From then on they went out together every morning. Nate insisted that Amy take him far into the catacombs during the day. There they found Gooville's underground farms: tunnels where grains of wheat grew right on the walls — no stalks — others where you could pick tomatoes from two-inch stems that seemed to grow directly out of rock.
"How does any of this ripen without photosynthesis?" Nate asked, handling an apricot that was growing not on a tree but on a broad stem like a mushroom.
"Don't know," Amy shrugged. "Geothermal heat. The Colonel says the Goo extends deep under the continent, where it draws heat from the earth. I'll show you the kitchens where they prepare most of the food — it's all geothermal. The old-timers say that at first there was only seafood to eat, but over the years the Goo has provided more and different foods."
"What are these? Chicken nuggets?" He plucked one from the ceiling.
A whaley boy working nearby whistled and clicked harshly.
"He says not to pick them, they're not ripe."
Nate tossed the nugget to the floor of the cave, where a softball-size multilegged thing scurried out of a hatch, retrieved it, and scurried back into its trapdoor.
"I've seen enough here," Nate said.
* * *
In the afternoon they did errands and shopping, but still no one asked Nate for any form of payment, and he'd stopped offering. In the evening they usually had dinner in his apartment. After they had shared two meals out at Gooville cafés, Amy had insisted that they eat in.
"You're studying them," she said, meaning the whaley boys.
"No I'm not. I'm just looking at them."
"Who are you kidding? You have that look, that researcher look, that lost-in-your-theories look. You think I don't know that look? I worked with you, remember?"
Nate shrugged. "It's what I do. I study whales." He'd been trying to learn the whaley boys' whistle-and-click language. Emily 7 had come by his apartment a couple of afternoons when Amy was away, and while he thought she might have come for amorous reasons, he managed to channel her energies into lessons on whaleyspeak. They'd become friends of sorts. He hadn't mentioned the lessons to Amy, afraid that she might tease him about Emily the way the whale-ship crew had. "I observe. I collect data and try to find meaning in it."
Amy nodded, thinking about it, then said, "So if rescuing manatees and dolphins got you into the field, why didn't you do something more active to help the animals? Veterinary medicine or something."
"I always wonder. I've thought about the people at Greenpeace and Sea Shepherd, putting themselves in harm's way, ramming whaling ships, running Zodiacs in front of harpoon guns to try to protect the animals. I've wondered if that was the way to go."
"And you thought you could do more as a scientist, studying them?"
"No, I thought that being a scientist was something that I could do. There's a path to becoming a biologist — an educational process. There isn't for being a pirate."
"No, you're wrong, there is a school for that. I saw it on a matchbook when I was in Maui. I'm sure it said you could learn to be a pirate if you passed a simple test."
"That's learn to draw a pirate."
"Whatever. So you compromised?"
"Did I? I think what we — what I do has value."
"So do I. I'm not saying that. I'm just wondering, you know, now that you're dead, do you feel your life was wasted?"
"I'm not dead, Amy. Jeez, that's an awful thing to say."
"You know, effectively dead, I mean. Your life being over. Jeepers, does that make me a necrophiliac? When we get out of here, maybe I'll have to go to a meeting or something. Do they have those?"
"Amy, I'm wondering if maybe I don't want to get out of here." He'd been thinking about it a lot. Life here really wasn't bad, and since he'd been looking for a way out on their daily excursions (only to be reminded that he'd have to go through the miles of pressure locks only to emerge six hundred feet below the sea), maybe he and Amy could make a future together. The whole Gooville ecosystem would certainly keep him interested.
"Hi, my name's Amy, and I hump the dead."
"Maybe, if I can talk the Colonel out of his plan, I can stay here with you. You know, adapt."
"I can't imagine that they'd get up at a meeting and say, 'Hi, my name's so-and-so, and I like to bone the dead. It's sort of crude. Although strangely appropriate."
"You're not listening to me, Amy."
