of unwrought stone after the ancient fashion.
CYRTONES & CORSEIA
[4] Ὑήττου δὲ στάδια ὡς εἴκοσιν ἀπέχουσι Κύρτωνες: τὸ δὲ ἀρχαῖον ὄνομα τῷ πολίσματί φασιν εἶναι Κυρτώνην. ᾤκισται δὲ ἐπὶ ὄρους ὑψηλοῦ, καὶ Ἀπόλλωνός ἐστιν ἐνταῦθα ναός τε καὶ ἄλσος: ἀγάλματα δὲ ὀρθὰ Ἀπόλλωνος καὶ Ἀρτέμιδός ἐστιν. ἔστι δὲ αὐτόθι καὶ ὕδωρ ψυχρὸν ἐκ πέτρας ἀνερχόμενον: νυμφῶν δὲ ἱερὸν ἐπὶ τῇ πηγῇ καὶ ἄλσος οὐ μέγα ἐστίν, ἥμερα δὲ ὁμοίως πάντα ἐν τῷ ἄλσει δένδρα.
[24.4] About twenty stades away from Hyettus is Cyrtones. The ancient name of the town was, they say, Cyrtone. It is built on a high mountain, and here are a temple and grove of Apollo. There are also standing images of Apollo and Artemis. There is here too a cool stream of water rising from a rock. By the spring is a sanctuary of the nymphs, and a small grove, in which all the trees alike are cultivated.
[5] ἐκ δὲ Κυρτώνων ὑπερβάλλοντι τὸ ὄρος πόλισμά ἐστι Κορσεία, ὑπὸ δὲ αὐτῷ δένδρων ἄλσος οὐχ ἡμέρων: πρῖνοι τὸ πολύ εἰσιν. Ἑρμοῦ δὲ ἄγαλμα οὐ μέγα ἐν ὑπαίθρῳ τοῦ ἄλσους ἕστηκε. τοῦτο ἀπέχει Κορσείας ὅσον τε ἥμισυ σταδίου. καταβάντων δὲ ἐς τὸ χθαμαλὸν ποταμὸς Πλατάνιος καλούμενος ἐκδίδωσιν ἐς θάλασσαν: ἐν δεξιᾷ δὲ τοῦ ποταμοῦ Βοιωτῶν ἔσχατοι ταύτῃ πόλισμα οἰκοῦσιν Ἁλὰς ἐπὶ θαλάσσῃ, ἣ τὴν Λοκρίδα ἤπειρον ἀπὸ τῆς Εὐβοίας διείργει.
[24.5] Going out of Cyrtones, as you cross the mountain you come to Corseia, under which is a grove of trees that are not cultivated, being mostly evergreen oaks. A small image of Hermes stands in the open part of the grove. This is distant from Corseia about half a stade. On descending to the level you reach a river called the Platanius, which flows into the sea. On the right of the river the last of the Boeotians in this part dwell in Halae-on-Sea, which separates the Locrian mainland from Euboea.
NEISTAN GATE OF THEBES
25. Θηβαίοις δὲ τῶν πυλῶν ἐστιν ἐγγύτατα τῶν Νηιστῶν Μενοικέως μνῆμα τοῦ Κρέοντος: ἀπέκτεινε δὲ ἑκουσίως αὑτὸν κατὰ τὸ μάντευμα τὸ ἐκ Δελφῶν, ἡνίκα Πολυνείκης καὶ ὁ σὺν αὐτῷ στρατὸς ἀφίκοντο ἐξ Ἄργους. τοῦ δὲ Μενοικέως ἐπιπέφυκε ῥοιὰ τῷ μνήματι: τοῦ καρποῦ δὲ ὄντος πεπείρου διαρρήξαντί σοι τὸ ἐκτὸς λοιπόν ἐστιν εὑρεῖν τὸ ἔνδον αἵματι ἐμφερές. αὕτη μὲν δὴ τεθηλὸς δένδρον ἐστὶν ἡ ῥοιά: ἄμπελον δὲ φῦναι μὲν οἱ Θηβαῖοι παρὰ σφίσι πρώτοις φασὶν ἀνθρώπων, ἀποφῆναι δὲ οὐδὲν ἔτι ἐς αὐτὴν ὑπόμνημα εἶχον.