"Yes I am. We're not staying here. I'll find a way out, but we can't stay. You have to convince the Colonel not to try to hurt the Goo, but then we're leaving. As soon as possible."
Nate was a little shocked at how adamant she was. She seemed to be staring at nothing, concentrating, thinking about something she didn't want to share, and she didn't seem happy about. But then she brightened. "Hey, you're going to get to meet my mother."
* * *
A week later it happened.
"Well, you always said that the jazz of what you do was knowing something that no one else in the world knows," Amy said. "You jazzed?" She took his arm and draped it around her neck as they walked.
They had just left the Gooville apartment of Amelia Earhart.
"She looks good, doesn't she?" Amy asked.
Amelia was a beautiful, gracious woman, and after sixty-seven years in Gooville, the aviatrix didn't look a day over fifty. She'd been just under forty when she disappeared in 1937. In her presence Nate had felt as if he were fifteen again, out on his first date, stuttering and stumbling and blushing — blushing, for Christ's sake — when Amy mentioned that she'd been spending nights at his place. Amelia made Nate sit next to her on the couch and took his hand as she spoke to him.
"Nathan, I hope what I'm about to say to you doesn't sound racist, because it's not, but I want to put your mind at ease. I have had a very long time to get used to the idea of my daughter's being a sexually active adult, and, frankly, if after all these years you are the one that she has chosen to fall in love with, which appears to be the case, I can only tell you how relieved I am that you are of the human species. So please relax."
Nate had shot a look to Amy.
She shrugged. "Every girl has her adventurous period."
"Thank you," Nate said to Amelia Earhart.
Now, out on the street, to Amy he said, "I shouldn't have asked how the flight was."
"She's still a little sensitive about that. Even after all these years. My dad was her navigator. He didn't survive the crash."
"But you said you were born in 1940. How could that be if your father died in 1937?"
"Robust sperms?"
"Three years? That's really robust."
She punched his arm. "I was rounding up. Give me a break, Nate, I'm old. You never grilled the Old Broad for accuracy like this."
"I wasn't sleeping with the Old Broad."
"But you wanted to, didn't you? Admit it? You were hot to get into her muumuu."
"Stop." Nate glanced at some whaley-boy males who were hanging out in front of the bakery (they always seemed to be there) doing a synchronized display wave with their willies, and he was about to defend himself with a comment about Amy's past, but then he decided that there was just no need to watch that little brain movie, let alone use it as some kind of weapon against what was essentially just Amy-style teasing — one of the things he found he adored about her as soon as he'd allowed himself to admit that he could adore someone again.
The whaley boys snickered at him as they passed.
"You guys are all just big, squeaky bath toys," Nate said under his breath, knowing they could hear him anyway. Nate had been insulting them every time he and Amy went by for a week or so, just to irritate them. Maybe Amy was rubbing off on him.
The whaley boys blew a collective sputtering raspberry.
"Sentient? You guys can't even spell sentient," Nate whispered.
And then the reward. He loved watching creatures with four digits try to flip him the middle finger.
"Yeah, I'm t
he immature one," Amy said.
Life is good, Nate thought. For the first time in as long as he could remember, he was happy. Kinda.
In the morning a brace of whaley boys came to take him to the Colonel. Amy wasn't even there to kiss him good-bye.
CHAPTER THIRTY-FIVE
Yeah, but You
Can't Dance to It
The Colonel was standing in the middle of the mother-of-pearl amphitheater when the whaley boys led Nate in.
"You two go on now," the Colonel said to the whaley boys. "Nate can find his way back."
"You came out of your lair," Nate said.
The Colonel looked older, more drawn than when Nate had seen him before.
"I don't want to be in contact with the Goo for what I'm going to tell you."
"I thought it didn't get information that way," Nate said.
The Colonel ignored him. "I was hoping you would have had a brainstorm to solve my problem, Nate, but you haven't, have you?"
"I'm working on it. It's more complex —»
"You've been distracted. I'm disappointed, but I understand. She's a piece of work, isn't she? And I mean that in the best sense of the word. Never forget that I chose to send her to you."
Nate wondered how much the Colonel knew about them and how he knew it. Reports from the whaley boys? From the Goo itself, through osmosis or some extended nervous system? "Distraction has nothing to do with it. I've thought a lot about your problem, and I'm not sure I agree with you. What makes you think the Goo is going to destroy humanity?"
"It's a matter of time. That's all. I need you to carry a message for me, Nate. You'll be responsible for saving the human race. That should go some measure toward consoling you."
"Colonel, is there any chance you can be more direct, less cryptic, and tell me for once what the hell you're talking about?"
"I want you to go to the U.S. Navy. They need to know about the threat of the Goo. One well-placed nuclear torpedo should do it. It's deep enough that they shouldn't have any problem justifying it to other countries. There won't be any fallout. They're just going to need someone credible to convince them of the threat. You."
"What about the people down here? I thought you wanted to save them."
"I'm afraid they're going to be a necessary sacrifice, Nate. What are five thousand or so people, most of whom have lived longer than they would have on the surface, compared with the whole human race, six billion?"
"You crazy bastard! I'm not going to try to convince the navy to nuke five thousand people and all the whaley boys as well. And you're more deluded than I thought if you think they'd do it on my word."
"Oh, I don't expect that. I expect they'll send down their own research team to confirm what you tell them, but when they get here, I'll see to it that they get the message that the Goo is a threat. In any case you'll survive."
"I think you're wrong about the Goo finding us dangerous. And even if you were right, what if it just decides to wait us out? On the Goo's time scale, it can just take a nap until we're extinct. I'm not doing it."
"I'm sorry you feel that way, Nate. I guess I'll have to find another way."
Nate suddenly realized that he'd blown it — his chance to escape. Once he was outside Gooville, there would have been nothing to force him to do what the Colonel wanted. Or maybe there would be. Right then he wanted very badly to see Amy.
"Look, Colonel, maybe I can do something. Couldn't you just evacuate Gooville? Drop all the people on an island. Let the whaley boys find somewhere else to live. I mean, if I reveal the Goo to the world, it's all sort of going to be out of the bag anyway. I mean —»
"I'm sorry, Nate, I don't believe you. I'll take care of it. Evacuation wouldn't make any difference to the people here anyway. And the whaley boys shouldn't exist in the first place. They're an abomination."
"An abomination? That's not the scientist I knew talking."
"Oh, I admit that they are fabulous creatures, but they would have never evolved naturally. They are a product of this war, and their purpose has been served. As has mine, as has yours. I'm sorry we didn't see eye to eye on this. Go now."
Just like that, this crazy bastard was going to plan B, and Nate had no idea how to stop him. Maybe that was what he was really brought here for. Maybe the Colonel was like someone who makes a suicide attempt as a cry for help, rather than an earnest attempt to end his life. And Nate had missed it.
He started to back away from the Colonel, desperately trying to think of something he could say to change the situation, but nothing was coming to him. When he reached the passageway, the Colonel called out to him from the steps by the giant iris.
"Nate. I promised you, and you deserve to know."
Nate turned and came a few steps back into the room.
The Colonel smiled, a sad smile, resolved. "It's a prayer, Nate. The humpback song is a prayer to the source, to their god. The song is in praise of and in thanks to the Goo."
Nate considered it. A life's work contemplating a question, and this was the answer? No way. "Why only male singers, then?"
"Well, they're males. They're praying for sex, too, aren't they? The females choose the mates — they don't need to ask."
"There's no way to prove that," Nate said.
"And no one to prove it to, Nate, not down here, but it's the truth. Whale song was the first culture, the first art on this planet, and, like most of human art, it celebrates that which is greater than the artist. And the Goo likes it, Nate, it likes it."
"I don't believe it. There's no evolutionary pressure for it to be prayer."