[25.1] XXV. Very near to the Neistan gate at Thebes is the tomb of Menoeceus, the son of Creon. He committed suicide in obedience to the oracle from Delphi, at the time when Polyneices and the host with him arrived from Argos. On the tomb of Menoeceus grows a pomegranate-tree. If you break through the outer part of the ripe fruit, you will then find the inside like blood. This pomegranate-tree is still flourishing. The Thebans assert that they were the first men among whom the vine grew, but they have now no memorial of it to show.
[2] τοῦ δὲ Μενοικέως οὐ πόρρω τάφου τοὺς παῖδας λέγουσιν Οἰδίποδος μονομαχήσαντας ἀποθανεῖν ὑπὸ ἀλλήλων: σημεῖον δὲ τῆς μάχης αὐτῶν κίων, καὶ ἀσπὶς ἔπεστιν ἐπ᾽ αὐτῷ λίθου. δείκνυται δέ τι χωρίον ἔνθα Ἥραν Θηβαῖοί φασιν Ἡρακλεῖ παιδὶ ἔτι ἐπισχεῖν γάλα κατὰ δή τινα ἀπάτην ἐκ Διός: καλεῖται δὲ ὁ σύμπας οὗτος τόπος Σῦρμα Ἀντιγόνης: ὡς γὰρ τὸν τοῦ Πολυνείκους ἄρασθαί οἱ προθυμουμένῃ νεκρὸν οὐδεμία ἐφαίνετο ῥᾳστώνη, δεύτερα ἐπενόησεν ἕλκειν αὐτόν, ἐς ὃ εἵλκυσέ τε καὶ ἐπέβαλεν ἐπὶ τοῦ Ἐτεοκλέους ἐξημμένην τὴν πυράν.
[25.2] Not far from the gr
ave of Menoeceus is the place where they say the sons of Oedipus killed each other in a duel. The scene of their fight is marked by a pillar, upon which is a stone shield. There is shown a place where according to the Thebans Hera was deceived by Zeus into giving the breast to Heracles when he was a baby. The whole of this place is called the Dragging of Antigone. For when she found that she had not the strength to lift the body of Polyneices, in spite of her eager efforts, a second plan occurred to her, to drag him. So she dragged him right up to the burning pyre of Eteocles and threw him on it.
[3] διαβάντων δὲ ποταμὸν καλούμενον ἀπὸ γυναικὸς τῆς Λύκου Δίρκην — ὑπὸ ταύτης δὲ ἔχει λόγος Ἀντιόπην κακοῦσθαι καὶ δι᾽ αὐτὸ ὑπὸ τῶν Ἀντιόπης παίδων συμβῆναι τῇ Δίρκῃ τὴν τελευτήν — , διαβᾶσιν οὖν τὴν Δίρκην οἰκίας τε ἐρείπια τῆς Πινδάρου καὶ μητρὸς Δινδυμήνης ἱερόν, Πινδάρου μὲν ἀνάθημα, τέχνη δὲ τὸ ἄγαλμα Ἀριστομήδους τε καὶ Σωκράτους Θηβαίων. μιᾷ δὲ ἐφ᾽ ἑκάστων ἐτῶν ἡμέρᾳ καὶ οὐ πέρα τὸ ἱερὸν ἀνοίγειν νομίζουσιν: ἐμοὶ δὲ ἀφικέσθαι τε ἐξεγεγόνει τὴν ἡμέραν ταύτην καὶ τὸ ἄγαλμα εἶδον λίθου τοῦ Πεντελῆσι καὶ αὐτὸ καὶ τὸν θρόνον.
[25.3] There is a river called Dirce after the wife of Lycus. The story goes that Antiope was ill-treated by this Dirce, and therefore the children of Antiope put Dirce to death. Crossing the river you reach the ruins of the house of Pindar, and a sanctuary of the Mother Dindymene. Pindar dedicated the image, and Aristomedes and Socrates, sculptors of Thebes, made it. Their custom is to open the sanctuary on one day in each year, and no more. It was my fortune to arrive on that day, and I saw the image, which, like the throne, is of Pentelic marble.