"It's a meme, Nate, not a gene. The song is learned behavior, not passed by birth. It has its own agenda: to be replicated, imitated. And it was reinforced. Have you ever seen a starved humpback, Nate?"
Nate thought about it. He'd seen sick animals, and injured animals, but he'd never seen a starved humpback. Nor had he ever heard of one.
The Colonel must have seen something in Nate's reaction. "There's your reinforcement. The Goo looks after them, Nate. It likes the song. I wouldn't be surprised if all of whale evolution — size, for instance — was accelerated by the Goo. We should have never started killing them. We wouldn't be at this juncture if we hadn't killed them."
"But we've stopped," was all that Nate could think to say.
"Too late," the Colonel said with a sigh. "Our mistake was getting the Goo's attention. Now it has to end. The gene has had its three and a half billion years as the driving force of life. I suppose now the meme will have its turn. You and I will never know. Good-bye, Nate."
The iris opened, and the Colonel walked into the Goo.
* * *
Nate ran all the way home, not sure how he had navigated through the labyrinth of tunnels, but found his way without having to backtrack. Amy wasn't at his apartment.
His pulse was throbbing in his temples as he approached the buzzy, bug-winged speaky thing to try to call her, but he decided instead to go directly to her on foot. He checked at her place, and then at her mother's, then at every place they'd ever been together. Not only was Amy gone, but no one had seen her mother either. Nate slept fitfully, tortured by the notion of what the Colonel might have done to Amy because of his own stubbornness. In the morning he went searching for her again, asking everyone he encountered, including the whaley boys by the bakery, but no one had seen her. On the second day he went back through the corridors to the Colonel's mother-of-pearl amphitheater and pounded on the giant black iris until his fists were bruised. There was no response but a dull thud that echoed in the huge empty chamber.
"I'll do what you want, Ryder!" Nate screamed. "Don't hurt her, you crazy fuck! I'll do what you want. I'll bring the navy down on this place and sterilize it, if that's what you want — just give her back."
When at last he gave up, he turned and slid down the iris facing the amphitheater. There were six killer-whale-colored whaley boys standing in the passageway opposite him, watching. They weren't grinning or sni
ckering for once — just watching him. The largest of them, a female, let loose a quick whistle, and they crossed the amphitheater, walking in a crescent-shaped hunting formation toward him.
* * *
Short of being a professional surfer or a bong test pilot for the Rastafarian air force, Kona thought he had found the perfect job. He sat in a comfortable chair watching sound spectrograms scroll across one computer monitor, while on another a program picked out the digital sequence in the subsonic signal and broke it into text. All Kona had to do was watch for something meaningful to come across the screen. Strange thing was, he really had started to learn about spectrographs and waveforms and all manner of whale behavior, and he was meeting the day feeling as if he was really doing something.
He ran his hand over his scalp and shuddered as he read the nonsense text that was scrolling across the window. Auntie Clair had bought him four forties of Old English 800 malt liquor, then waited until he'd drunk them, before persuading him to let her cut his dreads down so they matched on both sides (because his true natural state should be one of balance, she said. She was tricky, Auntie Clair). The problem was, in jail his dreads had been almost completely torn off on one side, so by the time she finished evening things out, he was pretty much bald. Out of deference to his religious beliefs (to allow him a reservoir for his abundant strength in Jah, mon), Clair had left him a single dread anchored low on the back of his head, which made it look as if a fat worm was exiting his skull after a hearty meal of brain cells in ganja sauce.
And speaking of the sacred herb, Kona was just on the verge of sparking up a bubbling smoky scuba snack of the dankest and skunkingish nugs when the text scrolling across the screen ceased being nonsense and started being important. He took a quick sip of bong water to steady his nerves, placed the sacred vessel on the floor at his feet, then hit the key that sent the streaming text to the printer.
He stood and waited, bouncing on the balls of his feet for the printer to expectorate three sheets of text, then snatched the pages and dashed out the door to Clay's cabin.
Fluke, or, I Know Why the Winged Whale Sings Page 27